Shadowdoom9 (Andi)'s Forum Replies

There are so many aspects that are exciting for me and have kept me in the site throughout the almost one and a half years I've been here, so here are some of them:

Forums - My favorite forums are the interactive ones where you get to share the metal music you like (or dislike in the "Stinkers Threads") with other members such as the "Track of the Day" threads, "Recommendation to Fellow Clan Members" threads, and the monthly Clan Playlists. Those threads allow me to share and recommend the metal songs and albums I enjoy, suggest tracks that can fit well with the clan playlists, and give feedback to both my suggested tracks and other different ones in the playlists, and they help me discover bands I haven't listened to before or have heard of but not yet fully interested. It's a total win-win!

Reviews - One of the crucial elements of any metal community website is, of course, reviews! I'm on quite a roll with reviewing albums from my current favorite bands and different releases that have been recommended to me. I actually have a few releases that I plan on reviewing next week (the two Coroner studio albums left for me to review, Twilight Force's Dawn of the Dragonstar, and HammerFall's Live! Against the World), and given how much fun I had reviewing approximately 523 releases (holy f***, that much!??), those next 4 releases should be a piece of metal cake!

Ratings - And yes, ratings are also included, review or no review. I enjoy both rating releases and covers, especially rating covers because of how unique that feature is. You can finally show how much you like or dislike a piece of art that has accompanied a metal CD, ranging from an epic viking battle that deserves a high rating (Amon Amarth) to a pointlessly offensive image with its sole purpose of making someone lose their lunch (early Type O Negative).

Anniversaries - A great way to celebrate the x5-year anniversaries of metal releases! And I think October really is THE month to celebrate metal anniversary Fridays, because besides those other two special Fridays, today we celebrate a bad-a**-whopping 28 releases in the Anniversaries celebration including two of my earlier favorite releases (Children of Bodom's Follow the Reaper and Amaranthe's Breaking Point - B-Sides 2011-2015 (the latter being mostly an acoustic album but I enjoy those last two songs that were originally bonus tracks in the deluxe edition of their debut album)). Excellent feature, but it does make some of us feel old. Not me though, the only thing that makes me feel old is when high-school-age teens have more metal talent than I wish I could (Alien Weaponry, anyone?).

Hall of Judgement - This is a very interesting idea, so that way a member can submit an album they think is different from the clan or genre the release is in with a valid reason and other members can vote YES or NO. My submissions weren't so easy or clear for the most part, but I still like that helpful feature.

And for any aspects I have no interest with... NONE!! I like them all, and I certainly care about rating covers and anniversaries for the reasons mentioned above. As for any new feature ideas or different changes, I have a few suggestions, Ben. The first few ideas are about the Gallery and I suggested them before but you never seemed to get around them. First off, PLEASE implement the ability to delete cover ratings! I know we talked about this earlier and you didn't think it was necessary, but that cover rating I changed my mind about I feel it's still haunting me, and what if I change my mind about a band and wanna get rid of my ratings for both its albums and covers? Am I gonna be stuck with a cover rating I thought I liked but didn't and wanted nothing to do with, for the rest of my life?! Anyway, next, I like that suggestion by SilentScream213 about editing the minimum of ratings for both charts and the Gallery to different options like 1, 5, 10, etc, better than having to stick with a set number. Can you please implement that if you still haven't planned on doing that? Same with the "Exclude release I've rated" option that's not in the charts yet, please add that too. And finally, this idea is for the Hall of Judgement, and it's in the long run; after a few more of the highest-voted releases get the 15 votes they each needed for the Hall to decide their fate (Vektor's Outer Isolation and Terminal Redux, Venom's Possessed, Voivod's War and Pain, and Coroner's Mental Vortex), whether we ask members who haven't voted for them yet to vote or just wait for them to vote, can you please add a separate section for the finished releases instead of being in the same place as the ones that are ongoing? The idea to put the finished releases in a separate section would make the Hall look less messy and easier to find releases to vote. Thanks Ben! You and Daniel are doing a great job building the site, keeping it interesting, and letting members help keep Metal Academy alive with suggestions, threads, reviews, and much more to come. Keep it up!

Here's a symphonic metal compilation video I found on YouTube. Enjoy its classic form while it's still around!


When I did my review for Gojira's The Way of All Flesh, I initially didn't think one of the songs "Yama's Messengers" stood out well because it was too sludgy for me at the time, but thanks to my tolerance for sludge improving, I now enjoy that song! And that alone has made me realize that album's true perfection.


I'll add that Twilight Force album to my review to-do list (along with that HammerFall live album and the two Coroner albums I haven't reviewed yet), especially "With the Light of a Thousand Suns" and its orchestral version.

Hey there, Xephyr! Yeah, that new Kamelot studio album The Shadow Theory was not the Kamelot release we wanted, but maybe its new live album is! I Am the Empire – Live from the 013 has many of the band's greatest hits all played in an epic performance, and the only songs from The Shadow Theory that were performed are what you consider the highlights or "a cut above the rest" ("Phantom Divine (Shadow Empire)", "Ravenlight", "Burns to Embrace"). Just ignore the unnecessary extensions and the fact that some songs are in their radio edits and you'll have a grand time with this live offering.

And how about some live heavy/power metal as well with the new HammerFall live release Live! Against the World! I haven't given it a full listen or review yet but I have a great feeling about it, and maybe you will too.


2015 & 2016 were the years that marked both some of their greatest recent highlights and their threatening lower points for some of those symphonic metal bands before heading down or up to the genre's current state. Kamelot's Haven is a great album but its dark experimentation foreshadows the band's downfall in The Shadow Theory. Fortunately, in my opinion, the 2015/2016 albums by Nightwish, Rhapsody of Fire, and Epica all show some of their most epic symphonic metal since 3 albums prior. The former helped by long-gone symphonic metallers After Forever vocalist Floor Jansen joining Nightwish as their new full-time lead singer. Twilight Force had already just joined the symphonic metal scene, shining with their glorious second album Heroes of Mighty Magic. However, with all these symphonic metal releases turning 2015 & 2016 into an epic pair of years, that Kamelot album Haven predicted the genre's possible downfall to occur a few years after, and that possible jinx is another reason why I initially started dumping my love for symphonic/power metal for my current modern heavier taste between 2017 & 2018. But then on the current years of 2019 & 2020, I finally regained some of my Guardians interest, thanks to my small throwbacks and many of you encouraging me to keep up my symphonic/power metal game. Sadly, that prediction was right; by that time, some of those bands already started going downhill with their current studio albums, including Nightwish, Kamelot, and Rhapsody of Fire (just not the same without Fabio Lione). There are a couple upsides such as Twilight Force's Dawn of the Dragonstar, which I've only listened to one song so far ("Hydra") but that one song gave me a great feeling about that album, and the new Kamelot live album that had many of their greatest hits played in an epic performance, despite its radio edits and unnecessary extensions. I just hope the upcoming Epica album Omega is just that awesome, that would really make me reconsider my move out of symphonic metal and move back in. And even though I've started listening to Septicflesh a year ago as part of my current arsenal, if only I gained more interest in Fleshgod Apocalypse...

3 incredible Infinite bands I started to enjoy and listen to, spanning across over 3 decades, from the late 80s/90s progressive groove/thrash of Coroner...

...to the 2000s progressive post-sludge of Isis...

...and finally, the 2010s progressive metal/rock of Haken:


Ben, please add the new Haken album Virus.
Ben, please add the new HammerFall live album Live! Against the World.

Swedish heavy/power metal to be enjoyed by fans of bands like Battle Beast, Iron Maiden, and Lord. Looking forward to getting the new HammerFall release, Live! Against the World, tomorrow as another small comeback to my earlier epic metal taste.


Once again, this whole debate over whether or not Atmospheric Sludge Metal should be both a Fallen and Infinite genre or just the Infinite is spiraling out of hand, and I'm torn between which position these Atmospheric Sludge albums should really stay on. With my fast expanding ambient sludge interest, I don't know why I should keep bothering with what the subgenre really is. I just wanna be able to enjoy this genre and explore more within the genre without pulling hard on its strings. So I'd like all albums mentioned here canceled out of this submission, with the sole exception of Solstafir's Svartir Sandar. That album is just pure post-metal/rock, and overall, Solstafir is not, I repeat, NOT sludge metal by any means. With that, the only release I'm submitting is Sólstafir's "Svartir Sandar", to be removed from The Fallen while keeping its existing position in the Infinite.
Actually neither. Looking back at them now, I feel bad for suggesting the removal of two albums that clearly have the right to be considered metal. While this site doesn't rely on outside sources, I'm sure there are many out there that say those albums are metal in some way. In fact, The Great Cold Distance is on PopMatters' Top Metal Albums of 2006 at #8, so why dethrone that kind of honor? Not only that, The Great Cold Distance is in The Gateway Alternative Metal Modern Era challenge, and recently, October's Gateway playlist, most likely the latter being what made me want to reconsider this submission. At the time I made this submission, I was a little shocked by the amount of rock put into the sound of both albums. That was the same kind of shock I felt when I saw Linkin Park's mainstream hit "In the End" on that Gateway playlist. So yeah, both Viva Emptiness and The Great Cold Distance are better staying in the Gateway and should probably stay that way. Submission cancelled!
I'm quite amazed at how many metal releases have a half-decade anniversary today (17, including those 3 special albums from 25 & 35 years ago). October is clearly a special month for metal anniversary Fridays!

My thoughts on some of the tracks (including my suggested songs):

Nevermore – “This Godless Endeavor” (from “This Godless Endeavor”, 2005)

9/10. Well that's interesting, adding a climatic epic right in the middle of the first half of the playlist. Either way, it's an amazing progressive thrash epic, starting with an acoustic intro, before switching to irresistible heaviness, and it has the best sweeping passage of the album right before the climactic ending.

Coroner – “Divine Step” (from “Mental Vortex”, 1991)

10/10. Oh yeah, a song I initially thought was a stinker for myself, but I now recognize as the enormous starter progressive/thrash metalheads really love. It frantically yet decently punches through the discordant verses and riffs, powerful enough to blow my mind harder than a head-shot through the temple. I also enjoy the mellow bridge that contrasts against the typical heaviness and metallic guitar strength. What I thought was too out of place is now in place again!

Annihilator – “Armed To The Teeth” (from “Ballistic, Sadistic”, 2020)

10/10. Holy h*ll, this is incredible!! This is basically ballistic tech-ish thrash similar to early Coroner alongside main founder Jeff Waters channeling his inner James Hetfield (both the vocals and guitars)! Absolutely KILLER!!!!

Lamb Of God – “Laid To Rest” (from “Ashes Of the Wake”, 2004)

11/10 (not exaggerated). My absolute favorite song from a band in The Pit, though Lamb of God is more of a groove/thrash metal band unlike the 3 progressive/thrash metal bands I've commented on. It's an awesome standout with a meaner vibe than the other songs I've mentioned. The spoken narration during the intro is a nice unique addition. The riff in the bridge as Blythe yells "SEE WHO GIVES A F***!!" is fantastic. And of course, we can't forget about the infamous long "FAILURE!!!" scream. Excellent song!

Those songs are really great, thanks Ben and Daniel! However, I won't immediately start listening to the rest of Annihilator's discography. I'm still new to thrash metal going back to the late 80s (other than early Neurosis which is more on the hardcore side), and about a week or two from now, I plan on getting a couple other band discographies, including Coroner, which would be a good starting point for me before I get to the further Annihilator side of the tech-thrash bridge that I plan on crossing a couple weeks after. I'm taking my slow time... I'm heading toward thrash metal's golden age without my taste going too deep into the old!

So I've just listened to and reviewed that Coroner album R.I.P. since I'm a fan of Vektor and have already reviewed two Voivod albums, and that album alone made me flip my opinion about Coroner around 180! I've tested that theory by listening to one of their later songs that was originally a stinker for me yet a favorite for most other fans of the band and the genre, and wouldn't you know it, I actually love it now, indeed one of the best songs from the band and all of progressive metal! I think it was Neurosis' late-80s thrashy hardcore albums that made me realize the older metal potential. So yeah, thanks Daniel for helping push my metal age limit a little further and indirectly getting me interested in a band that I thought didn't work out for me but does now. Here's the song that I'm talking about, that I now see as a true progressive thrash classic:


Pretty much all of the common longtime Fallen members (including myself) have listened to at least one of the true masters of a doom metal genre; Draconian (gothic doom), My Dying Bride (death-doom), and Cult of Luna (post-sludge doom). However, there might be a few new Fallen members who are new to doom metal and any of its subgenres, in need of a little doom education. So for those new Fallen members, I present...The Fallen introductory transitional trilogy!

This order goes from classic to experimental, starting with the death-growling (with occasional female singing) gothic doom of Arcane Rain Fell, adding male clean vocals into the death-doom of The Light at the End of the World, and ending with post-sludge doom of Somewhere Along the Highway with hardcore yelling. These albums really make me remember my strong passion for The Fallen clan and some of its bands of different genres despite their slow melancholy, and maybe they can influence you to discover much more within The Fallen and become a Fallen master like some of us. Remember, this is for new Fallen members to enjoy and be educated!

A grand progressive post-sludge epic from the latest Ocean album, featuring the voice of Katatonia's Jonas Renkse:


Didn't I already share that Meshuggah track here earlier this year?? That's OK because that song is filled with great strong djent!

Here are my suggestions for November's playlist. Since I'm currently the only active Revolution member, and you were able to accept almost all my suggestions for previous playlists, I'm gonna keep adding more than 3 suggestions. However, since it looks like my Revolution playlist suggestion limit has gone slightly lower in October, for November's playlist, I'm gonna suggest 6 songs instead of 7.

Amaranthe - "Invincible" (from The Nexus, 2013)

Between the Buried and Me - "Aspirations" (from Between the Buried and Me, 2002)

Bleeding Through - "Rise" (from Portrait of the Goddess, 2002)

Prayer for Cleansing - "Feinbhas a Ghabhail" (from Rain in Endless Fall, 1999)

Threat Signal - "Rational Eyes" (from Under Reprisal, 2006)

Winds of Plague - "Drop the Match" (from Against the World, 2011)

Here are my suggestions for November's playlist. Daniel, please choose these songs:

Ne Obliviscaris - "Intra Venus" (from Urn, 2017)

Seventh Wonder - "The Promise (Studio version)" (from Welcome to Atlanta Live 2014, 2016)

The Contortionist - "Flourish" (from Exoplanet, 2010)

Here are my suggestions for November's playlist. Daniel, please choose these songs:

Dream Evil - "Dream Evil" (from Six, 2017)

Edenbridge - "Shine" (from Shine, 2004)

Machinae Supremacy - "Laser Speed Force" (from Rise of a Digital Nation, 2012)

Here are my suggestions for November's playlist. Daniel, please choose these songs:

Cult of Luna - "Ghost Trail" (from Eternal Kingdom, 2008)

Katatonia - "Saw You Drown" (from Discouraged Ones, 1998)

Tiamat - "Cain" (from Prey, 2003)

Also on this day:

A classic power metal album from my earlier epic metal taste! D*mn, this album is almost the same age as me. And seeing how many albums are having their anniversaries today, a total of 16, including those other two special albums, we can consider October 9 a special day for metal!

Those 3 tracks I commented on were an easy cinch to listen to, but the Black Breath track was quite a struggle and when it was over, it made me think "Nah, I'm out of this playlist". Despite its odd position, this playlist would be a great journey for Horde members from melodic to brutal and I approve of that track listing. They'll like it!

My thoughts on some of the tracks (including my suggested songs):

Shadows Fall – “The Unknown” (from “Fire From The Sky”, 2012)

10/10. One of the best Shadows Fall songs ever! Shredding licks, a singable chorus, dual vocals, and superb song structuring, this song has them all and is how a lot of the album Fire From the Sky goes.

All That Remains – “The Deepest Gray” (from “This Darkened Heart”, 2004)

8/10. Not as awesome as that Shadows Fall song, but I still enjoy this. It has a double-edge sword in vocals with one edge being the rough grunts and screams and the other edge being the melodic clean vocals. Labonte's clean vocals come in during the chorus at the same time as low grunts and high screams.

Between The Buried & Me – “Mordecai” (from “The Silent Circus”, 2003)

10/10. This was back when BTBAM was more metalcore than the progressive metal that would dominate their later releases. It is the high point of the album The Silent Circus. It begins with the technical death metal from bands like Suffocation and Misery Index and, after a brief 5-second Steve Vai/Frank Zappa riffing, the relentless action of The Dillinger Escape Plan. Then there's a bit of a melodic death/groove metal section. After that, everything changes with guitars switching from distorted to clean, and Tommy Rogers delivers his first ever clean vocals in a soft style similar to Thom Yorke. Keyboards and heavy chords come in before the song becomes a full-on metalcore power ballad, with Rogers' emotive singing and clean guitars from Paul Waggoner.

Ice Nine Kills – “Stabbing In The Dark” (from “The Silver Scream”, 2018)

10/10. A killer song perfect for October's playlist because it's directly based on the horror film Halloween. The music transits from soft and beautiful to a brutal onslaught of growling vocals, intricate guitars, and heavy drums as the horror goes on. You know how I said that there's a music video my alt-rock-loving brother recommended I watch and listen that made interested in Ice Nine Kills. That video is this song! I care more about the music than the videos, so I skipped the video and went onto the song which is incredible! There's also a recent acoustic version featuring Matt Heafy from Trivium whom I think would fit better in the originally heavy version.

Converge – “The Broken Vow” (from “Jane Doe”, 2001)

9/10. This is a song from one of the greatest non-melodic metalcore albums ever, Converge's Jane Doe! has remarkable lyrics from not just Bannon but also from other hardcore vocalists like Kevin Baker (The Hope Conspiracy), Tre McCarthy (Deathwish Inc.), and Caleb Scofield (Cave In), especially during the final screaming line, "I'll take my love to the grave!!" Yes I am commenting on another track that features the late Caleb Scofield. RIP

Misery Signals – “Set In Motion” (from “Controller”, 2008)

10/10. I knew getting interested in Misery Signals was the right move. I love this one! Especially the guitar tones that might remind some of Himsa. Thanks for including this perfect song, Daniel, along with my suggestions!

My thoughts on some of the tracks (including my suggested songs):

ISIS – “1,000 Shards” (from “In The Absence Of Truth”, 2006)

10/10. Attempt #2 at getting interested in Isis (because of my newly growing interest in ambient sludge), and IT'S GOOD!! Hopefully I won't change my mind later. This is great for when you're chilling at home at a time when the virus is making a comeback and you can't walk around the city. You can be able to travel into amazing beautiful dimension without leaving your home! There are some cool parts to highlight like the fantastic transition at the one and a half minute mark and the chilling section at the three and a half minute mark. There's also great guest vocals by the late Caleb Scofield (from Cave In). After his death, Isis performed a special reunion show dedicated to him (under a new name Celestial, to not be confused with that terrorist group). If you're even in a distant rain-forest contemplating eternal discoveries of the universe, this is a special song written for that. You might think of this as similar to Tool, and that kinda makes sense, except Tool is more on the alt-metal side (NOT nu metal like Slipknot). This song shows how much the band can blend all their instruments into a stew of beautiful brilliant ambiance worth praising. After finally getting interested in Neurosis, I knew this band would be my next step in my post-sludge journey. Isis is one of those bands whose style you might instantly love at first listen, and that's how I felt when I made my first try but somehow did a quick 180 and didn't return to listening to this band. Too bad this beautiful-sounding band already split up, but at least there are other projects for some of the members to focus on like Bryant Clifford Meyer in Red Sparrowes. This song is so incredibly intricate that I wanna have the chance to explore all their other albums in any random order. Both the music and lyrics are emotionally top-notch! I also like that snare sound that guides through this fantastic experience. This can very well be one of my favorite post-progressive metal songs. They don't need to go as brutal as Edge or Sanity or Augury to be progressive. It's just blows me away to hear all this awesome diversity. An amazing mesmerizing song for even the most brutal metalheads! I think The Ocean is slightly below this genius band. This song can take you into a world of imagination much better than those other bands that claim to do so but really don't such as nu metal bands like Korn. Isis should have more history than old rock bands like The Beatles, same with Agalloch, Intronaut, and especially Cult of Luna with similar harmonic structure. Isis and those 3 other bands, along with Neurosis are true post-metal heroes. Now if only I can give Panopticon another go. Thanks Xephyr for submitting this shining post-sludge star, and Daniel for including it!

Dream Theater – “As I Am” (from “Train Of Thought”, 2003)

9/10. A killer song from Dream Theater's heaviest album Train of Thought. Enough said!

Opeth – “Demon Of The Fall” (from “My Arms, Your Hearse”, 1998)

10/10. A splendid song to end this playlist. Another heavier progressive metal song and one of the best masterpieces in that genre! It's my favorite in that album with many riffs ranging beautiful and mighty to hellish and powerful. It's dark and heavy throughout, leading up to a sad but hopeful ending riff. Evil yet beautiful! With more dark and calm moments coming the next few songs in this album, it's impossible not to love this progressive death metal diamond heart. And I'm listening to this in Autumn, a great season for dark melodic songs like this. It's great hearing these diabolical growls that have recently been disposed of in their 2011 softer Mastodon-like album Heritage. The last two minutes leading to the outro riff can bring you tears. Seriously, those deathly screams are now timeless memories and can remind you of a mythological demon in darkness. Great perfect progressive death metal right there, despite an annoying kick sound. Thanks again Daniel for including it and save this best song for last!

My thoughts on some of the tracks:

In Mourning – “Past October Skies (The Black Lodge Revisited)” (from “Shrouded Divine”, 2008)

8/10. An excellent way to start this playlist, revisiting the epicness of its prequel, "The Black Lodge" in a great ending to one of the best progressive/melodeath albums ever! I like "The Black Lodge" slightly better though.

Septicflesh – “Virtues Of The Beast” (from “Sumerian Daemons”, 2003)

9/10. Another excellent epic melodeath tune, a majestic song with a creepy tune lurking in an old cave, followed by haunting vocals and synths that rise from the epic death-doom fires then fall back down.

Black Breath – “Feast Of The Damned” (from “Sentenced To life”, 2012)

7/10. REALLY?!? Interrupt a pleasant melodeath beginning with a death-thrash track?! Well I kinda like its Slayer vibe, but it's a little too intense for me and anyone wanting to start melodic before going extra-spicy! But I would like to say... RIP Elijah Nelson.

At The Gates – “Blinded By Fear” (from “Slaughter Of The Soul”, 1995)

10/10. Now this is the kind of intensity I enjoy, when it's mixed with melody. "Blinded by Fear" is one of the greatest melodeath songs of all time! It crashes in with some incredibly lightning fast action without ever slowing down. Guitarist Anders Bjorler and Martin Larsson make some incinerating impossible to head-bang guitar work. Drummer Adrian Erlandsson manages to blast through the blistering fast tempo. Tomas Lindberg screams with true majestic rage in his voice. Fantastic!

The first few songs are pretty great, thanks Ben and Daniel! I'm not kidding when I say that this playlist should've started a little more melodic. Starting with a few melodeath songs is a good starting point for anyone new to death metal or metal in general to begin with the more melodic stuff before digging deeper into death metal's gory brutality. However, that Black Breath track might catch them off-guard, a brutal death-thrash song in the middle of a melodeath beginning. That song probably should've been track #6 after the Insomnium and Wolfheart ones. Other than that, good playlist, Daniel!

My thoughts on some of the tracks (including my suggested songs):

Freedom Call – “The Darkness” (from “Legend Of The Shadowking”, 2010)

9/10. This is one of the darkest power metal songs I've heard in my earlier epic metal taste. I suppose anyone can say Powerwolf is darker than this but for some reason I've never really listened to that band back then, so we'll go with this Freedom Call track that I was more familiar with. This one starts with a doomy intro before switching to a typical power metal song with a dark vibe. I chose that one because it seems so Halloween-ish enough for the October playlist.

DragonForce – “Cry Thunder” (from “The Power Within”, 2012)

11/10 (not exaggerated). Another one of my favorite DragonForce songs, and my favorite with their new vocalist Marc Hudson! An amazing song worth playing air-guitar until your fingers break and headbanging until you sprain your neck. Its mid-tempo pace (unlike their usual faster songs) reminds me of Irish folk and especially the Skyrim theme. This would fit well for when Thor has his own army to lead him into war and fight. Seriously, it's that awesome!! You can't miss this! It fits well not just for Skyrim or Final Fantasy but also for any MMORPG that has ever existed. I agree with anyone who says this is nice and beautiful. It's really good for when medieval dragons face off against space aliens. An epic hit that has established DragonForce as one of the greatest modern power metal bands besides Alestorm. Well done, DF!

Blind Guardian – “Majesty” (from “Battalions Of Fear”, 1988)

10/10. The one song that opened Blind Guardian's career in their own big bang, a speed metal classic chosen for this playlist because it foreshadows their more majestic power metal sound. But what's with the odd circus organ intro though!? This is the ultimate opener for a speed/power metal band's discography, as grand as how Black Sabbath made their grand opening of heavy metal with the first track of their first album back in 1970. The mix of Lord of the Rings lyrics with speed metal is known as a prototype for their power metal sound, and is tied with "Valhalla" as their best song from their earlier speed metal era, both caught in a 3-way tie with "Mirror Mirror" for the ultimate Blind Guardian song. The last two minutes are absolutely killer with amazing majesty and speedy force, especially the drums. It's enough to even make Metallica surprised by how superb this band is. A majestic beginning of a band's glorious journey!

My thoughts on some of the tracks (including my sole suggestion):

Neurosis – “No River To Take Me Home” (from “The Eye Of Every Storm”, 2004)

10/10. This Neurosis song is one of the most clever mixes of extreme and ambient you would ever come across. It opens with a searing riff of mourning loss, then develops into flowing mid-paced guitars, followed by a quiet smoothing duet between the two vocalists/guitarists Steve Von Till and Scott Kelly (the latter I know more about since his frequent collaborations with Mastodon).

Type O Negative – “Creepy Green Light” (from “World Coming Down”, 1999)

9/10. Another familiar tale of losing a loved one by untimely death. I chose that song because it is one of their more popular singles despite having been rarely played live and it also fits for this month's playlist due to its Halloween reference ("Halloween in Heaven" would've been better but that song wasn't on Spotify). "Creepy Green Light" let us see the light of gothic doom metal and the tragedies within the lyrics we can kinda relate to.

Here's a complete list of instrumentals from tech-death/thrashers Revocation (including their time as Cryptic Warning) for you to consider which ONE or a FEW to include in your possible Spotify playlist:

1. Thrashterpiece Theatre

2. Man in the Dark

3. Alliance and Tyranny

4. Stillness

5. Enter the Hall

6. Across Forests and Fjords

7. Fractal Entity

8. Spastic

9. Apex

10. The Exaltation

11. Ex Nihilo

Many of these instrumentals are thrashy to fit in with the other instrumentals here! Not only that, if I can make my own Spotify playlist, I might include this list as an unofficial compilation of all Revocation instrumentals, or I can write my own lyrics based on them to test my lyric-writing skills (evident in this project: https://metal.academy/forum/23/thread/509). But since this is your playlist, Sonny, please feel free to choose just ONE or a FEW from my list. Enjoy!

Finally listening to more of post-sludge legends Neurosis! Here's a good song from them:


Here are a couple metalcore bands that I love one of their songs so much to enjoy the rest of their discographies. This first band is Coldrain, alternative metalcore from Japan for fans of Fear and Loathing in Las Vegas, early-2010s Bring Me the Horizon, and early-2000s Linkin Park (even this video is inspired by one of Linkin Park's videos):

The other band is Misery Signals, melodic progressive-ish metalcore from Wisconsin (where my dad's from!) for fans of August Burns Red, After the Burial, and late-2000s Protest the Hero:


An amazing example of progressive doom/death from Massachusetts, USA.

Quoted Daniel

That song is indeed amazing! I sense some prominent Wildhoney influences in there...

October 02, 2020 01:53 AM

Thanks Ben! Yeah I was a bit eager to put in multiple releases at once in a single thread when I could've put each one in different relevant clan forums which I thought would be some hard work. Just like that "Tracks of the Day - Multi-Clan Edition" thread, I shall stop using this one and stick with the single-clan threads. This multi-clan thread is over!

Sorry Daniel, just trying to make a point here. I'll delete that "PM" from this thread...
Oh I see... I was just a little shocked to see a globally popular song in the playlist. I didn't realize that some of you haven't heard it as frequently as many other people around the world. Anyway, you're both right. While the playlists can have underground tracks, they can also have mainstream tracks, even the most overrated and over-promoted ones. And since Linkin Park has been one of the most popular alt-metal bands, their albums from that era are essential for any Gateway member wanting to explore alt-/nu metal besides the other 3 giants of that style; System of a Down, Korn, and Deftones. Anyway, I haven't really listened to that playlist but I applaud the track listing looking good for Gateway members to listen to. They'll definitely enjoy it!
Cool playlist, Daniel, but in the future can you please not include Linkin Park singles like "In the End"? Don't get me wrong, that was a good song from when I used to Linkin Park 8 years ago, sometime before becoming fully interested in "real" metal, but it's one of the most popular songs from one of the most popular rock/metal bands of modern times and pretty much everybody knows it. I personally think the whole point of these playlists is to help us metalheads find songs from bands ranging from inaccessible underground to mildly popular enough for many metalheads to know but not to the point where it hits mainstream radio or "MTV Hits" or any place shared with the popular music some of us are tired of. If you wanna include songs from Linkin Park's nu metal era in future playlists, of course you can, but it would be better if they're non-single tracks like "Points of Authority", "Runaway", "Lying From You", "Easier to Run", etc. Anyway, The Gateway members might definitely enjoy the rest of this playlist. Good work, Daniel!
October 01, 2020 10:34 AM

Ben, please add these new albums:

Avatar - Hunter Gatherer (I was going to suggest that album when it come out two months ago but I forgot)

The Ocean - Phanerozoic II: Mesozoic / Cenozoic (if you end up including it with The Fallen clan and Sludge Metal label, please put in the Hall of Judgement with the proposal of removing that clan and genre tag, reasons mentioned here: https://metal.academy/forum/28/thread/385?page=1#topic_4402)

Amaranthe - Manifest (will be released tomorrow)

Hi Ben, I decided that this submission is back on! Daniel PMed me saying that the reason he didn't include my Solstafir track submission in October's Fallen playlist is because, beside it being too long, the album that track was in doesn't qualify as part of The Fallen. I was confused because I remember that album having The Fallen as one of its clans with the Sludge Metal label at that time, and now it's gone! I'm guessing you took it out of The Fallen without putting it in the Hall of Judgement because the Atmospheric Sludge Metal tag no longer meets the RYM 2:1 ratio criteria and it doesn't really sound like any kind of sludge at all. And you know what, I agree with you and Daniel! That album is basically post-/progressive metal with the last few fragments of their earlier black metal instrumentation (such as the last 3 minutes of that song I submitted, "I Myself the Visionary Head"). Yeah, it's clear that Solstafir is not, I repeat, NOT sludge metal by any means. The only Solstafir album left to have the sludge metal label is Svartir Sandar, and for the same reasons as those Ocean albums, I'd like that album taken out of The Fallen as well. Once again, I'm suggesting removing The Ocean's "Anthropocentric", "Pelagial", "Phanerozoic I: Palaeozoic", and "Phanerozoic I: Palaeozoic (Instrumental)", and Sólstafir's "Svartir Sandar" from The Fallen while keeping their existing position in the Infinite.
I know I already gave that maudlin of the Well album a rating, but not yet a full review. I shall soon work on a review for that album along with their debut My Fruit Psychobells...
September 30, 2020 11:32 PM
Nicely done with these new playlists, Daniel! In a few days from now, I plan on writing my feedback for some of the songs from the playlists for my current clans plus my former clan The Horde. Don't worry, I'll still do suggestions for November's playlists, I just need some time to think. Stay tuned for my feedback!

I did my review, here's its summary:

I've listened to a few songs from Insomnium before writing the original review, but I still don't really feel any interest in this band. But how can that be? They're like a Finnish Amon Amarth with the viking lyrics taken out and acoustic atmospheric elements taking their place. Their largely consistent style is close to early Gothenburg-style melodeath with slight occasion helpings of other Finnish melodeath bands such as Kalmah and Norther. Their appealing taste comes from the ability to deliver their sound just right, staying in one element for a decent amount of time before switch to the next without any overtly progressive pretension. Apparently, their audience really likes rage and sorrow, so that's what the band has given them, all bottled up in a disc. Here they picked up the pace and a slight power metal-like approach. They have a highly effective attempt to avoid any common repetition and the mundane verse-chorus formula that has infected Swedish melodeath bands like Amon Amarth and sometimes The Crown. Recurring themes occur often but the embodied ambiguity makes clear choruses not too obvious. While catchy and memorable, the flow of melody isn't clearly symmetric in design, though the broad acoustic sections each mark a cadence in the sound of separation. Though there are a few flaws, many of the songs come together in a dark epic journey creating a well-formulated adventure without being too adventurous. This melodeath is something any metal band can appreciate for a mix of melodic and extreme without any excess similarities to other bands. The only flaw is their sound not being expanded. However if every melodeath band expand that genre, it would lose its unique recognition. So enjoy the awesome melodeath while it's still around!

4.5/5

September 30, 2020 10:37 AM

Two-Week Quarantine (All That Remains COVID parody about the risk of quarantine)

Rules you neglected they call you out, no! Please!
Unless you're stronger than this now
Virus-infecting mistakes surpass, it seems
And they exist to sicken you

And still you feel like the loneliness
Can't get any worse than this
They don't believe it this way
And I can see the fear in your eyes
The cases materialize
Growing stronger each day

I could see that your lungs are stoned
Still breathing I can hear you say
"Oh please don't give up on me"
Two weeks you're locked away
I remember your quarantine
Everything is just not your way
Swear I'll never give up on you

I wanted nothing but your freedom again
When you're not sick you can take it
You fear the virus would now exist in you
You seem so fit to prevent it

And still you feel like the loneliness
Can't get any worse than this
They don't believe it this way
And I can see the fear in your eyes
The cases materialize
Growing stronger each day

I could see that your lungs are stoned
Still breathing I can hear you say
"Oh please don't give up on me"
Two weeks you're locked away
I remember your quarantine
Everything is just not your way
Swear I'll never give up on you

Rules you neglected they call you out, no! Please!
Unless you're stronger than this now
You fear the virus would now exist in you
You seem so fit to prevent it

And I can see the fear in your eyes
The cases materialize
Growing stronger each day

I could see that your lungs are stoned
Still breathing I can hear you say
"Oh please don't give up on me"
Two weeks you're locked away

I could see that your lungs are stoned
Still breathing I can hear you say
"Oh please don't give up on me"
Two weeks you're locked away
I remember your quarantine
Everything is just not your way
Swear I'll never give up on you

RIP former Trivium bassist Brent Young );


Oh, well if I knew that before the playlist's completion, I would've added another suggestion. Can't wait to see the October playlist!

Anime techno-rave trance-metalcore from Japan to please fans of Amaranthe, Dir En Grey, Enter Shikari and a bit of anime theme music:


Type O Negative - "Halloween in Heaven" (from Dead Again, 2007) (Since it's gonna be October, that last song would fit greatly in the playlist, so please remove my earlier requested Type O Negative song ("Creepy Green Light") and add this one instead.)

Quoted shadowdoom9


Andi, this track is not on Spotify as far as I can see..

Quoted Daniel

Hmmm... Is "Creepy Green Light" available on Spotify? (see my (again) edited list above)