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Daniel

Nice list Vinny. Is there any significance to the order, or is it just "as they come"?

133
Daniel

Sure, Vinny. Here's the updated roster for May, with your name added to The North for June (and swapping yours and Sonny's places in The Pit back to where they were before the original update for May, so sorry about the confusion):

THE FALLEN: SONNY, Vinny

THE GATEWAY: SAXY, Andi

THE GUARDIANS: SONNY, Karl, Andi

THE HORDE: VINNY, Sonny, Karl

THE INFINITE: ANDI, Saxy

THE NORTH: KARL, Vinny, Sonny

THE PIT: VINNY, Sonny

THE REVOLUTION: ANDI

THE SPHERE: ANDI

207
Daniel

Merciless - "Unbound" (1994)

The third full-length from these Swedes sees them returning with a slightly more polished & melodic sound than the one they'd built their early reputation on. The claims for "Unbound" being a melodic death metal record are overstated though as there are really only a couple of tracks that fully qualify for that subgenre with the rest of the material fitting much better under the death/thrash tag. Perhaps the fact that Rogga Pettersson's vocals sit somewhere between Carcass' "Jeff Walker & At the Gates' Tomas Lindberg is partially responsible for those links but the rest of the music is admittedly a little more tame than a record like 1990's excellent "The Awakening" debut. Interestingly, I find the opening title track to be the least interesting inclusion as it's generally thought to be the highlight but is a little too melodic for my taste. I quite liked "Unbound" back in my tape trading days & that hasn't changed but I'm not sure I can see myself returning to it too often in the future.

For fans of Protector, Massacra & Grotesque.

3.5/5

140
Daniel

Throbbing Gristle - "At the Factory, Manchester" (1979)

This live album is highly regarded in terms of the early industrial scene & you can easily see why too as it presents one of the coldest & most barren visions of the world you're likely to find. There are some fabulous highlights included here but there's also a bit of inconsistency as the line that Throbbing Gristle tip toe along between pure noise & genius is a difficult one to get exactly right. Still,,, the wins easily outweigh the losses so I find myself coming out of the experience (& it IS an experience) feeling largely fulfilled.

For fans of Psychic TV, Cabaret Voltaire & Nurse With Wound.

3.5/5

0
Daniel

Eric B. & Rakim - "Follow the Leader" (1988)

The follow-up album to 1987's highly praised "Paid In Full" debut album is a very strong example of the early hip hop sound. Rakim's rapping is excellent & is the main driver behind the duo's success. The opening title track is one of the greatest tracks in hip hop history in my opinion. The overall consistency in the tracklisting means that there's a only a bee's dick between "Follow the Leader" & Public Enemy's classic "It Takes a Nation of Millions to Hold Us Back" sophomore album that was released just a month earlier which should give you an indication of the overall quality of offer here.

For fans of Boogie Down Productions, EPMD & Big Daddy Kane.

4/5

0
Daniel

They/Live - "Nature & Structure" (2025)

Synthy, poppy, electronic goodness right here.  Perfect soundtrack to ease me into the working day.  Was a fan of their previous effort "Ablation" but this is a step up.

462
Daniel

April 2025

1. Klank - "Time" from Still Suffering (1995)

2. Illidiance - "Deformity" from Deformity (2013)

3. Circle of Dust - "Onenemy (Fury Weekend Remix)" from Circle of Dust (Remixed) (2022) [submitted by Shadowdoom9 (Andi)]

4. Celldweller - "I Believe You" from Celldweller (2003) [submitted by Shadowdoom9 (Andi)]

5. Cypecore - "Spirals" from Version 4.5: The Dark Chapter (2023)

6. The Amenta - "Slave" from n0n (2008) [submitted by Shadowdoom9 (Andi)]

7. Death SS - "Heck of a Day" from The 7th Seal (2006)

8. Nailbomb - "Guerrillas" from Point Blank (1994)

9. OOMPH! - "Feiert das Kreuz" from Sperm (1994)

10. Malhavoc - "Empirical Minds" from The Release (1990)

11. Fear Factory - "Descent" from Obsolete (1998) [submitted by Shadowdoom9 (Andi)]

12. Halo - "Perpetual Rust" from Guattari (From the West Flows Grey Ash and Pestilence) (2001)

13. Skrew - "Sputnik" from Angel Seed XXIII (1997)

14. Godflesh - "Live to Lose" from Us and Them (1999) [submitted by Shadowdoom9 (Andi)]

15. Rammstein - "Laichzeit" from Herzeleid (1995)

16. Turmion Katilot - "Kuoleman Juuret" from Global Warning (2020)

17. Sybreed - "I Am Ultraviolence" from The Pulse of Awakening (2009) [submitted by Shadowdoom9 (Andi)]

18. We Are PIGS, The Anix - "Brazen" from Brazen (2021)

19. Uniform - "Alone in the Dark" from The Long Walk (2018)

20. Pitchshifter - "Stop Talking So Loud" from PSI (2002)

21. Device - "Haze (feat. M. Shadows)" from Device (2013)

22. Black Comedy - "Lord of Locust" from Instigator (2008)

23. Combichrist - "Planet Doom" from CMBCRST (2024)

24. Neurotech - "Decipher" from The Decipher Volumes (2013)

25. Megaherz - "Augenblick" from 5 (2004)

46
Daniel

April 2025

1. Dal Av - "Petrichor" from Petrichor (2022)

2. Like Moths to Flames - "The Worst in Me" from When We Don't Exist (2011)

3. Shadow of Intent - "The Prelude to Bereavement" from Primordial (2016)

4. Killswitch Engage - "Forever Aligned" from This Consequence (2025) [submitted by Saxy S]

5. August Burns Red - "Your Little Suburbia in Ruins" from Thrill Seeker: 20th Anniversary Edition (2025) [submitted by Saxy S]

6. All That Remains - "The Piper" from Antifragile (2025) [submitted by Saxy S]

7. HEAVENSGATE - "RATKING" from RATKING (2024)

8. Carnifex - "How the Knife Gets Twisted" from Necromanteum (2023) [submitted by Shadowdoom9 (Andi)]

9. Demon Hunter - "Worlds Apart" from Worlds Apart (2024) [submitted by Shadowdoom9 (Andi)]

10. Amaranthe - "Supersonic" from Maximalism (2016) [submitted by Shadowdoom9 (Andi)]

11. BOI WHAT - "Boulevard of Broken Dreams" from Boulevard of Broken Dreams (2025)

12. In Hearts Wake - "Traveller (The Fool)" from Divination (2012)

13. Plague Thy Child - "Autumn" from Plague Thy Child (2001)

14. A Day to Remember - "I'm Made of Wax, Larry, What Are You Made Of?" from Homesick (2009)

15. Architects - "Curse" from The Sky, the Earth & All Between (2025)

16. Lauren Babic - "Sanctuary" from Too Much and Never Enough (2025)

17. Annisokay - "STFU" from Aurora (2021)

18. Lamb of God - "Ruin" from As the Palaces Burn (2003)

19. Imminence - "Continuum (feat. Niklas Karlsson)" from Continuum (2024) [submitted by Shadowdoom9 (Andi)]

20. Shokran - "Imhotep: The Falcon of Gold" from Duat (2024)

21. Void of Vision - "Purge" from Broken // Bones (2016)

22. ERRA - "Render the Void" from Impulse (2011)

23. Every Time I Die - "Punch-Drunk Punk Rock Romance" from Last Night in Town (2001) [submitted by Shadowdoom9 (Andi)]

24. God Forbid - "Gone Forever" from Gone Forever (2004) [submitted by Shadowdoom9 (Andi)]

25. If Not for Me - "Tragedy" from Everything You Wanted (2024)

26. Converge - "Color Me Blood Red" from Petitioning the Empty Sky (1996)

27. From Autumn to Ashes - "Pioneers" from Holding a Wolf by the Ears (2007) [submitted by Shadowdoom9 (Andi)]

28. Rolo Tomassi - "Fantasia" from Hysterics (2008)

47
Daniel

April 2025

1. Mechina - "Godspeed, Vanguards" from As Embers Turn to Dust (2017)

2. Avenged Sevenfold - "Nightmare" from Nightmare (2010)

3. Lethal - "Fire in Your Skin" from Programmed (1990)

4. Judas Priest - "Invincible Shield" from Invincible Shield (2024)

5. Ozzy Osbourne - "Over the Mountain" from Diary of a Madman (1981)

6. Dio - "The Last in Line" from The Last in Line (1984)

7. Metallica - "Lux Æterna" from 72 Seasons (2023)

8. Iron Maiden - "Hallowed Be Thy Name" from The Number of the Beast (1982)

9. White Zombie - "Children of the Grave" from Nativity in Black: A Tribute to Black Sabbath (1994)

10. Omen - "Teeth of the Hydra" from The Curse (1986)

11. DragonForce - "A Draco Tale" from A Draco Tale (2024)

12. Kamelot - "The Haunting (Somewhere in Time)" from The Black Halo (2005)

13. Blind Guardian - "The Quest for Tanelorn" from Somewhere Far Beyond (Revisited) (2024)

14. Alestorm - "Keelhauled" from Black Sails at Midnight (2009)

15. Rhapsody of Fire - "Diamond Claws" from Challenge the Wind (2024)

16. Estate - "Matter of Time" from Mirrorland (2018)

17. Firewind - "Fallen Angel" from Stand United (2024)

18. Stratosphere - "The Battle Within" from Fire Flight (2010)

19. Warmen - "Salieri Strikes Back" from Beyond Abilities (2001)

20. Epica - "Canvas of Life" from The Quantum Enigma (2014)

21. Starkill - "Detonate" from Gravity (2019) [Suggested by Shadowdoom9 (Andi)]

22. Queensryche - "Roads to Madness" from The Warning (1984)

31
Daniel

Here's my sneak peek submission for the May Guardians playlist:

Neurotech - "The Ophidian Symphony" (from Symphonies, 2016)

169
Daniel

April 2025

1. Satyricon - "Du som hater gud" (from "Nemesis Divina", 1996) [submitted by Karl]

2. Desaster - "In the Ban of Satan's Sorcery" (from "Hellfire's Dominion", 1998) [submitted by Sonny]

3. Kvist - "Stupet" (from "For kunsten maa vi evig vike", 1996) [submitted by Vinny]

4. Emperor - "Night of the Graveless Souls" (from "Emperor", 1993) [submitted by Karl]

5. Satanic Warmaster - "Harken the Bells of Damnation" (from "Exultation of Cruelty", 2024) [submitted by Vinny]

6. Dawn - "Sorrow Flew on Black Wings" (from "Sorgh på svarte vingar fløgh", 1996) [submitted by Karl]

7. Primordial - "The Mouth of Judas" (from "Redemption at the Puritan's Hand, 2011) [submitted by Sonny]

8. Oubliette - "Desolate Path" (from "Eternity Whispers", 2024) [submitted by Saxy S]

9. Stormlord - "Under the Samnites' Spears" (from At the Gates of Utopia, 2001) [submitted by Andi]

10. Black Witchery - "Barbarism Domination" (from "Inferno of Sacred Destruction", 2010) [submitted by Sonny]

11. Revenge - "Revelation Emaciated (Chalice Abominate)" (from "Violation.Strife.Abominate", 2025) [submitted by Sonny]

12. Ungfell - "Im Ruusch" (from "De Ghörnt", 2024) [submitted by Vinny]

13. Sorcier des Glaces - "The Winter Nightsky" (from "Snowland", 1998) [submitted by Karl]

14. Saor - "Glen of Sorrow" (from "Amidst the Ruins", 2025)

15. møl - "Jord" (from "Jord", 2018)

16. Majestic Mass - "Sanguine Dreams of Lust" (from "Savage Empire of Death", 2018)

17. Ieschure - "Cold Stars of Eternity" (from "Cold Stars of Eternity" EP, 2020) [submitted by Sonny]

18. Inferi (ARG) - "Marked with Our Ancestors Blood" (from "The Awakening of the Black Hordes", 2005) [submitted by Karl]

19. Ruïm - "Fall of Seraphs" (from "Black Royal Spiritism - I - O Sino da lgreja", 2023) [submitted by Vinny]

20. Demoncy - "Risen from the Ancient Ruins" (from "Empire of the Fallen Angel: Eternal Black Dominion", 2015) [submitted by Karl]

21. Helheim - "raunijaR" (from "raunijaR", 2015)

43
Daniel

Cool Voivod shirt, Daniel! Sad that it has to go.

2
Daniel

White Trash - "Feel Free to Say..." demo (1990)

A Sydney thrash metal band formed by drummer Wayne Campbell (Grungeon/Baltak) after leaving Mortal Sin where he played on classic Aussie metal records like "Mayhemic Destruction" & "Face of Despair". "Feel Free to Say..." also features future Mortal Sin guitarist Troy Scerri interestingly enough. White Trash's sound was built around a backbone that was drawn from Steve Souza-era Exodus but which added a few more adventurous influences for added interest. The band can all play really well & the song structures are tight & professionally executed. Front man Brendan Grimes does a pretty reasonable job too. It's only the demo-quality production job that caps the appeal of a release like this one with all six songs being worth a listen. Wayne is a bit of an icon of the Sydney metal scene & I knew him back in my Neuropath days as he used to book us for shows at the Enfield Boulevard Hotel which was the location of what I consider to be our most successful headline gig. Sadly, he hasn't been seen for almost three years now after going missing while walking near his home. He was always a larger than life character who didn't mind a drink & could be a bit divisive at times but I really hope that he turns up shortly, if only for his family's peace of mind.

For fans of Exodus, Mortal Sin & Grungeon.

3.5/5

134
Daniel

Mercy - Witchburner (1985)

Sweden's Mercy are best known for being fronted by a pre-Candlemass Messiah Marcolin, especially as they struggled after he left, eventually splitting up in 1988. This, however, is a bit unfair on the rest of the guys because Witchburner is actually a very cool early doom metal record. It still retained a significant amount of heavy metal DNA, much like most mid-80's doom acts, except maybe Saint Vitus. It kicks off very strongly with the head-turningly-titled "I'm Your Pervert Priest" which possesses a crawling and portentously doomy riff which is topped off by Messiah's instantly recognisable vocals and marks the first time that a genuinely gifted and expressive vocalist was featured on a doom metal track, providing ample proof why Leif Edling wanted Messiah to join Candlemass after Johan Langquist refused to commit beyond the recording of "Epicus Doomicus Metallicus". What may surprise Candlemass fans is that Messiah was only seventeen at the time of recording and also played drums on "Witchburner"putting in a decent shift behind the kit, being basic, but effective. Lyrically, the track is obviously mocking of established religion, a theme that became well-established within metal circles, here given a sardonic and humorous slant rather than the out-and-out vitriolic attacks that became de rigeur within metal lyricist circles.

At this time Mercy had been reduced to a trio with three of the five that recorded the S/T debut having departed before the recording of "Witchburner" and remaining members Messiah and guitarist Andrija Veljaca being joined by second guitarist Jörgen Horst who also handled bass duties on the new record. The guitar sound on Witchburner is based on the "Tony Iommi" sound, but has a bit more of the grittiness of Saint Vitus' filthier intonation than heard on albums like Trouble's S/T or any of Sabbath's material. Where it does have more in common with these is in the songwriting, the slow, doomy material still being countered by a fair bit of traditional metal riffing, although that filthier, distortion-heavy guitar sound makes the faster riffs sound great. This was actually Mercy's sophomore full-length and I find it inconceivable that they hadn't received any exposure to the more doomy acts emerging, particularly from the US, between the recording of their 1984 debut and this because the two are worlds apart. The S/T takes its cues from the NWOBHM with the band coming off like a swedish version of Saxon for the most part, but "Witchburner" was much darker-sounding and had shed all the hard rock influences of the earlier record, becoming a much heavier album as a result.

The riffs are pretty memorable and Messiah's enunciation is excellent as usual, making "Witchburner" one of those albums that sticks around in the old grey matter and that people may find you singing along with later. The two guitarists are also impressive with some terrific soloing, the incendiary and blistering fretwork of the solo at the midpoint of Pain of Golgata, is just one example of a solo that would be salivated over had it come from KK Downing or his like and here provides a searing contrast to the plodding dirge of the main riff.

Whilst the three tracks of side one are undoubtedly the doomier and for me personally the better, the second side also has it's moments and is interesting for different reasons. The opener on side two, "Welcome to My Graveyard" is virtually speed metal and with that filthy guitar sound it actually sounds really good, so if you have always wondered what Messiah would sound like singing in a speed metal crew then here is your chance to find out. After that, "Judgement Day" has a bouncy "Children of the Grave" riff and may be the "catchiest" track on the album - all together now, "No one gets away... on Judgement Day". The penultimate track "Voodoo Kills" is for my money the weakest here being a little all over the place and not terribly well put together, but it is still listenable enough all the same. Closing out with the eight-minute title track, the ponderous ominousness of side one makes a welcome return and we are thrust into the doom-laden world of seventeenth century religious zealotry and witch huntings which was destined to become pretty standard doom metal lyrical fare.

All-in-all I think this is actually a very good example of early traditional doom metal which deserves far more attention than it has received. I would take this over Trouble's "Psalm 9", for example, which may or may not be a hot take, but is my heartfelt opinion as I think this sits much nearer to the Saint Vitus debut than to Trouble's and I would hold SV's self-titled up as the flagbearer for early trad doom. Sure this does step into trad metal and even speed metal territory occasionally, but the doominess of the three tracks on side one and the closing title track are ample proof that these Swedes were committed to playing and exploring doom metal further. It is a shame that we never really heard much more from Mercy, but as I said they struggled after Messiah left and their later output doesn't live up to this earlier promise with 1989's King Doom being a major disappointment. So, as it stands, "Witchburner" is an interesting development in the european take on doom metal and allows us to glimpse the early career of one of doom metal's iconic vocalists, making it a worthwhile listen which should be of interest to any serious student of doom metal and its history.

4/5

22
Daniel

Before he joined Candlemass, a teenage Messiah Marcolin was vocalist and drummer with Mercy, a swedish band who released two albums with Messiah on vocals. These were a forgettable 1984 self-titled debut that merely trotted out NWOBHM tropes and sounded like Saxon and 1985's Witchburner which was much better, embracing the emerging doom aesthetic. This is the opener and possibly best track:


180
Daniel

Mercyful Fate - "The Bell Witch" E.P. (1994)

I had this six-song E.P. bolted onto another Mercyful Fate release I purchased back in the day. It includes two studio tracks taken from the "In the Shadows" comeback album from the previous year as well as four live cuts from an October 1993 show in Los Angeles. I've never liked the title track much but the rest of the material is pretty enjoyable, particularly the live version of "Egypt" was is excellent & is my clear release highlight. The live version of "Come to the Sabbath" is superior to the album version in my opinion while "Curse of the Pharaohs" is a little less effective than its album counterpart. I wouldn't say that this is an essential Fate release as it doesn't match their early works but I'd certainly take it over any of their other 90's releases so it's probably worth giving a couple of listens if you're a fan, even though it doesn't bring anything new to the table. It does have Hank Shermann & Michael Denner's stunning lead guitar work & Snowy Shaw's rock-solid drumming in full effect so that alone should be a drawcard for many heavy metal nuts.

For fans of King Diamond, In Solitude & Attic.

3.5/5

79
Daniel

Vàli - "Forlatt" (2004)

The debut album from this Norwegian instrumental folk solo act presents eight tracks that consistently exude a feeling of beauty & serenity. As with other dark folk artists, I can't help but question where the darkness is as this material never comes across as anything terribly imposing. It's far more sweet & melancholic than it is dark. The execution & production job are quite stunning though with the compositions benefiting from the involvement of just the one party who clearly knows the sound that he's going for very well.

For fans of Tenhi, Musk Ox & Neun Welten.

4/5

0
Daniel

Rothgar - "Where Chaos Reigns" demo (1990)

The first of three demo tapes from this Perth-based four-piece who are generally known as a thrash metal act. Their debut effort is much more in line with the US power metal scene though with the lengthy 44-minute run time being comprised of an impressively consistent eight song showcase. The band make strong reference to their heavy metal upbringing during a couple of slower numbers in "Dark Passion" (the only weaker track in my opinion) & "On the Run" while opener "The Passion Behind the Throne" is an up-tempo speed metal affair. I enjoy the vocals of guitarist Andrew Day as well as the expansive arrangements which defy the short lifespan of the band who had only been around for a year by this stage. Closer "Season's End" is probably the thrashiest inclusion & (perhaps inevitably) has comfortably become my favourite song here. I may not be the biggest power metal fan but I can certainly get onboard with this material which is worth a few listens for our The Guardians faithful.

For fans of Iron Maiden, Nothing Sacred & Taramis.

3.5/5

26
Daniel

Amorphis - "Black Winter Day" E.P. (1994)

A four-song E.P. that was released four months after the Fins' highly celebrated 1994 sophomore album "Tales from the Thousand Lakes" & was clearly taken from the same sessions. The title track was one of the highlights from the album & is the clear standout here two with the other three previously unreleased pieces all playing more of a supporting role. I quite like the short "Folk of the North" as well as the doomy "Moon & Sun". Closer "Moon & Sun Part II: North's Son" doesn't do a lot for me though as it errs a little too far over towards the melodic side of Amorphis' sound. There's a fair bit of doom/death here as was the case with a lot of their early material & it's those parts that make for the more compelling material. If you're into the full-length then you'll probably want to give this release a couple of listens too as they kinda go hand in hand.

For fans of Barren Earth, Paradise Lost & Sentenced.

3.5/5

22
Daniel

Fripp & Eno - "(No Pussyfooting)" (1973)

The first of four full-length collaborations between King Crimson guitarist Robert Fripp & Roxy Music keyboardist & ambient music legend Brian Eno. It comprises of two lengthy pieces, both around the twenty minute mark. Fripp's contribution comes in the form of extended jazz fusion improvisations which present the listener with an element of danger given that he takes plenty of melodic risks, often straying in terms of key but ultimately coming across as more inventive than incompetent. Eno's accompaniments were pretty groundbreaking for the time. "The Heavenly Music Corporation" is a twenty-one minute drone piece while nineteen-minute closer "Swastika Girls" falls more into the tape music category given that it's built from a short tape loop that's repeated throughout the full length of the piece. Both are high-quality efforts that keep me well entertained throughout & have seen me returning to Fripp & Eno's debut a number of times over the years.

For fans of Brian Eno, Harold Budd & Cluster.

4/5

2
Daniel

Having listening to the new Mechina album Bellum Interruptum, I realized the first minute of its opening track sounds practically similar to that of the RichaadEB/Cristina Vee cover of "Bad Apple!!" When that first verse hits, I almost feel like singing "Ever on and on, I continue circling, with nothing but my hate and the carousel of agony..."


72
Daniel

Satyricon - "The Shadowthrone" (1994)

I picked the Norwegian black metal trios sophomore album up on CD shortly after release & really enjoyed it, despite never overcoming the feeling that Satyricon ascend out of the second-tier. The folk influence that perpetuated the band's debut album "Dark Medieval Times" is less prominent here while "The Shadowthrone" is a little more grim & abrasive. The symphonic element proves itself to be a valuable asset at times, without ever feeling like touching on full-fledged symphonic black metal. I really love Satyr's vocal contribution which is the epitome of what a black metal front man should be & tends to carry the record while the instrumentation is a touch inconsistent with quite a few disappointing sections scattered across the tracklisting. "Vikingland" & "I en svart kiste" are both pretty substandard while album highlight "Dominions of Satyricon" is some of Satyricon's best work & compliments a trio of solid inclusions to kick off the album. Ben's review indicates that there's a big Viking metal component included but I wouldn't go that far. I think the sections he's referring to are simply poorly executed black metal that contains structural similarities to Isengard's groovy beer-swilling moments. This is one of the reasons that I prefer "Dark Medieval Times" over "The Shadowthrone" but there's not all that much between them when viewed holistically so I'd still recommend Satyricon's second album to all of our The North members.

For fans of Taake, Emperor & Darkthrone.

4/5

84
Daniel

The Currumbin Chill Council playlist is now up to volume 8, each representing a two-hour blend of timeless chillout music from the classic era of the genre.

https://open.spotify.com/user/31btv5smkocl5bpiep3h46rfsjcy?si=250d2bcf8ce247dc

3
Daniel



Wren "Black Rain Falls" (2025)

Wren is one of the most unmetal sounding band names that could be picked really. One step up from Sparrow or Dunnock I suppose but still leans heavily on the lame side of the bird world. Whilst it may not be the most threatening name in the world metal, Wren does fit the atmospheric sludge of this London four piece as they explore a vast and dense landscape across their third album, Black Rain Falls. Foraging through punishingly slow riffs, flitting between ethereal density and atmospheric ecosystems and nesting in the rafters of the solid structures of the seven tracks on offer.

Describing themselves as a ‘blackened noise band’ (at least according to the Spotify bio anyway) could not be further from the truth, as there is no noisy element to this record. The agonising pace of album highlight, ‘Toil in the Undergrowth’ is testimony to how captivating atmospheric sludge is. By the time the first riff lands we are three minutes into the track. Those hoarse and tormented vocals heralding the arrival of the track proper perfectly as that riff crashes in behind them. This album is full of Neurosis and Isis influences, and as a result had me hooked from the off. Songs feel like they are expanding even though there is little in the way of variation to suggest this is naturally the case. Any progression is deliberate and measured, feeling organic and unforced.

Tracks often end feeling like very little has happened in the way of change once the established format has been engineered, but still, I get sense of total satisfaction from the majority of what is on offer here. The interlude in the middle of the record feels a bit out of place though, even though it does in some ways introduce the dense, bassy opening of ‘Metric of Grief' nicely. Album closer ‘Scorched Hinds’ is one of the more obvious Neurosis sounding tracks, with its shifts and swells accompanied by chiming guitar notes that remind me of Kowloon Walled City. There is a lot to like in the simplicity of Black Rain Falls and it stands out as one of my happier new finds in The Fallen clan of late.

78
Daniel

The final third of Bellum Interruptum has arrived! Below are my thoughts on the tracks.

1. When Honor Meant Something - 7:51

2. The Collapse Promised to All - 3:17

3. The Overwhelming Harmony of Collective Suffering - 5:09

I'm glad they kept in "When Honor Meant Something", and they remastered it too, making it much clearer than the single version and even adding in some narration at the end. "The Collapse Promised to All" is the shortest track of the album and actually the best one of this part, sounding almost like a continuation of the title track while adding in some more of Mel Rose's vocals along with the growls of Dave Lowmiller. "The Overwhelming Harmony of Collective Suffering" is a solid ending track seguing from the previous one, and it features Ricky Lewis who I'm guessing is the one doing the higher-range growls. But now it seems David Holch really is gone from this band, and Dave Lowmiller might just be the brand-new growler. Still an official announcement would've been nice. Anyway, Mechina is back and have proved that they're far from dead with one of the most diverse albums yet in Bellum Interruptum. Still can't beat the second half of the 2010s though....

Album rating: 4/5

19
Daniel

A slip into an acoustic sound that sounds too f***ing dull for me:


42
Daniel

Sludgy industrial metal great for a motorcycle ride in the night:


225
Daniel

Nino Rota - "8½" soundtrack (1963)

The soundtrack to the excellent Federico Fellini film which combines smooth classical music with loungy jazz. It has its moments but didn't really offer me a lot of lasting appeal from a purely stylistic point of view which saw me being challenged from the get-go. I went in looking for a loungy shopping mall kinda vibe & it does satisfy that criteria in patches but found that most of the high points come in the form of well-known classical pieces that you've no doubt hear many times before. That can't be viewed as a criticism of course but I didn't come away from this release feeling like I can see myself returning to it in the future.

For fans of Ennio Morricone, Jerry Goldsmith & John Barry.

3/5

0
Daniel

March 2025

1. Atheist – Air (1993)

2. Black Crown Initiate – Belle The Machine (2016)

3. Car Bomb – Gratitude (2016)

4. Fallujah – Sapphire (2024)

5. Haken – The Architect (feat. Einar Solberg) (2016)

6. Ihsahn – Celestial Violence (feat. Einar Solberg) (2016)

7. Intronaut – Fast Worms (2015)

8. John Petrucci – Gemini (2020)

9. Lowen – May Your Ghost Drink Pure Water (2024)

10. Moon Tooth – Crux (2019)

11. Nospun – The Effervescent Power (2025)

12. Novembre – Marea (2002)

13. OSI – shutDOWN (2003)

14. Pyramaze – Perfectly Imperfect (2015)

15. Threshold – Ground Control (2012)

16. Unexpect – Chromatic Chimera (2006)

17. Zierler – Water (2015)

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Daniel

March 2025

1. Ankor – Chop Suey! (2014)

2. Any Given Sin – Nearer Our God to Thee (2015)

3. Avenged Sevenfold – Afterlife (2007)

4. Black Orchid Empire – Deny the Sun (2023)

5. Bodyweb – bodyweb (2023)

6. Both Worlds – Hate Mantra (1998)

7. Doodseskader – I Ask With My Mouth, I’ll Take With My Fist (2024)

8. Essence – Untouchable (2015)

9. existtface – VANGUARD (2009)

10. Faith No More – Falling to Pieces (1989)

11. Floater – Mexican Bus (1998)

12. Inactive Messiah – Building Your God (2004)

13. Limp Bizkit – Shotgun (2011)

14. Metallica – Some Kind of Monster (2003)

15. Mucky Pup – Own Up for What You Say (1993)

16. Nothing More – Fade In/Fade Out (2017)

17. Slipknot – The Heretic Anthem (2001)

18. Stompbox – No Woods (1994)

19. TOOL – Jambi (2006)

20. TRUSTcompany – Close Your Eyes (‘til it’s over) (2011)

21. Utsu-P - 骸Attack!! (2009)

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Daniel

Underground Resistance - "World 2 World" E.P. (1992)

Another old Detroit techno record that I owned back in my DJ days & still have in my vinyl collection today. "World 2 World" is extremely highly regarded in techno circles but I've always found it to be a bit up & down personally. Of the four tracks included, I only really enjoy two. I played closer "Greater Than Yourself" live on multiple occasions as it really fit into my sound well while I also dropped "Jupiter Jazz" once as I have some time for it too. "Amazon" & "Cosmic Traveler" don't do a lot for me to be honest so I don't often reach for this E.P. when I have wonderful records like 1991's "The Final Frontier" to take me back to the golden age of techno.

For fans of The Martian, Drexciya & Galaxy 2 Galaxy.

3/5

0
Daniel

I can enjoy the symphonic darkness in the synth-filled highlight:


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Daniel

Sixteen Horsepower - "Low Estate" (1997)

I thought I'd give this sophomore album a crack after really enjoying 1996's excellent "Sackcloth 'n' Ashes" album & it's subsequently delivered, if to a slightly lesser extent. The band's sound is very similar to the debut but there are definitely less highlight tracks & the material is a little more subtle & less immediate too. The main thing that sees "Low Estate" scoring a touch lower than its elder sibling is the drop in quality that occurs over the final third of the tracklisting though as the first two thirds offer some very solid gothic country indeed. Front man David Eugene Edwards is once again the highlight with his whiny tone piercing through the mix like a sharp knife. He's fucking fantastic & is what makes Sixteen Horsepower so unique.

For fans of Wovenhand, Slim Cessna's Auto Club & Calexico.

3.5/5

0
Daniel

Phlebotomized - "Immense Intense Suspense" (1994)

I picked this unusual Dutch debut full-length up through the tape trading scene after hearing the outstanding album highlight "Dubbed Forswearer" on a compilation record back in the mid-1990's & found it to be pretty decent. Phlebotomized were a seven-piece band that championed a symphonic death metal sound complete with full-time keyboardist & violinist. They sound very much like a more up-tempo version of My Dying Bride here so I'd imagine that the Englishmen were a major influence. The production isn't amazing & neither is the majority of the song-writing but Phlebotomized have enough about them to keep me well & truly interested. Ben fucking loves this release so perhaps they'll offer more appeal to some of our more open-minded members of The Horde. Boy, that cover art is crap though, isn't it?

For fans of My Dying Bride, Pan.Thy.Monium & Disharmonic Orchestra.

3.5/5

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Daniel

Many different acts woven together for one of the best epics done by Neurotech or any other artist:


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Daniel

Igor Stravinsky & the New York Philharmonic - "Le sacre du printemps" (1940)

I enjoyed this highly praised piece of modern classical this week with its bright production job & stunningly original arrangement holding up really well all these years later. There's a darkness to this orchestral ballet that must have been quite intimidating at the time & I find it inconceivable that an individual has had the breadth of mind to produce something so significant with such a disparate array of different melodic parts. I'd imagine that it would certainly have helped that the composer is also conducting the orchestra here as his vision is beautifully realised. The influence on some of the great soundtracks of more modern times is obvious too ("Star Wars" in particular).

For fans of Sergei Prokofiev, Béla Bartók & Arnold Schoenberg.

3.5/5

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Daniel

T-Bone Walker - "T-Bone Blues" (1959)

T-Bone's debut album is a legendary release for the Texas electric blues scene but I have to admit that I find it to be a little flat. Much of this material is so faithful to the traditional blues model & I tend to find records that stick to the tried & tested blues structure to be a touch boring. I need a bit more edge than this to be honest, preferring a more consistently "deep" or rock-infused blues sound.

For fans of Freddie King, Albert King & Lightnin' Hopkins.

3/5

0
Daniel

Whitechapel's brutal roots are back, especially in the album's title highlight:


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Daniel

Alchemist - "Demo '90" (1990)

This is the best of the three Alchemist demo tapes in my opinion, closely followed by 1987's "Eternal Wedlock" tape. Alchemist were still a progressive thrash metal act at this stage although there are clear avant-garde & death metal leaning on show at times that hint at the Canberra four-piece's future. All four songs are worth hearing with the title track from their 1993 debut album "Jar of Kingdom" being presented in a similar format to the one we'd hear three years later. The vocal duties have been taken over by band leader & guitarist Adam Agius (The Levitation Hex) but still take more of a clean thrash direction than the grunty death metal one he'd adopt shortly afterwards. The rest of the lineup is completely different to the one we heard on "Eternal Wedlock" with short-lived second guitarist Andrew Meredith & bassist James Preece having joined the fold for this recording as well as iconic long-time drummer Rodney Holder. This cassette isn't likely to become a permanent fixture in your collection but I think that most members of The Pit & The Infinite will find it interesting nonetheless as the ambition is certainly there along with a reasonable amount of musical prowess for such a fresh-faced group of young dudes.

For fans of Voivod, Atheist & Alarum.

3.5/5

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Daniel

Cocteau Twins - "Head Over Heals" (1983)

I've returned to this excellent sophomore album from Scottish ethereal wave/ gothic rock outfit a couple of times over the last year as I've had a real soft spot for it since the mid-1990's when I used to frequent goth clubs every weekend with the rest of the Sydney extreme metal scene. Each time I hear it I'm reminded of just how similar Elizabeth Frazer's vocals are to my all-time favourite metal front woman in The Gathering's Anneke van Giersbergen, so much so that I can't help but feel that she was a total worshipper of records like this one. The dark opening track "When Mama Was Moth" is quite frankly one of the best pieces of music ever written while the rest of the ten-song tracklisting includes a string of very strong efforts, none of them living up to the thrill of the opener but still flexing their creative muscles nicely nonetheless. There are a couple of flat moments here though in the disappointing "Glass Candle Grenades" & "Multifoiled" but the wins easily outweigh the losses to make for a highly compelling listen & one that would put the new darkwave genre on the map.

For fans of Lowlife, Slowdive & early Dead Can Dance.

4/5

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Daniel

Just came across these guys whilst f-ing about on Bandcamp. Texan Gothic Metal. This is a promo track from their sophomore album due out next week. I like it.


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Daniel

Meshuggah - "None" E.P. (1994)

This five-track E.P. not only marks the point where these Swedes started to find their signature sound but it also represents the birth of the djent subgenre. I'd gotten a fair bit of enjoyment out of Meshuggah's 1991 debut album "Contradictions Collapse" but had never heard anything like "None" at the time & it subsequently sealed the deal for me with this band who have stuck with me ever since. There are a few more external influences on display here than we'd see on some of their later material which was more finely honed. You can easily pick up sections that harness groove metal, progressive metal ("Ritual") & industrial metal ("Aztec Two-Step") but the dominant component is the heavy reliance on rhythmic, atonal bottom-string chugging built around some seriously complex time signatures. All five songs are really solid but there's not any genuinely classic Meshuggah material on offer here so I don't feel that too many punters will be tempted to claim "None" as a lost masterpiece, even if it should be essential listening for all djent nuts.

For fans of Fredrik Thordendal's Special Defects, Gojira & Strapping Young Lad.

4/5

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Daniel

Steve Hiett - "Down on the Road by the Beach" (1983)

The debut album from an English artist whose sound I would describe as being ambient surf music, predominantly produced on an electric guitar in an instrumental fashion. Hiett's unique brand of art is certainly relaxing & there's no doubt that you can feel the links with surfing throughout as this record would be a perfect fit for casual wind-downs as the sun comes down after an enjoyable day catching waves. There are a few cheesier, new agey moments but I've mostly enjoyed "Down on the Road by the Beach" regardless.

For fans of Lewis, Insides & Oh, Yoko.

3.5/5

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Daniel

Georges Brassens - "2ème série [Le vent]" (1954)

The highly regarded sophomore album from this widely acclaimed French singer/songwriter. I threw it on while playing with my one year-old daughter yesterday & it certainly has its moments. I do think that you need to speak French to fully grasp the appeal though as it's heavily driven by the story-telling aspect so it ended up falling a bit flat, despite its incredibly short run time of just 23 minutes.

For fans of Renaud, Jacques Brel & Jacques Higelin.

3/5

0
Daniel

Rollins Band - "Weight" (1994)

The follow-up to the 1992's wonderful "The End of Silence" album which was a massive record for me personally. I saw Rollins Band live on both tours & have always felt that "Weight" was a rock-solid effort that further solidified Henry Rollins' credentials as a premium heavy music front man. The claims of this release championing funk metal or jazz metal vibes are drastically overstated, predominantly off the back of new bass player Melvin Gibbs' diverse musical background. This is another chunky slab of Black Sabbath-inspired alternative metal performed by quality musicians with excellent production & potent social messaging throughout. You can pick up the influence of stoner outfits like Sleep at times & I've recently had that confirmed while reading interviews with the band. While it may not reach the lofty heights of its predecessor, "Weight" is a damn fine record in its own right.

For fans of Black Flag, Helmet & Fugazi.

4/5

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Daniel

My renewed interest in melodic/symphonic/progressive death metal really shows as I discover more bands of that sound such as this German tech-death band:

And this Chicago-based melodeath/symphonic power metal band:


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Daniel

Wicked new single by this alt-metal/rock band from Maryland:


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