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Daniel


Here you go Sonny:

Nattverd - "Hvisk Deg Vekk" (from "Tidloes Naadesloes", 2025)

Wode - "Celestial Dagger" (from "Servants of the Countercosmos", 2017)

Sinmara - "Shattered Pillars" (from "Aphotic Womb", 2014)

The Great Sea - "The Maze" (from "Noble Art of Desolation", 2025)

Quoted Vinny

:+1:


230
Daniel

August 2025

1. Death - "Empty Words" (from "Symbolic", 1995)

2. Incantation - "Anoint the Chosen" (from "The Infernal Storm", 2000) [submitted by Karl]

3. Disma - "Lost in the Burial Fog" (from "Towards the Megalith", 2011) [submitted by Vinny]

4. Immolation - "Above All" (from "Atonement", 2017) [submitted by Sonny]

5. Amon Amarth - "Twilight of the Thunder God" (from "Twilight of the Thunder God", 2008)

6. Tomb Mold - "Two Worlds Become One" (from "Manor of Infinite Forms", 2018) [submitted by Vinny]

7. Master - "Latitudinarian" (from "On the Seventh Day God Created...Master", 1991) [submitted by Karl]

8. Stenched - "Black Adipocere" (from "Gorging on Mephitic Rot EP", 2023) [submitted by Sonny]

9. Gorguts - "Absconders" (from "Colored Sands", 2013) [submitted by Vinny]

10. !T.O.O.H.! - "Řád a trest" (from "Order and Punishment", 2005) [submitted by Karl]

11. Pig Destroyer - "Junkyard God" (from "Prowler in the Yard", 2001)

12. Discordance Axis - "The Inalienable Dreamless" (from "The Inalienable Dreamless", 2000)

13. Iniquity - "Tranquil Seizure" (from "Serenadium", 1996) [submitted by Karl]

14. Artificial Brain - "Graveyard of Lightless Planets" (from "Infrared Horizon", 2017) [submitted by Sonny]

15. Chestcrush - "Existence is Punishment" (from "ΨΥΧΟΒΓΑΛΤΗΣ", 2025) [submitted by Vinny]

16. Eternal Suffering - "The Warmth in Her Torment" (from "Drowning in Tragedy", 1999)

17. Dead Congregation - "Graves of the Archangels" (from "Graves of the Archangels", 2008) [submitted by Karl]

18. Nightfall - "The Traders of Anathema" (from "Children of Eve", 2025) [submitted by Vinny]

19. Mithras - "When the Stars Align" (from "On Strange Loops", 2016) [submitted by Sonny]

20. Cenotaph - "Severance" (from "Riding Our Black Oceans", 1994) [submitted by Karl]

21. Blood - "...and No One Cries" (from "Christbait", 1992) [submitted by Karl]

22. Portal - "The Back Wards" (from "Vexovoid", 2013) [submitted by Vinny]

23. Chthe'ilist - "Voidspawn" (from "Le dernier crépuscule", 2016) [submitted by Sonny]

24. Defeated Sanity - "Heredity Violated" (from "Chronicles of Lunacy", 2024)

47
Daniel

August 2025

1. Black Sabbath - "Black Sabbath" (from "The End (Live)", 2017)

2. Black Sabbath - "Fairies Wear Boots" (from "Paranoid", 1970)

3. Black Shape of Nexus – “IV” (from "Black Shape of Nexus", 2012) [submitted by dk]

4. Beggar - "The Cadaver Speaks" (from "Compelled To Repeat", 2020)

5. King Witch - "Sea of Lies" (from "III", 2025) [submitted by Vinny]

6. Black Sabbath - "Snowblind" (from "Vol.4", 1972)

7. Coltsblood - "Until the Eidolon Falls" (from "Obscured Into Nebulous Dusk", 2025) [submitted by Vinny]

8. Nadja – “The” (from “Guilted by the Sun EP”, 2007) [submitted by dk]

9. Ossuary - "Forsaken Offerings (to the Doomed Spirit)" (from "Abhorrent Worship", 2025) [submitted by Vinny]

10. Black Sabbath - "N.I.B." (from "Black Sabbath", 1970)

11. Conan – “Violence Dimension” (from “Violence Dimension”, 2025) [submitted by dk]

12. Fer de Lance - "The Feast of Echoes" (from "Fires on the Mountainside", 2025) [submitted by Vinny]

13. Trail of Tears - "Disappointment's True Face" (from Profoundemonium, 2000) [submitted by Andi]

14. Ozzy Osbourne - "Mr. Crowley (Live)" (from "Blizzard of Ozz (Expanded Edition)", 1980)

15. Stormcrow – “Path to Defeat” (from “Stormcrow/Coffins Split EP”, 2010) [submitted by dk]

16. Amenra - "A Solitary Reign" (from "Mass VI", 2017) [submitted by Sonny]

17. Black Sabbath - "Children of the Grave (Live)" (from "The End (Live)", 2017)

45
Daniel

August 2025

1. Sybreed - "Emma-0" from Antares (2007) [submitted by Shadowdoom9 (Andi)]

2. KONG - "Hok" from Mute Poet Vocalizer (1990)

3. Godflesh - "Slavestate" from Slavestate (1991)

4. Pitchshifter - "Catharsis" from Industrial (1991)

5. KMFDM - "Inane" from Xtort (1996)

6. Genitorturers - "Lessor Gods" from 120 Days of Genitorture (1993)

7. Lard - "Bozo Skeleton" from The Last Temptation of Reid (1990)

8. Mechina - "Machine God" from Tyrannical Resurrection (2007) [submitted by Shadowdoom9 (Andi)]

9. Skrew - "Jesus Skrew Superstar" from Dusted (1994)

10. Lord of the Lost, Tina Guo - "Ghosts" from Ghosts (2025)

11. The Interbeing - "Ruin" from Icon of the Hopeless (2022) [submitted by Shadowdoom9 (Andi)]

12. Oddko - "Kitty Girl" from Kitty Girl (2022)

13. A Dark Halo - "It Never Sleeps" from Omnibus One (2023) [submitted by Shadowdoom9 (Andi)]

14. Fear of Domination - "Legion" from Distorted Delusions (2014) [submitted by Shadowdoom9 (Andi)]

15. Cypecore - "Chosen Chaos" from Version 4.5: The Dark Chapter (2024)

16. Fange - "Mortes Promesses" from Purulences (2025)

17. Rammstein - "Zeig Dich" from Rammstein (2019)

18. Megaherz - "Abendstern" from Götterdämmerung (2012)

19. Source of Tide - "Serenade of Silence" from Blueprints (2002)

20. Ktulu - "In a Gada Da Vida - Iron Butterfly" from 2078" (2000)

21. Dagoba - "The Fall of Men" from What Hell is About (2006)

22. Eisbrecher - "Segne Deinen Schmerz" from Eiszeit (2010)

23. Killing Joke - "Blood on Your Hands" from Killing Joke (2003)

24. Static-X - "The Trance is the Motion" from Wisconsin Death Trip (1999)

25. Neurotech - "To Theta State" from Stigma (2015)

26. Omega Lithium - "Pjesma" from Kinetik (2011) [submitted by Shadowdoom9 (Andi)]

50
Daniel

August 2025

1. Eighteen Visions - "Vanity" from Vanity (2002) [submitted by Shadowdoom9 (Andi)]

2. Blessthefall - "Mallxcore" from Mallxcore (2025)

3. Trivium - "Dusk Dismantled" from In Waves (2011)

4. Lorna Shore - "Unbreakable" from Unbreakable (2025) [submitted by Shadowdoom9 (Andi)]

5. Wolves at the Gate - "Lights & Fire" from Eulogies (2022) [submitted by Shadowdoom9 (Andi)]

6. All That Remains - "Six" from The Fall of Ideals (2006) [submitted by Shadowdoom9 (Andi)]

7. Cave In - "Crossbearer" from Beyond Hypothermia (1998)

8. Calva Louise - "Tunnel Vision" from Edge of the Abyss (2025)

9. Dal Av, Jackson Rose - "Colors Collapsed" from Petrichor (2025)

10. A Day to Remember - "Bullfight" from Bad Vibrations (2016)

11. As I Lay Dying - "Confined" from Shadows are Security (2005)

12. Neaera - "...To Oblivion" from The Rising Tide of Oblivion (2005)

13. Born of Osiris - "Activated" from Through Shadows (2025)

14. Underoath - "Thorn" from Voyeurist (2022) [submitted by Shadowdoom9 (Andi)]

15. Parkway Drive - "Karma" from Deep Blue (2010) [submitted by Shadowdoom9 (Andi)]

16. Architects - "Blackhole" from The Sky, the Earth & All Between (2025)

17. Deadguy - "The Long Search for Perfect Timing" from Near-Death Travel Services (2025)

18. Coalesce - "A Disgust for Details" from Functioning on Impatience (1998)

19. Stevie T - "Metalcore Song" from Metalcore Song (2013)

20. Demon Hunter - "Ribcage" from The Triptych (2005)

21. August Burns Red - "Bloodletter" from Guardians (2020)

22. Motionless in White - "Undead Ahead 2: The Tale of the Midnight Ride" from Disguise (2019)

23. Currents - "It Only Gets Darker" from It Only Gets Darker (2025)

24. Frontierer - "Corrosive Wash" from Oxidized (2021)

25. Converge - "Vengeance" from No Heroes (2006)

26. Car Bomb - "Rid" from Centralia (2007)

27. The Tony Danza Tapdance Extravanganza - "Passenger 57" from Danza 3: The Series of Unfortunate Events (2010)

28. Psyopus - "Scissor Fuck Paper Doll" from Our Puzzling Encounters Considered (2007)

29. The Chariot - "Back to Back" from The Fiancee (2007)

30. Cult Leader - "Gutter Gods" from Lightless Walk (2015)

31. The Red Chord - "Face Area Solution" from Fed Through the Teeth Machine (2009) [submitted by Shadowdoom9 (Andi)]

32. Mental Cruelty - "A Tale of Salt and Light" from Zwielicht (2023)

33. Worm Shepherd - "And at the End of Fear, Silentium" from Hunger (2024)

51
Daniel

August 2025

1. Sabaton - "The Future of Warfare" from The Great War (2019)

2. Battle Beast - "Steelbound" from Steelbound (2025)

3. Lamb of God - "Children of the Grave" from Children of the Grave (2025)

4. Rainbow - "Man on the Silver Mountain" from Ritchie Blackmore's Rainbow (1975)

5. Angel Witch - "Angel Witch" from Angel Witch (1980)

6. Motorhead - "Motorhead" from The Manticore Tapes (1976/2025)

7. Gus G., Ronnie Romero - "My Premonition" from My Premonition (2025)

8. Iced Earth - "Depths of Hell" from The Dark Saga (1996)

9. Accept - "Man Up" from Humanoid (2024)

10. Ozzy Osbourne - "I Don't Know" from Blizzard of Ozz (1980)

11. Metal Church - "Beyond the Black" from Metal Church (1984)

12. Metallica - "Sad But True" from Metallica (1991)

13. Mercyful Fate - "Come to the Sabbath" from Don't Break the Oath (1984)

14. Masterplan - "Enlighten Me" from Masterplan (2003)

15. Mechina - "Gene Heresy" from Telesterion (2019) [Suggested by Shadowdoom9 (Andi)]

16. Visions of Atlantis - "Cast Away" from Cast Away (2004)

17. Rhapsody of Fire - "A Brave New Hope" from Challenge the Wind (2024)

18. Heavenly - "Evil" from Dust to Dust (2004)

19. Sonata Arctica - "Shah Mat" from Clear Cold Beyond (2024)

20. Alestorm - "No Quarter" from Black Sails at Midnight (2009)

21. Gloryhammer - "On a Quest for Aberdeen" from On a Quest for Aberdeen (2025)

22. Apocalyptica - "Helden" from Worlds Collide (2007)

23. Joe Stump - "Viking Pillage" from Diabolical Ferocity (2021)

24. Galneryus - "Chain of Distress" from Under the Force of Courage (2015)

25. Enforcer - "Mask of Red Death" from From Beyond (2015) [Suggested by Sonny]

35
Daniel

Here's my sneak peek submission for the September Guardians playlist:

Kiuas - "Warrior Soul" (from The Spirit of Ukko, 2005)

179
Daniel

Update for September:

THE FALLEN: SONNY, Vinny

THE GATEWAY: SAXY, Andi

THE GUARDIANS: KARL, Andi, Sonny

THE HORDE: SONNY, Karl, Vinny

THE INFINITE: ANDI, Saxy

THE NORTH: VINNY, Sonny, Karl

THE PIT: VINNY, Sonny

THE REVOLUTION: ANDI

THE SPHERE: ANDI

211
Daniel

Pain of Salvation - Remedy Lane (2002)

Genres: Prog Metal

Here it is, the final of the four Pain of Salvation albums for my marathon, and the final album before I complete my Prog Metal Challenge List.  To recap, my ratings for the first three albums fluctuated drastically from the general consensus.  People say that Entropia was a great metal debut, but to me it was a bit imbalanced and not heavy enough.  I almost adored Concrete Lake, and I thought the much-beloved Perfect Element was a good but somewhat overdrawn album with too much fixation on post-metal influence that seemed to take away from the identity of the first two albums.  And now, here I am, at the general opus.

While I loved the instrumental direction the short opener took, the next track, ironically named Ending Theme, so was I in for more of the typical prog metal sound that I was so weary of when my marathon began with the debut's first couple tracks?  Fandango seemed to answer my question: not entirely.  Fandango's general sense of rhythm is totally xylophonic, not built in metal energy while the backing effects and percussion deliver a strong sense of surrealism.  This is basically an experimental track, and I mean almost Residents level, even though it clearly uses the same instruments as previous efforts, so that was a damn good sign.  But unfortunately, the next two tracks, while great and beautifully melodic, only provide faint ventures from the standard to other areas, so I'm not so sure what'll happen next.  The eight minute Trace of Blood has some nice piano melodies scattered around, but remains high-level typical.  The next track, This Heart of Mine, seems to have some Gabriel-era Genesis influence in the vibes, but not very strongly.  Undertow was kinda lame in comparison.  It just repeate the same slow melody over and over again and only differentiated itself by being more quiet.

Things got pretty proggy again on the more active track, Rope Ends, which knows how to put together a decent rhythm while maintaining the very reason I listen to prog in the first place.  This one didn't stop being catchy, even when it was going wild.  I get a nice follow-up with some Latin folk influence on Chain Sling, which showcases the best of the band's previously established strengths.  Easily a winner of a song.  Dryad of the woods continues the folk rock focus and is a nice and soft tune on its own, but even slow songs have more pizazz, and while this was nice and emotional, it was also missing that special something.  After the title track, which is a largely prog electronic two-minute segue with a tamed but epic approach, the next track is immediately shamed as it falls into only decent melody and standard behavior for the band.  Purely palatable, not remarkable.  Same with the track after that, but then the ending, Beyond the Pale, gets back on track with a proper ending that takes the overall vibe of the band to a good strength, ending with one of their more emotional and rhythmically healthy takes of the modern prog sound.

Well, I didn't get the magnum opus everyone was bragging about, but it has plenty of strengths among the traditional sound.  This was a very enjoyable album overall, but I'd say that instead of it being one of the greatest I've heard, it's more on the level of Dream Theater's underrated debut.

87

68
Daniel

Annihilator is one of the most prolific bands around, as well as one of the chameleon-esque bands when it comes to its lineup, having dozens of lineup changes throughout these past 4 decades. This includes having several different vocalists throughout their tenure, one of them being remaining founding member Jeff Waters. I enjoy all of those vocalists, but if I were to do a ranking of all the ones that appear in different albums, here's what it would be, from worst to best:

7. Joe Comeau - Carnival Diablos, Waking the Fury

These early 2000s albums are a couple of the most furious releases by the band. However, Joe Comeau's vocals are OK but not so great. If the band could've re-recorded those two albums with Dave Padden while he was still in the band, I would've enjoyed them more.

6. Jeff Waters - King of the Kill, Refresh the Demon, Remains, Suicide Society, For the Demented, Ballistic Sadistic

As much as I enjoy the guitarwork of Jeff Waters, his singing, not a huge lot. It's the same problem with Scorpions' Uli Jon Roth; better at guitar than vocals.

5. Aaron Randall - Set the World on Fire

I don't have to explain much when the one album Aaron Randall was in is one of the lowest but still enjoyable parts of the discography.

4. Dave Padden - All for You, Schizo Deluxe, Metal, Annihilator, Feast

Dave Padden is the vocalist who was able to stay with the band the longest without leaving or passing vocal duties to someone else, with a decade-long run of 5 consecutive albums. Metal is one of my all-time favorite Annihilator albums besides the first two. Though he still can't beat some one of the one-off vocalists in my opinion.

3. Stu Block - Metal II

I'm familiar with the vocals of Stu Block from Into Eternity and Iced Earth, so hearing him in the Metal re-recording was like a cherry on top an already perfect metal sundae.

2. Randy Rampage - Alice in Hell, Criteria for a Black Widow

The albums with Randy Rampage are two of the most awesome albums by the band, and rightfully so. Rampage's vocals rule! RIP... However, there's one other vocalist that I think should've had more time in the spotlight...

1. Coburn Pharr - Never Neverland

Since Coburn Pharr's passing last February, I've given the one album he appeared in, Never Neverland, some more listening, and believe it or not, I just realized how glorious he sounded! No disrespect to Randy Rampage and other vocalists, but Pharr really should've stayed with the band, as I think his vocals would've made them more popular and less everchanging in the lineup, at least in the vocal department. Sadly he's gone now. RIP

Anyway, all of these vocalists are quite good, and not super terrible in any way. I just prefer some over others, and that's my true opinion. Any vocalists you think shine more in Annihilator's discography? Discuss!

146
Daniel

That is exciting! It took me a long time to devote the necessary time to Watching from a Distance, but once I did I couldn't give it less than 5 stars.

199
Daniel

Tangerine Dream - "Phaedra" (1974)

An early Berlin School classic from these legendary progressive electronic adventurers. I don't think it has the quite the aura of 1972's "Zeit" (i.e. my favourite Tangerine Dream studio album these days) but it was still miles ahead of its time & offered obvious appeal for all of those with a penchant for ingesting the odd acid trip.

For fans of Jean-Michel Jarre, Klaus Schulze & Kraftwerk.

4/5

6
Daniel

Just had to post this. Mike Portnoy plays Slayer on a Hello Kitty kids' drum kit:


165
Daniel

My favorite track in the more alternative side, shining with Jess Allanic's vocals:


173
Daniel

Although this Calva Louise album isn't progressive enough for The Infinite, there are a few tracks that stand out in the clan on their own, like this unpredictable highlight:


284
Daniel

An awesome alt-metalcore blast often turning into pop and dubstep:


354
Daniel

Bobby Prince - "DOOM" (1993)

A bootleg of the original soundtrack to the "DOOM" video game. I've been absolutely infatuated with the 2016 Mick Gordon version of "DOOM" for a number of years now so I thought it was about time that I checked out the original but the experience has left me sorely disappointed because this is nothing like the incredible blend of techno, dark ambient & djenty metal that took a three-pronged approach to encapsulating my closest musical passions. Instead, we receive a cheap, home-made MIDI backdrop that sounds every bit as you would expect from an early video game. Fuck knows how two thirds of those voting for genre-tagging on RYM could possibly associate this release with metal. Those people clearly no fuck-all about what constitutes a metal release. The more eerie & atmospheric numbers are by far the most effective & I have to admit that I've got a bit of enjoyment out of them but the ones that try for a rockier feel inevitably fail to engage. It is worth mentioning that the attempts to cover bands like Pantera & Slayer in a synthesized format are fucking hilarious though & are worth hearing simply to enjoy how conceptually misguided they were.

For fans of ZUN, Ian Taylor & dai.

2.5/5

6
Daniel

Tyler the Creatore - Don't Tap the Glass (2025)

Genres: Pop Rap, Dance

So one of modern hip hop's most experimental and wide-ranging artists, a total genius in the field, has now done a pop rap and dance album.  Is this selling out?  What reason would Tyler have to sell out?  It's his right to do a pop album if he wants, so judging it based on that merit, this is extraordinarily catchy and clever.  This so-called pop album might not be "experimental," but it's totally unpredictable.  The behavior of the album fits perfectly within the Tyler the Crator canon, cleverly combining many of the tricks and techniques this guy used in the past, even if he's using more pop-oritented genres than soul-oriented ones.  The production is almost constantly balancing out multiple facets with ease.  Maybe fans will miss the more thematic elements of his lyrics and music, but sometimes, a guy just needs to have some fun.  Tyler obviously considered that, and I'd say this is a very fun album full of good bangers.  I'm putting it in the same league as Bjork's Post.

93.5

3
Daniel

Massive Attack - "Blue Lines" (1991)

Here we have the debut album from one of my all-time favourite artists, an act that very much changed the course of my life for the next decade during the late 1990's. And while it may not be the Bristol trip hop legends' finest hour, there can be denying the impact that "Blue Lines" had on the global music scene with the chillout movement pretty much exploding off the back of it. It's an absolute stormer of a record too, it's tracklisting being littered with seriously mature & impeccably produced classics that were just as heavily influenced by dub, EDM & hip hop. The three-track run that contains "Five Man Army", Unfinished Sympathy" & "Daydreaming" is utterly earth-shattering & would challenge any trio of songs from the subgenre overall. I'll always prefer later releases like "Mezzanine" & the incredibly underrated "100th Window" but "Blue Lines" is an undeniable classic in its own right too.

For fans of Portishead, Tricky & Air.

4.5/5

1
Daniel

Cryptopsy - "And Then You'll Beg" (2000)

I have to admit that I've never quite understood the public reaction to Canadian brutal/technical death metallers Cryptopsy. I got into them quite heavily with their 1993 "Ungentle Exhumation" demo tape at around the time of release but didn't like their debut album "Blasphemy Made Flesh" much & have never thought that "None So Vile" was anything terribly special. They reached their peak once they headed into more technical territories with 1998's "Whisper Supremacy" third album in my opinion which certainly isn't a common position to take but I also have to question the lethargic reaction to records like 2000's "And Then You'll Beg" too as it's really not that bad a record. Sure, Mike DiSalvo's vocals aren't the best you'll find on a death metal record but that failing is made up for with some interesting & inventive instrumentation & some generally consistent song-writing with opener "...And Then It Passes" being the clear highlight. Just don't go in expecting to hear a brutal death metal release because Cryptopsy no longer fell into that category by this point in their evolution. I know how big a call it is to say this but I'd take "And Then You'll Beg" over either of Cryptopsy's supposedly classic first two mid-1990's albums & the same can be said for 2005's more widely appreciated "Once Was Not" record too.

For fans of Suffocation, Gorguts & Wormed.

3.5/5

29
Daniel


Behemoth - The Shit ov God (2025)

Genres: Blackened Death Metal

Even though I believe in God, I've made a point of forgiving people for sins that don't really affect me. Now matter how much I bitch and whine, there will be people who disagree with me on philosophy, so might as well accept it as a part of the natural world while acknowledging the difference in philosophy. So I've heard all the Slayer albums, a good deal of Bathory, and am of the opinion that the best death metal band is Septicflesh. But Behemoth really made their point of hatred towards religion a million times over, so do we really need it again?

Considering how familiar this album is, I'm going to have to say "not this time." Behemoth's "The Shit ov God" is obviously built specifically to get anti-religious people to buy the album, as if they're relying on edge factor. Newsflash: that's how people LOSE interest. Hell, Wes Craven used to think being edgy was what mattered most, and his early career was pretty downhill once he hated and disowned his own porn flick, and switched right to THEMES, which made his movies much better overtime. But Behemoth took the opposite route.

Now the two good things that can be said about this album are that the production is absolutely perfect. The crystal clarity is some of the finest in metal, but that's to be expected from veterans. As well, half the riffs are quite catchy, which really does help. I found myself really enjoying the bits that got quite proggy, like the midtro of O Venvs, Come. So there's a strong metal energy here that can help everything be at least fairly enjoyable to some, but this is also an extremely typical album for them. I said half the riffs were catchy, but the other half are so standard that you can pull them off of any obscure crap lost in the RYM charts. So only half the time does the production justify these performances. As well, taking a look at the lyrics, they feel thrown together and basic. The overabundance of old-timey / medieval phrasing seems to distract from that aggressive, angry nature that they're trying to promote so brutally, so the ancient vibes and the religious anger kind of contradict each other like matter and antimatter.

So this most recent entry in the Behemoth catalogue was an attempt at bringing back the vibes of their most beloved work, The Satanist, but the quality steers a bit closer to their middling debut, Sventevith. Fun moments and boring moments are held together with a strong metallic presence and pure diamond production, so while it's perfectly listenable, it has its problems.

64

158
Daniel

Mr. Fingers - "Amnesia" (1989)

This highly regarded compilation of early Chicago house tracks from legendary house icon Larry Heard is a bit too hit & kiss for my taste. I really enjoy most of the deep house material & also the genuine techno inclusions but some of the acid house tracks are pretty messy in my opinion. I think this one will end up being the source of playlist material more than it will a cohesive album experience.

For fans of Frankie Knuckles, Larry Heard & Moodymann.

3/5

3
Daniel

Deftones - "Gore" (2016)

What exactly is people's problem with Deftones' eighth full-length? Of all of their back catalogue, it's this one that seems to cop the heat but, to my ears, it doesn't stand out from the rest much at all, instead being very much another high-quality effort from an act that probably couldn't produce something crap if they tried at this point. "Gore" is known for being Deftones' experimental record & for being a touch less heavy than the rest of their releases but neither of those things make it sound like anything other than another Deftones record with their impact being dramatically overstated. There's not a dud amongst the eleven tracks on offer &, even though there aren't a lot of clear highlights, the overall consistency makes this a highly rewarding experience for fans of the band. In fact, I'd comfortably take "Gore" over Deftones' popular 1995 debut album "Adrenaline" & would even go so far as to place it ahead of 2003's self-titled as well. People need to stop believing everything they read & give this record a chance because the rewards become visible pretty quickly with a little patience.

For fans of Fleshwater, System of a Down & Kittie.

4/5

20
Daniel


I missed a word there. I meant "I'm NOT surprised" as I'm aware of your aversion to the more chaotic & abrasive stuff.

Quoted Daniel

Ah, right you are.


33
Daniel

The Angels of Light - "How I Loved You" (2001)

The 2001 sophomore album from Swans mastermind Michael Gira's folk rock side project is utterly sublime at times, being heavily driven by its incredible highlight tracks which are easily the longest inclusions on the album. The gothic country element has been really well received from this particular punter & Gira's voice works perfectly in this Swans-like structure. Fucking lovin' it mo'fuckers!

For fans of Michael Gira, Swans & Wovenhand.

4.5/5

36
Daniel

Krallice - Diotima (2011)

So, here is yet another example of the fact that I have no idea what I am talking about, or even what I like half the time. My only other exposure to Krallice was their 2015 album, Ygg Hur, to which I awarded a measly 2.5 stars. I remember said album as being a bit technical and a bit dissonant in the way that I didn't especially enjoy around that time. As such, I wasn't particularly enthused going  in to this, but it is actually pretty good and I enjoyed it a helluva lot. It is made up of fairly lengthy and repetitive tracks of muscular black metal that seem to have a beefiness derived from employing death metal production techniques. With the repetitious nature of the riffs and lengthy runtimes you would be forgiven for filing this away as atmospheric black metal but it isn't really as I don't think the repetition is deployed in a way as to create atmospheric layers, but rather to bludgeon the listener and make them feel like they have taken a metaphorical punch on the nose. There is some dissonance involved, but nothing too egregious and certainly not enough to put even my sensitivity to it on alert, just enough to add a bit of bite and edge to the tracks to prevent them becoming too warm and fuzzy. 

I don't want to give the impression that this is a boring slog of repetition, though, because the songwriting and composition of a track like "Telluric Rings" is much more accomplished and nuanced than that and is a fine of example of a band who want to make interesting black metal whilst still delivering on the darker side of the genre. The band employ two vocalists, the main one, I think, is guitarist Mick Barr whose vocals are a harsh bark in a more death metal style than the more familiarly thin shrieks of second vocalist, bassist Nicholas McMaster. Speaking of which, I must also make mention of McMaster's bass playing which is busily at work doing some serious heavy lifting for a fair bit of the runtime, not content to just follow the riffing, the bass weaves some quite complex patterns, adding some nice flavour to the musical mix.

I have got to say, I am quite impressed by Diotima and feel that maybe I have been unjustified in giving Krallice short shrift in the past. Every track is strong, but the aforementioned "Telluric Rings" sounds like something special to me and is possibly heading towards becoming a firm black metal favourite of mine. I notice that I am the first on here to rate it, but I strongly recommend a listen to most of the North regulars because, honestly, it is much better than I make it sound.

4.5/5

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We've both been forced to give up red meat & to give blood regularly in order to control it. 

Quoted Daniel

As a carnivore, doing my very best to adhere to the ketogenic diet, the thought of not eating red meat sounds terrifying (although I absolutely get why it needs to happen for you).  I hope your health improves.

I have spent the last two years or so trying to remove carbs and other sugars from my diet after lots of reading into how damaging they can be to health overall.  As someone who used to suffer badly with digestion (bloating), eczema and even niggling things like fatigue in the middle of the day (which I now know to be due to the massive insulin spikes due to consumption of high amounts of carbohydrate for breakfast and lunch at the time).  My bloating was gone within weeks of starting to eat just meat and dairy and my ezcema cleared up too.  Kicking the booze was the real game changer though from a dietary aspect.

Reading some of the history of the fodo industry is genuinely terrifying when you see all the chemicals they used back in the late 1800's and through into the 1900's to make bread look fresh when it was in fact mouldy, they even used to put bone charcoal in milk that was off to make it look fresh still.  Thankfully we live in more sensible times but the link to your gut and your physical and mental wellbeing can't be denied.  We literally are what we eat.

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Daniel

Gary Moore - "Blues for Greeny" (1995)

Our father got really into this Irish guitarist through his 1990 ninth album "Still Got the Blues" which was a huge commercial breakthrough for Moore who had spent the majority of his career in hard rock up until that point. That record was played on repeat around our house & in our car for many years & saw Dad also picking up this Peter Green (Fleetwood Mac/John Mayall's Bluesbreakers) covers album on cassette five years later. While it certainly wasn't as strong as "Still Got the Blues", Gary's one of the most talented blues guitarists I've ever heard so I've always maintained a soft spot for this release, even if it is a bit inconsistent in its appeal for this ol' shredhead. I tend to enjoy the more atmospheric & stripped back numbers over the groovier blues stompers but there's certainly enough to keep me interested here, even if I can't necessarily see myself returning to "Blues for Greeny" in the future.

For fans of Peter Green, Eric Clapton & Stevie Ray Vaughan.

3.5/5

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Daniel

Today I decided to check out those two bonus cover songs from the Warkings album Morgana. As much as they really nailed their Powerwolf cover... they really butchered one of DragonForce's greatest hits. First of all, why did they add a low G-tuned 7th string to the guitar?! Everyone knows a DragonForce song shouldn't sound djent-ish! And now it sounds more like that sh*tty Sabaton song "Union" that I said was like a f***ed-up version of "Cry Thunder". Just stick with the 6-string guitar and play the song in C-minor! Or was the Tribune (Georg Neuhauser) not able to reach the highs of Marc Hudson? Second, Morgana's growls just don't sit well in the verses, making it sound like Arch Enemy covered the song with Marc Hudson's vocals as a not-so-generous way of paying back for having Alissa White-Gluz appear in the guest vocalist edition of "Burning Heart". Third, THE SOLO AND FINAL CHORUS ARE SHORTENED!!! It's like a radio edit or something, and not even DragonForce did that with the original! All in all, a recipe for failure:


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Today I decided to check out those two bonus cover songs from the Warkings album Morgana. Their cover of this Powerwolf hit is just SPOT-ON, really doing the original justice. Thumbs-up for this one! Unlike the other cover song that I'll mention soon...


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Fans of Austin Lunn will be happy to know that he will release Laurentian Blues on 15th August.  This is his eleventh full length and is released via Bindrune Recordings.  


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New Drain record due out 07th November, ...Is Your Friend.  First couple of promo tracks are very aggressive and vocally remind me of Anselmo this time around.


Sodom have a new record out and I am hearing positive things, but I am yet to venture myself.


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Daniel

Lustmord - "Paradise Disowned" (1986)

The second studio album from this Welsh dark ambient god sees Brian Williams returning with a similar sound to his 1981 self-titled debut album which was very much a dark ambient/industrial hybrid, only this time Williams leans more heavily towards the dark ambient sound & with a greatly improved result. This record is often overlooked in the Lustmord back catalogue & I'm gonna suggest unfairly too as "Paradise Disowned" is a high-quality record in its own right. It's somewhat of a tale of two halves as the A side is jam-packed with excellent dark ambient music while the B side is covered in industrial noise which is something that you have to have a taste for so I'm not surprised to see a lot of Brian's ambient fans struggling a bit with this release. But if you can stomach the abrasive nature of the early industrial movement then there's plenty of good shit on offer here, particularly "Dreams of Dead Names" which is an undeniable classic of the dark ambient genre.

For fans of raison d'être, Kammarheit & Robert Rich's "Stalker".

4/5

8
Daniel

Dying Fetus - "Descend into Depravity" (2009)

The sixth full-length from these Maryland-based death metallers is one of their more brutal & sports a clinically executed production job. It's also one of Dying Fetus' more technical records with a whole bunch of those pointless sweep-picking exercises I've always struggled with inserted into the song-writing for no real reason. Thankfully, the rest of the instrumentation is very entertaining & the dual vocal attack is some of their best work which sees "Descend into Depravity" sitting right in the middle of their back catalogue but once again failing to overcome that inevitable 3.5-star rating I always reach for with this band.

For fans of Suffocation, Misery Index & Skinless.

3.5/5

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Daniel

Korn - "Issues" (1999)

The fourth full-length from these Californian nu metal legends is another decent one, this time seeing them doubling down on their signature chunky groove-laden riff techniques to create a record that offers a crap-load of moshpit appeal, even if it can be a little bit samey at times. There are a few flat songs included (see "Wake Up", "Hey Daddy" & "Wish You Could Blame Me") & the last track "Dirty" is ruined but the inclusion of a pointless four minutes of continuous white noise at its completion but the stronger moments easily outweigh the weaker ones here with popular single "Make Me Bad" being the clear highlight & one of the better songs of Korn's entire career. "Issues" isn't on the same level as Korn's self-titled debut album but it's still an enjoyable enough listen, despite not offering me quite as much appeal as 1998's "Follow the Leader" album which is generally regarded as the weaker of the two.

For fans of Deftones, Slipknot & Limp Bizkit.

3.5/5


Here's my updated Top Ten Nu Metal Releases of All Time list:


01. Linkin Park - "Meteora" (2003)

02. Korn - "Korn" (1994)

03. Slipknot - "Iowa" (2001)

04. Linkin Park - "Hybrid Theory" (2000)

05. Deftones - "Adrenaline" (1995)

06. Korn - "Follow the Leader" (1998)

07. Sevendust - "Animosity" (2001)

08. Korn - "Issues" (1999)

09. Dir en Grey - "Uroboros" (2008)

10. Limp Bizkit - "Chocolate Starfish & the Hot Dog Flavored Water" (2000)


https://metal.academy/lists/single/313

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Daniel

July 2025

1. 4lyn – Kisses of a Strobelight (2004)

2. Anthrax – Room for One More (1993)

3. Apocalyptica – Rage of Poseidon (2010)

4. Black Orchid Empire – Motorcade – Live (2021)

5. Chaoseum – Unreal (2022)

6. Darknet – gen: throwaway (2023)

7. Demon Hunter – I’m Done (2025)

8. Drowning Pool – Sinner (2001)

9. DVSR – Ready for War (2017)

10. Ektomorf – Nem Engedem (1998)

11. Five Finger Death Punch – Wrong Side of Heaven (2013)

12. (Hed) P.E. – Suck It Up (2003)

13. Limp Bizkit – Re-Arranged (1999)

14. My Ruin – Terror (2000)

15. Ninjaspy – Speak (2017)

16. Psychostick – Beer! (2003)

17. Pyrogenesis – I Have Seen My Soul (2017)

18. Serj Tankian – Harakiri (2012)

19. Soulfly – Seek ‘N’ Strike (2002)

20. Tad – Leafy Incline (1993)

21. Tardigrade Inferno – Fire, Plague and Locust (2023)

22. Thousand Foot Krutch – Let the Sparks Fly (2012)

23. UnityTX – Agony (2021)

24. VOLA – Cannibal (feat. Ander Friden) (2024)


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Daniel

A grand blend of the symphonic melodeath of Skyfire and early Starkill with the deathly metalcore of Bleeding Through:


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Daniel

Ken Pomeroy - "Cruel Joke" (2025)

Fallen in love with this 12 track record from an artist I picked up randomly on a Bandcamp recommendation.  That voice just resonates in my very soul.  Could be a purchase on vinyl once finances permit.

10
Daniel

Cocteau Twins - "Sunburst & Snowblind" E.P. (1983)

This short four-song E.P. makes for an excellent accompaniment to the Scottish dream pop/ethereal wave acts "Head Over Heels" album from the same year & shares its excellent opening track "Sugar Hiccup" with that release. The other three songs are all worth hearing too though, particularly the very solid "Hitherto" which utilizes Elizabeth Fraser's powerful vocals really well. "Sunburst & Snowblind" comes highly recommended for metalheads who fancy themselves as a closet goth.

For fans of This Mortal Coil, Dead Can Dance & early Slowdive.

4/5

1
Daniel

Grief - "Dismal" E.P. (1992)

The first proper release from this Boston-based five-piece is the sort of oppressive, drug-riddled outing that only the Americans know how to create. The four songs included here are all relatively simple in their structure but the atmosphere that's created is suffocatingly dark & heavy with Grief sitting right over on the doomier end of the sludge metal scale. Second track "Isolation" is particularly gripping & is one of the finest examples of the genre I've ever encountered. I can see myself exploring more of this band's back-catalogue in the near future. 

For fans of Noothgrush, Corrupted & Eyehategod.

4/5

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Daniel

Your review of Ὁπλίτης - "Παραμαινομένη" (2024) really got me interested. I have never heard anything by this outfit before. Sometimes when I listen to new music I get to thinking what would a younger version of myself have thought of something like this. I'm not sure if he would have got on with it at all - there would have been too much going on, it was too dissonant, there were too many changes or rhythms, there was too much sax (let's blame the early 80s and Kenny G for that). Now with ears closer to 60 than 50 this is what really appeals to me, I devour those changes of pace, the dissonance, the sax and the experimental nature of it. I wonder if there is some sort of medical explanation as to why my older ears appreciate this so much, or maybe in the intervening years I have experienced so much more music from different genres that I can appreciate music like this much better. Either way this was an easy 4/5 on first listen and I can only see it improving on further listens. Love it. 

Without your review I'd probably never have stumbled on this - cheers.

16
Daniel

An outside-world friend of mine has just showed me this song from one of the new Mobile Suit Gundam games. He says it's a mix of many genres, but I've narrowed it down to Japanese alt-metal/electronicore similar to other bands whose songs were used in Mobile Suit Gundam like Coldrain, Crossfaith, and Fear and Loathing in Las Vegas:


45
Daniel

King Witch - III (2025)

I am only part-way through my first listen to this new one from KW, a band that I have been following for quite a while, and i just had to come here and post, "holy shit Laura Donnelly can fucking sing". If Ronnie James Dio  was a woman (and a bit taller) then he would have sounded just like this. I can definitely feel that this is going to be a 2025 favourite for me. If you love epic doom / heavy metal then you need to do yourself a favour and get an earful of this shit! 

No score yet, but it's gonna be good....

86
Daniel


Here we go Sonny:

Coltsblood - "Until the Eidolon Falls" (from "Obscured Into Nebulous Dusk", 2025)

Ossuary - "Forsaken Offerings (to the Doomed Spirit)" (from "Abhorrent Worship", 2025)

King Witch - "Sea of Lies" (from "III", 2025)

Fer de Lance - "The Feast of Echoes" (from "Fires on the Mountainside", 2025)


That Fer de Lance record walks a line dedicated to mostly epic heavy metal for the most part and so if you feel that track is not for The Fallen then feel free to exclude.


Quoted Vinny

I honestly don't think there is much to be gained from being too dogmatic about suggestions in all honesty, Vinny. Sure, there should be something of interest to Fallen members, but there is so much cross-pollination in metal now that as long as it is loosely relevant then I am all for including any suggestion. Maybe I am mellowing with age, but it is all about it being enjoyable for folks to listen to, not about rigidly adhering to dogma.


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Daniel

An insane highlight in which the band sings about themselves and their greatness:


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Daniel

The Black Sabbath tribute covers are really pouring in this weekend, the weekend of Black Sabbath and Ozzy Osbourne's true swansong show. Lamb of God have made their own killer rendition of "Children of the Grave" that combines the original's classic heavy metal sound with the groove metal Lamb of God is known for:


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Daniel

Nightfall  - "The Traders of Anathema"  (from "Children of Eve", 2025)

Chestcrush - "Existence is Punishment" (from "ΨΥΧΟΒΓΑΛΤΗΣ", 2025)

Gorguts - "Absconders" (from "Colored Sands", 2013)

Portal - "The Back Wards" (from "Vexovoid", 2013)

Disma - "Lost in the Burial Fog" (from "Towards the Megalith", 2011)

Tomb Mold - "Two Worlds Become One" (from "Manor of Infinite Forms", 2018)


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Daniel

What's supposed to be the title opener attempts to emphasize vocal distortion but sadly really butchers it:


41
Daniel

A slow acoustic stinker that sounds too programmed:


35
Daniel

The Dillinger Escape Plan - "Calculating Infinity" (1999)

The New Jersey mathcore legends' debut full-length very much defines the term "chaotic" with its jerky stop/start sound feeling almost like a novelty at times. The musicianship on display here is utterly astounding & I can still remember my face being unceremoniously ripped from my head upon Ben first playing me this stuff back in the day. Stylistically, this probably should be my favourite Dillinger record but that hasn't ended up being the case. These days, I find myself leaning towards 2013's "One of Us Is the Killer" album & 2002's "Irony Is a Dead Scene" E.P. with Mike Patton but there's not a lot in it & I still get the same sort of adrenaline rush from "Calculating Infinity" as I did twenty years ago which is certainly a feather in the band's cap.

For fans of Botch, Converge & Car Bomb.

4/5

7