Track Of The Day - The Horde Edition
This popular modern melodeath highlight should've been in the standard edition as a regular track:
Everyone in the band's talent shines the best in this heavy/melodic blend that makes one of the best tracks in the album:
The keyboards are more subtle, allowing the guitars and drums to shine in the album's best song in the melodeath side:
Another steaming hot plate of industrial melodeath that would taste good for generations:
Yet another powerful highlight of industrial melodeath:
Cool production and massive instrumentation is this melodeath/metalcore highlight:
An excellent melodeath cover of an old Christian hymn, sounding as if it's their own song:
Another paid-off attempt at making a long 3-part epic, with epic technicality and Jason's vocals of wrath:
The climatic end of this conceptual journey, with all of the previous tracks' characters involved:
Another climatic story-ending melodeath epic:
One of only a couple songs in The Unspoken King that are deathly and enjoyable:
I enjoy the vocals that give this song its Dark Tranquillity/In Vain vibe:
Some more bands I've discovered in my journey of death metal redemption include the Swedish death metal of Grave, with some experimentation with groove/industrial tones in songs like this one:
And two doomy melodeath side-projects by Before the Dawn founder Tuomas Saukkonen:
Metallic riffing and galactic keys shine brighter than the sun in perhaps one of the most memorable anthemic tracks they've ever done:
A true highlight that greatly pushes the music and vocals forward, with both vocalists having their time to shine:
A savage battle between metal and orchestra with impressive shredding:
Another fantastic dish of heaviness and symphonics that stays speedy until its slower ending section:
Great heavy start, though keep that in mind before the remaining full songs of the album follow the same formula:
The band unleash their complex skills in a prime example of their symphonic deathcore/melodeath sound:
The guitar melodies and breakdown brutality are so delightful in this standout:
It's not often you hear flute after extreme fury, but it works out well in this deathly standout:
PAIN isn't the only band Peter Tägtgren is known for. He is also known as the founding member of melodeath band Hypocrisy. Check out this band for some atmospheric alien-themed melodeath!
A grand blend of the symphonic melodeath of Skyfire and early Starkill with the deathly metalcore of Bleeding Through: