Rexorcist's Reviews

In my younger days, like many other young peeps, my knowledge of Metallica was practically limited to The Black Album and a couple of singles from the earlier days like “Master of Puppets” and “For Whom the Bell Tolls.”  I wasn't fully in tune with thrash.  Well as I got more in-tune with thrash I had Master of Puppets ranked as the number 1 metal album of all time.  But I didn't put in in my top 20 despite how much I love metal because I always considered it a little bit bloated.  Well after a lot of personal growth and re-evaluation of my life, I also re-evaluated how I rate some music, especially metal.

At first I was NOT willing to give Ride the Lightning a spot above Master of Puppets (I even had And Justice for All ranked above it).  Why?  Simple.  Puppets' production is much cleaner, the rhythms are more developed and progressive, and Metallica's style fully matured.  After re-assessing myself, I realized that the big question was not “What's the best Metallica album,” but “what's the best METAL album?”  If my metalcore phase taught me anything, it's that any type of production is acceptable depending on the situation.  Let's be honest.  Ride the Lightning's production but not be as clear as that of Puppet's, but it really is way more metallic.  They obviously came a long way in that short one-year time when the were one of the best up-and-coming metal acts playing typical early thrash, and became the very band that defined thrash.

Believe it or not, my first encounter with Metallica's “Fight Fire with Fire” was not a pleasant one.  Before I was used to the idea of thrash metal (or even heard of it for that matter), I would originally type the name in to look for a Kansas song.  I wouldn't hear the actual album until four years later when I first started exploring music forums and charts.  It would take a few years more for me to grow fully accustomed to the harshest side of metal, and that included death metal and black metal.  I have Symbolic by Death to thank for that.  It was the first death metal album I had ever heard and I gave it a 100/100 right then and there.  The whole point of making this the opener is to give you an idea of how much power your exposing yourself to.  By the time you're done with the album, you'll already be glowing blue. Da ba dee.  I mean, after that soothing guitar solo at the beginning, you're dealing with BOOM BOOM BOOM!  They don't call it “Ride the Lightning” for nothing!  The way that atmosphere in the production works just makes it more metallic!  Sure, the intro to the opener isn't as good as the one from Puppets, but it's overall a better song than “Battery.”

I admit, I'm not so well emotionally connected to “For Whom the Bell Tolls” as many other Metallica fans are, but I'm not denying that it's one of the high points of an album loaded with high points.  Taking a literally dramatic shift from the thrashing thunder of the gods, the early stages of the poetry that would be seen on Master of Puppets drives this song as much as the heavy metal melody.  “Take a look to the sky just before you die, It is the last time you will.  Blackened roar massive roar fills the crumbling sky, shattered goal fills his soul with a ruthless cry.”  Edgar Allen Poe's getting owned here.  Screw the talking raven (OK, that's my screamo band name).  Much of Metallica's best "guitartistry" is boasted on “For whom the Bell Tolls,” each player doing their part to add their unique vibe to the aura and all work as well as any harmonized group while still being very creative.

Now we get to the crown jewel of Metallica's songs: “Fade to Black.”  This was Metallica's first ballad, and it was recorded at a time when James Hetfield not only had some obsession with death, but had to deal with much of the band's equipment being STOLEN, including his favorite Marshall amp!  Damn.  As you can imagine, that helps set the mood for one of Metallica's most iconic songs.  The poetry of “For Whom the Bell Tolls” continues as one of the most beautiful and emotional moods in all of power ballad history ends side B of this album.  There's no need for crazy solos when you can feel the sadness touching you.  How human can a song get?  It does get heavier towards the end, but that's a Metallica staple right there.  That doesn't stop Hetfield from delivering some of his most heartfelt vocals in his career.

Alright, the first half of side B is considered the weak point of Ride the Lightning, but what album doesn't have a weakness?  I admit, I'm not in love with the intro to “Trapped Under Ice.”  It slowly gets better until WEEDLY-WEEDLY-WEEDLY comes along, returning to the raw thunder of the first two songs!  Even though it's more like one of the basic thrash songs like on Kill 'Em All, the Ride the Lightning energy is still there, never damaging the album's flow or consistency.  I mean, come on.  Is speed metal not the perfect subgenre to feature on a thrash album?  Besides, for a song about literally being trapped under ice, the lyrics are really freakin' good.  The song almost feels crossover-thrash-esque the way it rides on energy and quick reactions.

“Escape” is considered the worst song on the album, but I like the intro more than I like the intro of “Trapped Under Ice.”  It's more rhythmic and true to the Metallica style.  I think the problem here is that it's written more like a song from your average hard rock / heavy metal album instead of one of the first thrash albums.  Maybe that actually works, considering that the roots of thrash come from acts like Deep Purple and Black Sabbath.  Hell, I wouldn't mind a good Scorps cover.  Besides, the song still rules overall.  The solos are still great and the lyrics are still human and relatable.

“Creeping Death” is one that I find particularly interesting because of its lyrical content.  As opposed to the satanism often showing in albums at that time, Metallica decided to write a song about the Angel of Death from the book of Exodus!  Well, you gotta keep the concept strong somehow.  Although the song is more formulaic to the thrash stereotype, the badassery is at its peak.  “Creeping Death” is balanced out between Metallica's energy, sense of rhythm, and lyrical drive.  Unlike every other song on the album, it doesn't rely on solos to make its mark because of its balance.

“The Call of Ktulu” is the closer, and the only instrumental on the album.  This nearly nine-minute epic pretty much covers everything that was going on throughout the album but with a deeper sense of mystery than every other song.  Starting out with that slightly creepy solo was the perfect way to go.  Like other prog-infused epics of its time, it slowly gets heavier and relies on a clever collection of combined solos to make its mark on the album.  I don't know about you, but I think that's a perfectly epic way to end such an incredible album.

It's so utterly weird when you finally catch on to why an album is so great, because a whole new world opens afterwards.  Ride the Lightning opened up a whole new level of understanding in the world of thrash (and maybe metal) for me, and I plan on making the most of it.  In my opinion, it's the single greatest example of metal in the world.  It's atmosphere is flawless, the energy of the album is rivaled only by a select few like Pleasure to Kill by Kreator, and the theme and concept never suffer.  In fact, Ride the Lightning is much better at delivering its concept (of death and humanity) than most albums are at delivering their own concepts.  It goes without saying that Ride the Lightning is an indisputable essential for any metal collection, and I'm glad I love the album as much as I do now.