The Gateway

Ben, please add Ankor and the new Black Veil Brides EP Bleeders.

July 2024

1. Any Given Day – Apocalypse (2024)

2. BOI WHAT – The Both of Us (2024)

3. Chevelle – Send the Pain Below (2002)

4. Coldrain – Miss you (2010)

5. Crossfaith – Godspeed (2024)

6. Dog Fashion Disco – Tastes So Sweet (2014)

7. Fudge Tunnel – Spanish Fly (1991)

8. Four Stroke Baron – 1000 Threads (2024)

9. Jeris Johnson – Ode to Metal (2024)

10. Jucifer – Hennin Hardine (2006)

11. Memphis May Fire – Misery (feat. Atreyu) (2023)

12. Moron Police – Prepopherous, This Prepophery (I Will Not Have It) (2014)

13. New Years Day – Relentless (2015)

14. Nik Nocturnal, Ankor – Unforgiven (2023)

15. Northlane – Miasma (2024)

16. Of Mice & Men – Tether (2023)

17. OSI – Free (2006)

18. Pyogenesis – Twinaleblood (1995)

19. Reliqa – A Spark (2024)

20. Rishloo – Lovely Room (2004)

21. Sevendust – Too Close To Hate (1997)

22. Signals of Bedlam – Pendulum in Swing (2021)

23. Twelve Foot Ninja – Over and Out (2021)

24. VOLA – Break My Lying Tongue (2024)

NSW-based alt-rockers Sick Puppies have a new album coming out next year, Wave the Bull. I haven't really explored this band apart from their nu metal debut Welcome to the Real World, but when I stumbled upon their new comeback single, I gave it some listening and thought "Wow... That sounds as heavy and metallic as their debut!" If the rest of their upcoming album is like this, it might just be one f***ing h*ll of a strong comeback release.

An epic diverse start to this offering from this well-known Armenian-American experimental nu/alt-metal band:

Anthrax - "Sound of White Noise" (1993)

The early 90's was a terrifying time to be a classic thrash band. By 1993, the grunge scene had unceremoniously stripped thrash metal's audience with some of the remainder being carried away by the death/black metal boom so many of the major bands were all fighting for a smaller market share. Pantera had also hit on a key niche of the market with their fresh new groove metal sound that had taken the metal scene by storm &, in order to survive in that environment, many artists simply chose to jump onboard the grunge or groove metal bandwagons with mixed results it has to be said. Big Four member Anthrax was one such act with their 1993 sixth album "Sound of White Noise" seeing the five-piece transitioning away from their thrash metal roots for a sound that took an each-way bet on the grunge & groove metal movements. Many fans would immediately jump off the train but the inclusion of talented Armored Saint front man John Bush in place of classic Anthrax singer Joey Belladonna had certainly peaked my interest, particularly given that I was a huge fan of Bush's work on the Saint's 1991 fourth album "Symbol of Salvation". Ben would purchase "Sound of White Noise" on CD upon release & we'd both spend some time adjusting to the new Anthrax direction. Interestingly, I recall both of us really enjoying it & nothing much has changed there either.

Although "Sound of White Noise" is generally regarded as a groove metal release, I would argue that there's actually a lot more alternative metal here, easily enough for a dual primary tag with thrash metal being the lone secondary influence. To say that "Sound of White Noise" sounds like a different band to the one we heard on classic thrash records like "Among The Living" or "Spreading the Disease" is not entirely accurate though. You can still clearly hear a lot of the techniques the band had made their calling cards but they're used more sporadically here. Tracks like "Potters Field", "Invisible", "C₁₁ H₁₇ N₂ O₂ S Na" & "Burst" would have comfortably fit on earlier Anthrax records though so this isn't a completely foreign environment for extreme metal fans. Bush's more masculine vocals are certainly a little different from Belladonna's but not to the point that you couldn't easily imagine him singing the earlier classics pretty successfully. I personally gravitate more to the Bush tone anyway so this change was always gonna appeal to me. He doesn't nail everything in front of him here but, after a few listens, I can't imagine too many punters feeling like he'd rained on the Anthrax parade.

The eleven-song tracklisting doesn't tend to unveil all of its charms upon first listen & repeat listens definitely see it opening up progressively more. There are a couple of genuine Anthrax classics on show if you're open to discovering them. The obvious highlight of the record is the anthemic single "Only" which possesses an absolute belter of a chorus hook & is the best reference for the skill set that Bush brought to the band you're likely to find. High-octave, energetic alternative thrasher "C₁₁ H₁₇ N₂ O₂ S Na" is also an underrated gem & I've found that it's dug its talons into my flesh to ever greater depths over the last week. The rest of the tracklisting ranges from pretty decent to very solid with only the lackluster alternative metal number "Hy Pro Glo" failing to offer me any level of appeal. Perhaps there aren't enough tier one inclusions to see "Sound of White Noise" pressing for Album Of The Year honors but it certainly had enough about it for Ben & I to remember it very fondly amongst our childhood memories.

So, where does "Sound of White Noise" sit in the prestigious Anthrax back catalogue then? Well, it might surprise a few people to hear that I actually rate it somewhere in the middle rather than towards the bottom rungs. I'd comfortably take it over the legendary New York thrash metal establishment's 1984 debut album "Fistful of Metal" & also feel that it's a more consistently interesting record than 1988's "State of Euphoria" fourth album which was more acceptable than it was impressive. Many people seem to try to tarnish this record with a harshly-worded groove metal brush but that's not a true reflection of the quality of the song-writing or the professionalism in the performances. Anthrax were a high-quality metal act who have produced another high-quality metal record here in my opinion but there's no doubt that it requires thrash fans to go into it with an open mind.

For fans of Acid Drinkers. Prong & Sepultura.

4/5

Here are my submissions for the August Gateway playlist:

D'espairsRay - "Human-Clad Monster" (4:55) from Monsters (2010)

Dog Fashion Disco - "Pale Horse" (5:54) from Sweet Nothings (2014)

Evanescence - "Whisper" (5:28) from Fallen (2003)

Mushroomhead - "Fall in Line" (4:44) from Fall in Line (2024)

Sleep Token - "Take Me Back to Eden" (8:20) from Take Me Back to Eden (2023)

Total length: 29:21

Here are my thoughts on some tracks:

Any Given Day – Apocalypse (2024)

4.5/5. Let's start with some d*mn fire with this Any Given Day track!

BOI WHAT – The Both of Us (2024)

4/5. The "Plan Z/Neon Tide" Plankton AI metal saga continues with this song featuring Sandy, stirring up a similar vibe to a more hardcore 2010s Skillet. The animated music video is one of the most epic I've ever seen! And the instrumental bridge is a killer homage to the "Grass Skirt Chase" soundtrack.

Chevelle – Send the Pain Below (2002)

4.5/5. Lots of classic alt-metal wonders from this song that made me understand where bands like Bad Wolves get their sound. Thumbs up for this kind of music!

Coldrain – Miss you (2010)

4/5. This semi-acoustic ballad is where Masato and Sugi take the front stage, the latter bringing his clean/acoustic guitar.

Crossfaith – Godspeed (2024)

4.5/5. Another Japanese alt-metalcore band follows, bringing in the energetic Wargasm for an electrifying banger. And in the same month is Babymetal's collab with Electric Callboy. If all 4 bands can collaborate together, we would have an unstoppable electro-metal alliance!

Dog Fashion Disco – Tastes So Sweet (2014)

5/5. Speaking of Electric Callboy, tone down that band's trance-y dance-y electronics and replace them with the wacky experimentation of Mr. Bungle, and you get this sweet band! Seriously, this band should've been a f***ing lot more popular.

Jeris Johnson – Ode to Metal (2024)

4.5/5. This one is more of an ode to modern metal, but it's still really cool. After starting with a cinematic symphonic intro that would almost make you think it might lead to symphonic metal, the track is actually an alt-metal blend of a Linkin Park-esque rapping verse, a pop punk chorus inspired by A Day To Remember, and a bridge filled with the melodic metalcore of early Avenged Sevenfold and the nu metal of Slipknot, all 4 of those bands paid lyrical tribute to in said chorus.

Jucifer – Hennin Hardine (2006)

5/5. What the Jucifer?! This is noise-filled sludgy alt-metal from a husband-wife duo that sounds absolutely tempting for me! The only other time I've heard of this band is when they guest starred in an unfinished film that was later revamped into Sound of Metal.

Memphis May Fire – Misery (feat. Atreyu) (2023)

4.5/5. Some more d*mn fire coming from another superb collab from Memphis May Fire with Atreyu's Brandon Saller. The vocals by Matty and Brandon really make it all worthwhile. It's amazing how this can please even the more classic metalheads. The chorus and breakdown are both so catchy. If any metalcore fans haven't listened to Memphis May Fire or Atreyu yet, I would recommend doing so right away. This makes almost another perfect highlight for this playlist. It's almost like a mix of Hollywood Undead and Skillet. The lyrics can still be heard clearly in all this vocal distortion.

Nik Nocturnal, Ankor – Unforgiven (2023)

4/5. Nik Nocturnal and Ankor are two of my brother's recent favorite metal musicians. This is a catchy kick-A piece of K-pop metal, and the girl isn't even Korean!

Northlane – Miasma (2024)

4/5. This one has that Obsidian-like blend of electronics and metal, along with another guest vocalist, Parkway Drive's Winston McCall with his own destructive breakdown.

Of Mice & Men – Tether (2023)

4.5/5. Another standout despite its more stripped-down sound for the most part. Pauley's singing slowly ascends until the other members join in for the epic final chorus.

Twelve Foot Ninja – Over and Out (2021)

5/5. This jazzy standout was already in last February's Gateway playlist, but I'll let it slide. It might remind some of Faith No More, features Tatiana Shmayluk of Jinjer who's known as a beautiful beast of a vocalist in her band. Though her poppy cleans appear here rather than her unclean vocals. And I just wanna say thanks to Twelve Foot Ninja for blessing us with this music before their hiatus.

VOLA – Break My Lying Tongue (2024)

5/5. And voila, one more grand discovery to close this playlist! I love the chorus and the synth melodies here. How in the world have I not heard this band before?!? I need more of this newfound favorite band of mine! They can prove that djent doesn't have to be as all-out brutal as Meshuggah, instead balancing those relentless downtuned guitar rhythms with soothing melodies. This is the kind of direction I want to travel through, and I hope to continue making out those playlist discoveries like a bandit. My alt-/prog metal knowledge shall expand, thanks to playlist owner Saxy.

Well, well, well would you look at the time! It's a new month and I actually remembered to submit my featured release for the month!

This month's feature is a brand new, debut LP from Australian alternative metal band Reliqa, titled Secrets of the Future. Nu metal gets a bad reputation for very good reasons, but I believe that Reliqa have put together a very good modern take on the genre and I hope that you guys will give it a listen.

https://metal.academy/releases/52416

If the rest of this Killing Joke album was like this heavily acoustic sleep-inducing embarrassment, I would've slept through it all:

This is actually the first time I've listened to a full Of Mice & Men album. I've heard singles from the band before and enjoyed some of them, ("Bones Exposed" and "Echo" specifically) and was interested to see how well this band could hold an entire album together.

Once it was finished, I realized why Of Mice & Men have been a singles band. The singles "Castaway", "Indigo" and "Warpaint" are decent, but the remainder of Tether is quite boring actually. It isn't bad, but this band has their feet firmly planted and watered in alternative metalcore and this record does not do much of anything in forcing it to stand out. It feels very redundant of The Devil Wears Prada's Color Decay from 2022. Some of the atmospheric interludes sound good, but the execution can be tedious. I noticed it mostly during the opening verse of "Warpaint" where the vocals are a harsh scream, while the instrumentals are mellow and synthetic; they do not mesh well at all. 

Nothing about Tether makes me want to listen to it again, but if it came on, I wouldn't be bothered by it or skip it on sight. This feels like fast food metalcore; it's quick, easy and tastes good for only a moment, but you know its bad for you and I find myself looking for something with a more cultured palette. 

2.5/5

Here are my thoughts on all selected tracks:

24-7 Spyz – Why (1994)

4/5. Why did this playlist have to start with something so funky? Never mind, this is still great.

Avatar – Make It Rain (2024)

4.5/5. An excellent single from these masters of carnival-ish melodeath/alt-metal!

Bad Omens – Kingdom of Cards (2019)

5/5. This highlight practically starts where the previous Bad Omens album ended with "The Fountain". There isn't any thunderous metal riffing, but it shines with anthemic beauty, a bit like early 2010s Linkin Park but greater (no disrespect to Chester Bennington, RIP). It is a pleasant start to the journey, and I enjoy the vocals by Noah Sebastian.

Cave In – Trepanning (2005)

4.5/5. RIP Caleb Scofield. His screams and bass gave songs like instant memorability. Practically every fan of this band has discovered them when they were in high school, but for me, it was just a couple years before this comment. This f***ing sh*t rocks hard! I especially the groovy bridge midway through. And my first encounter with Caleb's vocals was from his guest appearances with Converge, Isis, and The Ocean. He will truly be missed...

Dog Fashion Disco – Struck By Lightning (2014)

5/5. Some more experimental alt-metal to love from this band that I've also enjoyed for a year or two! Sweet Nothings continues the sound of Adultery, though with not as much consistency in some tracks. You can almost think of this as Five Finger Death Punch gone Infected Mushroom.

Dreamshade – Where My Heart Belongs (2016)

4.5/5. So heavy and beautiful at the same time! Though I find more in common with Bullet for My Valentine when it comes to this band.

Evanescence – Lithium (2006)

4/5. There's a bit of a Queensryche influence in this piano-powered track.

Future Palace – Paradise (2022)

4/5. Another one of those songs my brother likes recently. Nice glitch-ish effect to go with this female-led alt-metal/rock sound.

Linkin Park – QWERTY (2024)

4.5/5. This is a strong standout that I would recommend for fans of the band's heavier work. It sounds like this should've been in The Hunting Party, the only album to not have a song in the Papercuts compilation.

Mushroomhead – Your Demise (2010)

5/5. The vocal contrast stands out the most here between vocalists Waylon Reavis and Jeffrey Hatrix. Topping it all off is excellent soloing by Dave Felton.

Nik Nocturnal, Bad Wolves – Octane (2024)

4.5/5. My brother has also been getting along well the music of Nik Nocturnal. Here's a high-octane collaboration between Nik Nocturnal and Bad Wolves.

Sleep Token – Alkaline (2021)

5/5. Sleep Token are the alt-pop metal secret agents we all need. I'll never f***ing regret this band! Things get spine-chilling when it builds up to the one and a half minute mark with Vessel singing "Oooh, let's talk about chemistry" as the heaviness opens up. There are definitely some similar vibes to 2010s Anathema/Katatonia.

Stuck Mojo – Rising (1998)

4.5/5. Begin this playlist with a funky track, end it with a rap one. But h*ll, this is still quite dope! The heavy chorus has similar vibes to more iconic alt-rock/metal bands like Pearl Jam and Soundgarden. It actually makes my playlist-commenting homework worthwhile. This band can play well for a rap metal one. Meanwhile, the more melodic classic metalheads are having some of the heavy metal of Iron Maiden and Judas Priest and the thrash metal of Metallica and Megadeth in their minds. But I still prefer the heavier groove of Meshuggah, Fear Factory, and Dark Tranquillity, along with the progressiveness of Mastodon, Nevermore, and Opeth that I should revisit someday.

Hey there, Pelle! Here are some albums for you to start diving into Creed guitarist Mark Tremonti's other bands. Saxy, I would recommend these to you as well:

Rex, I recommend giving Dir En Grey a try. They're a band with a lot of style changes, like one minute they're Japanese pop rock and the next they're extreme metal. Their 2008 album Uroboros is what I would recommend the most for the ultimate best of their stylistic experimentation.

I've done my review, here's its summary:

Living Colour has been shaping up the funk metal scene since their 1988 debut album Vivid that includes their Grammy-winning hit, political anthem "Cult of Personality". In the years that followed, even more exposure was inevitable thanks to more popular tour-mates Guns N' Roses and The Rolling Stones, as well as participating in the Lollapalooza tour on its very first year, 1991. Bassist Muzz Skillings left the group before they could start recording their 3rd album Stain. His replacement Doug Wimbish has been known for working with popular musicians like Madonna and Mick Jagger. Bad Brains producer Ron Germain helped show the band's dark heavy side while suitable for the mainstream. The more melodic songs truly stand out here, whether they pack killer punches or crank it down to ballad-ish territory. Though I can do without some of the more experimental tracks, particularly a few oddballs towards the end. With all that said, Stain is a decent funky album with a few standouts, a few mess-ups, and a few in-betweens. Despite its success, the album ceased printing for 20 years due to a lawsuit from the band The Stain, and Living Colour split up due to creative differences. It won't be until a decade after Stain's release when their next offering would occur....

3/5

Here are my thoughts on some tracks:

Anthrax/Public Enemy – Bring The Noise (1991)

4.5/5. Now here's an interesting way to start this playlist. It's a f***ing hard mix of metal and hip-hop in this Anthrax/Public Enemy collaboration. This can be remembered one of the earliest rap metal songs (besides "I'm the Man") and perhaps one of the earliest hints of nu metal. If anyone thought that Linkin Park/Jay-Z mashup EP Collision Course is the best example of a rock/metal band teaming up with a legendary rapper, Anthrax/Public Enemy had their own thing going on before then.

Bad Omens – Just Pretend (2022)

5/5. This one starts slow, but when the drums and guitars kick in, Noah lets out all of his vocal emotion. The heavier action will keep you on your seat. As awesome as that song is, I'm both surprised and not about this song's presence in TikTok boosting the band's fame.

The Blank Theory – Faded (1998)

4.5/5. The Blank Theory started off as more of a metallic take on indie rock, but they would get heavier by the time of their only full album Beyond the Calm of the Corridor. People seem to really mistake this band for Linkin Park. Probably because this song sounds so Linkin Park-ish and the band name sounds similar to Linkin Park's earlier name, debut EP, and debut album, Hybrid Theory. My brother might be able to play this on guitar, if the tabs ever get released.

BOI WHAT – Funeral of an Antihero (2024)

4/5. Boi What made another song with his Plankton AI voice, this one distancing further from the Spongebob-themed lyrics of his other singles. It's more of a My Chemical Romance-inspired banger. If there ever is a movie to mark the ultimate finale of Spongebob Squarepants, this song would work well for Plankton's redeeming self-sacrifice.

Breaking Benjamin – Break My Fall (2004)

3.5/5. This track combines heavy guitar with Burnley's singing in steady motion. Wonderful, yet nothing else worth writing about there...

Bring Me the Horizon – Teardrops (2020)

4/5. You know Bring Me the Horizon as that band with epic metalcore hits like "It Never Ends". Still their newer alt-metal material like this track sounds pretty great.

Butcher Babies – Lilith (2017)

4.5/5. Another killer respectable track from these cool ladies of extreme alt-metal!

Gravity Kills – Enough (1996)

4/5. Another piece of alt-rock/industrial metal that I love, but still not enough to go further with this band. You can jam out during a long drive! Definitely having some vibes from Nine Inch Nails, Ministry, and a bit KMFDM.

In This Moment – I Would Die For You (2023)

4.5/5. An epic ballad originally in the soundtrack for John Wick: Chapter 4. It reaches a hysterical climax that has really paid off.

Issues – Since I Lost You (2024)

5/5. Seems like Issues stopped their will to go on after they fired clean vocalist Tyler Carter for abuse allegations. This final single has bassist Skyler Acord performing clean vocals, and the band's final shows have Brian Butcher (The Home Team) as their clean vocalist. Adrian "AJ" Rebollo sounds talented in his guitarwork. Let's just hope this pop metal sound the band perfected will live on. Farewell Issues....

Linkin Park – War (2014)

4.5/5. This one is surprisingly closer sounding to Bad Religion, but the stunning punk attack moves on smoothly. For a two-minute song, guitarist Brad Delson has quite some time to pull a fierce solo with Chester Bennington (RIP) playing rhythm guitar to follow his lead (pun somewhat intended).

Sleep Token – Blood Sport (2019)

5/5. One of the most stunning tracks from this band! If I discovered this band a few years ago instead of last year, it would've suited the COVID isolation quite well. The only other band that could sound so emotional in the music and lyrics is Type O Negative. Vessel can really let out his thoughts like he would in other tracks like "Alkaline".

Voice of Baceprot – Testify (Live Session) (2021)

4.5/5. Time to end this playlist with...an Islamic female nu/rap metal cover of a Rage Against the Machine song. RATM Guitarist Tom Morello has certainly influenced aspiring metal musicians all over the globe, including this band from Indonesia (directly South of my country Malaysia), Voice of Baceprot. This cover is quite amazing! Teamwork has been put to the test and it ends well as those girls stand together to revolutionize their unique image. Nicely done!

The brand-new compilation album from the lost heroes of modern rock Linkin Park has only the rap rock and alternative rock primary genre tags, but I still thinking putting this small review of it in this Gateway thread is appropriate since almost half of the tracklisting covers the band's nu metal era. Anyway, so we have all heard the tragic suicide of lead vocalist Chester Bennington in July 2017, just two months after the release of his final album with the band, One More Light, a departure from the band's earlier nu metal/alt-rock for an electropop sound. Since then, there has never been any freshly recorded music from Linkin Park, though they have re-released Hybrid Theory and Meteora with never before heard demos and outtakes. We don't know if this compilation Papercuts will be the last we hear from Linkin Park, but it's certainly a decent tour through the band's different eras, an interesting tribute to the past...

Papercuts has some solid highlights from their career, along with a few duds. You can check out my reviews for the albums that are in the site for what I think of the songs from there, but let's talk about the new ones. "One More Light" is the title track of the aforementioned poppy final LP album with Chester. Being the final release single from that album and having all its soft emotional melancholy, it's enough to make even the toughest music listener shed tears. I miss him so much... An early demo from the band's Underground series, "Qwerty" is a strong standout that I would recommend for fans of the band's heavier work. It sounds like this should've been in The Hunting Party, the only album to not have a song in this compilation.

"New Divide" is known as the theme song for Transformers: Revenge of the Fallen. With its anthemic vibe and that killer mechanical breakdown in the bridge, the streak of Linkin Park Transformers highlights stands unbroken! From the Meteora re-release Meteora20, "Lost" is an unreleased track from that album's recording sessions. To be honest though, if I heard that song before knowing where it came from, I would've thought it was part of the electronic-infused Living Things. "Friendly Fire" is the final track here and an unused track from One More Light. It's actually a true highlight for this compilation and Chester's vocals give me a pleasant feeling of both sorrow and bliss.

And now for me to point out the major problems this album has... As I've said before, none of the songs in their metal throwback album The Hunting Party are in this album. I would like more if they added a couple highlights from there like "Guilty All the Same" and "Rebellion" to use up most of the remaining CD space. I also think some underrated highlights like "Pushing Me Away" and "From the Inside" should've replaced a couple tracks like the weak "Bleed It Out" and the enjoyable yet redundant "Numb/Encore".

Despite those issues and the tracklisting order being a bit random, the amount of solid tracks here is what prevent Papercuts from being a total failure of a compilation. All in all, a decent best-of album more suitable for true Linkin Park fans rather than heavier metalheads like myself. Not the best, but I still approve. RIP Chester Bennington.....

Favorites (one per album): "Numb/Encore", "Waiting for the End", "One More Light", "Burn It Down", "What I've Done", "Qwerty", "One Step Closer", "New Divide", "Numb", "Friendly Fire"

3/5

I've done my review, here's its summary:

It's strange how Mushroomhead is part of the nu/alt-metal pack but has never gained the huge success many of their other peers have gained. Nonetheless, this band has a large fanbase that barely of those other bands have. The dedication fans have for Mushroomhead is a good reason for their 3-decade existence at this point, and why open-minded metalheads, such as myself, have no trouble at all with albums like this one, The Righteous and the Butterfly! Following up from the heavy Beautiful Stories for Ugly Children, the industrial-ish nu/alt-metal blend of brutality and beauty still stands in this album. The Righteous and the Butterfly introduces two new members, guitarist Tommy Church and bassist Ryan "Dr. F" Farrell. Jason "J Mann" Popson returns on vocal duties to make a 3-vocalist lineup (or 4 if including their later vocalist Jackie Laponza who guest appears in one song here). The title pays tribute to two longtime contributors who passed away in the years leading up to this album, former guitarist JJ Righteous and band photographer Vanessa Solowiow (drummer Skinny's wife). RIP... Some tracks look back at the different past eras of Mushroomhead and summarize all that they're known for, while other songs add in different stylistic elements for something new, either way spawning some of my favorite songs from the band such as "Qwerty" (which my brother likes as well) and their cover of Adele's "Rumor Has It". It's no rumor that awesome cover is what got me into this band. Incredible! All in all, Mushroomhead have their strongest album since XIII in The Righteous and the Butterfly, nicely improved from the albums in between. Both longtime fans and newcomers will love this righteous album, essential for any nu/alt-metal fans' collection!

5/5

Recommended tracks: "Our Apologies", "Qwerty", "Portraits of the Poor", "This Cold Reign", "For Your Pleasure", "Out of My Mind", "Rumor Has It"

For fans of: Linkin Park's nu metal albums, Rob Zombie, Slipknot

Here are my thoughts on some tracks:

Crossfaith – Zero (2024)

5/5. Crossfaith lives again! The strength of their new single is insane.

Dark new Day – Evergreen (2005)

4.5/5. Over a decade ago, my brother was just starting to listen to the hard rock/alt-metal he still likes today. He probably would love this bada** beast of a song that sounds close to Breaking Benjamin. It relates well to the troubles of relationship neglect. Honestly, it would work as a wrestler's entrance theme.

Dead by April – Break My Fall (2024)

5/5. Now this is some hard fire creeping in! It's not related to that Breaking Benjamin song, but it has a similar vibe to that band but heavier.

Demon Hunter – Time Only Takes (2019)

4.5/5. Personally a timeless melodic Demon Hunter classic!

From Ashes to New – Shadows (2016)

4/5. Another beast of a song that I'm sure my brother would enjoy, since there's one From Ashes to New song he likes, which I've submitted to a Gateway playlist a few months back. And there are other songs to like from this playlist too...

In Flames – Clayman (2020 Version)

4.5/5. As if the new In Flames album Foregone isn't already a throwback to the band's melodeath roots, a few years prior, they re-recorded some songs from their 2000 album Clayman as part of a reissue, and that makes me up to one day revisiting the original version.

In This Moment – Standing Alone (2010)

5/5. Another grand banger, as the bass groove and drum fury speed on. It really stands out with the howling and singing contrasting with each other.

Jeris Johnson, BOI WHAT – Battling My Demons (2024)

4.5/5. Jeris Johnson has collaborated with Boi What (known for his AI Plankton voice) for an anthem to battle your inner struggles. Nicely f***ing done!

Karnivool – The Caudal Lure (2010)

4/5. Sounds Awake is more of an alt-prog rock album than metal, but I appreciate this song have some of their earlier TOOL-like sound, just the way I like it.

Nik Nocturnal, Fronzilla – In Da Club (2023)

4.5/5. The result of modern metal YouTuber Nik Nocturnal and Attila vocalist Fronz making their own version of a 50 Cent hit with the violent rage of metal.

Rollins Band – Tearing (1992)

4/5. Another excellent single. It has caused Rollins' work to spread to MTV and metalheads.

Sleep Token – Gods (2019)

4.5/5. "MY F***ING FORM IS BUT A WRECK BENEATH THEM!" The guitar and overall heaviness might remind some of Deftones and Loathe, in contrast with the soft piano and ambience for a diverse mix.

Spineshank – New Disease (2000)

4/5. I remember adding this song to my first ever Sphere playlist two years ago, and I don't mind commenting on it again. The early 2000s was when alternative/industrial metal was on the rise, and when songs like this one were sports video games. I did not like metal during my kiddy years of the 2000s. It wasn't until the 2010s when my metal interest took off. Still this can give fans of this style of metal quite a bit of nostalgia.

Twelve Foot Ninja – Manufacture of Consent (2010)

4.5/5. F***ing great experimental greatness. Enough said!

Yousei Teikoku – Missing (2013)

4/5. An interesting song to end this playlist, with a dark metal equivalent to anime theme music. Great way to head out!

Here's my review:

My initial experiences with California's Rollins Band came through late-night metal radio programming shortly after the release of their 1992 third album "The End of Silence" with songs like "Low Self Opinion", "Tearing" & "You Didn't Need" receiving regular air-time for a good few months there. I remember being struck by just how visceral & aggressive the vocal attack of former Black Flag front man Henry Rollins was & also found myself being impressed by the technical capabilities & general heaviness of his three accompanying musicians. I'd subsequently go about the task of securing myself a dubbed cassette copy of the album from a school mate & would find that the deeper cuts on the album would offer me even more appeal, so much so that I'd find myself obsessing over the album & developing somewhat of a man crush on Henry which would only be exacerbated by my experiences at my first Rollins Band live show at Manly Youth Centre shortly afterwards. As good as Rollins Band may be on record, I can assure you that they went to another level altogether in a live environment with Henry performing in just a little pair of black shorts with his ripped physique & incredible intensity being something that I hadn't experienced before or since. I spent a good portion of their set stage-diving into the swarming mass of euphoric youth in front of the stage but, unfortunately for me, towards the end of the show that swirling sea of testosterone would part just as I dived from the stage which would see me landing very heavily on the hard concrete floor with my arm left feeling that I may have broken it, a fact that was not lost on Henry. After the end of the final song, he would go out of his way to find me & we'd have a discussion that would end with me buying him a drink. I'll never forget how intense & intimidating he was yet he also put me at ease with his confidence & humility. He rejected my offer of an alcoholic beverage & told me that he didn't touch drugs or alcohol. In fact, I think he was already a vegan at the time & his ripped body was clearly his temple. He told me that he couldn't understand why a good-looking young dude like myself would bother to come & see his little band play when he would have been out chasing tail if he was in my shoes & we shared a laugh. It was an experience that I'll never forget & I still hold a great deal of admiration for Henry & enjoy listening to his stories through his spoken-word performances to this day. As for Rollins Band, I'd follow them into their 1994 fourth album "Weight" which was also very strong & would see me once again attending the supporting tour but we'd part ways after that & I haven't heard any of the four records that followed.

"The End of Silence" is a huge record in many ways. It's class & consistency is impeccable with none of the ten tracks ever hinting at being filler. The production is thick & heavy with each of the band members proving themselves to be masters of their chosen instruments, coming together to create some of the tightest grooves you'll find. Despite that though, I'd suggest that Rollins Band's metal credentials weren't all that straight forward as they brought together a number of different sounds but presented the sum of their influences in such a professional & full-realised packaging that it pretty much becomes irrelevant as to what genre they should rightfully sit under. If I had to describe the sound of "The End of Silence" though, I'd suggest that they bring together the post-hardcore edge of Helmet, the doomy alternative metal of Soundgarden & the stoner rock grooves of Queens Of The Stone Age with an undeniable Black Sabbath influence &, even if that may not amount to a metal record overall, I'm not gonna argue the point because it's really a moot point in the grand scheme of things as there's really no doubt that fans of alternative metal will dig "The End of Silence".

The tracklisting begins in very solid fashion with the three big singles all sitting within the first four songs. Little will your average alternative radio-listener know that the real gold is still ahead of them though as Rollins Band were at their best when they went in more expansive directions with the longer tracks allowing them the freedom to fully flex their undeniably impressive muscles. The brilliant twelve minute "Blues Jam" has always been the centrepiece for me personally & it still feels like the perfect representation of what the band were trying to achieve to this day but it's closely followed by "Almost Real" & "What Do You Do" which were both clear anthems for my youth too. While the more up-tempo inclusions like "Tearing" & "Another Life" may seem to be a little less significant than the more drawn-out material, repeat listens see them opening up & digging their teeth in quite deeply which sees the depth in the tracklisting solidifying into an impressive wall of sonic expression.

It surprises me that "The End of Silence" isn't more highly praised to be honest as time has seen it losing none of its impact. The ambiguous nature of its sound also sees it presenting a significant amount of crossover appeal too as it offers just as much to the alternative rock radio audience as it does to the metal scene. The passion that Henry puts into his music is never in doubt but he's definitely challenged for the spotlight by the wonderful bass guitar performance of Jello Biafra, Pigface & Ween bassist Andrew Weiss whose gut-tearing wah-pedal-infused basslines play as major a part in the overall impact of "The End of Silence" as Henry's vocals do. This is rock music at its most potent & visceral & it acts as a reminder of what rock & roll formerly aspired to be but so rarely ends up being in 2024. I'd suggest that "The End of Silence" should be essential listening for all members of The Gateway.

4.5/5

Here are my thoughts on some tracks:

Alien Weaponry – Titokowaru (2021)

5/5. The opening track of its original album and this playlist starts with some Maori warriors chanting while rowing their boat over stormy seas. Then the storm becomes pummeling as fast riff groove comes in. The verses have a simple melody that pushes along like when those warriors push their oars, as the seas have different layers. It also fits well for a gym workout. An excellent boat-rower!

Biohazard – These Eyes (Have Seen) (1996)

4.5/5. These ears haven't heard before an amazing blended of Pantera groove with rapping. Pretty cool, right?

Demon Hunter – Revolutions (2022)

4.5/5. Then enters this rebellious track, ranging in vocal variety, battling between the screaming empire and the soft-singing rebellion.

Imminence – Death by a Thousand Cuts (2023)

5/5. Another f***ing banger from this band I should listen to more of. G****mn, I look forward to their new album The Black!

Karnivool – Mauseum (2005)

5/5. The heaviness builds up again with this slower highlight that I found a few years before the rest of this band's material.

Katatonia – Lethean (2012)

4.5/5. One of the nicest songs from this band!

Sleep Token – The Offering (2019)

5/5. It's so incredible how perfectly the vocals, guitars, and drums can flow from anger to despair at ease. Discovering this band via their new album Take Me Back to Eden was a pleasant experience, and songs from their other albums like this one make me want more.

Spotlights – Crawling Toward the Light (2023)

4.5/5. Then we have the ominous experimentation again with this band, this time with a similar vibe to Madder Mortem.

Type O Negative – Anesthesia (2003)

4/5. RIP Peter Steele. This was what I enjoyed when I was still highly in the gothic metal zone. The bass and synths shine well here. Though I still prefer upbeat power of songs like "I Don't Wanna Be Me".

Ugly Kid Joe – Sweet Leaf/Funky Fresh Country Club (1991)

4.5/5. This playlist ends with two over 7-minute covers of classic heavy metal songs, the first of which doing the original Sabbath song justice despite adding more funk and the vocals of Whitfield Crane sounding a bit nasal.

Waltari – Infinite Dreams (2011)

5/5. And here's the other cover, perhaps the best Maiden cover I've heard! It's part of a special covers album to celebrate the band's 25 anniversary. The band really lets out their influences here, often sounding like Ozzy Osbourne/Black Sabbath and Metallica, while throwing in some... Johnny Cash-like country?!? And melodeath?!?! Now that's wild! Kärtsy Hatakka is a true genius.

This week's revisit to Mr. Bungle's self-titled debut album has seen me changing my Top Ten Funk Metal Releases of All Time list a little with Ugly Kid Joe's "As Ugly As You Wanna Be" E.P. being the unlucky release to drop out:

01. Faith No More - "The Real Thing" (1989)

02. Primus - "Frizzle Fry" (1990)

03. Mr. Bungle - "Mr. Bungle" (1991)

04. Faith No More - "Introduce Yourself" (1987)

05. Primus - "Sailing The Seas Of Cheese" (1991)

06. Scatterbrain - "Here Comes Trouble" (1990)

07. Living Colour - "Time's Up" (1990)

08. Mordred - "In This Life" (1991)

09. Infectious Grooves - "The Plague That Makes Your Booty Move... It's the Infectious Grooves" (1991)

10. Living Colour - "Vivid" (1988)

https://metal.academy/lists/single/265

I gave a review of this album last year, but I was not impressed. In This Moment were one of the fringe metalcore bands that I listened to during high school and starting into my post-secondary. I remember Maria Brink's distinctive vocal timbre in relation to another Century Media girl: Christina Scabbia of Lacuna Coil, and how much more expressive she was. Through the 2010s, this bands songwriting flailed out of control, but was still tolerable thanks to Maria's vocals. But on Godmode, In This Moment and their producers did everything in their power to remove that identity from the equation. The instrumentals are tinny and compressed to hell and back, and the vocals are just so uninspired. There is no dynamic growth or development here and it leaves the whole thing feeling flat. 

It's a shame because there are melodic motifs that sound decent, but it's hard to focus on when all I can hear is the lead pipe snare drum and whiny guitar timbre. A production closer to 3TEETH would have worked wonders, and Maria would have been able to express herself more, but as it is, Godmode is kind of a mess.

2/5

Here are my thoughts on some tracks:

Alter Bridge – Holiday (from Pawns & Kings)

5/5. Let's start this playlist with an awesome tune that's basically like a country song with an epic and metallic punch!

Bad Wolves – It's You (2 Months) [feat. KILLBOY] (from Die About It)

4.5/5. Now this one's interesting as h*ll! This song starts off with some trap-pop verses then rises into powerful metal choruses. Some bada** inspiration there!

BOI WHAT – Neon Tide (from Neon Tide)

4/5. Here's some more of this great music from Boi What and his AI voice filters of Plankton, Spongebob, and Karen, with guitars heating up like wildfire. Someone should make a Spongebob music video for this killer piece of Spongecore!

Calva Louise – Feast is Over (from Over the Threshold)

4.5/5. My brother is often on a search for music to feast his ears on, as well as my ears. This is another one of those songs he stumbled upon and added to his playlist. It basically like a pop tune gone as f***ing heavy as death/thrash metal! And I thought Maria Brink was the metal scream queen (she still is)...

Cane Hill – (The New) Jesus (from Smile)

5/5. Holy f***ing sh*t, now this is some fantastic nu metalcore! I need to keep up with discovering more awesome stuff like this.

Disbelief – Misery (from Worst Enemy)

4.5/5. This heavy track has a dynamic groove sound, especially in the chorus. The first verse will let you know what you're in for, "Hey you, place called earth! Let me explain to you who I am! I’m your worst nightmare!"

Disciple – By God (from By God)

4/5. "YEEEEEEEEEEEHAW!!!" That's the sound Christian cowboys getting ready for the ride of their lives to close the portals to Hell and praise God in this solid track.

Disturbed – Down With the Sickness (from The Sickness)

4/5. You know this as one of their most popular songs, starting with that killer opening riff and vocalist David Draiman's memed-to-death primal shriek of "OOH-WAH-AH-AH-AH". The song has been used in many films, TV shows, and video games. This is Disturbed's true anthem! My brother likes it too, but he skips its disturbing bridge which has Draiman roleplaying as a kid being attacked by his abusing mother and ultimately fighting back. I've heard more disturbing sh*t than that, so I can handle that just fine.

Limp Bizkit – Rollin' (Air Raid Vehicle) (from Chocolate Starfish and the Hot Dog Flavored Water)

4.5/5. Let's skip ahead a bit and start ROLLIN' ROLLIN' ROLLIN' ROLLIN'! My brother has been enjoying this band lately, though surprisingly he didn't start listening to them as early all those other bands he likes. The second verse is one of the best rap verses I've heard, much better lyrics than most other hip-hop lyrics out there.

Sleep Token – Ascensionism (from Take Me Back to Eden)

5/5. This one ascends through 7 minutes of sonic emotion. Melancholic piano and delicate vocals start things off before an atmospheric buildup. Then we switch to that electronic trap beat as Vessel takes on autotuned rap-ish singing that I would rather hear from him instead of T-Pain. Just listen to that personality! Things get tense as another verse builds, and finally, a heavy breakdown occurs, a little more touching piano, and then ground-pounding finale.

Sonic Syndicate – Leave Me Alone (from We Rule the Night)

5/5. PAIN's cover of this perfect epic song is what got me interested in Sonic Syndicate and loving them so much. This is one of my favorite Sonic Syndicate songs besides "Jack of Diamonds" which I'll talk about in the Revolution playlist. I'm definitely getting some Dead by April/Linkin Park vibes here, and that never disappoints me.

Sum 41 – Goddamn I'm Dead Again (from 13 Voices)

4.5/5. Desperate anger sears through this greatness. I saw the music video for this on MTV and it adds to the killer power of the song. My own scenario for this would be an epic battle between punks and metalheads in a mosh pit as the band performs, especially during a whole minute of Bullet for My Valentine gone DragonForce guitar soloing.

Twelve Foot Ninja – Over and Out (from Vengeance)

5/5. This jazzy standout, that might remind some of Faith No More, features Tatiana Shmayluk of Jinjer who's known as a beautiful beast of a vocalist in her band. Though her poppy cleans appear here rather than her unclean vocals. And I just wanna say thanks to Twelve Foot Ninja for blessing us with this music before their hiatus.

Utsu-P – HIKIZURI (from GALAPAGOS)

4.5/5. And here's an exciting piece of Vocaloid metal to end this playlist on a fun note!

Katatonia's "Sky Void of Stars" & Klone's "Meanwhile" are neck & neck in the race to take out The Gateway Release of the 2023 Award at the moment followed by Sleep Token's "Take Me Back To Eden". There's less than a week to go so get those ratings in guys.

So with the start of a new year it's once again time to have a look at the covers for all the releases for each clan. I personally like to rate a whole stack of covers all at once, rather than doing them one at a time throughout the year, as it allows me to get a better feel for where each cover sits in comparison to others. With that in mind, I've just rated every cover for releases in The Gateway for 2023.

Below are the releases that are currently competing for the prestigious 2023 The Gateway Cover of the Year Award (i.e. they rate at least 3.3 and have 3 or more ratings). The winner will be announced on the 1st of February, so there's still time to get your ratings in.

Within Temptation - Bleed Out

Katatonia - Sky Void of Stars

Spotlights - Alchemy for the Dead

Sleep Token - Take Me Back to Eden

Polaris - Fatalism

Klone - Meanwhile

MolyBaron - Something Ominous

In This Moment - Godmode

If you want to contribute and rate some covers, the easiest way is to go to The Gallery and select The Gateway and 2023.

https://metal.academy/gallery?cid=2&type=overall_cover_rating&myRating=All&fromYear=2023&toYear=2023&exclude=0

I look forward to seeing which release gets up for the win!

A new month, a new year. Where does the time go? Let's make 2024 a great year and we'll start off the year with Slipknot's 2008 record, All Hope Is Gone. 

https://metal.academy/releases/5214

Here are my thoughts on some tracks:

Beartooth – I Was Alive (2023)

4.5/5. Let's start this playlist with another excellent song from the brand-new Beartooth album The Surface. My brother likes this one because of how therapeutic and relatable is for him. This has a bit of the softer country rock of "The Better Me" while having the self-motivational lyrical theme of "Riptide" and "Might Love Myself".

Bullet for My Valentine – Riot (2013)

5/5. Then the anger and fast pace shoots through your head again in this song in which its music video made me eventually interested in BFMV. It has the sharp heavy potential from earlier on its original album. I love that song so much!

Death Angel – Stagnant (1990)

4.5/5. Although Death Angel is known as another popular band in the Bay Area thrash metal scene, there are some songs that stagnate from their usual hardcore thrash, such as this one that is more of an alt-metal track with a bit of funky ska in the verses. That may seem like just a joke for those who aren't open-minded, but it shows how well they can think through their diversity. F***ing h*ll, this might actually be a good song to play in some places like restaurants. One other band that could really make a progressive blend of a funk metal and thrash at that time is Mordred. All the instruments have the right to unite!

Ed Sheeran, Bring Me the Horizon – Bad Habits (2022)

5/5. Bring Me the Horizon collaborated with Ed Sheeran for an alt-metal re-recording of his hit "Bad Habits", and what a masterpiece! This definitely deserves some radio airplay. Rock/metal bands can often make pop stars and their songs better.

Filter – Where Do We Go From Here (2002)

4.5/5. A lot of people might know this band for their earlier single "Hey Man Nice Shot", but their later singles from 20 years before today may spawn some bittersweet memories for longtime fans. It's strange that while people started listening to Filter and other alt-metal bands in their high school years, I was listening to power metal during my own teen years before my full interest in metalcore/alt-metal. The song title is a good question to wonder about our future of uncertainty.

Five Finger Death Punch – My Heart Lied (2013)

4/5. It was actually this band that I was more familiar with than Filter, thanks to my brother. I can't forget its freshness for when I first heard it 10 years ago.

Limp Bizkit – Break Stuff (2001)

3.5/5. I requested the original version from Significant Other, but I guess the remix is fine. The original song is an angry anthem that really shows how rap metal should be done. This song, and the rest of the album, inspired by Durst ending a longtime relationship with a girlfriend, showing him taking his aggression out on his ex, "I pack a chainsaw, I'll skin your a** raw". A couple more things about that song: 1. It's notorious for being the cause of a violent revolution in Woodstock 1999 when Durst encouraged the crowd to not mellow out, which is "what Alanis Morissette had you motherf***ers do", and even telling them not to let anyone get hurt only caused them to get hurt in the chaos. 2. The song is my brother's new ringtone.

Living Colour – Bi (1993)

4/5. Another cool mainstream song from the band behind the "Cult of Personality" hit. Despite not getting enough attention or longevity in their career, great songs like this shouldn't be ignored. It's an interesting song detailing the ongoing dilemma of people's sexuality ("Everybody's messed up with their sexuality") and can motivate people to overcome that dilemma and be proud of themselves and their community, maybe even certain characters from children's shows that have expanded the LGBT boundaries. But it might also cause some massive debate about whether this is pro- or anti-LGBT. Quite a tough call. Let's move on...

Megan Thee Stallion, Spiritbox – Cobra (Rock Remix) (2023)

4.5/5. Another metal band remix of a pop hit! Excellent, though I prefer the "Bad Habits" re-recording slightly more.

Northlane – Bloodline (2019)

5/5. Absolutely awesome lyrics and production here! So atmospheric while dark and heavy. Fantastic prog-ish alt-metalcore!

Roadrunner United – The End (2005)

4.5/5. This one features Trivium's Matt Heafy's clean singing in a wonderful hard rock/alt-metal power ballad. An incredible experiment by Dino Cazares (Fear Factory) and Heafy that has paid off! And I'm glad that one received a single and video, the only one from the entire Roadrunner United album to have those.

While She Sleeps – Self Hell (2023)

5/5. F*** yeah! While She Sleeps is coming back with their new album, and the killer final riff and scream ends this playlist in a bang.

Faith No More - "LIve at Brixton Academy" (1991)

San Francisco alternative metallers Faith No More played a really big role in the teenage lives of both Ben & I. I first became acquainted with their 1989 third album "The Real Thing" when my best mate at high school purchased it off the back of the outstanding "Epic" single & both of us would soon find ourselves indulging in Faith No More's short discography over the coming months. "The Real Thing" would go on to not only maintain its position as my favourite Faith No More release to this day but also to challenge Alice In Chains' superb "Dirt" album for top honors in the field of alternative metal overall. The acquisition of talented front man Mike Patton had proved to be a masterstroke as he clearly gave them the greater level of accessibility they were searching for after struggling to connect with a wider audience due to the inconsistencies of former singer Chuck Mosley. The band's 1985 debut album "We Care A Lot" was a wishy-washy affair that I found myself struggling with but I have to admit to having a significant soft spot for their 1987 sophomore album "Introduce Yourself" which ended up being an acquired taste, buoyed by the arrival of iconic guitarist Jim Martin. The "Live at Brixton Academy" live album was a bit of a strange decision when you consider that Faith No More had only just cemented their classic lineup & broken through in the commercial market but it's perhaps not surprising that their management would be looking to capitalize on their newly found success while they waited for the next proper full-length to eventuate.

"Live at Brixton Academy" is very much a showcase of the strengths of "The Real Thing" as an album with only one of the eight live cuts being taken from the Chuck Mosely records but even then we find Faith No More's early anthem "We Care A Lot" sounding better for the charm & charisma of Patton. The rest of the live material is composed of the stronger cuts from "The Real Thing" as well as versions of the two CD-only tracks in Black Sabbath cover version "War Pigs" & piano rock crooner "Edge of the World". The tracklisting is closed out by two studio B-sides from the recording sessions for "The Real Thing" in Jim Martin's fairly disposable bluegrass instrumental "The Grade" & the very solid alternative metal number "The Cowboy Song" which was a welcome addition that may make the release a touch more worthwhile for those that find a live album of this type to be a little self-indulgent. And let's be honest, it IS a bit self-indulgent to think that a live release was necessary when you plan to draw the bulk of the material from the one studio record.

The elephant in the room here is certainly the production job though as it's fair to say that it's not terribly amazing. In fact, it's not all that far above bootleg quality if we're gonna get serious about it with Martin's guitars being noticeably absent in the mix which isn't the greatest attribute for someone like myself whose prime attraction to Faith No More stems from Martin's contributions. Thankfully though, the material is just so fucking strong that "Live at Brixton Academy" still manages to overcome its technical deficiencies to remind me of just how much I love this band. They really are a collection of super-talented individuals in their elected fields & when they come together creatively they possess the ability to write some of the most enthralling & inspired metal music you'll find. The title track from "The Real Thing" is a prime example of that as it easily overcomes the production issues to cement itself as the highlight of the album which is no mean feat given the challenges put forward by classic songs like "From Out Of Nowhere", "We Care A Lot" & "Zombie Eaters". The imperious "Epic" & the ever-popular "Falling To Pieces" aren't quite as effective as some of the deeper cuts to be honest but that's really a reflection of the quality on offer more than anything else.

The previously mentioned "The Grade" is the only creative misstep on "Live at Brixton Academy" which represents somewhat of a flexing of Faith No More's muscles as a formidable musical force although I do have to question the decision to close out the live set with "Edge of the World" which was never one of the band's stronger works & allows the energy levels to drop a bit. I'm not gonna lie & tell you that the production issues don't bother me because they do but they don't stop me from becoming emotionally involved with the music either. How much of this is due to nostalgia is difficult to pinpoint but that's not really important because a rating should be a reflection of one's personal connection with a release & there's very little doubt that I connect with this one. Perhaps "Live at Brixton Academy" is not an essential release for every member of The Gateway but it is one for me & I can't deny the buzz that these ol' bangers still provide me with.

4/5

That is quite the problem there. If a band that isn't hip-hop or alt-metal has a song that has rapping, people can easily think they've gone rap metal. That's one reason why I don't like it when a metal band adds in rapping out of nowhere. It's very likely that anyone who has first heard "And We Run" by Within Temptation would wrongly think, "This band is rap metal now! Who knew!?"

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month’s feature release for The Gateway has been nominated by myself. It's 2000's "Salival" live album from legendary Los Angeles alternative/progressive metallers Tool. They're clearly one of the best live bands I've ever experienced & this release showcases that beautifully. It's massively underrated in my opinion & I'd even go so far as to say that I regard it as a classic live album these days. See what you think of it.

https://metal.academy/releases/80

Here are my thoughts on some tracks:

Alien Weaponry – Whisper (2018)

5/5. Now here's a perfect start for this playlist, a greatly significant song in both the production and defending their culture, with mighty powerful melodies inspired by Stone Sour, specifically Corey Taylor.

Beartooth – The Better Me (2023)

4.5/5. Let's rock out to the catchy energy this band has with country rock musician Hardy to give you more motivation and mental health.

Code Orange – Take Shape (2023)

5/5. A true Gateway anthem, this accessible yet total rocker is a killer single. The one and only Billy Corgan of Smashing Pumpkins performs his signature nasal singing over an ominous bridge, though the dark melody and harsh rhythm of the chorus really hits the spot for me. Hard yet smart writing!

Coldrain – 24-7 (2009)

2.5/5. This one falls into a two-faced emo-rock trap, and that's my cue to skip over to slightly later in the playlist...

Five Finger Death Punch – Burn MF (2013)

3/5. The playlist quality starts to slowly climb back up. I could probably scream along to this if not for these explicitly aggressive lyrics. For that reason, my parents couldn't let my brother let me hear this at the time when this album came out 10 years ago when back then I was 14 and he was 16.

From Ashes to New – My Fight (2013)

3.5/5. Same with this one... Hypothetically. My brother didn't discover this until quite recently, and despite the rapping overdose, it's quite catchy. "Get up, get up, get up...!"

Godsmack – I Stand Alone (2003)

4/5. Now this is a different moderate standout in this playlist, and this single was featured in The Scorpion King and the show I've been binge-watching. An absolutely killer song for battle!

Karnivool – C.O.T.E. (2005)

4.5/5. This atmospheric track packs some polished punches with riff crunch and frontman Ian Kenny's subdued vocals. Ethereal melodic streams flow with edgy guitar. The band is mature enough to handle the tight production and go complex without having to go high in speed.

Katatonia – Sold Heart (2010)

4/5. The sadness in Jonas Renkse's voice is so convincing and admirable. Samurai Jack-like vibes much?

Lacuna Coil – Survive (2009)

4.5/5. Some more darkness to love, this time more energetic. I probably would've loved this more long ago though, especially when I don't recognize a bit of the lyrical quality.

Living Colour – Type (1990)

4/5. Funk metal is never really my type, though this song has kick-A iconic potential.

Machinae Supremacy – Phantom Battle (2014)

4.5/5. Now here's a battle-ready 8-bit-infused alt-/power metal banger. The guitar in the intro and chorus execute epic shredding!

Slipknot – Custer (2014)

4/5. This reckless track has a bit of spoken word before his scathing ranting over crushing speed as he chants, "CUT CUT CUT ME UP AND F*** F*** F*** ME UP!" When my brother was listening to the song this year when the song became a TikTok staple, that was my indirect invitation to listen to the album that included that thrashy highlight.

Spiritbox – Ultraviolet (2023)

4.5/5. To conclude this partial playlist speed-run, I'd like to thank not just Saxy for making the playlist, but also Spiritbox for being the heroes/heroine of modern metal. Beautiful emotional songs like this might just make history this decade.

I reviewed this album already so to summarize: 

The newest Code Orange album The Above is a frustrating listen as it ping-pong's back-and-forth between heavier metalcore romps in the vein of Tallah, and alternative, industrial metal like Static-X. I always find that when you have an album such as this, it can be a difficult sell, since it is clear that Code Orange are trying to make a sound that is "more accessible", which I do not have a problem with on its own, but pairing it with heavier, bone shaking metalcore breakdowns has the added effect of scaring normies away in addition to putting the heads of their fans on a swivel.

The being said, the albums attempts at becoming more mainstream are pretty good as the vocal timbre is very sultry for this type of music, and the glitchy percussion rarely feels like it's taking over the production. Otherwise, my biggest issue is that The Above feels very immature as it appears to be calling upon the dreaded nu metal palette. This is obviously a subjective take, but nu metal rarely works for me in the modern age because of its immaturity. And hearing what was once a promising metalcore band starting to use it liberally is a wee bit disappointing.

3/5 

Here are my thoughts on some tracks:

Pyrogenesis – Survival of the Fittest (2020)

4/5. Killer start to this playlist! Not the best, but I'll survive.

36 Crazyfists – Better to Burn (2017)

4.5/5. Now this is a better song to love! Still can't believe this band ended up calling it quits.

Sleep Token – The Summoning (2023)

5/5. Then I get to hear this awesome track with heavier breakdowns leading to a soulful bass/vocals ending. The song is highly popular on Spotify, and I can understand why.

Alien Weaponry – Kai Tangata (2018)

5/5. This highlight continues the heavy aggression while having another shining melodic chorus. I love it!

Alter Bridge – Fortress (2013)

5/5. This 7 and a half minute epic is the perfect ending to the hour-long tale of its original album. The textures and time changes are produced perfectly in experimental glory.

Any Given Day – Wind of Change (2022)

4.5/5. As time goes by, a f***ing boring rock ballad ends up getting the amazing metal cover treatment. Any Given Day's cover is a real tear-jerker, and it's a pleasant break from the band's Soilwork-infused melodic metalcore.

Celldweller – Switchback (2003)

5/5. A classic released 20 years ago and still sounds fresh! The more material I find from Celldweller, the less likely I'm able to SWITCHBACK.

In This Moment – In The Air Tonight (2017)

4.5/5. Another impressive remake of an earlier hit. This is the probably best cover I've heard of this Phil Collins single. Cinematic beauty and drama ends up taken to higher levels. Hearing this cover again on the day after Halloween (as of commenting) is a f***ing phenomenal experience. The whole "cover sounding better than the original thing" strikes again! My only complaint is how muffled the drumming sounds, even during the beat-drop leading to the final chorus. Nonetheless, Maria Brink and co. nailed it!

Spiritibox – Cellar Door (2023)

4/5. Pretty sick! Enough said.

Evanescence – Far From Heaven (2021)

3.5/5. The beginning is like Within Temptation gone Tears for Fears, with the piano and soft operatic singing. But the rest of the ballad isn't that strong. I'll head out now....

I think it pushes the boundaries but still barely makes it.  But for Deftones it's always been questionable.  There was maybe a tiny bit of it on White Pony, which was extremely diverse.

Here are my thoughts on some tracks:

Fiends – Rented Mental (2023)

4/5. Can you feel how hard this hits?! This playlist kicks off with a d*mn heavy banger! Like holy sh*t, the riffing starts off a bit like Taproot on steroids. Feel that fire!

Annisokay – Calamity (2023)

4.5/5. New singles just keep appearing out of nowhere from Annisokay and Electric Callboy, and they never cease to amaze me and my brother.

Beartooth – Doubt Me (2023)

5/5. I just love what I'm getting so far from Beartooth's upcoming album The Surface. This is probably my second-favorite single from that album, behind "Riptide". Great lyrics with a p*ssed-off attitude!

Breaking Benjamin – Hollow (2015)

4.5/5. Another amazing song from one of my brother's longtime favorite bands.

Five Finger Death Punch – The Agony of Regret (2013)

4/5. More of a short interlude but a great one for a quick breather.

In This Moment – Black Wedding (2017)

4.5/5. A f***ing great song that you can use for a metal wedding! And of course, you can recognize a metal legend in Judas Priest's Rob Halford in this song.

Mushroomhead – Qwerty (2014)

5/5. This song is one that sounds weird at first, but eventually I end up loving it to bits. This might've also happened to my brother because he loves it as well. I guess you can consider this Slipknot performing at a haunted carnival. This band should've had greater fame than Slipknot.

Soilwork – Övergivenheten (2022)

5/5. From a melodeath band to a band that makes epic songs like this. Absolutely wonderful! Björn "Speed" Strid is one of my all-time favorite vocalists, and if my brother likes Speed's vocals from Demon Hunter's "Collapsing", surely he would like at least something from this band.

Spiritbox – Circle With Me (2021)

4.5/5. "CUT DOWN THE ALTAR!!" Although Spiritbox hasn't struck my metal heart as much as it should have, I still enjoy this song, and so does my brother. Some kick-A fire here, especially in the chorus.

Static-X – New Pain (2003)

4/5. Another interesting song to like. RIP Wayne Static

New Years Day – Epidemic (2015)

4.5/5. Holy sh*t, I wanted to submit this song as a playlist suggestion for a few months, but you added in at the perfect time, thanks Saxy! "We're so contagious!"

Black Veil Brides – Devil’s Choir (2013)

5/5. Another super-cool song to love! Sure this band can be associated with Panic! at the Disco, Fall Out Boy, and My Chemical Romance, but this is also for modern non-purist metalheads who are up for this kind of sound. Still not everyone is ready for this much awesome. I'm proud of this band for standing strong despite the criticism. We will carry you away from the fires of hate!

Therapy ? – Trigger Inside (1994)

4.5/5. Great anthem! ...For psychopaths, though I'm not one.

Twelve Foot Ninja – Endless (2008)

4/5. Getting things kicking is the experimental alt-metal band from Australia!

Sôber – Superbia (2011)

4.5/5. Great vocals singing Spanish lyrics! There also seems to be that dark psychedelic complexity of TOOL. Seems like they know how to surpass their influences with pleasant surprises. There's some progressive essence along with a bit of Latin to add to the equation. D*mn, these lyrics are great despite being in Spanish. Not only is the alt-metal of TOOL around, but also the hard rock of A Perfect Circle and to a lesser extent, the nu metal of early Disturbed. The progressiveness is amazing! The song allows you to see the future and witness the destiny of the world. Someone save this f***ing planet! If I knew any Spanish, I would be singing along. There's also some unique dark ambience. The beginning of the human race had already been witnessed, but pride and greed may lead to humanity's loss and destruction. The beginning of the end, as they say. Our offspring shall progress and keep mankind alive, and with this song, the consequences of our poor choices have warned us well.

The World Alive – Trapped (2016)

5/5. Another f***ing sick and phenomenal song! And one to make a stopping point on this playlist. I'm still grateful for this playlist though, thanks Saxy!

I've done my review, here's its summary:

Alter Bridge is known very well as a side-project-turned-full-time-band by guitarist Mark Tremonti, bassist Brian Marshall, and drummer Scott Philips, all coming from the more famous Scott Stapp-led band Creed. Together with frontman Myles Kennedy, Alter Bridge had proved themselves to be the creative songwriting force alt-metal needs! After 3 albums of hard rock/post-grunge in a similar vein to a few of my brother's favorite bands like Breaking Benjamin, Three Days Grace, and Skillet, Alter Bridge decided to boost up their creativity intensely with their 4th album Fortress. It's a test of magic as they added more diverse arrangements and time signature variations for a more progressive style, though closer in sound to Karnivool rather than TOOL. And who's manning the production? Michael "Elvis" Baskette has entered that building. Throughout this adventure, there are shorter melodic songs suited for radios, and a few longer epics that showcase their progressive side. One moment you hear blazing riffing and melodic choruses, and the next you hear different varying textures and time changes. And that's what makes Alter Bridge's so unique. The melodic rock elements the band has taken from more popular bands has been merged with superb technicality for their own style of prog-ish alt-rock/metal. Fortress is an epic journey for the genre, and it seems like my interest in this band is at a rapid beginning!

5/5 (Thanks, Saxy!)

While Narrow Head don't really reinvent in any meaningful way on Moments of Clarity, I cannot deny that I still quite enjoy the newest output. Something about it major harmonies and more jolly melodic songwriting is a welcome change of pace when I've been trapped in an extreme metal deep dive, or the forgettable quagmire of modern metalcore. Even in comparison to Deftones, the bands most obvious influence, they do not continue in a loathsome, haze infused way, unlike a band such as Loathe or early Teenage Wrist.

I did enjoy this; it was a rather pleasant change of pace, which makes it stand out amongst its more metal contemporaries. Having allowed this record to sit with me for a little while however, I do feel like my initial reaction was swayed by novelty. The record does meander a bit too much and it can turn into a slog if you listen to the whole thing. But with this being post-metal/shoegaze, I don't think it's the biggest deal breaker.

3.5/5

https://open.spotify.com/playlist/7aY7WjCGySb3Lb4x79Dk5T?si=33cd8830699e488e

1. Jane’s Addiction – Mountain Song

2. Northlane -Freefall

3. Asking Alexandria – Bad Blood

4. Sevendust – Won’t Stop the Bleeding

5. System of a Down – P.L.U.C.K.

6. Beartooth- Might Lose Myself

7. End of Green – Dark Side of the Sun

8. Celldweller – Own Little World

9. Smallman – A Drop

10. Grim Salvo – Feasting.On.The.Guts.Of.Angels

11. Disturbed – The Best Ones Lie

12. Alice in Chains – Stone

13. Five Finger Death Punch – Coming Down

14. Fleshwater – The Razor’s Apple

15. Infected Rain – Everlasting Lethargy

16. In This Moment – The Great Divide

17. The Clay People – Awake

18. Lacuna Coil – Aeon XX

19. New Years Day – Relentless

20. Clawfinger – Out to Get Me

21. Alexisonfire – Reverse the Curse

22. BABYMETAL – Monochrome

23. Life Of Agony – My Mind Is Dangerous

I finally got around to listening to this album and it was interesting to hear where Northlane came from before they went full into alternative metal. The metalcore roots are still on display with Alien but they do not take as much from everywhere, which was commonplace in earlier Northlane records and other metalcore albums in general. Alien is far heavier than its later project, but the vocal stylings are more diverse and interesting thanks in part to a greater emphasis on harsh vocals and djent-y breakdowns. The album sure is mixed well and has more than enough solid moments to keep it above average, but knowing what we do now, its clear to see how transitory Alien was. As a result, some of the experimentation (especially on tracks like "Rift") don't hit at all and pull the album down as a result. Still, its a fine release and a clever one by a band who knew what they want to do and have carried on with refinement, much to the dismay of older Northlane/metalcore fans.

7/10

https://open.spotify.com/playlist/7aY7WjCGySb3Lb4x79Dk5T?si=5d4a7deaa4e64ce3

1. Asking Alexandria – Psycho

2. Breaking Benjamin – Never Again

3. Five Finger Death Punch – Mama Said Knock You Out

4. I Prevail – Paranoid

5. In This Moment – Rise With Me

6. Lacuna Coil – Never Dawn

7. Parkway Drive – Wishing Wells

8. POYNTE – In My Head

9. Rage Against The Machine – Down Rodeo

10. Dope – Dirty World

11. Sleep Token – Chokehold

12. Yakui The Maid – Nereid

13. Mudvayne – World so Cold

14. God Lives Underwater - No More Love

15. BABYMETAL – Onedari Daisakusen

16. TOOL – The Pot

17. Giraffe Tongue Orchestra – Back to the Light

18. Naïve – Mother Russia

19. Destiny Potato – Take a Picture

20. For The Fallen Dreams – No Heaven

21. Chevelle – Vitamin R (Leading Us Along)

From very early on all I wanted was for it to end 

Here are my thoughts on all the selected tracks:

Asking Alexandria - "Dark Void" from Dark Void (2023)

5/5. These metalcore-turned-hard-rock Brits are back with their return to the heaviness of 10 years prior, though in a more alt-metal light. With emotional lyrics, the playlist is off to a perfect start, and I can gladly welcome back this amazing band!

Dark Divine - "Dancing Dead" from Dancing Dead (2023)

4.5/5. This band's first recording was an EP titled Halloweentown (reminds me of that Disney Channel film series). Then came this killer single from their upcoming album! Ice Nine Kills, Motionless in White, and Black Veil Brides would be proud, wouldn't they?! These new guys on the modern horror metal block deserve more attention. The breakdown is especially a f***ing blessing that I adore. Definitely worth spicing up a Halloween party!

In Flames - "State of Slow Decay" from Foregone (2023)

4/5. The alt-metal/melodeath action is kicked up a notch with the lead single of the new In Flames albums, which pleasantly surprised fans with heavy riffing, drumming energy, and metal soloing, bringing back the glory of the band's earlier era and At the Gates. This is straight on metal heaviness that's entirely different from their previous album I the Mask. And that's the single my brother likes from this album. Quite strong and promising!

Breaking Benjamin - "Polyamorous" from Saturate (2002)

4.5/5. Another lead single for an album! It shows vocalist Benjamin Burnley having his ability to sing and perform background screams. A catchy tune that I still remember throughout all these years, thanks again to my brother.

POYNTE - "Hold On" from Discreet Enemy (2015)

4/5. Yet another one of my brother's favorite songs, and I can definitely hear why. It's a heavy rock anthem of dreams that you just gotta hold on. Any rock fan shouldn't miss out on such a song!

Five Finger Death Punch - "Jekyll and Hyde" from Got Your Six (2015)

3.5/5. This band my brother and I think are pretty cool, despite other people thinking otherwise. It's as if what would could be considered by those people a mess-up ends up sounding solid to us. Rock on!

Saliva - "How Could You?" from Cinco Diablo (2008)

4/5. This one's pretty great, and I'm stunned that I didn't discover this band until after their remaining founding member guitarist Wayne Swinny passed away. RIP... I feel sorry for those who have been cheated on by their partners. Longtime Saliva fans can find a good throwback to the band's earlier material. I wouldn't say it's the best song I heard, but it still works well. These lyrics of heartbreak and cheating are something that shouldn't be put down. The chorus definitely reminds me of Breaking Benjamin, and I can recommend it to someone experienced with the band's music. Maybe my brother? Getting cheating on is painful, especially when you really like that person. It's good to look back at the wrongdoings of someone you once knew once in a while and learn from them. It's more suitable to listen to on a rainy day than a sunny one. There's nothing annoying about this sound, and those who think it is annoying are as thoughtless as those cheating a****les. It's a sad shame that the world can be so unfaithful...

Soil - "Black Betty" from Play It Forward (2022)

3.5/5. Not the best cover I've heard, but it's pretty good. The vocals might have a bit of a Monster Magnet kick. The song was first written by Lead Belly in the late 1930s, and then popularized by Ram Jam in the 70s, and again by Spiderbait in the 2000s. Soil's cover is a bit too Rob Zombie-sounding for me, and speaking of the devil...

Rob Zombie - "What?" from Hellbilly Deluxe II (2010)

3/5. A decent recommendation from another friend of mine, but some parts of the song make me think... "WHAT?!"

Avatar - "The King Wants You" from Avatar Country (2018)

3.5/5. "THE BEST OF THE GREATEST! THE GREATEST BUT FEW!! THE SOON TO BE HEROES... THE KING WANTS YOU!!!" Avatar Country was the first new album I discovered since my first move out of the earlier epic/melodic metal into the heavier more modern side. Nonetheless, this song sounds as Queen-inspired as those more melodic bands.

The Word Alive - "Made This Way" from Dark Matter (2016)

4/5. Telle's vocals are what make this song and other songs by the band so good. The music and lyrics fit well for these dark times. It's for that reason that Dark Matter is an album I can easily resonate with.

Mudvayne - "Happy?" from Lost and Found (2005)

4.5/5. Chad Gray is known for his screamed vocals, but it's songs like this in which his singing shines.

Celldweller - "The Last Firstborn - Klayton Remix" from Celldweller (2003)

5/5. This awesome remix makes me wanna listen to the original. H*ll, it makes we want more of Celldweller! Looking back at this though, this mix of metal with dubstep/house sounds a little more appropriate for a Sphere playlist.

Whitechapel - "Anticure" from Kin (2021)

5/5. I've just started a Whitechapel reviewing marathon (while making my busy schedule stays intact), and this album Kin is gonna be an interesting one to review with this perfect emotional lament. Reminds me of some of the slower ballad-like Trivium songs!

Lacuna Coil - "Spellbound" from Shallow Life (2009)

4.5/5. Perhaps one of the best songs from this band! Cristina Scabbia sounds beautiful as always. My brother and I have only discovered this band during the Delirium era, but better later than never. I might listen to this while writing my next book. And d*mn, this is the same band that made that dark gothic metal album In a Reverie. Of course, this track is not to be confused with a more well-known hit with the same title by Siouxsie and the Banshees. Male vocalist Andrea Ferro shines in the verses. Anyone who doesn't like this music should chill, keep what they say to themselves, and move on. Probably the best song by this band in the late 2000s era besides "Our Truth"! I need to get into listening to this band again.

Korn - "Forgotten" from Requiem (2022)

4/5. The lyrics of darkness and despair might seem unusual in nu metal, but they click well in this song. You can truly feel the grief! It actually sounds more natural than forced, with smoothness in the f***ing anger. The guitar creeps in the chorus for an eerie yet pleasant vibe. There's some enjoyable goodness in Korn! Probably due to the earlier Linkin Park-like sound this song has.

Nothingface - "Ether" from Skeletons (2003)

4.5/5. This is actually quite underrated. Apparently the lyrics are about George W. Bush and sound wicked when put into a similar sound to Korn and Slipknot. You might also know this from the Freddy vs. Jason soundtrack. RIP Matt Holt...

Papa Roach - "Last Resort" from Infect (2000)

4/5. One of the earliest rock/metal songs my brother knows besides the bands he listens to. It's never really my favorite song, but I like it better than most other people do who just downright hate it.

Limp Bizkit - "Hot Dog" from Chocolate Starfish and the Hot Dog Flavored Water (2000)

3.5/5. I accidentally selected the clean version of this song for the playlist, which is a bit unfitting considering the uncensored Papa Roach song in the same playlist. Despite that, it's quite good yet odd in the rapping. I love the dirty intro riff!

Linkin Park - "One Step Closer" from Hybrid Theory (2000)

4/5. This is their breakthrough single worth checking out for both metalheads and radio listeners. The riffing is both heavy and kid-friendly, the latter adjective maybe not the killer screaming bridge ("SHUT UP WHEN I'M TALKING TO YOU! SHUT UP!!"). This is metal for Sesame Street-level beginners and probably the heaviest song to be allowed in karaoke (I know because I've been there).

Slipknot - "The Dying Song (Time to Sing)" from The End, So Far (2022)

3.5/5. The nu metal revival at its more maniacal. Enough said!

Mushroomhead - "Kill Tomorrow" from XIII (2003)

4/5. One of my favorite Mushroomhead songs from the nu metal era, though the quality could've been slightly higher.

Nonpoint - "Bullet With a Name" from To the Pain (2005)

4.5/5. Some might know this song that's practically an anthem, from WWE SmackDown vs. Raw 2007. You can rock out to this song while watching wrestlers go nuts on each other. There is kind of a Disturbed vibe here.

Machine Head - "From This Day" from The Burning Red (1999)

4/5. While I still can't get the hang of this band, this is a nice crazy song, though a bit surreal. Some might be reminded of the band RED in the music. Bring the pain!

Infectious Grooves - "Violent & Funky" from Groove Family Cyco (1994)

3.5/5. The f***ing funky bass is performed by Robert Trujillo, known as the current bassist of Metallica. The lyrics fit with the song title ("Sticks and stones may break some bones, but a 357 gonna blow your d*mn head off"). And don't forget drummer Brooks Wackerman, who would later join Bad Religion, and then Avenged Sevenfold.

Faith No More - "Epic" from The Real Thing (1989)

4/5. I wouldn't say this song is epic, but it can certainly be an anthem of sudden love within the lyrics. This would fit well for the ending of a video game to celebrate the main character's victory before the piano ending hints at a possible sequel. Apparently, this song is a big inspiration for Slipknot/Stone Sour frontman Corey Taylor. You can let your personal imagination run wild through the lyrics, even during the simpler parts ("It's it! What is it!?"). See? Funk rock/metal isn't just Red Hot Chili Peppers, and there certainly isn't any naked staging. The vocals and piano really take the show.

Living Colour - "Cult of Personality" from Vivid (1988)

3.5/5. The lyrics of leadership make more sense once you give the song further listening. It's the kind of message to express for your land. Everyone has their own personality, and that's something relevant and should never be forgotten. You can find this song in Grand Theft Auto: San Andreas, and it is also used by WWE professional wrestler CM Punk. The quality could've been better though.

Primus - "Jerry Was a Race Car Driver" from Sailing the Seas of Cheese (1991)

3/5. For a heavily funk-infused song, it tells the sad tale of a young lad who lost his life in a drunk driving accident. "Fire it up, man!" RIP Jerry

Nuclear Rabbit - "Secretly Meaty" from Vicuna (1997)

3.5/5. Anyone longtime funk metal fans would definitely have a taste of nostalgia when they listen to this band and Mr. Bungle. It's not too much of a time-waster, but once again, there's a little too much funk.

Anthrax - "I'm the Man" from I'm the Man (1987)

4/5. The song that has kickstarted rap metal is a fun hilarious metal rap performed by the band members, not just in the instruments. The rappers keep messing up their verses in a funny way "I'll steal your pop tarts like I stole your...socks!" And the chorus paraphrases a line spoken by Taylor Negron in the movie Easy Money, "I'm so bad I should be in detention, I'm the man!", while sampling "Hava Nagila" in Dan Spitz's riffing.

Rage Against the Machine - "Wake Up" from Rage Against the Machine (1992)

3.5/5. While the song's original album is known for a certain different single, and a certain cover art of self-immolation, this song is best known as one of the end credits songs for The Matrix. "WAKE UP!!!"

Godsmack - "Lighting Up the Sky" from Lighting Up the Sky (2023)

4/5. One last song to dig in this playlist. One that can hits you with heaviness while staying calm. If this album really is the last one by this band, this song is a great way to end their recording career, along with this playlist.

Pretty good playlist I've made, huh? Despite some bumpiness in the funk metal section. Anyway, I recommend this to any alternative metal fan and anyone who isn't into alternative metal but is up to getting into a great start for the genre. Thanks Saxy for granting me the privilege to make this playlist during your break, and Daniel for accepting it. I hope the rest of you enjoy it like I've had! (Coming next month: my thoughts on the July Infinite playlist)

I am no expert on Katatonia by any means, I really like Brave Murder Day and really dislike Last Fair Deal Gone Down, so my opinion on them is "variable" at best. Still, approaching Sky Void of Stars with no strong expectation either way, I was quite pleasantly surprised by what I found within it's fifty minutes runtime. 

This is a really tuneful and melodic album that references the progressive sounds of bands like Porcupine Tree and Riverside. Unsurprisingly, as he wrote all the material on Sky Void of Stars, the vocal performance of Jonas Renkse is absolutely central to the album. It is fortunate, then, that his performance is top-notch with a strong presence and impressive consistency. I don't wish to demean the contributions of the other band members as they too are of the highest quality, but they are more restrained and are used as the foundation and support of the vocals. This feels similar to the way that the E-Street Band back Springsteen's singing, they are all superb musicians in their own right, but The Boss is the main event. Personally, I would have liked to have heard the band as a whole let off the leash and the album lean more towards a progressive sound with some lengthier instrumental sections. There were a couple of times where it seemed about to happen, but it never really materialised. That said, that is obviously not what was intended here, the focus being less on progressive instrumental explorations and more on precise melodies and memorable musical phrases, with the lyrics and vocals being placed front and centre. To that end Sky Void of Stars is inordinately successful and I got plenty of enjoyment out if it. No doubt I will return to it at some future point, the scales of judgment on Katatonia now weighted more towards the positive as far as I am concerned.

4/5

Here are my thoughts on some tracks:

Wheel – Tyrant (2019)

4/5. A great start for this playlist! That's the kind of breathtaking music to appreciate with audible bass. However, I find the lyrics to be a little too obvious. And while I do love the music, it's a bit too much like TOOL. Though there is a bit of a Soen vibe in the ambient midsection. Also the excellent vocals sound like the smoother side of Linkin Park's Chester Bennington (RIP).

Breaking Benjamin – Red Cold River (2018)

4.5/5. This song is a true example of Breaking Benjamin's heavier potential. My brother has been a fan of this band since the beginning of his rock/metal interest over a decade ago, and he and I still find amazing songs from this band throughout all those years.

Coldrain – Bloody Power Fame (2022)

5/5. Now this is a thought-evoking anthem throwing back to their earlier alt-metal/post-hardcore roots of 10 years ago. It's certainly addictive with the tight guitar shredding and powerful clean choruses. No wonder it became another anime theme!

Evanescence – Haunted (2003)

3.5/5. One of my brother's favorite Evanescence songs, though it's quite strange, telling a horror story about a spirit trapping a girl in a haunted mansion for a decade.

Five Finger Death Punch – If I Fall (2011)

4/5. This one continues the heavy madness that would impress fellow bands of the NWOAHM such as Trivium.

I Prevail – Bow Down (2019)

4.5/5. A great song from one of my brother's recent favorite bands! "GET ON YOUR KNEES AND BOW DOWN!!!"

My Ruin – Silverlake (2008)

4/5. The sludgy alt-metal instrumentation is quite killer, but the rapping ruins it a bit.

Lacuna Coil – Sword of Anger (2019)

4.5/5. A great sensation of gothic alt-metal from the masters of that sound! Like holy sh*t, you can hear the vocal anger of Andrea Ferro alongside the beautiful voice of Cristina Scabbia. The amazing music comes out as almost a cross between Madness-era All That Remains, HIM, and We are the Fallen. Probably one of the best songs I've heard from this band! They've taken their heaviness and done it justice like true modern metal warriors.

Escape the Fate – Gorgeous Nightmare (2010)

2.5/5. This song I've heard from a music video I've watched 10 years ago. It sounded great back then, but now? Nope, it's just too d*mn repetitive. This attempt at a catchy chorus is annoying with plain-sounding instrumentation. I feel like skipping that track and erasing all memories of it from my mind.

New Years Day – Relentless (2015)

3/5. Although I support my brother's like for this band, Ash Costello's vocals sound a bit too whiny and emo there. Sorry, miss...

Parkway Drive – Shadow Boxing (2018)

3.5/5. This one introduces something different to the band; clean vocals and piano! It's a dark epic song, despite the strange rapping vocals throwing me off.

Ektomorf – Ten Plagues (2014)

4/5. Great track to end the playlist, despite sounding too much like mid-90s Sepultura.

Before I make the thread for my June feature releases and playlists, I'd like to share my thoughts about this feature release that I skipped but have not caught up. Here's my review summary:

The late Wayne Static, along with bassist Tony Campos, guitarist Koichi Fukuka, and drummer Ken Jay have made pretty good industrial/nu metal straight outta California. What's interesting is the album title, coming from the 1973 Michael Lesy book. The programmed drumming shows the band's noise-powered industrial metal tendencies, while being easily performed with actual drums. Static's vocal range is impressive, ranging from shouts to cleans without difficulty. The atmospheric synths and heavy riffing are also essential to the album's sound. In the end, we get to have a nice lookback at the first work of the band Wayne Static is mostly known for. RIP Wayne....

4/5

I came into this record with no knowledge of Klone as a band either. I had just finished listening to the new Katatonia record Sky Void of Stars from earlier in the year and found it rather disappointing overall. Meanwhile, conversely, does not really seem like a record that is doing a whole lot different than a recent Katatonia album, but has its fair share of subtle deviances that snowball on one another to stand out amongst the influences. I, like Sonny, do feel like the album does get a little bit too comfortable at the halfway point, and Klone do not really seem super invested on developing their story beyond what has already been established on the first two songs. But the progressive tendencies are well executed, once again, the Katatonia influence is here in droves, but it doesn't sound like "another Katatonia album" and it features some excellent production, especially in the guitar leads.

4/5

Saxy, let me just say, you have done such as incredible job assembling this month's Gateway playlist! This tracklisting has encouraged me to go through the entire playlist and find excellent tracks from bands I already listen to along with different bands in which some of them I feel up to trying some more songs from them. Well done, please keep it up! So let's get my track thought journey started:

Soundgarden – Loud Love (1989)

4/5. Let's start with the strongest track of its original album! Though it's a bit creepy.

Spiritbox – The Void (2023)

4.5/5. Spiritbox is a band that the modern metalheads should never miss. They know just how to hit with all their power!

Loathe – New Faces in the Dark (2020)

4/5. Quite a banger with a killer ending breakdown! Though the one at the one-minute mark is good for headbanging too. This band has underrated atmosphere. You can think of them as Chevelle gone Meshuggah, plus a bit of recent Wage War.

Avatar – Hail the Apocalypse (2014)

4.5/5. This is the song my brother was listening to that got me interested in Avatar. It really blew my mind, and in a time when I still had my mind set on melodeath, it was love at first listen. They made raging riffing and sick soloing in the albums before this one, when they were just a typical melodeath band. I still think of this song as some f***ing amazing sh*t! They've done their bada** job quite well. They seem to have similar physical aesthetics to Rob Zombie and King Diamond. When the first verse starts after the 30-second intro, you know you're in for a wild ride. HAIL THE APOCALYPSE!!!

Tremonti – If Not For You (2021)

5/5. Lots of d*mn power in this one. I love it! I hear a bit of Skillet vibes here.

Days of Jupiter - Ashes (2015)

4.5/5. Another song my brother loves! It fits well for an action film soundtrack. The guitars and drums are nice and hard. It sounds similar to Breaking Benjamin's "Diary of Jane" which is a good reason for my brother to like this song. I actually find this sound to have some Disturbed vibes, maybe even the more "alternative" side of Demon Hunter. It's all in good arrangement!

Alpha Wolf – Bleed 4 You (2020)

5/5. Scr*w the complainers, this is absolutely well done! It's so mellow, yet with f***ing massive diversity and emotion. I actually like the chorus more than the breakdown, which is still a headbanging puncher. The heaviness descends into oblivion for the female vocals by Lizi Blanco and then rises up again.

Haji’s Kitchen – Twenty Twelve (2012)

5/5. Wow, this is slightly more amazing than the Spiritbox track from earlier! It's featured in the English dub soundtrack of Dragon Ball Z: Broly – The Legendary Super Saiyan along with "Lost". Gotta get more of this band!

Disturbed – The Curse (2008)

4.5/5. This highlight starts weird in the bass, drum, and guitar mix, but it's very good. The pre-chorus is great, while the chorus is incredible! There's no technicality in the guitar until the solo that's well-executed. Then some final riffing to wrap things up.

HELLYEAH – Welcome Home (2019)

4.5/5. The world was shocked to hear about the passing of drummer Vinnie Paul (best known from his time with Pantera). They had just finished recording this album but held on to it for over a year before its release. Despite having a different drummer in Stone Sour's Roy Mayorga, they only toured with him for a couple years and then went on hiatus due to the reforming of vocalist Chad Gray's other band Mudvayne. Welcome home, Vinnie Paul. RIP

Sleep Token – DYWTYLM (2023)

5/5. Sleep Token is another band to thank for their music, like A LOT.

Five Finger Death Punch – Cold (2013)

4.5/5. This is one of those reflective power ballads. You can hear the raging fear in the chorus, especially in the final one. F***ING REAL EMOTION!!! Still I can hold back the tears and look strong. Despite the coldness of the world, I have people who care for me, including my brother who also enjoys this band. There's also a bit of an Alice in Chains vibe in the intro.

Linkin Park – Crawling (2000)

4.5/5. This emotional hit is where icy synths and bass crawl through the intro before getting mudded out by the guitar heaviness and Bennington's cries. The more industrial fans might compare the song to Nine Inch Nails. The lyrical subject matter deals with Bennington's teenage years of torture and meth addiction, and he was so upset about it that he needed help from the crowd when performing the song live.

Tallah – The Impressionist (2022)

5/5. Impressed? Consider me so! This band has revived the late 90s nu metal sound with a mix of that style and modern metalcore. Absolutely unique, including that wild solo performed by guitarist Derrick Schneider.

I Prevail – RISE (2016)

4.5/5. So emotional and optimistic! It almost fits well for part of an action movie when the hero slowly walks away from an explosion. So pump your rage and "dig a little deeper, make 'em believers"!

Nonpoint – Rabia (2004)

4/5. Interesting to hear this band's attempt in writing a song with Spanish lyrics. It's hard to understand without an English translation, but it's still quite a banger. Go back to Spanish class if you wanna enjoy the lyrics!

Lacuna Coil – Hostage to the Light (2014)

4.5/5. A beautiful breath-taker to love! This is a great one to hold dear, from the moment Cristina Scabbia enters with her serene vocals after the 30-second intro.

Sevendust – Angel’s Son (2001)

4/5. This song first appeared in the Snot album Strait Up that tributes to their late vocalist Lynn Strait who was killed in a car crash along with his dog Dobbs. The original was recorded by Snot with 3 of the members of Sevendust, who would record their own version for this album Animosity. The band would suffer their own tragedies a year later with the passing of their friend Dave Williams of Drowning Pool, and the murder of vocalist Lajon Witherspoon's younger brother Reginald. RIP fallen ones...

Parkways Drive – Prey (2018)

4.5/5. This one continues the classic melodic sound with a shuffling beat and riff with epic harmonic guitars in the bridge.

Smallman & Ivan Shopov – Rhodopes (2016)

4/5. You might think of this project as the Bulgarian Perfect Circle. This beautiful power is worth some praise. Give it some good listening! It's a very nice mind-blower. There is some good f***ing art there for TOOL fans to enjoy.

The World Alive – New Reality (2023)

4.5/5. I've only just found more of this band over a year ago, and I never get tired of them! This song is probably the band's heaviest since their 2014 album Real, while taking on the new elements. Different yet similar in total beauty and inspiration! Telle never fails to amaze me. This oughta beat Hollywood Undead out of the park.

Breed 77 – Insects (2009)

4/5. Flamenco metal?!? A bit odd, but a good ending for the playlist!

Here are my thoughts on some tracks:

Disturbed – Indestructible (2008)

5/5. The 4th Disturbed album's title track starts off greatly with background gunfire and war sirens. It's as if you're dragged into this battlefield where you become an army soldier ready for war, and when the drums and guitar enter, you're all pumped up for a new intense experience. I'm guessing that's how my brother felt when he first heard this song that caused him to convert from our earlier sh*tty radio pop interest into the more enjoyable (for us) rock/metal. Amazing catchy chorus, impressive guitar solo, mighty vocals... I totally understand and enjoy how this brand-new world of metal opened up for my brother and eventually me. Thank you for that, Disturbed!

Gone Is Gone – Roads (2017)

4.5/5. You ever think about a cover that's f***ing greater than the original? This is one of them, with haunting guitars! Recreating a Portishead hit, this is good for one of my brother's drives. Wow, this is like alt-metal/rock sounding as doomy as Type O Negative or Katatonia! The sound could've been slightly better though, particularly the vocals. Other than that, excellent cover from this band featuring Mastodon bassist/vocalist Troy Sanders!

Katatonia – Austerity (2023)

4/5. Dropping in right away is an incredible 4-minute track of progressive force, complex in the riffing and rhythm while staying melodic. Drummer Daniel Moilanen makes his way through an impossibly big amount of time signatures. Bassist Niklas Sandin impressively keeps up with fast technicality, into a bridge of mellow jazz. Guitar duo Anders Nyström and Roger Öjersson are the masters behind the riff complexity, with the latter performing a beautiful soloing. Of course, we can't about Jonas Renkse's warm vocal melodies, but while the unpredictability of the vocals can level up the impact, right from the beginning, it might catch you off guard at times.

Linkin Park – Numb (2003)

4.5/5. This is the second-best song of its original album, and probably Linkin Park's most successful song ever! The song can be found anywhere in the public, and even my friends from the outside world like it. Chester does melodic singing throughout the verses and chorus while getting rough in the bridge. The piano is awesome. The guitar sounds a bit weak, and it may be considered by some overrated, but I don't care. "Numb" is Linkin Park's ultimate anthem!

Avatar – Dance Devil Dance (2023)

4/5. Stomping right in is the opening title track with a thunderous country-like march. Though the riffing is repetitive, the song is redeemed by the solid Judas Priest-like chorus where vocalist Johannes Eckerstrom really shines. Perhaps my favorite since the title track of Hail the Apocalypse!

Breaking Benjamin – Next to Nothing (2002)

4.5/5. The best song of Breaking Benjamin's debut Saturate for me, despite sounding softer, which deserves as much fame as that album's 3 singles.

Dog Fashion Disco – Love Song for a Witch (2003)

5/5. This awesome song opens as a fast pounder, creeping in with keyboards. The guitars and drums go almost as fast as thrash!

Atreyu – Do You Know Who You Are? (2015)

4.5/5. Amazing marching anthem, though the lyrics might need some slight improvement.

Chevelle – Jawbreaker (2014)

4/5. A great song in the lyrics can actually fit well in one of the Saw films.

I've done my review, here's its summary:

This is it. The real "Big Bang" beginning of my brother's rock/metal taste that would spark up my metal interest, Disturbed's Indestructible! Or at least the title track. Indestructible shines similarly yet greater than what I've heard from Ten Thousand Fists. There's the grand guitar performed by Dan Donegan, with pretty much every track having good soloing without ever being out of place. However, this album would've been as perfect as those masterpiece milestones for my metal interest like DragonForce's Inhuman Rampage and Trivium's In Waves, if not for something holding it back, or someone. Drummer Mike Wengren's beats sounds too plain and doesn't work right in the snare-pedal combo. This causes the bass to have more prominence but in a way that overshadows the drumming. That's not to say the bass is bad at all, it's quite amazing. Simple yet interesting, performed by John Moyer. Here we have 6 of the best tracks I've heard from the band, 4 OK tracks, and two stinkers. The awesome tracks include the first two of the album, the former being the aforementioned "new beginning" for my bro's music path and eventually mine, and the latter written by David Draiman about his ex-girlfriend's suicide. And the otherwise poor drumming works greatly in that better half of the album. And of course, the guitar shines a lot in technicality and melody. Any Disturbed fan might dig this, and I respect this offering as the one spark to ignite my brother's rock/metal interest and eventually mine. Hail our true beginning!

4/5

Recommended tracks: "Indestructible", "Inside the Fire", "The Night", "Perfect Insanity", "The Curse", "Divide"

For fans of: Five Finger Death Punch, Breaking Benjamin, Trivium's Vengeance Falls (produced by Draiman)

Here are my thoughts on some tracks:

Katatonia – Colossal Shade (2023)

4.5/5. The opening track for this playlist has a mid-tempo pace with lighter catchy melodies and bouncing electronics. Of course, darkness still lurks in the heavy guitar dissonance, especially in the bridge harkening back to Viva Emptiness.

Celldweller – Frozen (2003)

5/5. You might think I would've discovered this gem over 10 years ago when I only knew my brother's alt-rock/metal interest, but it's only quite recent when I heard him listening to the Blue Stahli remix. With the original song being as fantastic as, if not more than, the remix, and my interest in Klayton's other projects like Circle of Dust and Argyle Park, I'm more determined that ever to check out his most popular project!

Memphis May Fire – Bleed Me Dry (2022)

4.5/5. Another amazing song to love. Enough said!

Static-X – I’m With Stupid (1999)

4/5. Great lyrics to like, though I'm not highly appealed. "HE'S A LOSER!!!" RIP Wayne Static

Gone Is Gone – Violescent (2016)

4.5/5. This highlight hits you with fuzzy magic in the guitar that Troy Van Leeuwen has kept from his main band.

Lacuna Coil – My Spirit (2012)

4/5. A pretty great song written in memory of Type O Negative's Pete Steele, and in some live performances, Slipknot's Paul Gray. RIP those fallen metal bass players... The band crafted this composition very well. There's also an Italian spoken bridge.

Through Fire – Stronger – Extended Version (2016)

4.5/5. This strong single is motivational, encouraging you to lift your spirits up and drop all the bad things in life.

Demon Hunter – Silence the World (2022)

4/5. This is a great place for me to stop, a beautiful epic reminding me a bit of Trivium's Silence in the Snow album, and featuring singing by Tom S. Englund of Evergrey.

The modern alternative metalcore scene is a hard subgenre to pin down. While it certainly has its modern upsides in Bad Omens and Spiritbox, a lot of them begin to blend together after a while, as many simply latch on to already popular/dead trends hoping to make a quick buck. Motionless in White is one of those bands for me. After attempting to go more alternative with 2014's Reincarnate, they became a band that would release records that get a bunch of acclaim, but are as quickly forgotten about a month later.

Case in point, I did listen to Scoring the End of the World back in June of 2022 and thought it was...fine. Chris Motionless is quite capable when writing well constructed tunes with some decent melodies. And, most important to me, incorporating breakdowns that do not act as an aside from the original concept or idea. But the record is held back considerably by not having any identity of its own. I had to do a double take at first when listening to the chorus of "Sign Of Life" because I thought for certain that Benjamin Burnley was the principal vocalist here.

And while the vocal comparison should not be that big of a deal, when the instrumentals sound like Breaking Benjamin too, that's where I have to draw a line. MiW goes a step further by having "Porcelain" sound like a modern Bullet for my Valentine tune, complete with some industrial/electronic spattering's that, while not offensive, I found to be more than distracting.

Scoring the End of the World has a lot of guest features and those tunes also feature some of the freshest sounds on the record. "Slaughterhouse" with Bryan Garris is a straight rump and serves as a good change of pace and intensity following the slower, more dreary "Porcelain". Then a trifecta of songs at the end of the record, however these tunes are not as enjoyable. starting off with "Cyberhex" sounding closer to a Mick Gordon track than even the title track, which actually features Mick Gordon! And in the middle of those two, we have the Marilyn Manson inspired "Red, White & Boom", which can be cheeky and fun, but I was not really feeling it.

And I think the reason why is because MiW have this long stretch of Breaking Benjamin/Bullet for my Valentine sounding tunes that aren't the most innovative things in the world. Sure they have breakdowns, but a metalcore band has to do more than add breakdowns to pre-existing formulas to make them enjoyable. And then, right at the very end of the album, they throw a curveball and show you something vastly different than what you've heard through the first ten tracks. The pacing of this record is so back heavy that I had less interest in those deviances than if they had been prominently featured early on in the record. Chris Motionless and company may have had some good ideas, but they are few and far between, and the sequencing is not good at all.

6/10