The Gateway

Ben, please add Falling in Reverse. Their new album Popular Monster has alternative metal as its main genre in RYM.

August 2024

1. Blackbriar – Arms of the Ocean (2018)

2. Clawfinger – Catch Me (1993)

3. Darwin’s Waiting Room – Trap (1996)

4. D’espairsRay – “Forbidden” (2006)

5. Decyfer Down – Fight Like This (2006)

6. Deftones – Tempest (2012)

7. Dog Fashion Disco – Pale Horse (2014)

8. Evanescence – Whisper (2003)

9. Faith No More – The Cowboy Song (1991)

10. Giraffe Tongue Orchestra – Everyone Gets Everything they Really Want (2016)

11. Katatonia – The Parting (2012)

12. MAZIAC – Splendour (2024)

13. Mushroomhead – Fall In Line (2024)

14. OSI – Radiologue (2009)

15. Scars of Life – Pool of Fears (2005)

16. Sevendust – Prayer (1997)

17. Sleep Token – Take Me Back To Eden (2023)

18. Turnstile – T.L.C. (Turnstile Love Connection) (2021)

19. Wheel – Vultures (2019)

My adjusted Top Ten Funk Metal Releases of All Time list (despite the fact that only very few releases with this tag are genuinely worthy of it in my opinion):

01. Faith No More - "The Real Thing" (1989)

02. Primus - "Frizzle Fry" (1990)

03. Mr. Bungle - "Mr. Bungle" (1991)

04. Faith No More - "Introduce Yourself" (1987)

05. Primus - "Sailing The Seas Of Cheese" (1991)

06. Scatterbrain - "Here Comes Trouble" (1990)

07 Primus - "Pork Soda" (1993)

08. Living Colour - "Stain" (1993)

09. Living Colour - "Time's Up" (1990)

10. Mordred - "In This Life" (1991)

https://metal.academy/lists/single/265

Catchy new single by Australian alt-rock/metal band Sick Puppies from their upcoming album Wave the Bull, though this one's a little more funky:

Here are my submissions for the October Gateway playlist:

Alesti, The Word Alive - "Disconnected" (4:26) from Disconnected (2021)

Falling in Reverse - "Watch the World Burn" (3:24) from Popular Monster (2024)

Ice Nine Kills - "Hunting Season" (3:18) from Hunting Season (2022)

Linkin Park - "Runaway" (3:03) from Hybrid Theory (2000)

Mushroomhead - "We Don't Care" (3:50) from Call the Devil (2024)

Of Mice & Men - "Pain" (3:43) from Cold World (2016)

RVSHVD, All That Remains - "Proof" (3:30) from Proof (2024)

System of a Down - "B.Y.O.B." (4:15) from Mezmerize (2005)

Total length: 29:29

Here are my thoughts on some tracks:

Bad Omens – Like a Villian (2022)

4.5/5. Let's start with this Bad Omens album's first single in which all the earlier elements come together. There's no denying how anthemic that track is with its catchy chorus and a metallic take on the alt-rock sound of Amo-era BMTH. This song WILL infect your mind!

Bring Me the Horizon – Parasite Eve (2020)

4/5. Speaking of BMTH, this anthem from their first Post Human release doesn't get old, despite fitting eerily well with COVID at the time it came out. Of course, it was written before the pandemic, with a lyric changed to avoid causing unnecessary offense. If we can't save you, saving yourself is the way.

Jeris Johnson – John (2024)

3.5/5. An alt-rock/metal ballad not too far off from the bands my brother likes such as Breaking Benjamin, Skillet, Three Days Grace, etc.

Kontrust – The Smash Song (2009)

3/5. It's not everyday you stumble upon Rammstein-infused Polish-sung dance-metal, and it's not my kind of day either. Also there's an English version of this.

Linkin Park – Nobody’s Listening (2003)

3.5/5. This one is a different departure from Linkin Park's earlier material. It opens with a strange Eastern flute loop and programmed beat. The lyrics are great, though the song is too experimental for my interest.

Living Colour – Auslander (1993)

4/5. One of my favorite songs in this colorful funk-fest!

Mass Hysteria – Tout doit disparaître (2012)

3.5/5. Similarly to Kontrust, Mass Hysteria has a dance-ish vibe and a different language (French). Nothing wrong with that, and slightly better!

Memphis May Fire – Necessary Evil (2024)

4/5. Memphis May Fire's new single shows that they never disappoint their fans, having some heavy fire.

Mushroomhead – Prepackaged (2024)

3.5/5. This one has dark heaviness, but their attempts at that are a bit too drastic.

Nothingface – Can’t Wait For Violence (2000)

4/5. An underrated nu/alt-metal banger to get you pumped. RIP Matt Holt

Of Mice & Men – Would You Still Be There (2014)

4.5/5. The more hard rock side of things is exemplified in this track. Slow and steady wins the catchy radio rock race, though in this case, it made that song another memorable highlight. It can really make their fanbase grow big.

Shuvel – Burn This (2009)

4/5. Great one, though too much on the rapping side. Next!

Sick Puppies – There Goes the Neighbourhood (2024)

4.5/5. I haven't really explored this band apart from their nu metal debut Welcome to the Real World, but when I stumbled upon their new comeback single, I gave it some listening and thought "Wow... That sounds as heavy and metallic as their debut!" If the rest of their upcoming album Wave the Bull is like this, it might just be one f***ing h*ll of a strong comeback release.

Yakui the Maid – Goodnight World (2019)

4/5. A solid experimental way out. Goodnight!

This one starts with sinister creepiness, then it comes out as more of a d*mn jam track that should've been left out of the album:

An instant classic that aptly shows the band not caring about anything except their own thing:

Here are my thoughts on some tracks:

D’espairsRay – “Forbidden” (2006)

4.5/5. This isn't the D'espairsRay song I requested, but it's still quite amazing. I can't believe I haven't discovered anything from this band until last year, though I knew I was destined to find their material at some point in my life. This shall fit well for exploring the lava-covered monster-ridden Nether in Minecraft. Prepare for some J-metal action!

Dog Fashion Disco – Pale Horse (2014)

4/5. Another great song to love, going back to forth from brutal to pop-ish at any time.

Evanescence – Whisper (2003)

3.5/5. This one adds creepy symphonics to the nu metal/post-grunge sound that made my brother like that song. The lyrics have some religious vibes warning you to resist evil and save yourself from danger.

Katatonia – The Parting (2012)

4/5. It's been far too long since I've parted ways from the music of this band, but I'm grateful songs like this can be dark while having melody instead of death.

MAZIAC – Splendour (2024)

4.5/5. More progressive splendor. Enough said!

Mushroomhead – Fall In Line (2024)

5/5. Mushroomhead is back with a brand new album Call the Devil, coming out next week as of this comment. The album and this kick-A single marks the debut of Scott "xtriker" Beck, replacing longtime vocalist Jason "J Mann" Popson. Lots of fresh yet usual music and lyrics here, "You’re killing me with all your sorrow". This is true heavy sh*t while often melodic! Sadly, all we have left from the original lineup is percussionist Steve "Skinny" Felton. Nonetheless, the band are staying true to their original name.

Sleep Token – Take Me Back To Eden (2023)

5/5. This 8-minute epic really nails the structure. In a garden of birds, Vessel sings in tranquility before lyrics of mental state are semi-rapped. The ending climax has Vessel screaming in pretty much the heaviest breakdown of its original album.

Here's my review summary:

Limp Bizkit is a band that has gained quite some hate over the years. From their name, to their nu/rap metal/rock sound, to the scathing vocal anger of vocalist Fred Durst, to their live performances causing violence in crowds (one show causing the death of a teenage girl)... The band even covered a George Michael single as their entry into fame. Basically they're like an extra-cheese-coated biscuit, and I can bite down on that biscuit more than those who give up after a nibble. Some of the rap metal tracks in this album, Significant Other, are quite pleasant, with anthems done better than most other rap metal bands in my opinion. They are leveled up by the guitar attack of Wes Borland and the rapping of Fred Durst, alongside melodic groove and harmonic singing, along with a few guest vocalists from the rap, rock, and metal scenes. Even I hesitated to call this album good, but I have to tell my true opinion. And what can I say? I'm an open-minded person....

3.5/5

Recommended tracks: "Just Like This", "Break Stuff", "Rearranged", "Nobody Like You", "9 Teen 90 Nine", "N2gether Now", "A Lesson Learned"

For fans of: Korn, Linkin Park, Eminem (not that a lot of us here have listened to Eminem, but the album definitely has some Slim Shady vibes)

Revisiting this album after hearing that god awful HARDY album Quit!! exemplifies why I enjoyed it in the first place.

Nu metal is notorious for not having any substance beyond edgy teenagers whining and getting angry at the most trivial of issues. These are not inherently bad, but without anything closely resembling a melody or instrumental motifs make them insufferably one dimensional. Reliqa are doing nu metal sure, but instrumentally, Secrets of the Future is very dense, unique and above all, interesting. The lyrics and music play off of one another in a very progressive manner, while retaining the shorter song structures to allow for more mainstream accessibility. 

Overall, the blend of styles here are exceptional. Reliqa show a lot of potential at making modern nu metal that is not dated or cringe. If you don't like nu metal because of this, I recommend giving this a try. It might not be for you, but it is a very different style of nu metal than you're used to.

8/10

Anthrax - "Sound of White Noise" (1993)

The early 90's was a terrifying time to be a classic thrash band. By 1993, the grunge scene had unceremoniously stripped thrash metal's audience with some of the remainder being carried away by the death/black metal boom so many of the major bands were all fighting for a smaller market share. Pantera had also hit on a key niche of the market with their fresh new groove metal sound that had taken the metal scene by storm &, in order to survive in that environment, many artists simply chose to jump onboard the grunge or groove metal bandwagons with mixed results it has to be said. Big Four member Anthrax was one such act with their 1993 sixth album "Sound of White Noise" seeing the five-piece transitioning away from their thrash metal roots for a sound that took an each-way bet on the grunge & groove metal movements. Many fans would immediately jump off the train but the inclusion of talented Armored Saint front man John Bush in place of classic Anthrax singer Joey Belladonna had certainly peaked my interest, particularly given that I was a huge fan of Bush's work on the Saint's 1991 fourth album "Symbol of Salvation". Ben would purchase "Sound of White Noise" on CD upon release & we'd both spend some time adjusting to the new Anthrax direction. Interestingly, I recall both of us really enjoying it & nothing much has changed there either.

Although "Sound of White Noise" is generally regarded as a groove metal release, I would argue that there's actually a lot more alternative metal here, easily enough for a dual primary tag with thrash metal being the lone secondary influence. To say that "Sound of White Noise" sounds like a different band to the one we heard on classic thrash records like "Among The Living" or "Spreading the Disease" is not entirely accurate though. You can still clearly hear a lot of the techniques the band had made their calling cards but they're used more sporadically here. Tracks like "Potters Field", "Invisible", "C₁₁ H₁₇ N₂ O₂ S Na" & "Burst" would have comfortably fit on earlier Anthrax records though so this isn't a completely foreign environment for extreme metal fans. Bush's more masculine vocals are certainly a little different from Belladonna's but not to the point that you couldn't easily imagine him singing the earlier classics pretty successfully. I personally gravitate more to the Bush tone anyway so this change was always gonna appeal to me. He doesn't nail everything in front of him here but, after a few listens, I can't imagine too many punters feeling like he'd rained on the Anthrax parade.

The eleven-song tracklisting doesn't tend to unveil all of its charms upon first listen & repeat listens definitely see it opening up progressively more. There are a couple of genuine Anthrax classics on show if you're open to discovering them. The obvious highlight of the record is the anthemic single "Only" which possesses an absolute belter of a chorus hook & is the best reference for the skill set that Bush brought to the band you're likely to find. High-octave, energetic alternative thrasher "C₁₁ H₁₇ N₂ O₂ S Na" is also an underrated gem & I've found that it's dug its talons into my flesh to ever greater depths over the last week. The rest of the tracklisting ranges from pretty decent to very solid with only the lackluster alternative metal number "Hy Pro Glo" failing to offer me any level of appeal. Perhaps there aren't enough tier one inclusions to see "Sound of White Noise" pressing for Album Of The Year honors but it certainly had enough about it for Ben & I to remember it very fondly amongst our childhood memories.

So, where does "Sound of White Noise" sit in the prestigious Anthrax back catalogue then? Well, it might surprise a few people to hear that I actually rate it somewhere in the middle rather than towards the bottom rungs. I'd comfortably take it over the legendary New York thrash metal establishment's 1984 debut album "Fistful of Metal" & also feel that it's a more consistently interesting record than 1988's "State of Euphoria" fourth album which was more acceptable than it was impressive. Many people seem to try to tarnish this record with a harshly-worded groove metal brush but that's not a true reflection of the quality of the song-writing or the professionalism in the performances. Anthrax were a high-quality metal act who have produced another high-quality metal record here in my opinion but there's no doubt that it requires thrash fans to go into it with an open mind.

For fans of Acid Drinkers. Prong & Sepultura.

4/5

Here are my thoughts on some tracks:

Any Given Day – Apocalypse (2024)

4.5/5. Let's start with some d*mn fire with this Any Given Day track!

BOI WHAT – The Both of Us (2024)

4/5. The "Plan Z/Neon Tide" Plankton AI metal saga continues with this song featuring Sandy, stirring up a similar vibe to a more hardcore 2010s Skillet. The animated music video is one of the most epic I've ever seen! And the instrumental bridge is a killer homage to the "Grass Skirt Chase" soundtrack.

Chevelle – Send the Pain Below (2002)

4.5/5. Lots of classic alt-metal wonders from this song that made me understand where bands like Bad Wolves get their sound. Thumbs up for this kind of music!

Coldrain – Miss you (2010)

4/5. This semi-acoustic ballad is where Masato and Sugi take the front stage, the latter bringing his clean/acoustic guitar.

Crossfaith – Godspeed (2024)

4.5/5. Another Japanese alt-metalcore band follows, bringing in the energetic Wargasm for an electrifying banger. And in the same month is Babymetal's collab with Electric Callboy. If all 4 bands can collaborate together, we would have an unstoppable electro-metal alliance!

Dog Fashion Disco – Tastes So Sweet (2014)

5/5. Speaking of Electric Callboy, tone down that band's trance-y dance-y electronics and replace them with the wacky experimentation of Mr. Bungle, and you get this sweet band! Seriously, this band should've been a f***ing lot more popular.

Jeris Johnson – Ode to Metal (2024)

4.5/5. This one is more of an ode to modern metal, but it's still really cool. After starting with a cinematic symphonic intro that would almost make you think it might lead to symphonic metal, the track is actually an alt-metal blend of a Linkin Park-esque rapping verse, a pop punk chorus inspired by A Day To Remember, and a bridge filled with the melodic metalcore of early Avenged Sevenfold and the nu metal of Slipknot, all 4 of those bands paid lyrical tribute to in said chorus.

Jucifer – Hennin Hardine (2006)

5/5. What the Jucifer?! This is noise-filled sludgy alt-metal from a husband-wife duo that sounds absolutely tempting for me! The only other time I've heard of this band is when they guest starred in an unfinished film that was later revamped into Sound of Metal.

Memphis May Fire – Misery (feat. Atreyu) (2023)

4.5/5. Some more d*mn fire coming from another superb collab from Memphis May Fire with Atreyu's Brandon Saller. The vocals by Matty and Brandon really make it all worthwhile. It's amazing how this can please even the more classic metalheads. The chorus and breakdown are both so catchy. If any metalcore fans haven't listened to Memphis May Fire or Atreyu yet, I would recommend doing so right away. This makes almost another perfect highlight for this playlist. It's almost like a mix of Hollywood Undead and Skillet. The lyrics can still be heard clearly in all this vocal distortion.

Nik Nocturnal, Ankor – Unforgiven (2023)

4/5. Nik Nocturnal and Ankor are two of my brother's recent favorite metal musicians. This is a catchy kick-A piece of K-pop metal, and the girl isn't even Korean!

Northlane – Miasma (2024)

4/5. This one has that Obsidian-like blend of electronics and metal, along with another guest vocalist, Parkway Drive's Winston McCall with his own destructive breakdown.

Of Mice & Men – Tether (2023)

4.5/5. Another standout despite its more stripped-down sound for the most part. Pauley's singing slowly ascends until the other members join in for the epic final chorus.

Twelve Foot Ninja – Over and Out (2021)

5/5. This jazzy standout was already in last February's Gateway playlist, but I'll let it slide. It might remind some of Faith No More, features Tatiana Shmayluk of Jinjer who's known as a beautiful beast of a vocalist in her band. Though her poppy cleans appear here rather than her unclean vocals. And I just wanna say thanks to Twelve Foot Ninja for blessing us with this music before their hiatus.

VOLA – Break My Lying Tongue (2024)

5/5. And voila, one more grand discovery to close this playlist! I love the chorus and the synth melodies here. How in the world have I not heard this band before?!? I need more of this newfound favorite band of mine! They can prove that djent doesn't have to be as all-out brutal as Meshuggah, instead balancing those relentless downtuned guitar rhythms with soothing melodies. This is the kind of direction I want to travel through, and I hope to continue making out those playlist discoveries like a bandit. My alt-/prog metal knowledge shall expand, thanks to playlist owner Saxy.

This is actually the first time I've listened to a full Of Mice & Men album. I've heard singles from the band before and enjoyed some of them, ("Bones Exposed" and "Echo" specifically) and was interested to see how well this band could hold an entire album together.

Once it was finished, I realized why Of Mice & Men have been a singles band. The singles "Castaway", "Indigo" and "Warpaint" are decent, but the remainder of Tether is quite boring actually. It isn't bad, but this band has their feet firmly planted and watered in alternative metalcore and this record does not do much of anything in forcing it to stand out. It feels very redundant of The Devil Wears Prada's Color Decay from 2022. Some of the atmospheric interludes sound good, but the execution can be tedious. I noticed it mostly during the opening verse of "Warpaint" where the vocals are a harsh scream, while the instrumentals are mellow and synthetic; they do not mesh well at all. 

Nothing about Tether makes me want to listen to it again, but if it came on, I wouldn't be bothered by it or skip it on sight. This feels like fast food metalcore; it's quick, easy and tastes good for only a moment, but you know its bad for you and I find myself looking for something with a more cultured palette. 

2.5/5

Here are my thoughts on all selected tracks:

24-7 Spyz – Why (1994)

4/5. Why did this playlist have to start with something so funky? Never mind, this is still great.

Avatar – Make It Rain (2024)

4.5/5. An excellent single from these masters of carnival-ish melodeath/alt-metal!

Bad Omens – Kingdom of Cards (2019)

5/5. This highlight practically starts where the previous Bad Omens album ended with "The Fountain". There isn't any thunderous metal riffing, but it shines with anthemic beauty, a bit like early 2010s Linkin Park but greater (no disrespect to Chester Bennington, RIP). It is a pleasant start to the journey, and I enjoy the vocals by Noah Sebastian.

Cave In – Trepanning (2005)

4.5/5. RIP Caleb Scofield. His screams and bass gave songs like instant memorability. Practically every fan of this band has discovered them when they were in high school, but for me, it was just a couple years before this comment. This f***ing sh*t rocks hard! I especially the groovy bridge midway through. And my first encounter with Caleb's vocals was from his guest appearances with Converge, Isis, and The Ocean. He will truly be missed...

Dog Fashion Disco – Struck By Lightning (2014)

5/5. Some more experimental alt-metal to love from this band that I've also enjoyed for a year or two! Sweet Nothings continues the sound of Adultery, though with not as much consistency in some tracks. You can almost think of this as Five Finger Death Punch gone Infected Mushroom.

Dreamshade – Where My Heart Belongs (2016)

4.5/5. So heavy and beautiful at the same time! Though I find more in common with Bullet for My Valentine when it comes to this band.

Evanescence – Lithium (2006)

4/5. There's a bit of a Queensryche influence in this piano-powered track.

Future Palace – Paradise (2022)

4/5. Another one of those songs my brother likes recently. Nice glitch-ish effect to go with this female-led alt-metal/rock sound.

Linkin Park – QWERTY (2024)

4.5/5. This is a strong standout that I would recommend for fans of the band's heavier work. It sounds like this should've been in The Hunting Party, the only album to not have a song in the Papercuts compilation.

Mushroomhead – Your Demise (2010)

5/5. The vocal contrast stands out the most here between vocalists Waylon Reavis and Jeffrey Hatrix. Topping it all off is excellent soloing by Dave Felton.

Nik Nocturnal, Bad Wolves – Octane (2024)

4.5/5. My brother has also been getting along well the music of Nik Nocturnal. Here's a high-octane collaboration between Nik Nocturnal and Bad Wolves.

Sleep Token – Alkaline (2021)

5/5. Sleep Token are the alt-pop metal secret agents we all need. I'll never f***ing regret this band! Things get spine-chilling when it builds up to the one and a half minute mark with Vessel singing "Oooh, let's talk about chemistry" as the heaviness opens up. There are definitely some similar vibes to 2010s Anathema/Katatonia.

Stuck Mojo – Rising (1998)

4.5/5. Begin this playlist with a funky track, end it with a rap one. But h*ll, this is still quite dope! The heavy chorus has similar vibes to more iconic alt-rock/metal bands like Pearl Jam and Soundgarden. It actually makes my playlist-commenting homework worthwhile. This band can play well for a rap metal one. Meanwhile, the more melodic classic metalheads are having some of the heavy metal of Iron Maiden and Judas Priest and the thrash metal of Metallica and Megadeth in their minds. But I still prefer the heavier groove of Meshuggah, Fear Factory, and Dark Tranquillity, along with the progressiveness of Mastodon, Nevermore, and Opeth that I should revisit someday.

Hey there, Pelle! Here are some albums for you to start diving into Creed guitarist Mark Tremonti's other bands. Saxy, I would recommend these to you as well: