Judgement Submissions

Judgement Submissions Threads

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Daniel

Although 'Clouds' is generally touted as being a doom/death release, I’ve never agreed with that sentiment. As a death metal musician myself, I can tell you that there’s bugger-all genuine death metal on the album. Even the vocals of rhythm guitarist Johan Edlund don’t come close to anything particularly deathly, instead taking the form of an awkward hybrid of clean & growly styles. There’s not much that resembles death metal in the instrumentation either other than some sporadic up-tempo parts that seem to have been haphazardly inserted into the tracklisting at random intervals, a feature that I regard as the clear weakness of 'Clouds' as an album. On the other hand, the gothic sound that would become a permanent fixture for Tiamat releases moving forwards is already well & truly in effect & may in fact be the most prominent attribute of the album so I'd like to see 'Clouds' added to the Gothic Metal genre on top of its existing Doom Metal one. That would leave it sitting as a Gothic Doom Metal release which I feel is a much more appropriate representation of its overall sound.

This nomination has now been posted in the Hall of Judgement.

https://metal.academy/hall/491

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Daniel

The 1992 sophomore album from unusual New York side project PainKiller is generally tagged as a combination of free jazz & grindcore but I would question that position. The jazz component is most certainly bizarre enough to warrant an avant-garde jazz association while the grindcore component is actually quite small given just how short those tracks are. The wider contribution would sit much more comfortably under an avant-garde metal tag as there simply isn't anything around that sounds remotely like this artist. For that reason, I'd like to see 'Buried Secrets' added to The Infinite under the Avant-Garde Metal genre. If this is successful then I'll be looking to have the album removed from The Horde & the Grindcore genre.

This nomination has been posted in the Hall of Judgement.

https://metal.academy/hall/490


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Daniel

To be honest, when I hear the vocals and breakdowns in this album, I find them more moshing than slamming and think more of Deformity and Despised Icon (Consumed by Your Poison era) rather than Suffocation, maybe even the stylistic missing link between Living Sacrifice albums Inhabit and Reborn. Plus I don't have the heart to dethrone the honor of its status as the earliest notable deathcore album. For these reasons, I'm voting NO for this entry, Daniel.

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Daniel

"Exhorder's underrated sophomore album 'The Law' is often overlooked due to its links to groove metal but I have to say that those statements are heavily overstated. There's really only one groove metal track included on the album (i.e. closer '(Cadence) Of The Dirge') with most of the remainder being far too fast, thrashy & aggressive to warrant a groove metal tag. I honestly feel that a lot of these links are reached for due to the fact that Pantera clearly drew their sound from Exhorder & you can easily hear that here with the vocals sounding exactly like Phil Anselmo, the guitar tone sharing certain characteristics & the groovier riffs taking on a similarly angular format. But the thrash metal model should allow for the inclusion of some groovier riffs without having to receive additional genre tagging in my opinion & there's simply not enough groove metal here to warrant it as far as I can see."

https://metal.academy/hall/489

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Shadowdoom9 (Andi)

This nomination has been posted in the Hall of Judgement.

https://metal.academy/hall/473


I have to admit that I don't see it personally. I'd argue that it's potentially more of a post-hardcore release than it is a metal one with post-hardcore covering the more expansive material.

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Shadowdoom9 (Andi)

This nomination has been posted in the Hall of Judgement.

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Vinny

Thanks for submitting your vote on this one Sonny. It's seen us meet a reasonably strong consensus at YES 5 NO 0 so I'm going to pass this nomination. The release has been adjusted accordingly.

3
Daniel

0 votes for no.  Now I know for certain: everyone here has taste when it comes to death.

5
Daniel

I hadn't listened to this before today, but it has been on my "to do" list for a while, so I thought I would kill two birds with one stone. There are thrash and groove elements present for sure, but I don't think they are pervasive enough to appeal especially to Pit members who aren't also into industrial metal. So that's a "yes" from me.

3
Daniel

Gave this a couple of blasts this morning and a) this is an album I haven't paid nearly enough attention to over the years and b) it contains hardly any thrash apart from the odd Slayeresque solo. I would say it owes it's existence more to Discharge than Slayer. Voted "Yes".

2
Daniel

I've just given this album some listening and a review because I felt up to checking out one of the most experimental releases in metal. Here we have an avant-garde metal exploration through noise, funk, thrash, and circus music. I agree that there's barely any pure funk here, and I shall give your Hall entry a YES vote.

1
Daniel

For the record, I don't consider any of those band's classic releases to be technical death metal. They're all progressive death metal records in my opinion. The incorrect use of the tech death & tech thrash tags has long been a source of annoyance for me & is one that I'd like to clear up in the Academy database at some point but have had to simply accept until such time as we have an avenue to make the required changes.

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Daniel

I've just given this album some listening and a review to expand my progressive death metal knowledge, and there is certainly a lot of progressiveness. I also find some technicality within the shredding and soloing that explore flamenco/neoclassical-style territory. It's almost like a more brutal Persefone on steroids! So this Hall entry shall be granted a YES vote from me.

1
Daniel

There's very little doubt that Kostnatění's very solid sophomore album is a black metal release however I would argue that there's enough of a focus on presenting the genre in the most unusual fashion possible that it should qualify as Avant-Garde Metal too. The Deathspell Omega influence is obvious throughout & I can see a decent chunk of your more traditional black metal audience simply not being up to the dissonance & experimentation on offer here. For that reason, I'd like to see 'Úpal' added to The Infinite under the Avant-Garde Metal genre on top of its existing position in The North.

This nomination has been posted in the Hall of Judgement.

https://metal.academy/hall/459




0
Daniel


Trhä - "Av◊ëlajnt◊ë£ hinnem nihre" E.P. (2023)

This little E.P. sees Trhä presenting the traditional raw black metal model in a truly bizarre format with strange sounding Japanese folk melodies layered over the top for an off-putting & often quite sickly effect. It sounds avant-garde as fuck to me personally so I feel that it should rightly sit in The Infinite under the Avant-Garde Metal tag on top of its Black Metal tagging in The North.

This nomination has been posted in the Hall of Judgement.

https://metal.academy/hall/458

0
Daniel

Although Yuyoyuppe's latest release contains a fair chunk of deathcore instrumentation, I really think that linking this Kawaii metal stuff to The Revolution is a stretch as I can't see metalcore fans connecting with it. Instead, I'd suggest that it sits much more comfortably amongst the other hybrid genres under The Gateway so I'd like to see "SICK" being added to that clan under the Alternative Metal genre.

This nomination has been posted in the Hall of Judgement. If this poll is successful then I'll be taking the liberty of conducting another to have "SICK" removed from The Revolution.

https://metal.academy/hall/457

0
Daniel

This one seems pretty obvious to me. In fact, I'd suggest that the only reason that 'Deathrace King' doesn't already qualify for inclusion in The Horde is because people are fighting over whether it's better suited to conventional death metal or melodic death metal. Personally, I think there's more conventional death metal here which makes the album predominantly a death/thrash release with melodic death metal, groove metal & speed metal influences. Therefore, I'd like to see the record be added to The Horde under the Death Metal (Conventional) genre.

This nomination has been posted in the Hall of Judgement.

https://metal.academy/hall/455

0
Daniel

I hadn't really thought of 666 International as an avant-garde metal album. But realizing the high amount of unorthodox percussion and keyboards and overall experimentation there, I think you're right, Daniel. I'll give that entry a YES vote.

1
Shadowdoom9 (Andi)

With a unanimous YES 5 NO 0 vote tally thus far, I've decided to pass this Hall of Judgement nomination as it's clear that it's only going one way & I completely agree with the consensus. The database has been changed to remove the Gothic Metal genre from the release.

2
Saxy S

This nomination has been posted in the Hall of Judgement.

https://metal.academy/hall/450

1
Shadowdoom9 (Andi)

This nomination has just been posted in the Hall of Judgement Andi.

https://metal.academy/hall/446

1
Daniel

Here's how I tagged the album as a point of difference:


01. Misery - Alternative metal

02. Believer - Sludge metal

03. Survive - Alternative metal

04. All of Nothing - Alternative metal

05. Denial - Alternative metal

06. Assassinate The Scars - Death metal

07. Recession - Sludge metal

08. Living Wreck - Sludge metal

09. Humiliation - Sludge metal

10. Outro - Dark ambient


The tracks that I've tagged as Alternative Metal sound pretty much exactly like Deftones only with sludge metal vocals. There's only one death metal riff on the whole album in my opinion so I don't think there's any place for it in The Horde. Even the vocals aren’t death growls. They’re in the hardcore style we regularly hear in sludge metal & metalcore. I don't hear any groove metal riffs to speak of.

2

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