I always saw this album cover pop up on metal discussion online and was somewhat intimidated with the 2000's looking fonts and the gritty Jesus painting, which for some reason spelled "disturbing" for me. This is pretty funny, because this release is actually some of the catchiest shit you can get! Really tight, with accessible composition, crystal clear production and very, very catchy riffs. Some things here remind me of late era Death with the techish riffs and high register vocals, and that's a pro for me. Some people might be put off by the metalcoreish vocals, but I wouldn't say pass to this even if I was a die hard metalcore hater. I do think the tracklist is pretty front heavy tho - the early run from Blinded by Fear to Suicide Nation is insane, but the B-sides kinda fall off to me and I tend to doze off a bit. Maybe would prefer it as an EP.

For an album that is forty-minutes long, Mass V sub-consciously plays as an EP in my head as the run time appears to go much quicker than that over the four songs on the album. I am not entirely sure if this is because I lose presence with it on too frequent a basis, but even under a few critical listens the effect is the same. My overarching impression from my first few listens has been that the balance of styles is well executed. Amenra drop pure doom riffs seemingly from out of nowhere, whilst constructing with studious detail post-metal passages that ease between more sludge-driven moments, still retaining the overall sense of unease in the process of the ebb and flow.

Tracks such ‘Dearborn and Buried’ are real tense experiences, the atmospherics doing little to ease the sensory overload that comes from the consistent sense of threat in the sound. With desperation a key impression that comes out of the listening experience, especially in the vocal department, I feel that I get to this understanding by way of the sense of conflict between the instrumentation and the vocals. If I use a Stoic philosophical comparison to demonstrate. If we consider life as a crashing and bashing tide that batters against the rock (us) and that we must try to remain steadfast in the face of such hardship, then it is easy to bill the deranged nature of the vocals as being the tide on the instrumentation. Given the obvious talent on show in Amenra though, they cleverly switch this to have the vocals remaining strong against the assault of the instruments.

Yet at the same time, if you take the ending of ‘Boden’ as an example, then it is also clear that both elements can be wielded with great effect, creating the tumult of the storm onto the listener who is now being used as the rock in our example. This “good cop/bad cop” routine works well because it avoids being a disruptive force in the musc. With the epic length of ‘A Mon Áme’ deploying an agonising build-up of over ten minutes, I do sense a weakness in the Amenra line. Whilst it is exhilarating when the riffs and percussion do finally ignite, the length of time to get there feels unnecessary in the end given you can easily predict it is coming.

Thankfully, the balance is restored on final track, ‘Nowena | 9.10’ with what is the most Neurosis-influenced track on the record. Clear in its emotional depth, the riff and percussion structures are quite simple in comparison, and this juxta positioning works well. For me, this is the standout track on the album and is a perfect closer to proceedings. So, having come into Mass V in a dismissive mindset following my experience of the two Eps that the band released this year, this record has restored my interest in them. The album possesses an unusual level of accessibility given its chaotic approach at times. The succinct track listing helps this accessibility as well as belying the level of intelligent songwriting that is on display.

Riot started out as one of the earliest notable American heavy metal bands, but with their 6th album, they brought in some speedy power metal. NO I don't mean US power metal, although they have that too. I'm talking about the European power metal that was first building up in Germany at that time. The speed metal elements would also pave the way for Judas Priest's Painkiller a couple years later. Evil ones beware of a cyborg tank warrior made of thunder and steel. This is Thundersteel!

Nowadays, metal is judged more by music that image, so people can recognize the Judas Priest-isms more musically now, rather than visually in the 80s. You can hear the high berserk vocals of Tony Moore, the guitar work of axeman Mark Reale (RIP), the pounding drums of Bobby Jarzombek, and solid basswork by Don Van Stavern.

The lightning fast title opener shows a lot of the speedy side of Judas Priest, and it shall be praised by the Metal Gods. Also having your money's worth is the next track "Fight or Fall". There's more monstrous riffing to be found in "Sign of the Crimson Storm". It's still a metal anthem despite slowing down into the hard rock-ish sound of the band's early material, maybe even Deep Purple.

"Flight of the Warrior" is another memorable highlight. The chorus is quite awesome, as is the speedy riffing and leads. I'm familiar with that one via HammerFall's cover. "On Wings of Eagles" is also pretty great, having some of the grit of early Metallica. From the bass intro onwards, "Johnny’s Back" runs wild with its speed.

Then we slow down for the power ballad "Bloodstreets" with its heavy/mellow blend that they can pull off as greatly as Manowar and Crimson Glory. "Run for Your Life" cranks up the speed a little more in the guitar. The chorus is the best part when the vocals switch from high and low. I love it better than that similarly titled song from Fire Down Under. Now, the 9-minute epic "Buried Alive (The Tell Tale Heart)" I enjoy, but when I first listened to this album, the aforementioned opening title track was my favorite here. But as I revisit it, this epic is now my favorite! Must've been my growing appreciation for epics. Anyway, an odd voice sample leads into solitary guitar soloing similar to Crimson Glory throughout the first 3 minutes. Then the rest of the song carries on in an Iron Maiden mid-paced groove. Brilliant!

All in all, the historical value for Thundersteel is off the charts! It has the speedy melody of power metal and the glory of classic heavy metal all in one mighty masterpiece. If anyone is up for some of the earliest Euro-style power metal besides Helloween and Running Wild, it's all right here. Onward, my fellow warriors of steel!

Favorites: "Thundersteel", "Sign of the Crimson Storm", "Flight of the Warrior", "Run for Your Life", "Buried Alive (The Tell Tale Heart)"

God, I do love me some death doom. Composition and riffage-wise, this is pretty much peak old-school death doom metal. Half awesome thrash and half crawling doom, with a lot of filth and heavyness. The tortured and demented vocals are also a big standout, reminding me of Autopsy and Velho's first EP, two of my favorite extreme metal endeavors. I do find this release to be a bit samey, but nothing too much to the genre. All in all, great stuff!

The only thing keeping me from an extra half-star is the production, which is not really my cup of tea. I do like the drum sounds and the vocal mixing, but the strings are too scooped and high-end to my taste. They do remind me of swedeath chainsaw, which I'm a fan, but I really think it lacks bass.

This is without a doubt one of the most unique and interesting death metal releases I've listened to so far, and honestly the band executes it very well. The ideas that flow from death, folk and even hard rock match and blend nicely, resulting in some very tight and fun stuff. Being pretty much my first time with melodeath, I was also surprised with how light and mellow this stuff is (compared to it's more brutal cousins, of course), and although it's a metal release, to me it's more on the rock n' roll side of things, particularly with some more danceable sections, keyboard solos and what not.

That being said, not really my thing. I do commend the band on the creative effort tho, considering this very exceptional, and I can see myself returning to this some day I'm wanting something light and fun.