Morpheus Kitami's Forum Replies

Being one of the heaviest things in the early 70s counts for a lot in that regard.

I don't see why it counts for anything at all to tell you the truth. We're comparing these releases to the modern-day understanding of what metal is. Not what it was back then when it was still yet to be defined.

It does for a lot of people....a point you already acknowledged when you said we had differing opinions. Heavy is very much a factor for some people in a genre called heavy metal. Some people don't consider power metal to be metal because of that. Further, for the most part, in the early '70s you basically have them and Sabbath as your big (generally accepted) options, they sound fairly similar to each other and quite different from the sounds of even their immediate successors. People generally work off what they know, and if it quacks like a duck...

I'm not talking about why Budgie were linked to metal back in the early 1970's. I'm referring to why they continue to be linked to metal today, despite not possessing the required attributes to warrant it, while others with stronger claims don't receive the same privilege. I'd suggest that it's almost certainly the Metallica link. Besides, it's been clear for a while now that you & I are working off different criteria when judging a release's metal credentials.

So was I. Being one of the heaviest things in the early 70s counts for a lot in that regard. How many albums have we come to the conclusion that despite being listed as metal have less metal than Budgie? We don't really need an much of an explanation for why the heavy rock band who sounds very similar to Sabbath in 1970 is considered to be metal today. If there are any other bands that do something similar, you can feel free to include them here.

Sorry I haven't been posting anything this past week, Christmas was busy and then my computer went all funky, not that we need much on Sabbath anyway.

Hi, Ben, could you add:

The newest Don't Drop the Sword

Solitary Sabred

Diamonds Hadder

Tower Hill

Drugstore Woman/Bottled, blues rock.

Young is a World, opening/outro is prog, while I'd say the in-between bit is hard rock/heavy metal.

Stranded, hard rock with bits of metal here and there.

This result is really cementing my long-time feeling that Budgie would never have been linked to metal if not for the links to Metallica who've covered a number of their tracks over the years.

(side note, can we get a quote function in the reply box? It's annoying to have to quote the whole message to have to quote one particular bit)

I don't think that's true in the slightest. What made Budgie get linked to metal is how they were the heaviest thing in 1970 outside of Sabbath themselves. There have been bands who have gotten linked to early metal for far less material than Budgie did.

Also, unless there's a pretty massive difference, I think it's safe to remove live albums from the running.

I don't see any reason to argue on those two tracks. (well, more like not caring about the specifics of something that isn't rock on the former...)

M-A has them as pop rock for a period, it might very well be most of their '70-s albums.

Rocking Man, this one's another very hard to define song, but I'm going to go with hard rock/heavy metal.

Rolling Home Again, acoustic I guess.

There's enough metal in the rest to put it to 40%.

Anyway, Whiskey River is a hard one to put my finger on, it seems like a mix of about 4 different genres despite being such a simple thing.

That one seems to me to be hard rock/heavy metal, not just a hard rock song.

That puts me at 3 out of 8, which I guess is ambiguous enough to go either way.

Unquestionably hard rock.

Future Shock, I'd say doom/heavy, reminds me of a track I can't quite remember from a decidedly not metal band.

I like being able to get those bonus tracks, so as long as the changes aren't too bad I don't mind too much. Funnily enough, despite the obsession with vinyl, the only reason why that escaped the loudness wars is that you just can't do that to a vinyl record. Early CD presses are usually good about that sort of thing too. Funny how the superior format ends up being worse because companies insist of being shitty.

Isn't that Megadeth album kind of weird? Some versions have a censored version of the Nancy Sinatra cover, others lack it entirely.  The former practically turned it into a gag song.

Come with Me, hard rock I'd say.

Our Home, feels like something off a band like Kansas, not quite sure where, but prog rock.

Curiously Pink Floyd-ish, not metal.

I hear nothing that would put it as anything but hard rock.

A straight mix in my opinion of both.

Come Down, prog rock.

Blind, very Led Zeppelin-ish, not metal.

Nightmare, uh, same as Blind, maybe a little bit of metal.

Don't Start Flying, rock of some kind.

I guess I got 1.8 or so tracks as metal. Not really metal.

My suggestions for the next playlist:
Lord Vigo - Eternal Saviour (off Blackbourne Souls)
Ningen-Isu - 鬼  (off 修羅囃子)

The Ningen-Isu album is in The Guardians and not The Fallen, so I cannot accept that suggestion, Morpheus, but the Lord Vigo has been added.

Hasn't this argument already happened? It's a Fallen track from a generally Fallen band.

My suggestions for the next playlist:
Lord Vigo - Eternal Saviour (off Blackbourne Souls)
Ningen-Isu - 鬼  (off 修羅囃子)

I'd say both get my vote for heavy metal.

Heavy psych gets my vote.

Pretty sure most, if not all Deep Purple albums after this point are just hard rock. I know Rex said differently about Perfect Strangers, but that's no longer The Roots of Metal.

Deceased's seemingly legendary concept album based on Romero's zombie movies, as they existed in the late '90s. The dead walk the Earth again, killing and eating everyone they can get their hands on. Something that humanity would easily be able to bounce back from if we could stop arguing about pointless crap for 5 minutes.
These guys are not the kind of band who should make long concept albums. Firstly, we get several interludes which add nothing to the music. I'm not really sure there IS an album improved by some dude talking for 2 minutes in the middle of it. Further, I'm not really sure that what death metal was missing was songs with about 8 riffs going on for 8 minutes. There's a very tedious aspect to this album because of it. Growly choruses that go on forever are not my favorite thing in the world.
While the album gets a lot better as it goes on, I can't help but think of this album as not knowing what it wants to do. The band jumps all over the place from drop and gritty death metal to Maiden-worship with some growls. There's some good stuff in here, but I got some serious tonal whiplash at times.
Speaking of tonal whiplash, the lyrics. These get weird. It's not quite the full tonal whiplash Romero's films would eventually get with zombies are actually the good guys, but it is out there. It goes through the expected arc of a zombie story, fleeing from zombies, fighting them, and eventually scientists trying to figure out how to cure it...and then the protagonist gets bitten and dies in Unhuman Drama. The final two songs involve him becoming part of some kind of zombie hive mind. It's a trip.
I'm not really sure how I feel about the album in the end. It's very all over the place.

3/5

SubRosa is an old favorite band of mine. I don't know how I found them, but I found the whole whole female-fronted sludge/stoner metal with violins idea a lot more intriguing than I normally would. While they used the violins on their debut album, it was far more sparingly than they would use starting here.
They really sought to make this album as crushingly heavy and depressing as possible. Usually when one thinks of metal and violins, one thinks of the later providing some contrast. Not so here, here it's just another element adding to the sorrow. There's a very on-edge effect the violins add. Without it, the band would be quite mundane, with it, a tension atypical of such bands.
While I like the EP, it's only after trying to figure out what the albums before and after it have that this lacks that I figured out what was missing. Two of the three tracks were remade for the follow-up, No Help for the Mighty Ones, and those versions of the songs are just better in every way.

3.5/5

This one's probably a coincidence, because Europeans were more Amiga kids, but this masterpiece (D'pahk if the link doesn't work right) from the Ironseed soundtrack:

And Ayreon - Comatose:

I agree with hard rock.

I'd say hard/prog rock. Kind of hard to just be prog rock when the track is under 3 minutes IMHO. Gets a bit metal at times but too scattered in what it does to truly be metal.

Er...I said yes in the post just above you.

This one gets stoner metal. Once again I think we're agreed this one is unanimously metal, unsurprising really. It'll be interesting to see when we're agreed that something other than Sabbath is metal.

How about this one, coincidence or plagiarism? Or judging by what one of my friends said when I showed them this, non-existent?

The pianos on this...

...and the flute/fiddle on this? It's a somewhat deep cut, but it wouldn't be unreasonable for Toumas to listen to darkwave.

An amusing little song consisting of nothing but Duke Nukem references. (just the one I timestamped at 5:00, not the rest)

So you’d like to nominate the Night Sun recordfor investigation here then Morpheus?

Yes.

Lord of this World, I'd say doom metal.

Solitude, I don't know what genre I'd say, but not metal.

I'm not really sure what I'd put an acoustic interlude under, beyond not metal.

Having given the two albums Daniel brought up a listen, Tarkus seems hard to tell over the noise, but I'd wager not metal. Night Sun could go either way, it has enough going on that it might just be enough.

Embyro, not really sure I'd say folk, but the specifics seem moot considering it isn't metal.

Children of the Grave, unambiguously metal.

I found this one quite by accident, having randomly decided to listen to SMG today, finding the chorus of this song:

...And noticed a similarity with a Metallica song.

The question is, intentional reference or plagarism?

Sweet Leaf, stoner metal, pretty obvious.

After Forever, while jolly, it seems pretty solidly heavy metal to me.

If you're looking for suggestions; Dissection, Dark Mirror ov Tragedy, and Bal-Sagoth are pretty nice and I'm pretty sure none have much in the ways of satanic lyrics. Though Dissection has some weird stuff going on with it.

Hi Ben, could you add the new-ish Lord Vigo and Domination Black?

Considering that it seems to be just you and me at this point there's not really much point to it if you don't think so.

I'd say this track is at least partially metal as well. This one was interesting, I don't think I ever heard Budgie before and it's surprising just how heavy they are, before this I heard no one from that time who got as heavy as Sabbath. I think I lead towards not metal myself, though it gets close in places.

That seems pretty solidly in the folk category, not metal at all.

I've kind of grown tired of melodic death/black metal and such sounds. Often, it feels like an excuse for a bunch of people who can't sing and some guitarists whose only virtue is their speed. How I long for more bands to style themselves after Satan's Host, but alas, I seem to be the only person on the planet to like them. Malkarpatan falls into the former category, but honestly, they aren't half bad.
I can't quite put my finger on what their melodic parts sound like. I wanna say Iron Maiden, but I can't think of a single Iron Maiden song which sounds like something off this. It almost feels like a glam metal inspired riff style. To complicate matters, this is mixed in with at least a dozen instruments and synths. I had my answer on Panstvo Salamandrov, it's black metal ELP. Everything makes sense now.
This isn't necessarily to pin the band into one specific thing, because this album does so many things yet feels very cohesive. They possess the unique talent to do something like play rigid black metal and then follow it up with something that wouldn't fit on 90% of albums that try it. Yet, they make it sound as natural as the calm before the storm.
They're an interesting band, and I look forward to hearing more of them.
4.5/5

I'd say some sort of rock as well.

I would go for hard/blues rock myself too.

I lean between heavy metal and hard rock. Not really sure which one I would give the predominate point.

Hang on, you sent the wrong version of Everything in My Heart, on the album that's less than a minute long, the track you linked includes The Author in it.

Changing votes based on this knowledge:

Everything in My Heart, folk.

The Author, a third folk, the rest metal.

I would say...

Guts, kind of hard, not necessarily metal, but not necessarily anything else. Some unholy heavy metal/heavy psych hybrid.

Everything in My Heart, half folk half metal.

Will get back to you on the Buffalo album.

That track gets a hard rock/heavy psych from me.

In the end I only gave half of a track a metal rating, so my opinion is obvious.

Straightforward hard rock.

Here's a quite infamous one. From Dimmu Borgir's famous Stormblast album comes Sorgens Hammer, a 1-to-1 copy of the theme to the Amiga game Agony. This is so blatant that errors that were accidentally left in the released song were included in Dimmu Borgir's version. (The plagarist, Stian Aarstad, was quite controversial in general, and probably ripped off other tunes)

The fixed version:

(TBH, it's worth listening to the complete soundtrack to the game, it's very nice)

I checked out Thin Lizzy’s 1971 self-titled debut album this morning too & there’s nothing even slightly resembling metal there, although I did get the feeling that a young Judas Priest might have been influenced by the beautifully organic guitar tone. Boy, Thin Lizzy were a classy & creative rock band though. It’s definitely worth a few listens.

With Thin Lizzy, we should probably just ignore everything until the late '70s/early 80s. It was a change in guitarists that brought them a metal sound on Thunder and Lightning and possibly some of their other albums. Kind of like Olympic or some other band M-A lists but only because they had some random album in the late '80s which was actually metal.

Baby You're a Liar, eh, I think contrary to my earlier opinion, this one might just be hard rock/heavy metal.

I'll just swing back myself on Sir Lord Baltimore when I have the time, since it probably won't hold up to scrutiny.

Free Baby gets a hard rock/psych rock vote from me. The long interlude is psych while the rest is hard rock.

For the next playlist that's available, I'd like to suggest:

Coroner - Mistress of Deception (off No More Color)

Doom - Ghost of Princes (off Killing Field+4)