August 2021 Feature Release – The Guardians Edition

First Post July 31, 2021 07:13 PM

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month’s feature release for The Guardians has been nominated by Vinny. It's 2018's "Thunderbolt" album (their twenty-fourth full-length) from English NWOBHM legends Saxon. 

https://metal.academy/releases/4010




August 03, 2021 02:11 PM

I did my review, here's its summary:

Could be my age here, but I honestly don't get much of the appeal to NWOBHM. We have bands like Iron Maiden, Motorhead, and of course, Saxon dominating the popularity of metal in the 80s, yet the less overrated American power metal scene is hidden under our noses. Still this is a great try to check out what the Brits have made... British metal legends Saxon created a pretty great piece of work to show they're not d*cks f***ing around for commercial success, which I've heard can pay off sometimes and other times don't. They can go as slow as Danzig and as speedy as thrash while staying in their classic heavy metal reign. The variable tempo and balance of melody and slight aggression continues in the less travelled roads of Thunderbolt! Most of these songs are cool anthems with astounding vocals of Biff Byford and memorable guitar leads. However, there are a couple stinkers that might make you wanna call that part of the album "Thunderfart" (lol). I might not feel up to checking out more NWOBHM for now, but the stylistic Thunderbolt is worth a good ton. This band can stay consistent and awake in their 22nd album, and I believe many Saxon fans would like it more than I do and stay faithful....

4/5

August 06, 2021 02:20 AM

Not a whole heck of a lot to say about this album. For a group that was on their twenty-forth album with Thunderbolt, we are already well beyond the "legacy act" tag. This is more than acceptable NWOBHM that contains plenty of nostalgia, while still having some modernizations that may only be surface level, but serve their purpose. The production is solid, the vocals, lead guitar, and fundamentals are well performed and mixed, and some riffs sound like they were borrowed from a similar era Testament album. Beyond that, many issues surrounding not just Saxon, but all NWOBHM and Power Metal artists still apply. Absolutely for Saxon fans, but not much else, and it's been this way for a long time.

7/10

August 06, 2021 09:54 PM


Could be my age here, but I honestly don't get much of the appeal to NWOBHM. We have bands like Iron Maiden, Motorhead, and of course, Saxon dominating the popularity of metal in the 80s, yet the less overrated American power metal scene is hidden under our noses. 

Quoted shadowdoom9 (Andi)

To be fair Andi, I have no doubt that "Thunderbolt" would be labelled as US power metal if it came out of America & had another band's moniker on the front cover. No one would even mention the NWOBHM as this record sports a much chunkier & more pure heavy metal sound that's completely free of the AC/DC & Van Halen influence that was so prevalent in Britain in the early 1980's (particularly on Saxon's classic trio of albums).

August 07, 2021 09:58 PM

This one has really surprised me. I wasn't expecting all that much going into it to be honest. I've had a very long relationship with Saxon after having first experiencing them through 1981's "Denim & Leather" album back in the late 80's & then exploring the remainder of their classic trio of 1980-81 records. It wasn't until Ben & I conducted the Metal Academy podcast three or four years ago that I took a focused look at their self-titled debut as well as the three records that immediately followed their classic period. The debut was the only one of Saxon's first seven records that I didn't have time for with 1983's "Power & the Glory" surprisingly becoming my personal favourite, closely followed by their 1982 live album "The Eagle Has Landed: Live" & 1980's legendary "Strong Arm Of The Law" record. Strangely, I've never gotten around to giving a single post-1985 Saxon release a chance until now however "Thunderbolt" has unceremoniously turned things on their head as I actually think it may be my new favourite Saxon release.

"Thunderbolt" is certainly the most metal Saxon release I've heard to date. In fact, it's a seriously metal record in general which was always going to be a feather in its cap with someone like myself. The AC/DC & Van Halen worship that was so prevalent on Saxon's 80's material is nowhere to be found while the Judas Priest influence has been beefed out significantly & is more focused on Priest's post-1970's material now. Bif Byford's vocals are surprisingly as strong as they've ever been & are a real highlight, as is the stunning lead guitar work of the ever reliable Paul Quinn & new kid on the block (well he's been there since 1995 but I've never heard him Saxon before) Doug Scarratt. There are a truckload of great riffs included & they're accentuated by a splendidly chunky production job that sees this release completely shunning any references to the NWOBHM. In fact, if this record came out of the USA then you'd be seeing it being labelled as US power metal, such is the weight of its riffage.

The tracklisting is impressively consistent with only the lacklustre & lethargic chorus of "Speed Merchants" failing to keep me entertained. The album opens with a beautifully executed & suitably imposing intro piece called "Olympus Rising" that sets the tone for the album nicely. Then you'll find yourself thrust into a world that's simply full to the brim with metal pedigree. The anthemic album high point "The Secret Of Flight" is as addictive as anything Saxon have done in their career while the dark majesty of "Nosferatu (The Vampires Waltz)" captured me from the word go. I'm not sure I really need the raw version of that track tacked onto the end of the album though. It may not include the synthesizers of the original version however it doesn't really add anything to my life. The less impressive tracks are generally those that take more of an old school approach that borders on speed metal. These are still fairly fun inclusions but are certainly less substantial than the more ambitious & noticeably meatier mid-paced material. On the other hand though, Saxon records have traditionally included the odd commercial dud & thankfully you'll find none of those on this occasion so it's hard to complain much.

I have to admit that I'm well impressed with just how relevant Saxon still sounded after 42 years of existence & that fact that they've managed to achieve a sound that's better suited to my personal tastes than their classic material was is a testament to that. I've always liked Saxon but I rarely loved them. It's nice to see a group of old codgers that aren't afraid to get with the times & are still so clearly influenced by great metal music.

For fans of Judas Priest, Accept & Grim Reaper.

4/5

August 08, 2021 03:36 PM

This is the first Saxon album I've listened to released after 1984 and I went into it with low expectations, expecting nothing more than a rehash of old ideas and a band into it's fifth decade of existence going through the motions because they don't know what else to do. Man, was I wrong because Thunderbolt actually kicks ass as seriously as anything the Yorkshiremen have ever put out. The band haven't stood still in the intervening years since last I encountered them, their sound has evolved in a more power metal-inspired direction and it really suits them. Their knack for writing anthemic songs has been reinforced with steel-edged metal for a heavier and, dare I say, more energetic sound. Sure, they still sound like the old Saxon at times - They Played Rock and Roll is reminiscent in many ways of The Bands Played On, but this is a more "metal-sounding" Saxon to be sure.

Talking of They Played Rock and Roll, I've got to confess to becoming a little bit emotional on hearing it the first time. As I've said before I was a HUGE Motörhead fan and I fondly remember the 1979 Bomber tour with Saxon supporting Lemmy, Eddie and Philthy. I attended that gig at our local venue with a number of fellow metalhead mates, a couple of who are now gone. We all had a fantastic night and the track kind of bought back memories of long-gone simpler times when all we had to worry about was how to get the money for gigs, booze and weed and fuck everything else.

I think the most surprising thing about Thunderbolt is how great Biff Byford's voice still sounds. The guy is seventy years old now and here he sounds better than he ever has. Studio jiggerypokery can only cover so many cracks, so the guy as obviously still got the pipes to deliver an impressive performance. Musically, Paul Quinn and second guitarist Doug Scarratt deliver some amazing riffs and the greatest adrenaline-fuelled solos Saxon have ever delivered are fired off with deadly precision. The production job is superb, with crystal clarity that certainly does the album no harm at all and brings out the best in all the band members.

Tracks such as Thunderbolt, A Wizard's Tale, They Played Rock and Roll and my new favourite Saxon track The Secret of Flight are as good as anything I have heard from the band previously and this is seriously challenging Wheels of Steel as my favourite Saxon album. Respect to such a veteran outfit for not resting on their laurels and still being able to go toe to toe with the younger bucks and not be left wanting. Colour me impressed!

4.5/5

August 11, 2021 04:05 PM

I don't consider starting with a band's 24th album to be great planning, but here I am given I never checked out a lot of the more classic Heavy Metal bands, Saxon included. I'm mostly going to parrot what Saxy said in his short post, since it's very hard to keep up the same act for 40 years while staying within the exact same genre confines. I think the way I want to spin this though is that Saxon still do a great job of delivering a solid album since they don't try and overstep their boundaries. I've listened to a lot of modern Heavy and Power Metal from bands that are on their 10th plus album and it all sounds so tired and uninspired most of the time, but Thunderbolt still has a good amount of energy and zest left in it. They don't try to overproduce or add a ton of fluff to their sound, the songs normally clock in at less than 4 minutes, and there's a ton of memorable but not pandering choruses. I'm sure they've done most of this before given they've probably written hundreds if not thousands of Heavy Metal songs by now, but they've definitely found a formula that works for them presented in a nice, compact package that doesn't overstay its welcome. 

"Predator" is especially cool, "Thunderbolt" is extremely catchy, I really like crunchy riff on "Sniper", and the slightly more orchestral "Nosferatu" gives Thunderbolt that splash of variety it needs. I think this still goes in the bin of being "another modern Heavy/Power Metal album", but it's a good one for sure. 

3.5/5

August 13, 2021 07:41 AM

As mentioned elsewhere on here, Saxon hold a particular place of nostalgia in my heart for being the first band I ever played (but didn't own at the time) on vinyl. I am almost duty-bound to check out most of what they put out even though it usually means some level of disappointment on some of their modern output. However, like pretty much everyone else who has reviewed this so far I was caught off-guard by how good Thunderbolt is. It sounds like a band that are younger than he actual age of the participants yet at the same time exudes a level of confidence that only comes with years of experience.

The main things about this album are the consistency of the energy levels and quality of the tracks on offer. Riffs race across the record as the rhythm section maintains a pace of bash and rumble that allows for a bit of flair from the strings; the lead work being of particular note here. Quinn and Scarratt are on fire here and Glockler sounds equally imperious on the drum kit. Biff's trademark nasal vocals are distinct and almost haughty on the symphonic majesty of Nosferatu (my album highlight) and yet still have that down-to-earth twang and inflection to certain words that sound like a northerner trying to sound more eloquent than their accent permits.

I will not pretend to love all of the album, They Played Rock And Roll does not work for me as a tribute. Not that I expect lyrical genius in all honesty but the lyrics here sound naive and clumsy with the Lemmy excerpt not really ringing as authentic and nostalgic as perhaps intended. But you cannot deny the rampant battering of Predator even though the vocal effects get a little OTT for my liking, but where the majority of the quibbles arise on this record there usually is something of a much better quality not too far away.

Put Thunderbolt on for anyone just getting into heavy metal and they will lap it up. At the same time it is fully rounded enough of an album to please the more established metalhead and even raise a few eyebrows along the way.

4/5

August 13, 2021 11:23 AM

The main things about this album are the consistency of the energy levels and quality of the tracks on offer. Riffs race across the record as the rhythm section maintains a pace of bash and rumble that allows for a bit of flair from the strings; the lead work being of particular note here. Quinn and Scarratt are on fire here and Glockler sounds equally imperious on the drum kit. Biff's trademark nasal vocals are distinct and almost haughty on the symphonic majesty of Nosferatu (my album highlight) and yet still have that down-to-earth twang and inflection to certain words that sound like a northerner trying to sound more eloquent than their accent permits.

I will not pretend to love all of the album, They Played Rock And Roll does not work for me as a tribute. Not that I expect lyrical genius in all honesty but the lyrics here sound naive and clumsy with the Lemmy excerpt not really ringing as authentic and nostalgic as perhaps intended. But you cannot deny the rampant battering of Predator even though the vocal effects get a little OTT for my liking, but where the majority of the quibbles arise on this record there usually is something of a much better quality not too far away.

Quoted Vinny

All agreed!