Track Of The Day - The Sphere Edition
Excellent deathly industrial metal, though sounding closer to Godflesh than the more deathly Dead World:
Two highlights from the second and final album from KMFDM side-project Excessive Force:
Sneak peek for the December Sphere monthly playlist premiering next week, another killer track from Burton C. Bell's final album with Fear Factory before leaving the band:
A highlight of progressive-ish industrial/groove metal:
A true anthem of modern thrashy industrial/groove metal that fans of Fear Factory, Strapping Young Lad, and Machine Head should get into:
A superb old-school industrial metal cover of a Black Sabbath tune:
A couple fantastic highlights from the new album of Neue Deutsche Härte kings Rammstein:
Industrial drone doom meets shoegaze-ish rock. Sounds weird but I love it!
A sinister 9-minute industrial sludge metal attack, expanding on the percussion and screams until all fades to oblivion:
Gothic/industrial metal from Croatia. Think of this like Evanescence if they added more of the Synthesis-esque symphonics/electronics along with darker gothic aesthetics:
A couple tracks that are exactly what the album title suggests, gothic electronic anthems:
Add some gothic-ish industrial metal to a dance club with this superb highlight:
A true pandemonium of epic industrial metal greatness:
Industrial metalcore, foreshadowing Motionless in White's later direction:
A 7-minute highlight of industrial rock/metal, taking a break from the band's earlier metalcore fury:
A phenomenal highlight of epic electro-industrial metal, with guest narration from Lindsay Schoolcraft, former vocalist of Cradle of Filth:
The Kovenant is a band that started off as symphonic black metal band Covenant. When they were forced to change their name due to a couple bands already using the name, they also changed their style, becoming the inventors of cyber metal:
An amazing live rendition of a pounding industrial metal tune:
A one-two punch of fast heavy/industrial metal/hardcore fury with occasional slow psychedelia in the latter track:
"Forkboy" is certainly one of the greats of industrial metal. I can't say that I get anything at all out of "Pineapple Face" though to be honest. That & "Can God Fill Teeth?" are the two that I struggle with on "The Last Temptation of Reid".
I also enjoy "Can God Fill Teeth?" which is so odd and mesmerizing yet as creative as those first two tracks in my opinion.
Two slow cold bleak highlights from Dead World's second album that shows great improvement compared to their debut:
An impressive hymn mixing the catchy and heavy sides of the band's industrial metal sound:
One of two amazing remixes of the most well-known single of Broken: