The Infinite

I agree that it's one of those albums that's just so strange and unique, but somehow manages to draw you back to it rather than forcing you away. I really love the whole aesthetic they went for too. It gives the whole project a level of sci-fi mystique. I think I called them the Daft Punk of Avant-Garde Doom Metal on the podcast.

I remember being shown Queensryche and kinda explained Operation: Mindcrime but not really understanding but still loving how it sounded and that a concept album was super cool idea. The first album that really got me though was as I was getting into harder music in high school eventually got around to Between The Buried and Me Alaska. I was so blown away by this interesting sound. It was all over the place and loved it. 

I used to read a bunch of music/metal magazines (RIP) and they would used to rave about Dir En Grey especially after Uroboros. I could not do it. That album is terrible to me and took me until recently to like anything that could be considered avant-garde until I found Diablo Swing Orchestra Pandora's Pinata. It's freaking Polka Metal. It's so wierd, but I loved it for some reason and had to show all my metal friends and nobody could understand why it was so good.

Alcest Souvenirs d'un autre monde.  I don't know how I found this album but it captured me and I still have to go back to it once in a while if I'm just in that kind of mood. 

I'm a huge fan & would definitely give this project a listen. Danny's earnt the right to these sort of self-indulgences in my opinion.

I'd suggest that Vektor's "Black Future" which is so often referred to as "technical thrash metal" would be more accurately described as "progressive thrash metal" & therefore belongs in not only The Pit but also The Infinite. Who agrees with me on this?

There is absolutely no way that it's a coincidence. The positioning of the fingers and hand is identical, as is the entire colour scheme. Someone needs to own up and/or be fired.