Xephyr's Forum Replies
Maybe it's because I've been listening to a lot more melodic, cleaner stuff like the new Hath, Immolation, or Allegaeon for my Death Metal recently, but this was the exact kick in the teeth I needed to break up the monotony. Diabolical Summoning is one of those Death Metal records that knows how to keep the energy going for the entire runtime and, at the same time, keeping the runtime short enough to not run out of steam. As has been already said, the riffing is great, the drum production is some of the punchiest I've heard and sits right in my preferred middle ground of being just chaotic enough to keep the listener guessing while still laying down the necessary double bass rhythms to keep the guitars moving. The other attribute I'm starting to pick up on for my favored Death Metal releases is the effortlessness of all the transitions, and wow are there a lot of them in this record. Each track is bursting with all kinds of different riffs and sections that chaotically flow together seamlessly in a way I can't really explain. It's a bit barebones for me to give it absolutely massive praise, but this is definitely an overlooked one, as everyone else has said.
4/5
May:
Forbidden Temple - "Altar Under The Moon" - Step Into The Black Pentagram (2022) 5:00
Obsequiae - "The Starlit Shore" - Suspended in the Brumes of Eos (2011) 5:31
Nocturnal Triumph - "The Hammer of Immateriality" - Nocturnal Triumph (2022) 8:54
I enjoyed this one after an initial spin a few weeks ago, didn't know it was an offshoot of Winterfylleth. Definitely one to go back to for, like you said, something a bit different than normal with the cool Medieval influences. It's rare that this blend of styles doesn't get tossed into the fantasy, orc-slaying bin and even though I'm a fan of that kind of stuff more than most, Arð is still a refreshing find.
Edit: After another listen this afternoon I forgot how gorgeous this album can be, the orchestral and choir elements are perfectly placed as to not be overbearing while still attributing a ton to the atmosphere. It does plod along a bit too much here and there for my tastes, but it reminds me of a more bombastic and full sounding Obsequiae. Not sure if that's a good comparison or not, but it does remind me I haven't listened to their first two albums, which I really should do. Revisiting this one has really put me in the mood.
Exactly what happened, I didn't see the post. I'll put them in next month.
April 2022
1. Unleash The Archers – “Ten Thousand Against One” (from “Apex”, 2007)
2. Powerwolf – “Night of the Werewolves” (from “Blood of the Saints”, 2011)
3. The Ferrymen – “One More River To Cross” (from “One More River To Cross”, 2022)
4. Heaven & Hell – “Rock and Roll Angel” (from “The Devil You Know”, 2009)
5. Warlord – “Black Mass” (from "...And The Cannons Of Destruction Have Begun”, 2021)
6. Crimson Glory – “Dance On Fire” (from “Strange and Beautiful", 1991)
7. Battle Beast – “Eye of the Storm” (from “Circus of Doom”, 2022)
8. Opera Magna – “La Herida” (from “Del Amor Y Otros Demonios - Acto 1”, 2014)
9. Eternity's End – “Call of the Valkyries” (from “Embers of War”, 2021)
10. Diamond Head – "No Remorse” (from “Lighting To The Nations”, 2020 Remaster)
11. Motorhead – “Limb from Limb” (from “Overkill”, 1979)
12. Tribulation – “Nightbound” (from “Down Below”, 2018)
13. Omen – “Death Rider” (from “Battle Cry”, 1984)
14. Satan – “The Doomsday Clock” (from “Cruel Magic”, 2018)
15. Silent Winter – “Where the River Flows” (from “Empire of Sins" 2021)
16. Luca Turilli – “Black Realm's Majesty” (from “Demonheart”, 2002)
17. Delain– “Here Come the Vultures” (from “The Human Contradiction", 2014)
18. Visigoth – “Warrior Queen” (from “Conqueror's Oath”, 2018)
19. Spirit Adrift – “Cosmic Conquest” (from “Enlightened in Eternity”, 2020)
20. Firewind – “The Fire and the Fury” (from “Burning Earth”, 2003)
21. Iced Earth – “Dante's Inferno” (from “Burnt Offerings”, 1995)
Animals As Leaders - Parrhesia (2022)
Been really enjoying this new one from Animals As Leaders. While not as technically crazy as their debut, it's a big step up in terms of replayability and catchiness from The Madness Of Many and all of the tracks have some sort of neat idea or element that makes the admittedly short runtime fly by. The performances and writing are clean, clinical even, and extremely tight; there isn't too much boundary stepping on this one but I think that's okay for what it's trying to do.
3.5/5
So while I've been a bit critical of people that spend their time listening to every single new release that comes out once or twice before moving on, I'm starting to see that there might not be any other way to discover the good stuff anymore. Well, I guess I can just listen to the good folk at Metal Academy!
Hey look it's me!
Seriously though, I've been feeling the brunt of this bias pretty heavily albeit in a more indirect way. I don't really interact with or care about the ratings/downvotes of certain sub-genres because I just listen to what I feel like listening to, write my own reviews and lists, and move on. But, I pretty much use the RYM current year Metal charts to scroll through and see what I can find that piques my interest pretty much all year. What I've found is that I end up listening to, like Daniel said, an extremely disproportionate amount of Black and Death Metal. I've found myself having to specifically search for and target Progressive, Power, and Heavy Metal (among other sub-genres) in order to even out what I'm listening to and get some variety, so the strain is still felt just from a music discovery standpoint even before getting into ratings/comments.
April
Enslaved - "Svarte Vidder" - Frost (1994) (8:43)
Ultra Silvam - "Of Molded Bread and Rotten Wine" - The Sanctity of Death (2022) (5:21)
Véhémence - "Un Contre Mille" - Ordalies (2022) (6:55)
Oh I might really dig this new direction if your description does it justice. I was looking foward to this one after really enjoying Yn ol i annwn and not really going back to any of their previous material, but wasn't able to get to it this week. Looking forward to it next week then I suppose.
April
Earthside - "Crater" - A Dream In Static (2015) (6:00)
Enslaved - "The Dead Stare" - Below The Lights (2003) (5:00)
Toundra - "Ruinas" - Hex (2022) (5:00)
Eight Bells - "Premonition" - Legacy Of Ruin (2022) (9:30)
Messa - Close (2022)
This is why I like the monthly features so much, since this may have flown under my radar had I not listened to Feast For Water. Instead, I was pretty excited to check this one out and it definitely delivers. Messa are a bit more experimental on this one and it pays off for them, fusing doomy riffs with more jazzy melodies and powerful as ever vocal performance. 2022 has been pretty slow for me so far so this one is a major standout, can't wait to see how it evolves after more listens.
4/5
I booted the site up first thing this morning and instantly came to look for this thread since it's such a massive improvement, great work.
Chilean Thrash hasn't disappointed yet, I was right in that I don't dig this as much as something like Demoniac since it's straight-up, more barebones Thrash, but that doesn't make it any less awesome. As someone who tends to be a bit lukewarm on classic Thrash records, this new South American resurgence has really surprised me with how much I dig it. Gonna be going back to this one quite a bit, these guys deserve way more attention.
4/5
Oh man more Chilean Tech Thrash? With one of the best covers I've seen in a while? Gotta check this one out tomorrow, it might be a bit too straightforward Thrash for my tastes but I'm excited nonetheless, great review Sonny.
Just checked this out today. The Arrows Of Our Ways initially impressed me, but fell off significantly since their vocalist is really grating to me for some reason. I think I prefer their more atmospheric sound here, looking forward to giving it a few more spins as I think it may be better than I currently think once I understand the pacing.
Oh hey I can do this one. Let's see here:
- Paysage d'Hiver - Im Wald (2020)
- Saor - Aura (2014)
- Mare Cognitum - Solar Paroxysm (2021)
- Drudkh - Blood In Our Wells (2006)
- Spectral Lore & Mare Cognitum - Wanderers: Astrology of the Nine (2020)
- Kaatayra - Só quem viu o relâmpago à sua direita sabe (2020)
- Kaatayra - Toda história pela frente (2020)
- Ethereal Shroud - Trisagion (2021)
- Paysage d'Hiver - Paysage d'Hiver (1999)
- Summoning - Minas Morgul (1995)
Bit of a weird list admittedly, it's made me realize I don't put too much thought into stuff like this, especially since I put so much weight on newer stuff. Hard for me to really parse how things stack up against some of the older albums.
March 2022
1. Black Sabbath - Heaven and Hell (from Heaven and Hell, 2008 Remaster)
2. Running Wild - Riding the Storm (from Death Or Glory, 2017 Remaster) [Submitted by Andi]
3. Saxon - Remember The Fallen (from Carpe Diem, 2022)
4. Ancient Empire - Wings of the Fallen (from Wings of the Fallen, 2019) [Submitted by Vinny]
5. Sabaton - Seven Pillars of Wisdom (from The Great War, 2019) [Submitted by Andi]
6. Savatage - Not What You See (from Dead Winter Dead, 1995) [Submitted by Andi]
7. Nightwish - The Siren (from Once, 2004)
8. Ravenous - Son of Storms (from Hubris, 2021)
9. Steel Prophet - The God Machine (from The God Machine, 2019)
10. LORD - Set In Stone (from Set In Stone, 2009) [Submitted by Vinny]
11. Skull Fist - Bad for Good (from Chasing the Dream, 2014) [Submitted by Vinny]
12. Sölicitör - Terminal Force (from Spectral Devastation, 2020) [Submitted by Vinny]
13. Haunt - Defender (from If Icarus Could Fly, 2019)
14. Demons & Wizards - Heaven Denies (from Demons & Wizards, 2019 Remasters)
15. Dream Evil - Children Of The Night (from Evilized, 2003)
16. Elvenking - Warden of the Bane (from Reader of the Runes - Divination, 2019)
17. The Night Eternal - Elysion (Take Me Over) (from Moonlit Cross, 2021) [Submitted by Vinny]
18. Grand Magus - Valhalla Rising (from The Hunt, 2012)
19. The Lord Weird Slough Feg - Walls of Shame (from Down Among the Deadmen, 2013)
20. ANGRA - The Voice Commanding You (from Aurora Consurgens, 2006) [Submitted by Andi]
21. Nightfear - Psichokiller (from Apocalypse, 2020) [Submitted by Vinny]
22. Morgul Blade - In the Grip of the Dark Lord (from Fell Sorcery Abounds, 2021) [Submitted by Vinny]
23. Iron Maiden - Seventh Son of a Seventh Son (from Seventh Son of a Seventh Son, 2015 Remaster)
I am no longer a number... I'm a free man!
So that's it, my last day of work completed and now I can get on with the rest of my life.
Quoted Sonny
Congratulations, both my parents retired recently and they've been doing great, so I can see how freeing it is. Keep up those hobbies obviously, boredom is the true killer even though we have so many things at our fingertips nowadays.
Sadly my work's just starting as I have to study for my PE exam (Principles/Practice of Engineering) for the next...8 months or so on top of all my other work. Gonna be a real long process.
I've been a big fan of Allegaeon for a few years now as well, although most of my listening has been on Apoptosis instead of their earlier, more generic material. Thankfully as Saxy alluded to they've really come into their own and have left the tiresome Tech Death hammering behind for a much more varied performance with more varied influences. It might be less brutal and up-front than their earlier albums but I've really enjoyed it on the first two listens as well. Could be a grower as I revisit it more, feels pretty cohesive album through and through.
Absolutely right, it's impressive how much of a blind spot I have with Enslaved considering how good I think they are. I wrote my Vikingligr veldi review and kept up with Utgard and E, but literally nothing else inbetween. Which is a damn shame because I have a feeling that Enslaved are incredibly overlooked as one of the most consistent and interesting Metal bands out there as they slowly morphed and shaped their sound away from their initial raw but simplistic Black Metal into something way more melodic and progressive. I think it's cool when bands take their time feeling out where they want to go with their music, it really creates a tangible journey, especially when you're many, many years late to the party and you can just go back through everything. Obviously it works out well because Enslaved has shown they can create high quality stuff no matter how they mix their sound up, only showing signs of slowing down very recently with Utgard being a bit more underwhelming than something like Below The Lights. That being said, I definitely liked this a lot, but it didn't absolutely blow me away. Although, now that I'm going for a 3rd listen as I write this, I could see it being a bit of a grower. I think you were right when you said there are a few inconsistencies here and there, but moments like the big riff drop in the opening "As Fire Swept Clean The Earth" are just insanely cool. I love the crunchiness of the drums in the mix too, gives it a unique rawness that Enslaved kept around from their earlier albums.
I've still got a lot of albums to go through from this band though, all of them seem ridiculously good.
4/5
Given the heavier, denser kind of Progressive Metal I've leaned into the past few years, this one was an instant winner for me right from the first listen. In fact, when I went to rate it on here versus RYM, I was appalled and confused as to why its overall score and opinions were so low. I suppose you could make the argument that albums like this are generally a slog and easy to dislike if they're a bit dull, which this can be, but I'm in agreement that this is some really good stuff overall. I think what strikes me the most about this album is that even though the leads can be a bit overwhelming at times, they're not afraid to take a less-is-more approach on some of their more crushing sections. Death Metal that leans towards the super technical side can cause my eyes to glaze over if it's too dense, but 7 Horns 7 Eyes aren't afraid to keep things slow and let their great melodies steal the show.
The overall sound and style of Throes of Absolution is pretty addicting to me, as it's in a unique spot of being heavy enough to keep up with other Progressive Death Metal acts I love while not being focused on being dissonant or overly technical. While the solo'ing and melodies can be quick, most of the riffs and grooves of the albums are pretty tame tempo-wise, and the drums are more focused on laying down syncopation and fills rather than pushing double-bass rhythms or blast beats. It's immediately appealing to my ears and it's kept me coming back to this album for listen after listen since the beginning of the month.
However I don't think I can say that Throes of Absolution goes into transcendent territory for me. There's something about the songwriting and structure that leaves me wanting more, with very few songs sounding fully finished or reaching a meaningful resolution. I'm always met with the thought of "Oh, it's over I guess" at the end of most tracks, and I'm not sure if it's a me problem or if some of these songs should have been extended a bit more, which I'll admit is normally a terrible suggestion. Dragging stuff out for the sake of dragging it out is becoming more and more of a sin in Progressive Metal, but I can't shake the feeling that most of these songs deserve better, more exciting endings even though their riffs, solos, and progressions throughout each song are top notch. I obviously love this, but there was something missing in the end.
4/5
Sadly Sonny most of my MA playlist listening happens during workouts, so The Fallen doesn't exactly fit the best, I normally go for my own Guardians, or the Infinite/Horde/Pit. I'll make it a point to check it out by the end of the month to see if I have any feedback.
March
Persefone - "Architecture of the I" - Metanoia (2022) (6:11)
Amenra - "Children of the Eye" - Mass VI (2017) (9:41)
Cult of Luna - "An Offering To The Wild" - The Long Road North (2022) (12:43)
March
Vorga - "Fool's Paradise" - Striving Toward Oblivion (2022)
Panopticon - "Chase The Grain" - Roads To The North (2014)
I'm going to get on my high horse for this one feature since I don't really have anything else I want to say about this one.
Turns out I've listened to over 100 Power Metal albums from 2018-ish to 2022. I've been around the block with these newer Power Metal bands and good lord do they still all sound pretty much exactly the same. Hammer King has basically no defining characteristics that have been repeated over and over by their many, many contemporaries. Hammer King is yet another album that gets chucked into the bin of albums that I'll never really remember or want to go back to because it sits neatly in the same space as so, so many other albums.
3/5, I still like Power Metal a lot.
Massive month for The Infinite, Cult of Luna didn't disappoint one bit in my opinion and despite my best efforts to not enjoy yet another by-the-numbers Amorphis album, they won me over again. Solid album. That Rolo Tomassi album is a standout as well; it's a mixture of styles that I personally haven't heard before and it works really well. The Persefone album was a mixed bag for me, I think it's good, but it's far from stellar and I haven't really rushed to go back to it.
That Tersivel album seems interesting, will have to check it out next week.
Review here, this was actually a pretty classic album for me to revisit.
Finally got around to Wuthering Heights and I'm surprised as you are that these guys went under my radar for so long, considering you're absolutely right that they exemplify a fusion of qualities that I'm quite fond of. I checked out both this release and The Shadow Cabinet as well and at first I thought I preferred Far From The Madding Crowd, but I think The Shadow Cabinet wins out by being more consistent and a bit more confident with its songwriting. The two albums remind me of the comparison between Blind Guardian's Somewhere Far Beyond and Imaginations From The Other Side, with the first album being a bit more experimental, creative, and daring, but the follow up being much more consistent and bombastic. Both have their place but I think The Shadow Cabinet ends up being the more solid experience, despite the truly atrocious transition between the awful spoken word "Reason...?" into "Sleep".
I think what's cool about Wuthering Heights is that, despite being an over the top cheese-fest, their density and complexity of songwriting makes it so the Western Fantasy Power Metal bombast isn't so eye-rolling. There's some really impressive stuff going on in both of the albums that makes it a much more interesting listen than your standard Power Metal fare. Somehow all of the singular influences from Power, Progressive, and Folk metal come together in a very coherent product that I'm looking forward to continue going back to.
Although the debate between Colors II and Colors I will be never-ending, you won't see me complaining.
Seeing The Work sadly reminded me how excited I was for that album only to be extremely disappointed by a concept album that held zero water for me.
Really glad to see this one, kind of excited to go back in time to Chevelle's older stuff from the Monthly Feature compared to Naritias considering how much I listened to it this year. I love the direction they went with this one, Chevelle finally carved their own sound out of a lot of influences compared to their older stuff where they were pretty second rate compared to other, similar bands in my opinion.
Really surprised by this one, hell I took this one off my final year-end list (that I realized I still have to post here on The Academy). I did enjoy it, don't get me wrong, but there were quite a few others that really stuck out to me this year. Glad this debut is getting a lot of traction though, hope Cryptosis can keep up the momentum.
This one is honestly kind of sad for me because The North was so goddamn strong with with 9 or 10 other Black Metal albums (and one not exactly Black Metal) edging out ...And Again Into The Light but it's still undoubtedly one of the best albums Lunn has ever produced, there's some truly gorgeous stuff in there.
Definitely deserved, Bloodmoon: I shows some of the most potential I've heard out of a release in a long time given how prolific both halves of the collaboration are. Hoping for a follow-up sooner rather than later.
February 2022
1. Nightwish - The Poet and the Pendulum (from The Poet and the Pendulum, 2007) [Submitted by Andi]
2. Eternity's End - Bane of the Black Sword (from Embers of War, 2021) [Submitted by Vinny]
3. Bombus - Abomination Rock'n'Roll (from Abomination Rock'n'Roll, 2021) [Submitted by Vinny]
4. Lethal - Killing Machine (from Programmed, 1990)
5. Judas Priest - Leather Rebel (from Painkiller, 1990)
6. The Cry of the Banshee - Pagan Altar (from Mythical & Magical, 2006)
7. Ghost - Death Knell (from Opus Eponymous, 2010)
8. Hammers of Misfortune - War Anthem (from The Locust Years, 2006)
9. Masterplan - Soulburn (from Masterplan, 2003)
10. Sonata Arctica - 8th Commandment (from Ecliptica, 1999) [Submitted by Andi]
11. HammerFall - Hearts on Fire (from Crimson Thunder, 2002) [Submitted by Andi]
12. ANGRA - Mystery Machine (from Fireworks, 1998) [Submitted by Andi]
13. Blind Guardian - Follow the Blind (from Follow the Blind, 1989)
14. Nevermore - The River Dragon Has Come (from Dead Heart In a Dead World, 2000)
15. Helstar - Harker's Tale (Mass Of Death) (from Nosferatu, 1989)
16. DragonForce - My Heart Will Go On (from Extreme Power Metal, 2019) [Submitted by Andi]
17. TOWER - Blood Moon (from Shock to the System, 2021) [Submitted by Vinny]
18. Armoured Saint - Standing on the Shoulders of Giants (from Punching the Sky, 2021) [Submitted by Vinny]
19. Icarus Witch - Through Your Eyes (from Goodbye Cruel World, 2018)
20. Sabaton - Bismarck (Bismarck, 2019)
21. Rage - Virginity (from Resurrection Day, 2021) [Submitted by Vinny]
22. Heavy Sentence - On the Run (from Bang to Rights, 2021) [Submitted by Vinny]
23. Axel Rudi Pell - Carsousel (from Oceans of Time, 1998)
I play the game Daniel! I'm a big fighting game player in general, I wasn't big on the addition of vocals into most of the tracks since Guilty Gear has had an amazing soundtrack for almost 2 decades now, but it's a bold direction that worked out in the end I think. GG has always had Rock/Metal influences with most of the characters having pretty blatant references, like Ky Kiske being a mashup of 2 Helloween member's names. Millia's theme (the character I play) is great and there are only a few tracks that work on my nerves during matches.
Yeah, Fange is the CLEAR winner here in my opinion; it's not even close. Two great songs that pull the mechanical-ness into some seriously sludgy riffs in all the best ways.
February:
Kanonenfieber - "Unterstandangst" - Menschenmuhle (2021)
Weigedood - "Now Will Always Be" - There's Always Blood At The End Of The Road (2022)
Havukruunu - "Yon Torni" - Kuu erkylän yllä (2021)
I missed out on Knocked Loose in terms of Revolution stuff and I'm kind of sad I did considering my extreme praise of Oxidized this year. While I think that Oxidized is infinitely better, A Tear In The Fabric Of Life kind of occupies the same space with being a white-knuckled punch in the teeth. There's not much to it but there doesn't really need to be, it's a pretty great example of Metalcore that the genre has needed for quite some time now given the modern trends of most Metalcore. Still don't get the hype around the Poppy release.
I also couldn't get into Radical, I guess it's just not my type of Metalcore. Frontierer took my #2 spot of the year due to challenging me in a way that really made me respect one of the heaviest albums of the year, contrary to my normal tastes. BTBAM's Colors II also made me rethink some things as I immensely enjoyed the album, making me go back and give Colors I another chance and I ended up liking that more as well. I'm one of the weird ones that actually enjoys Colors II over the original, so The Revolution was surprisingly fantastic this year despite me not listening to much stuff from it.
Evil's Possessed By Evil was the only one I missed this year and while I enjoyed it because it's very different than the rest of The Pit offerings this year, I wouldn't call it great. Steel Bearing Hand is my obvious winner; hell it's probably my most played 2021 album due to its short and fun length.
The newest Witches Hammer, Devourer of the Dead deserves the spotlight too, and while I have Demoniac's So It Goes on my 2021 list due to a weird release date technicality that I'm going to stand by and I think everyone should check it out, I don't expect it to be updated to be a part of the 2021 listings. I should probably put a post in for Devourer of the Dead to be added.
The Horde was tough for me this year. Everyone, their mother, and their mother's mother's grandmother has been going off about Imperative Imperceptible Impulse and it just never landed for me. I gave it multiple chances across the entire year and I completely get why people are so blown away (see Daniel's post above), but I couldn't make it work for me. So, that left me with the even harder task of parsing through the likes of Atvm and First Fragment, with First Fragment eventually winning me over to (maybe) no one's surprise. I did a pretty poor job giving albums like Famine, Putrid and Fucking Endless the amount of time they deserved, but that's how it goes down sometimes.
All of my other Death Metal picks are either too progressive-leaning or too thrashy to be fully Horde featured, like Epiphanic Truth or the newest Witches Hammer.
The only suggestion I wasn't able to check out last year was Kanonenfieber's Menschenmühle and while it would have made my list, it didn't hit me as hard as I initially thought it would. The war motif is nice, and I can see why Sonny enjoyed it so much given his high praises of 1914's 2021 album, but I think it's a step down from even Les Chants De Nihil for me, and that album ended up slipping down my list quite a bit.
I'm glad you've been checking these out Daniel, there's a ton of variety in the albums listed here. Maybe stay clear of my Stormkeep and Untamed Land picks since those two albums are way more in my preferred lane of Black Metal, but we've really got a great selection in The North this year.
I was going through these today and I'd like to note that Turnstile's Glow On would be a better nominee instead of the E.P., as all of the songs from the E.P. show up on that album. If Turnstile Love Connection is considered Alternative Metal enough to make it into The Gateway, then Glow On should be in there as well. I had listened to Glow On earlier in the year, which makes sense as to why I swore I heard all these songs before.
Chevelle is my easy choice from this list, Niratias is a huge step up for them in terms of their general sound and album progression. The whole thing flows so well.
I feel like I'm completely out of touch with the infatuation with Poppy, it feels like the same situation as Babymetal to me. Tons of people seem to love it, but I get absolutely nothing from it.
Bloodmoon I was extremely good and made the top half of my 2021 list, but it didn't grow enough on me to have it be truly stunning. It definitely deserves to be in contention though, the album has a unique sound that I don't think anyone would have guessed given who was collaborating. I can't wait for Bloodmoon: I if it happens.
Going to push myself to go through all these 2021 posts to get my "vote ratings" in.
Overall I think Metal is in a very healthy place, since most of the new releases I check out are on the better-than-average side of the scale. You don't have to look too far to find some quality music in pretty much any Metal genre, with only a few genres like Progressive Metal feeling like they're lagging behind a little bit.
I think where Metal loses its luster is with what is actually popular and known outside of enthusiast circles or diehard music fans. The massive Metal bands of the 70's and 80's have withstood the test of time and are regarded as being just great music in general, from Slayer to Black Sabbath. Nowadays though, with streaming and YouTube being the main source of music for people, it's really strange seeing what actually has millions of views/streams since it doesn't match up with what people who spend more time diving into the genre enjoy. Every time I check out a lackluster sounding album that I wouldn't go back to, I occasionally look it up on YouTube for whatever reason to see it has hundreds of thousands or even over a million views. The genre is much more bloated than its ever been just due to the accessibility of creating music in general, which is an amazing thing, but albums and artists that are marketed towards the algorithm are always going to float to the top regardless of quality. Despite there being thousands of amazing bands out there, I was once in the dentist's office and he said "Oh, you listen to Metal? I love Avenged Sevenfold!"
I think my point here is, and you can correct me if I'm wrong, if you were a Metal fan when the genre was first beginning, you were listening to some amazing albums that are still held in high regard today. Black Sabbath, Megadeth, Iron Maiden, Slayer, Metallica: all of these classic bands floated to the top and garnered mainstream popularity. The early 2000's were solid in this regard too, with bands like Mastodon and Gojira being names that everyone knew that were producing some top quality material. In the 2020's though, it feels like Metal is better and more varied than ever, but you really have to dig for it. Most of the immensely popular albums that hit the mainstream are from bands that I would consider past their prime, like modern Gojira, Mastodon, and Iron Maiden to name a few in 2021. Some random person on the street isn't likely to know who Oranssi Pazuzu or Ulcerate are despite them being two of the hottest modern bands in terms of consistently amazing output, but I would imagine most people would have known who Iron Maiden was back in the day. It's a much different landscape and despite Metal always touting its image of underground rebellion, I think it's more underground than it ever has been at the moment. Zero Metal or Rock albums are making the "Billboard Top Whatever" in terms of sales, and most of the high quality music goes unnoticed.
I see where I misunderstood, sorry for making this conversation go in circles there, on the same page now. To echo Andi, all 4 of those big Trance Metal bands sound pretty different, they all just add more electronics than normal to whatever their base genre is.
Maybe a direct, helpful comparison would be between bands like Beast In Black and Delain's new output versus Amaranthe and Metalite. Beast In Black and Delain are not in The Revolution and are in The Guardians under Symphonic Metal and Power Metal despite having just as many electronic elements used in very similar ways compared to Amaranthe and Metalite. It feels needlessly confusing to have a genre tag that boils down to "X Main Genre + Electronic Elements" when that main genre can range from Power, to Symphonic, to Alternative, to Melodic Death Metal.
Then again, is there anything wrong with adding these bands into The Revolution under Trance Metal if they have enough electronic elements? The worst part is that Daniel/Ben did too good of a job writing the clan descriptions, since "...join the strongest of all modern metal movements...it's time to rebel..." perfectly encapsulates the "newness" that these bands are trying to bring into other established genres, for better or worse.
Now that I've looked over the actual terminology, yes I think it makes more sense to have Trance Metal just be a subgenre instead of a main genre. It doesn't have to go anywhere, like how Funeral Doom isn't listed under The Fallen or Melodic Death Metal isn't listed under The Horde. To quote Daniel, "...There are very few genuine Trance Metal releases of any note...", making it more out of place when compared to the other main genres listed under each clan.