Dark Tranquillity - Skydancer (1993)^{Release ID: 2401}

While there were a few different players in the race for the earliest example of the sound we now know as melodic death metal, I can definitely tell you that Sweden’s Dark Tranquillity were the first exponent that I encountered personally. I can say this with confidence as I can still remember being impressed with how fresh & exciting their approach was, even if their overall sound didn’t sit that comfortably within my wheelhouse. I think it may have been Dark Tranquillity’s 1992 “A Moonclad Reflection” E.P. that first graced my ears but it wasn’t until I discovered the band's very solid 1991 “Trail of Life Decayed” demo that I started to pay attention. Their debut album “Skydancer” would cross my radar shortly after release too & I found myself being thoroughly impressed with the level of compositional complexity on show.  I've often wondered whether that might have skewed my opinion on the record a little though as I’ve always seemed to rate it a touch more highly than other metal enthusiasts with the common opinion being that it was merely a blip on the timeline that saw Dark Tranquillity’s popularity exploding with their 1995 sophomore album “The Gallery” two years later. This concern has seen me revisiting “Skydancer” with fresh ears this week & I’m glad that I have because it’s seen me drastically adjusting my position on this seminal yet divisive record.

Let’s get one thing straight from the offset, “Skydancer” isn’t the super-polished product that the melodic death metal scene would start producing in the coming years. It’s still very much a product of the underground scene at the time with the production job having a rough edge to it & the performances lacking the precision that the subgenre would eventually make one of its major calling cards. It does, however, sport a sound that was already clearly identifiable as Swedish melodic death metal, even if it does stand out a little in the Dark Tranquillity back catalogue given the additional layer of rawness its managed to maintain. The vocals of current In Flames & former Ceremonial Oath & Passenger front man Anders Friden already possess that raspy blackened edge that has become part & parcel of the Gothenburg sound while the complex melodic interplay of future HammerFall guitarists Niklas Sundin & Mikael Stanne (Grand Cadaver/The Halo Effect) weaves in & out of the interesting bass lines of Martin Henriksson. Despite some pretty fast blast-beats for the time, I’d have to suggest that the drumming of Anders Jivarp is the weaker component of the groups offering as he can’t boast the power & control of the modern-day exponents of the melodeath sound.

I have to admit that my initial thoughts upon my first revisit of “Skydancer” weren’t all that positive. It’s fair to say that I was caught off guard by just how far the early tracks fell beneath the shelf my nostalgia had placed them on all these years & it wasn’t until the third song “A Bolt of Blazing Gold” that things started to look up. The triple play of “Skywards”, folk number “Through Ebony Archways” & “Shadow Duet” (my album highlight) saw Dark Tranquillity hitting a more consistent flow through the middle of the record but things take a sharp curve towards the negative at the end of the album with both “My Faeryland Forgotten” & “Alone” failing to connect with me. There’s simply not the consistency I’ve come to expect from the more premium examples of the Gothenburg sound here & I've struggled to identify the appeal that the album had on me the last time our paths crossed a good fifteen years ago now.

The use of a duel clean vocal delivery at various points across the album was misguided in my opinion. Engineer Stefan Lindgren takes on the male cleans with guest female singer Anna-Kajsa Avehall also making a contribution on a few songs. I don’t think it’s a surprise that neither have gone on to anything of significance in the future as the efforts of both parties lack a level of professionalism & are noticeably pitchy at times, particularly that of Avehall which goes against the usual arrangement of dodgy male metal vocalists being backed by more capable female singers. I generally enjoy the clean folk guitar sections but unsurprisingly struggle a bit with the more metallic folk influences. Interestingly, it's the slower & more atmospheric parts of the tracklisting that offer me the most consistent appeal which isn't the norm for this hard-nosed ol' extreme metaller.

Look, “Skydancer” isn’t a horrible record by any stretch of the imagination but it clearly isn’t everything I’d pumped it up to be over the years either. It presents Dark Tranquillity as very much a work in progress & I think I'm gonna have adjust my position on the album significantly by suggesting that newcomers to the band &/or the Swedish melodeath scene might want to skip past the band’s first couple of proper releases & jump straight into “The Gallery” because it took a good couple of steps up from “Skydancer” & “A Moonclad Reflection”.

For fans of In Flames, At The Gates & Insomnium.