Rexorcist's Forum Replies

Lemme see my 1980 chart.

All genres:

1. Talking Heads - Remain in Light

2. Dead Kennedys - Fresh Fruit for Rotting Vegetables

3. John Williams - The Empire Strikes Back

4. Augustus Pablo - Rockers Meets King Tubbys in a Fire House

5. Jackson 5  - Triumph

6. Motorhead - Ace of Spades

7. Tatsuro Yamashita - Ride on Time

8. Harold Budd / Brian Eno - Ambient 2: The Plateaux of Mirror

9. Joy Division - Closer

10. Siouxsie and The Banshees - Kaleidoscope

Not much point in my top 10 of metal if I've spent 1980 with a plethora of genres.

My brother just showed me THIS guy.

It's like Michael Gira did a folk song for a gritty modern western.  It's freaking brilliant.

https://metal.academy/releases/55304

This is listed under :NODFYR: instead of !T.O.O.H.!

Converge - Love Is Not Enough (2026)

Genre: Metalcore

Considering that I'm trying hard to diversify my 2026 chart more and I've already heard a good deal of metal for the year, there aren't many metal bands I'd break the rule for.  But this year's got a couple banger bands I'm already huge on.  This: it's a CONVERGE album.  Even this late in their career, are we to expect disappointment?  It's doing surprisingly well with the metalcore community, even nine years after their last studio album (not counting that collab in 2021).  Having said that, this album is made up of many of the same elements that many previous Converge albums are driven on.  We get the sludge, the crossover, the mathcore, and it manages to be some of the heaviest shit you'll ever hear without going into black or death, yet again.  With every song feeling different from the last, this short and sweet album delivers the full Converge experience, which means the band is still in good form.  However, what is the SONGWRITING quality in comparison to like albums from the past?  Still good.  Inspiring even, but like The Dusk in Us, it's more simplistic and less surprising overall.  Of course, one interesting surprise was that 2.5 minute dark ambient track in the middle, which stands out from the choice of genre alone but is relatively just a somewhat interesting midtro to the album and intro to the track Amon Amok if anything.  But despite this, all other aspects of Converge, including the ability to write completely different songs with the same identity, as well as their indomitable heaviness, remains the same.  In their efforts to remain Converge, they've lost none of their identity.  I may even put this in EXACTLY the same league as The Dusk in Us.

92

I think it's a good step forward for the dungeon sound, but I've fallen a little out of favor with them after having so much black metal under my belt now.  One of the first symphonic black metal albums I ever heard.

SHINee - Odd.  Actually pretty kickass.  Most of the songs go between 8 and 9, but Woof Woof slays it.  God this is fast-paced funk power rivalling anything Bootsy's attached to.

Ahright my turn.

Top 10 from the RYM charts

1. Death - Symbolic (300)

2. Gorguts - Colored Sands (393)

3. Athiest - Unquestionable Presence (547)

4. Death - The Sound of Perseverance (674)

5. Death - Individual Thought Patterns (823)

6. Morbid Angel - ALtars of Madness (851)

7. Blood Incantation - Absolute Elsewhere (862)

8. Immolation - Close to a World Below (891)

9. Suffocation - Human Waste (957)

10. Gorguts - Obscura (1008)

Top 10 of All Time

1. Septicflesh - The Great Mass (Symphonic)

2. Nile - In Their Darkened Shrines (Brutal, Tech)

3. Blood Incantation - Starspawn (Death)

4. Napalm Death - Throes in the Jaws of Defeatism (Grind)

5. Death - Symbolic (Tech)

6. Edge of Sanity - Crimson II (Melo, Prog)

7. Gorguts - Colored Sands (Tech, Dissonant)

8. Shadow of Intent - Primordial (Melo, Deathcore)

9. Cabinet - Claustrophobic Dysentery (Blackened)

10. Disfiguring the Goddess - Deprive (Slam)

I didn't expect my top 10 of death to practically be a new subgenre for each entry.

Checking out the new piece by one of the most disappointing hip hop artists I've heard just to add it to a worst list later: Be More Grateful by DaBaby.  However, I'm not really hating this one like I usually do.  Kinda smooth, decent backing instrumentation and vocals, relaxing.  I mean, these songs aren't really amazing me, as this kind of hip hop almost never does.  But for something mid, not too complex yet not severely undercooked, it's one of his better albums.  It's way too long, though.

Kirinji marathon.  Not planning on getting through all the albums, just the most important and some of the modern ones to prepare for this new album. I've heard a good deal of 2025 albums from the RYM charts, mostly the metal.

1. Exxul - Sealed Into None (81.5)

2. Enshine - Elevation (81)

3. Au - Ferrum Sidereum (73)

4. Woe - Legends of Human Frailty (70)

5. The Ruins of Beverast - Tempelschlaf (68)

6. Anna Pest - Dark Arms II (66)

7. Stabbing - Eon of Obscenity (64)

8. Fuath - III (64)

9. Megadeth - Megadeth (63)

These are the 9 / 41 metal albums I've heard this year, so I'm over-metalled here.  As for Kirinji, they apparently went from city pop to sophisti-pop to j-pop to "neo city pop," so I'm a bit interested in how this goes since I'm a sophisti-pop fan.  I wasn't terribly impressed by the debut, it was nice and smooth, but needed better melody, which was present for most of the last two acts of 47' 45''.  As for 3, I could do with some more complex songwriting, but it's a very relaxing pop album.

METALHEAD LOVES STING.

I've gotten through four Black Kray albums today on my day off, having been quite disappointed with my earlier xaviersobased marathon.  

Thug Angel (84.5)

700 Dagreez (82.5)

Crack Cloud$ Over Arts Kitchen (95.5)

Goth Luv (91.5)

Lotta .5's...

Anyway, Black Kray has brought some justice to a genre I've been really struggling to get into.  Right now I'm on City of Doves, and it's quite gorgeous.  Finally, a cloud rap album where songs actually PROGRESS rather than basically being metronomes.  I'm pretty uneducated in it, but this is the first time I checked out a cloud rap artist and didn't find him totally overrated.  SpaceGhostPurrp, Bladee, xaviersobased, Lil Peep and a few others.

xaviersobased - install

Going on a marathon of his stuff due to his new album's high position in the current 2026 RYM chart.  This guy's SUPPOSED to be much better than most, but his production is oftentimes messy.  AND I SWEAR TO GOD IF I HEAR A TRAP ARTIST SAY "I DON'T GIVE A FUCK" AND RHYME "BITCH" WITH "BITCH" AND SOMETHING THAT DOESN'T RHYME WITH "BITCH" ONE MORE TIME.

On the above subject, Hallas got good pretty damn quickly.  Obivously, some albums are better than others.  But I'm on Isle of Wisdom right now which is just poetic in its attempt to recreate 70's prog with a bunch of great melodies, even if the vibe and core follow a typical format for the band.

So the hip new thing on the RYM charts beyond the By Storm album, a tribute to Injury Reserve's late member, is this hard rock band called Hallas.  Checking out the debut EP right now.  It's strongly going for 70's hard rock, especially as indicated by a number of the bandcamp tags.  Having said this, they need some serious work on the melodies, and the vocalist doesn't fully have a grip on the sound yet.  The authenticity is impressive, though.  Don't need AI for that.

Chuck Negron, lead singer of Three Dog Night had passed away two days ago.  Weirdly enough, I turned on Joy to the World out of nowhere yesterday without knowing.  RIP.

I like to think so... or alternatively, we could both be decidedly uncool? Perhaps it's a bit of both. :)

My stepdad says I'm no longer a metalhead if I like Paul Simon.  I say, "screw all that."  A real metalhead isn't afraid of what he likes.  And I'll be honest, if we've got opera-style vocals like Tarja Turenen being so popular in the metal community, I don't think any real metalhead should complain about another metalhead liking Sade.  Hell, I've been playing Sade to help set up moods for a new novel of mine.  I've even got Lovers Live in my top 100 just like you've got Love Deluxe.

Bro, my stepdad doesn't even know Candlemass or Morbid Angel.  He's a thrash and hair guy.

So Petra's got a new one out this year.  First in almost 2 decades.  It's a pretty good one, nice and catchy, simple but diversified, doesn't seem like they lost their luster, even though they were largely a decent band with a couple key releases.

I've been really happy with the direction I've taken over the last 6-12 months whereby I've committed to ensuring that half of my listening habits sit outside the metal space. Not only has it left me feeling better about my hearing but it's also left me feeling musically reinvigorated. So, I think I'll be continuing with this approach long-term & don't think I'll be coming back to the monthly feature release roster any time soon as I'm feeling really good about maintaining complete control over my listening schedule.

I do this very often, but I try to maintain a 1/5 metal album ratio with the rest of my lists.  That's why I've been working on top 100's for niche variants of large genres.  For example, I'm largely focusing on prog soul right now.  However, I'm now in a position to where I can get some more metal under my belt for a little bit, so I decided to focus on some melo-death.

As far as musical resolutions go, I want to make 5 proper top 100 lists for different genres minimum and finally put together a top 100 or a metal genre I haven't gotten a good chunk through yet.  Mostly leaning towards either melo-death or doom.  

It looks like Parannoul, under the name Mydreamfever, has graced us early this year with a new album: 4. Mountain Still Breathing.  But I have to say, while I always LIKED Parannoul and have given them a couple 9/10's, I feel they're a bit overhyped.  As well, I'm NOT getting into this one.  It's way too repetitve and relies too heavily on lo-fi aesthetics rather than the music itself, which is no different to me than oversaturating a pop album with production so polished it might as well be lemon-scented.

Carcass - Reek of Putrification (1988)

Genres: Goregrind

In an earlier review for Carcass's second album, Symphony of Sickness, I mentioned that there was less of the melodic strength that made the third and fourth albums so beloved.  In this early goregrind release, as well as their debut, there's even less of that.  This is one of those somewhat common examples of early 80's metal albums compensating for lack of creativity with absolute brutality, the way earlier movies by Wes Craven were.  "Mature" content over substance.  Now the funny thing is, like Wes Craven, the band grew as their career progressed, so by the mid-90's this was basically nothing more than a historical example of how much they grew.  Despite a few cute tricks here and there, I predicted how the whole album would go after listening to Symphony of Sickness.  Now there may be some charm to have in the lo-fi production.  It's certainly a heavy piece.  But the production also muddles things that shouldn't be muddled, which cements yet another weak point in comparison to future works.  Basically, this overly "adult" album amounts to little more than an imitation album made by a bunch of children who think all it takes to be the best is to be different and "true to yourself" by "not giving into radio capitalism" or some shit like that.  Fortunately, this was the last time they ever sounded like this.  With 22 short tracks, they found a way to make a 37-minute album way too damn long.

52

Carcass - Symphonies of Sickness (1989)

Genres: Death Metal, Goregrind

I'm not one for goregrind really.  In the long run, then I'd rather not educate myself in an entire genre dedicated to piercing the veil of acceptable gore by turning the most disgusting lyrics of all time into that much of a joke.  I mean, it's one thing to have obviously fake pain splashing when you're cutting down b-movie zombies in an intentional cheese-fest like Braindead, but to keep bragging about it as if getting your fingers in between the very atoms that make up gore is how you get your kicks just isn't the kind of thing I think people should be spending months writing for albums.  I rarely explore these kinds of bands, with a notable exception being the slam band Devourment.

Nevertheless, I occasionally go to classic acts like Carcass because of their melodic prowess and heavy say in the modern development of death metal structures, which isn't so much about the gore factor as it is about the melodies, production, brutality, etc.  But before they were a melodic death metal band, they played around with goregrind, which I find interesting considering that the album before the melodic days would be their second and last album to showcase them partaking in their original genre.

Somehow bordering both death metal and goregrind without steering too far into Napalm Death signature deathgrind genre, this sophomore album is largely about having fun with the metallic sound and setting up a basic structure, so there's not a lot of variety going on.  There's a very dirty, gross sound about the production that makes the album sound like it came directly from the underground, ready for vengeance or some shit.  And in comparison to many a grindcore album, this one makes a point of consistent and enjoyable riffs rather than being random-ass and overly technical like a lot of modern grind does, allowing their sound to be both fun and grounded for the metal fans AND the punk fans.  As well, the production never gets in the way of the band's playing.  No, it expands upon the heaviness, which is exactly what an album like this needs.  Speeds even fluctuate at an even pace, giving us enough time to enjoy what we have rather than just going off into 50 different universes in a single minute the way Doctor Strange does.  Still, this DOES mean that this is a developmental album rather than an attempt at real art, which is still a good thing considering that the practice easily paid off.

Now the internet says that this is slightly worse than the two Carcass albums everyone knows and loves: Heartwork and Necroticism.  However, I'd say this is about on par with Torn Arteries.  It's a good album that proved that the band knew what they wanted at the time, but it's also a reminder that Carcass made the smart move on the next album and expanded their sound away from goregrind.  The thing is, while this is a fun album with a successful vibe, all the riffage is flatout OWNED by Carcass's later work, so I wouldn't put this on the same pedestal others put it on.

75

Symphonic metal doesn't have to be heavy or power based.  Vovin proves that.  Nevertheless I'll give it a spin today.

Not metal, but we as music fans MUST address this one.

Remember when we all said on the day it was released that it was his best album in a long while, and then two days later... he died, and the album took on a whole new meaning?

I do need to get around to reviewing and rating the rest of the Death discography, although I say that to myself everytime I look at one of these lists.

Out of curiosity, how many of them have you heard?  And if all of them, how long has it been since you last went back on them?

Funkadelic - Cosmic Slop (1973)

Genres: Prog Soul, Soul-Funk, Funk Rock, Psych Soul

So if that genre-tagging wasn't boner-inducing enough, we're dealing with Funkadelic in general.  This is during that understated period where the psych aspects of their rock side have transitioned to the soul side, allowing for a much more spiritual side to the band, one that remains as catchy and spirited as ever.  This is obviously the step forward into evolving into a p-funk band, one that bases itself on the raw trippiness of the psychedelic age.  Honestly, the third track, March to the Witch's Castle, relaxed every fiber of my body, putting my subconscious into a total state of euphoria.  It's a real shame that this side of the band wasn't explored very much during the late 70's, focusing mostly on the p-funk side we're familiar with on albums like Mothership Connection.  This is probably their most soulful album.

96

While I don't AGREE with the #1, I acknowledge that it certainly deserves to be there.  It might as well be "the" metal album.

Here's the 2026 edition.  Five albums got kicked off, a couple got rearranged, and I'm surprised I have such an obscurity like that Solaris album down there.

Robin Thicke - Sex Therapy: The Session (2009)

Genres: Con-R&B

I must emphasize... I am not really a Robin Thicke guy.  I only turned him on to complete another catalog.  The third album is where I left off when I first checked him out some time ago, so this was next in line.  What hit me a couple tracks in is how effortlessly smooth this album is.  There's not a moment spared on it, and there's no struggle to maintain it.  But the first four or so tracks are pretty typically written and sparse in instrumentation.  As well, the lyrics are standard cheese romance with no real adventure or revolution attached.  But this changes in the middle section with some surprisingly clever instrumentation that turns the album into a real jammer, starting once an excellent rapper / crappy solo artist Nicki Minaj comes into play.  Even after a cheesy spoken intro, Elevatas is a surprisingly rough and industrial track that has a number of clever choices in its ever-progressing intrumentation.  I'd even go as far as to give that track an 8/10 minimum.  The album goes back to some of the more typically written con-R&B after the middle section, but god was that middle section worth it, despite the lyrical content only showing a slight upgrade from the first act.  So in short, this is a surprisingly creative, consistent and smooth album, but it has some very noticeable weak tracks and standard lyricism.  Still, this is easily his best of the four.

68

Steeleye Span - Parcel of Rogues (1973)

Genres: British Folk... Rrrroooock-k-k?

I spent a good portion of the album waiting for it to actually be a rock album as RYM said, as I was in the mood for the British Folk Rock genre.  There's barely on it, so I'll judge it as a folk album.  Now you can tell pretty easily that the group was trying to expand and experiment, trying out a bunch of tricks and sounds.  And mostly, they work beautifully.  This is an exceptionally eclectic and unpredictable folk album that maintains its old-timey folk spirit with very few wavers.  As expected from a Steeleye Span album, it feels like they've summoned the spirits of ancient minstrels to perform, and some of these compositions are gorgeous while others are simply fun.  One issue with the experimentation is that the melodies in the early songs are a bit quirky, and the quirkiness gets in the way of the catchiness the band is attempting, as if they were struggling to rewrite folk so as to ensure they don't recycle melodies from previous albums.  Nevertheless, its ability to shift from sparsechantings to violin-central pseudo-hymns to near-psychedelic electric guitar is wonderful.  It's a journey right through the medieval ages.  But I'm calling this prog folk, not folk rock.

94

Welcome to The North Rexorcist! I believe the transition has been successful (I can see that your ratings are now counting as Clan Ratings for The North), but let me know if anything looks weird.

Thanks a bunch!

Weird like what?

Like a North album or cover you've rated that isn't being included in the Clan Rating section. It should be all good, but I have had to run a recalculation a couple of times in the past when site users change or add a new clan.

Well I still haven't noticed anything weird like that.  But maybe I'm just not paying enough attention.

My books sold five copies today.  I find it hard to believe that actually happened.

I quite like everything I've heard from Amorphis but haven't really kept track of them since they dropped the death metal component of their sound in the late 1990's.  I did check out "Under the Red Cloud" when it was a Metal Academy feature release though & it wasn't a bad listen. I'd still take the more deathly "The Karelian Isthmus" over it but I have to admit that I slightly prefer "Under the Red Cloud" to "Tales From the Thousand Lakes" & the "Black Winter Day" E.P. these days.

I've always liked Tales from the Thousand Lakes, having a strong sense of melody and genre-playfulness, but it seemed less fleshed out than some later releases, and not as well produced, so I never gave it above an 85.

Amorphis - Under the Red Cloud

Genres: Prog Metal, Melo-Death Metal, Prog Death Metal

98

I suppose the album gets more alternative as it goes along, so I'll give this one an upvote.  It also got less djenty as well, but I think we should keep the metalcore tag.

Before we do that, we should have Adding to the Gateway and removing from The Infinite be separate ones.  I'll be sure to vote on both if I can, as this is the last Volumes album I haven't heard.  I'll finish it when I'm done with the current album.

I've just changed the entry & we now have twelve ratings without a clear outcome.

Didn't know you could do that.

If it helps, I guess I'll vote yes to this one, but I'll leave it to be questioned as to whether or not this is goth metal by someone else.  Can't say I fell in love with this album.

I haven't heard any Sarcofago yet, but I'll hold off on that for a later marathon.  I've already voted on the top two, so now all that's left is Into the Pandemonium.  I don't know about the goth metal tag being primary.  I wouldn't vote for that since I only hear it in a couple tracks, but I do agree that the avant-garde tag should be taken off.  They probably should've been two separate Halls.

Most of the avant-garde behavior on the album is resorted to either including a different genre in a song or the kind of abrupt tempo changes that are quite common in thrash metal, and I can safely make that assumption after having blown through many thrash / blackened thrash albums for the last two Clan Challenges I finished.  "Avant-garde metal" seems more like a way to quickly describe this playful thrash album rather than a way to acknowledge a previously established genre, because comparing this sound to the works of Arcturus, Maudlin of the Well, some Blut Aus Nord and Thy Catafalque seems pretty impossible.

The one thing holding me back from voting yes is the goth metal inclusion.  I can't look at this album and say, "Tristania, Type O Negative, Draconian," etc.  Otherwise, I'll just end up in the same boat I'm in now.

I went to the releases tag and put together a chart for the highest-rated Swedish albums with a 5 vote minimum.

https://metal.academy/releases?releasesFilters=1&releaseCountry%5B%5D=211&releaseSort=releases.overall_rating&releaseSortType=DESC&releasesCountRating=5&fromYear=&toYear=

Candlemass is the clear winner.  Everything else is a bit scattered.  I'm surprised Blackwater Park is so low, though.

No one gonna mention the likes of Dissection, Dismember, Edge of Sanity, Entombed, Cult of Luna, At the Gates or Tiamat then?

I keep a ranked chart of all my top artists based on top 3-5 averages.  Here's the top five metal bands from Sweden, though I need to study Sweden some more.  I'm a bit behind on that.

1. Therion: Celebrators of Becoming (Live) (100) : Theli (98) : Live Gothic (97) : Secret of the Runes (96) : Vovin (96).  Average: 97.4

2. Opeth: Blackwater Park (98) : Ghost Reveries (97) : Watershed (95) : The Last Will and Testament (93) : My Arms, Your Hearse (93).  Average: 95.2

3. Falconer: Black Moon Rising (95) : Among Beggars and Thieves (94) : Chapters From a Vale Forlorn (92) : Falconer (90) : From a Dying Ember (74).  Average: 89

4. Cult of Luna: Somewhere Along the Highway (94) : Mariner (93) : Salvation (91) : Vertikal (85) : Cult of Luna (81). Average: 88.8

5. In Flames: The Jester Race (96) : Whoracle (95) : Colony (91) : Clayman (88) : Lunar Strain (73).  Average: 88.6

I still need to hear more Candlemass and Edge of Sanity.  Nut I'm largely good on Therion, Falconer and Opeth.

Plastic Neesound - nontitled (2024)

Genres: Vaporwave, Plunderphonics

I can't say I'm into Plastic Neesound's music.  In fact, I went through the whole catalog (not counting the few AI albums) just to add some fodder to my albums log.  I would even say that a large number of 0/100's that were obviously just there to be there and had no qualities worth mentioning makes Neesound one of the worst artists I've heard overall.  That's what happens with quantity over quality.  But this album's really not that bad.  Most of the experimental and vaporwave ideas are just okay, but it's the fact that the album is much more palatable and loaded with ideas that makes it a worthwhile distraction at the very least.

63

I don't see my beautiful baby THERION in that list.

Burzum - Hvis lyset tar oss (1994)

Genres: Atmo-Black Metal

Looking at old reviews for albums is a good way to see just how much you've changed. In this instance, it's one of Burzum's crowning gems, the one he wrote right before his legendary (tho overrated IMO) Filosofem. The name is Hvis lyset tar oss, which is Norwegian for "If the Light Takes Us." At this point in time, much like Filosofem, I can't say I like this one as much as I used to. I even knocked off a whole star from my Filosofem rating when I heard it. But I don't think I'll go quite that far. Back then, I liked Filosofem more, by a 2/100 edge (92 vs. 90). This time, I'd say I like this much more than Filosofem, which only had a 93.

In my old review, I mentioned that Burzum expressed his anger perfectly. I really don't think so anymore. Hearing so many professional and even frightening shrikes and growls in my time as a metal fan, now Burzum's voice sounds unpolished and even a little dorky, like he's trying either too hard or not hard enough. Otherwise, the music itself is pretty good. I got it right in my older review when I said that Burzum delivers on the basics of atmo-black well enough. This album is cold and treacherous, much like an actual blizzard. There are synths in the back but they're typically faint and not forced, working just well enough to add a little spice to these four epics. But the thing about these epics is that they largely have a one-track mind, so once again, it's more about the atmosphere than the music. Still, it's a careful, though not too experimental, blend of atmo, depressive and traditional black metal with a little dungeon synth on the side.

So I would say in my current state as a music buff that Burzum's album right before Filosofem has the edge. I didn't really expect to like it more than Filosofem at first, but I'd say that this one feels more like an actual music album, and it doesn't have an overdone 25-minute ambient track at the end, but rather a synth track which feels like something out of a Tangerine Dream album (it has a 14-minute one, which is still overdone but easier on more melodic ears and actually showing clever shifts in gear).

76

Welcome to The North Rexorcist! I believe the transition has been successful (I can see that your ratings are now counting as Clan Ratings for The North), but let me know if anything looks weird.

Thanks a bunch!

Weird like what?

My top 10 out of the RYM top 40

1: Moonsorrow: Verisakeet (100)

2: Emperor: Anthems to the Welkin at Dusk (98)

3: Leviathan - Lurker of Chalice (98)

4: Dissection - Storm of the Light's Bane (98)

5: Immortal - At the Heart of Winter (97)

6: Ulver - Bergtatt (96)

7: Murmuüre - Murmuüre (96)

8: Agallock - Ashes Against the Grain (96)

9: Bathory - Blood Fire Death (96)

10: Mayhem - De mysteriis dom Sathanas (96)

My top 10 in general

1. Emperor - Prometheus (100 / Symphonic Black, Traditional Black)

2. Blut aus Nord - The Work Which Transforms God (100 / Atmo-Black, Dissonant Black)

3. Alcest - Souvenirs d'un autre monde (100 / Blackgaze, Shoegaze, Post-Metal)

4. Emperor - Emperial Live Ceremony (100 / Symphonic Black, Traditional Black)

5. Enslaved - Mardraum (100 / Prog Black)

6. Moonsorrow - Verisakeet (100 / Folk Metal, Pagan Black)

7. Cabinet - Claustrophobic Dysentery (100 / Bestial Black, Black Death)

8. The Ruins of Beverast - Foulest Semen of a Darkened Shrine (Black Doom, Atmo-Black, Death Doom)

9. Sear Bliss - The Arcane Odyssey (Melo-Black)

10. Stormkeep - Galdrum (Melo-Black)

As you can see, having both Prometheus and Mardraum as their artists' top slot on my chart shows off my love of the more experimental stuff and my occasionally controversial hot takes.  Even by saying that specific live album is Emperor's best, when some would claim it's their worst, I prove that point.

OK, I've just verified that those clan challenges were successfully completed Rex. Congratulations as we all know what an enormous undertaking it is to complete four challenges. Ben will add you to The North shortly. It's not as simple as simply adding the clan to your profile as we need all of your previous The North ratings to be included in the Clan Ratings now that you'll be a part of the clan so it's a bit fiddly & requires nerd status to achieve without fucking everything up. Thankfully, I have one such nerd in the family.

No big.  I know a few little things about the bureaucracy of internal tech, albeit mostly from having started a couple of Fandoms I left to rot after a couple years.  And with it being that technical when most of the advanced stuff is handled for you, I can imagine it would be a bit more difficult here.

I'm ready for my fourth clan.  I have officially posted full-on reviews for these three list challenges:

1. Guardians: Power Metal - The Early Days

2. Infinite: Prog Metal - The Second Decade

3. Pit: Thrash Metal - The 80's

I'm ready for my fourth clan.  I've thought very long and hard about this, and came to the best decision I can.  Not only has this been a genre my core has been more and more drawn to over the last couple years, but it's also the genre I feel I can do the most good on when voting on halls.

The North.

These and this: Black Metal - The 2nd Decade

I do but I feel that comparing the opinions of yourself & our other regular contributors to those of the wider RYM community is like a winemaker arguing over the quality of fine wine with a teenage Passion Pop devotee if I'm being completely honest.

RYM has helped me a lot with my musical education and exploration.  Having said that, my core is built on "hot takes."  I typically make my ratings based on a "subjective best" criteria, meaning I stick with a technical evaluation and assign it a numerical rating, do that I can give sir ratings to genres I don't care for.  And this also explains why I typically criticize albums that are too long or samey, so this ended up being why I lowered my Burzum rating by a whole star.  Doesn't even reach my top 1000 metal albums anymore (though I still need to go over those other Burzum, Windir and Cradle of Filth albums to modernize my top 100 black metal albums).

This also explains why I had such difficulty finding a melo-black album for my top 100 after falling out of favor with Windir's Arntor.  And my number 1 doesn't even reach the RYM top 400.  But our charts are a bit difficult to gauge recommendations from because so few users are rating these albums on a consistent bases.

Well done, Rex! The gates to The North shall open for you when you earn that clan.

"When I earn it?". Was there anything else I had to, other than wait for Daniel to check it?

I did it.

https://metal.academy/lists/single/31

God, Ben is really on point.  The next Sear Bliss album I'm checking out, Heavenly Down, I've NEVER heard this kind of music.  It's... aquatic black metal, right out of Avalon and composed by the Lady of the Lake.  Enya black metal, and that is NOT an insult. Halfway through The Winding Path right now.  Perty freaking brilliant.  The blackest song so far, The Upper World, was a bit of a typical song, but the rest is quite inventive.

Yeah, they definitely have their own sound, and it's one that I return to over and over again. I'm thrilled that I've assisted another metal fan in discovering them.

And the best part about that sound is that it works so well no matter what sound they go with.  I mean, the debut is so serene and heavenly, then the next is rough and doomy, and their recent one, I reiterate, is aquatic, and they even have a sparse, groovy avant-garde one.  This is what I think a band should be.

Now all I have left are Thorns and Satyricon, but the latter will take longer since I need to listen to the previous releases.  I know absolute jack about them.  So if all goes well, I lock in my fourth clan today.  That on top of getting my two books physically published makes for an eventful weekend.