November 2022 Feature Release - The Guardians Edition

The more I do these Feature Releases, the more I'm drawn to throwing curve balls than guaranteed home runs, so here's another lesser-known release that skirts the edges of very classic Heavy Metal with its own flairs thrown in. I remember going back to In Another Time quite a bit back in 2019 as it was an interesting departure from what I normally listen to, so I'm interested in seeing what I (and all of you) think about it after an extra 3 years of Metal albums under my belt. 

This project is actually a side-venture of Russ Tippins, the guitarist of the classic Heavy Metal band Satan, but there isn't a whole lot of Heavy Metal left in it, especially by modern standards. A bit of classic Progressive psychedelia, a bit of Hard Rock, a debatable amount of Heavy Metal...I have a feeling that this one isn't going to last too long in The Guardians' ranks, but I still think it's a cool album nonetheless.

https://metal.academy/releases/11485

Here's my review:

I wasn’t familiar with Brooklyn-based retro four-piece Tanith prior to investigating this month’s The Guardians feature release but they’re hardly a household name in metal circles. A quick look at the band photos left me wondering what I was in store for as they look a little more seasoned than most bands releasing their debut albums these days while the presence on Satan guitarist Russ Tippins intrigued me as I’ve always admired his work on an album like 1983’s “Court In The Act”. Could I expect another metal-as-fuck shred-fest like that one? Well, the reality is anything but.

Tanith place their cards down on the table right from the offset with a warm & organic production job that’s much more in line with 70’s rock than it is with the modern metal model. I really like the way they’ve left plenty of room for the guitars & bass to interact with each other. It’s light-years from the dense metal production we’ve come to expect in more recent times. The dual vocal approach of Tippins & bassist Cindy Maynard is interesting too with both opting for a clean & fairly light-weight delivery that never heads into overly aggressive territory, instead sticking to melodic tones that draw to mind the greats of 1970’s progressive rock. The lead guitar work amplifies that feel further through the consistent execution of simple yet emotive guitar harmonies that showcase a strong Thin Lizzy influence. It’s not the heaviest sound you’ll find but there’s a certain magic about it nonetheless.

It’s interesting that “In Another Time” has been embraced by the metal audience as I’m not really sure it should qualify as metal to be honest. Opening track “Citadel (Galantia Pt. 1)” & “Dionysus” are close enough to metal as they certainly draw upon familiar tools but the rest of the album sits predominantly in hard rock & progressive rock territory. In fact, I’m baffled as to why most metal websites have this record tagged as a hard rock/heavy metal hybrid because the predominant subgenre is comfortably prog rock in my opinion with bands like Yes & Rush being the source of inspiration for much of the content. There’s a magical atmosphere to some of this material that’s seeped in fantasy & wonder & I can see this being a major drawcard for some metalheads. As the album title indicates, this is music from another time only it’s presented with a modern professionalism that showcases the skills of some experienced campaigners who possess a deep understanding of tone & texture.

The thing with “In Another Time” though is that I’m not sure I’m ever completely comfortable with its unintimidating & whispy nature. Apart from the clear album highlight in the gorgeous “Book Of Changes”, I’m not sure I ever find myself engaging with the album on a deeply emotional level. Despite being very well executed, the song-writing is more pleasant than it is enthralling. I very much enjoy those lovely guitar harmonies but the vocals are a little too clean-cut for my taste while the basslines conduct themselves predominantly in fairly unintimidating spaces too. The folky acoustic sections sound sweet enough but I’m not sure that I can say that they pull on my heart-strings. It probably doesn’t help that the album loses its way through the middle of the tracklisting either with both “Cassini's Deadly Plunge” & “Under The Stars” being a bit flat. I’m glad that Tanith could recover for the remainder of the album but I don’t think I ever found myself in a space where I could say that I loved most of the material.

“In Another Time” certainly sounds pretty fresh & there’s a lot to like about the guitar tone but it’s just missing a bit of danger for mine. I appreciate the sentiment but I crave a little more in the way of intensity as the musicians seem to stay very much within themselves for the most part. Give it some more dynamic vocals & this could have been another story. Perhaps even go a little further with the psychedelia. As it is though I find this to be an entertaining little record that should bring Tanith quite a bit of crossover appeal, perhaps not always from the metal market though.

For fans of Wytch Hazel, Thin Lizzy & Night.

3.5/5