July 2022 Feature Release - The Guardians Edition

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month’s feature release for The Guardians has been nominated by myself. It's the 2006 third full-length album "Mythical & Magical" from London-based heavy/doom metal outfit Pagan Altar. I've been a bit of a fan of the band's earlier work for many years now however I've never given this highly regarded release a run before now so it'll be interesting to see if it appeals to me as much as Pagan Altar's doomier material.

https://metal.academy/releases/1907

I came to London's Pagan Altar relatively late in their career while putting together the Metal Academy podcast several years ago & immediately found them to be an interesting prospect. They were generally labelled as one the early exponents of the doom metal sound & I found their 1982 self-titled release to offer a fair bit of enjoyment even if there were a few flaws in their sound that I struggled with. They definitely weren't a pure doom outfit either as there was also a lot of traditional heavy metal in their sound as well as a touch of psychedelia. I later experimented with Pagan Altar's re-release of their early demos (entitled "The Time Lord" which was released in 2004) & found it's combination of doom metal & 70's hard/psychedelic rock to be just as entertaining. In fact, at that point I started to label Pagan Altar as the first true exponent of the traditional doom metal sound given that those recordings dated way back to 1978/79. And this brings us to "Mythical & Magical" (Pagan Altar's third full-length album released in 2006) which is a record that seems to receive universal praise from somewhat of a cult following within the underground metal scene & I was very keen to find out why.

The first thing I noticed about "Mythical & Magical" is the raw production which doesn't sound anything like the clinical modern-day metal production jobs we're so used to hearing these days. This one is thinner, dirtier & sounds very much like it could have surfaced from the early 80's NWOBHM scene which I would guess was something the band were likely aiming for. Much like Pagan Altar's earlier material, "Mythical & Magical" offers an interesting mix of styles & influences although it's well worth noting that there's very little doom metal on offer here. This time the band have opted for a sound that seems to draw upon the hard rock-driven NWOBHM sound of early Iron Maiden & Judas Priest, the more epic US power metal of Cirith Ungol & Manilla Road & the more organic & bluesy American hard rock of the 1970's with dashes of progressive rock, folk & even country tossed in for good measure. The high-pitched vocals of Terry Jones are instantly recognizable & are still just as repetitive as they ever were so if you've struggled with him previously then you shouldn't expect much respite here while the emotive & creative lead guitar work of his son Alan is as impressive as I remember it being & is the obvious highlight of the album with most of the tracklisting's peaks appearing at the crescendos of his lengthy solos. Things do get a bit cheesy at times, particularly during the guitar harmonies & the more epic sounding sections. I actually find the more expansive & progressive tracks to be the most consistently interesting (see "The Sorcerer" & "The Erl King") with the simpler hard rock numbers sounding pretty tame & boring in comparison. When Pagan Altar focus purely on a heavy metal sound they're generally very successful, particularly on opener "Samhein" which utilizes a dark Sabbath/Dio/Maiden gallop (there are several across the tracklisting actually) & builds in intensity gradually over time. I could definitely do without the country rock number "The Crowman" as it sounds like it's been torn straight off US country radio while the short & fairly lightweight folk instrumental "Sharnie" doesn't add much to the album either in all honesty.

In the end I found "Mythical & Magical" to be a bit of a mixed bag with the tracklisting struggling for consistency. In fact, I'd suggest that I really only got enjoyment out of half the album. Thankfully the stronger material is classy enough to carry the dull moments which has resulted in the experience feeling fairly positive overall. I still can't say that I see what the big deal is with Pagan Altar though as this is once again a release that I've enjoyed while I listened to it but are unlikely to return to very often in the future. In terms of the band's discography, I'd suggest that this is probably the least appealing of the three Pagan Altar releases I've checked out to date & I suspect that's got a fair bit to do with the lack of doom metal on offer but there's not all that much between the three really. "Mythical & Magical" is a nostalgic ride through a period in rock/metal history that I was too young to fully take in & it serves that purpose quite well but I can't say that I see it as being in any way essential.

For fans of Cirith Ungol, Manilla Road & early Cauchemar.

3.5/5