Dystopia - Dystopia (2008)^{Release ID: 4380}

I've been a big fan of Californian sludge metallers Dystopia's 1994 "Human = Garbage" E.P. & 1999 "The Aftermath" E.P. for some time now so I've had their sole full-length album on my radar for a number of years but have somehow managed to avoid giving it my full attention until yesterday. This self-titled comeback release came after a gap of nine years from Dystopia's last record & is generally regarded as somewhat of a classic for fans of crusty sludge metal but I have to admit that my first few listens have been.... well..... a bit underwhelming if I'm being honest.

The themes are clearly centered around drug addiction with the use of some decidedly negative layered spoken-word samples being somewhat of a trademark for the band by this point. The filthy crust punk production is certainly appropriate but somehow Dystopia have always found the genuinely heavy production job they so sorely require to be quite elusive in my experience. The delivery of dual vocalists Matt Parrillo & Dino Sommese is even more overthetop than ever before, at times bordering on the ridiculous in their sheer insanity & I think that goes a long way to explaining the appeal of a record like "Dystopia" as it really does push the threshold of drug-fueled depression & depravity. There are a couple of problems here that weren't visible on the band's short-form classics though. There really aren't any genuine belters with the two-minute "Control All Delete" being the only one of the proper songs to really get me going. There are also a few clear duds included, particularly the grindcore-inspired "Illusion of Love" & the God-awful waste of space that is the untitled closing track. I find it hard to see how anyone can rate a release like this one the full five stars after listening to that closer to be honest. Surely common sense has to prevail at some point, doesn't it?

Dystopia are certainly at their best when they get their doom on & you can clearly see that during the first half of lengthy opening track "Now and Forever". I also enjoy it when they go for broke in a crusty hardcore direction like they do on the before-mentioned "Control All Delete" but when they start to tail off significantly for me is when they employ groovier riffs &/or bouncier beats & there are a number of those moments scattered across the tracklisting. It would seem to me that Dystopia have made a huge effort to take their strengths & to amplify them in the hope of maximum appeal for their underground fanbase but I don't think it's had the desired effect because the creativity & focus that I found so appealing on their previous material doesn't seem to be here. Sadly, I can't help but think that Dystopia's day in the sun had already run its course & they would have been better off leaving their 1990's legacy untainted.

For fans of Tragedy, Sea of Deprivation & Damad.