Godflesh - Hymns (2001)^{Release ID: 259}

I came into Birmingham industrial metal godfathers Godflesh’s 2001 sixth album “Hymns” very late when you consider that I’d been a huge fan of the band since around 1989/90. My decade-long hiatus from metal during the 2000’s saw me completely avoiding it until a good year after my return which meant that it had already been out & about for a good nine years by the time I reviewed it in 2010. I have to say that I wasn’t blown away by it either it has to be said. That’s not to say that I thought it was a bad record or anything but I had such high expectations of Justin Broadrick’s projects by that stage & I just found “Hymns” to be a little bit lacking by comparison. It’s been a full twelve years since that review now though so I’ll be coming in with fresh ears & it’ll be interesting to see if my feelings have changed over time.

Godflesh has always possessed a very unique sound that had stayed with them throughout their career even though they’d usually experiment with it in different ways on each release & that trend continues with “Hymns”. 1999’s hip hop inspired “Us & Them” album was probably the record where they’d taken the most risks across their back-catalogue to the time so I was kind of expecting them to expand on that further but “Hymns” sees them bringing things back to a more organic & stripped back sound that relies more heavily on the guitars than the beats which are kept a little further back in the mix. Despite the guitars & bass being so far forward, I feel that this lack of power in the drums makes “Hymns” sound a touch less heavy & places a stronger reliance on the riffs which may or may not be a good thing depending on your taste. You’ll also find that Justin & co. have incorporated alternative & nu metal influences into their sound to an extent which is obvious enough to give the album its own identity but not significant enough to overshadow the industrial metal platform that the band had built their careers on. I mean this fucker still sounds like it could be made up of sounds from a factory but the workers are probably playing alternative radio in the workshop if you know what I mean. Those of you that are familiar with the alternative scene will likely pick up on moments that sound distinctly like Korn, Primus, Soundgarden & Smashing Pumpkins across the lengthy 73 minute tracklisting with the emphasis on groove-driven riffs reminding me quite a lot of a band like Nottingham sludge metallers Fudge Tunnel. Some of the more staccato-based riffage can also draw comparisons with Helmet & Prong but the interesting thing is that at the end of the album I’m still left feeling that “Hymns” sits most comfortably alongside industrial metal counterparts like Killing Joke.

It's interesting that a lot of people seem to want to link Godflesh with the Sludge Metal genre. I can definitely see why given the dissonant riff structures & thick & oppressive guitar tone but there’s a noticeable lack of the anger & aggression required for sludge qualification in my opinion. Godflesh’s music is much more trance-inducing with its repetition being a key component in its appeal so I can't agree with that sentiment. With the possible exception of the very poor hidden track, I also struggle to see how “Hymns” has anything to do with Post-Metal as it’s reliance on riffs is far too extreme for that. As far as I can see this album is still very firmly rooted in the Industrial Metal genre with the alternative elements adding a point of differentiation for a record that has essentially seen Godflesh regressing a bit towards past glories from their recent releases. The jumpy nu metal rhythms that pop up here & there aren’t particularly to my taste if I’m being honest & at times I’m left wondering if the band were clutching at straws in the hope of finding relevance in a quickly changing heavy music scene. I mean let’s be honest, the weaker moments like the nu metal track “Deaf, Dumb & Blind” sound pretty uninspired but then the album highlights like the catchy alternative metal number “Anthem” & the sublime atmospheric closer “Jesu” are some of Godflesh’s very best work so the album can be a little bit up & down. It certainly takes a few tracks to get going which can impact initial impressions but the back end of the record is the stronger of the two sides which sees it redeeming itself over time. In saying that though, there’s very little question that the run time is too long & the requirement for the hidden track is more than a little questionable.

As a Godflesh album, I would have to say that “Hymns” is certainly worth a few listens but I’d suggest that is was the band’s weakest full-length to the time. Despite the respectable rating I’ve given it, I do end up feeling a little disappointed given their star-studded back catalogue. Perhaps my taste profile isn’t really in line with the alternative feel to a lot of the material? Yeah sure, that definitely plays it’s part here but I’m not sure that can explain a few of the flatter tracks here which sound like a band in auto-pilot. It's probably telling that I find the tracks with Justin's gruffer vocal delivery to be more appealing than those that see him struggling with his more melodic side too. I can't help but think that this is a sign of my own affiliations with Godflesh's early works but you have to admire the way the band consistently reach for something a little different without completely severing the ties with their past.

For fans of Pitchshifter, Fall Of Because & HALO.

Hymns would mark the last Godflesh album before their decade-long split-up. They've definitely had more industrial metal in their earlier works. While this one does not have as much industrial, there's barely any weakness. Most of the keyboards are dropped with more emphasis on guitar, bass, and real drums, and it actually sounds strong. This trio actually worked pretty well, unlike other trios that end up sounding boring as a tea party (both the band and literally). Why did they have to break up with a steady lineup?!

For this album, the industrial beat is more of a background aspect. This group of geniuses know how to add small amounts of drum loops and keyboard into the songs and somehow make them sound so big. It's great for the music's diversity!

The album opener "Defeated" starts slow in the intro. Despite the guitar strums and hit-hats, you might start to fall asleep until your jolted awake at around the one and a half minute mark where things get more interesting as the action begins. After that slow fitting intro, the heavy beats and guitars are brought forward and continue from there. Then there's hip-hop-inspired riffing in "Deaf, Dumb & Blind" (3 things I don't wanna be altogether). "Paralyzed" would have you paralyzed by the industrial metal groove. An interesting highlight is "Anthem". After 3 songs of shouted vocals, this one focuses on clean singing. Such an amazing anthem! A haunting vibe is added to the guitar thanks to those vocals. Sadly, "Voidhead" doesn't really work well when it comes to those clean vocals.

The tyrannical aggression returns in "Tyrant" when the cleans are replaced with the shouts. I enjoy the atmospheric sludge anthem "White Flag", but the clean vocals sound so terrible that there's no chance it would ever be a highlight. However, "For Life" is a heavy groove track that would become a fan favorite for life. Then we swing into even more groove with "Animals" with great riffs.

"Vampires" has a darker vibe. Same with "Antihuman". However, reigning over them is the most triumphant song here, "Regal". However, what really deserved mentioning is "Jesu" (pronounced "yay-zoo", like when you say "Hey kids, we're going to the zoo!" and your kids are like "YAY, ZOO!!!"). Not many of the other songs can surpass this one, it's so beautifully haunting. The beauty is especially found in the clean hidden track, a good hint at the project Jesu, which Justin Broadrick would start in the aftermath of losing everything including his main band, money, house, and marriage, but with that project, he would slowly get his life and Godflesh back on track.

While many sound repetitive, they all have a unique identity despite lack of the elements that made their signature sound. Still, Hymns is pretty solid, though not as great as their classic releases. I understand how far this duo (for the most part) of technical industrial metal had come to that point, to fill your ears and drums with heavy hymns....

Favorites: "Defeated", "Anthem", "Tyrant", "For Life", "Regal", "Jesu" and the hidden track