July 2026 Featured Release - The Revolution Edition

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month's feature release for The Revolution, nominated by me (Shadowdoom9 (Andi)), is the 2001 sole album by Wisconsin-based metalcore band 7 Angels 7 Plagues, Jhazmyne's Lullaby. Despite their short-lived career, 7 Angels 7 Plagues made a significant impact on the metalcore scene that would help other bands of the genre build their sound, including two of the bands the members would go on to form and join; Misery Signals and Dead to Fall. Another brilliant highlight in earlier metalcore and one I would recommend for any fan of the genre.

https://metal.academy/releases/3086

I've done my review, here's its summary:

Metalcore is often about blending beauty with brutality, and the guitarists can do that with their melodies and chords. The breakdowns are all wonderful and fresh, and that alone should've given this short-lived band more credit as metal/hardcore forerunners. The heaviness doesn't stop until a couple clean interludes. I used to not care for those kinds of tracks, but then I realized how essential they are in metalcore releases, maybe even deathcore bands like All Shall Perish. A nice break from the action is needed, so the occasional clean interlude can help with that. Those tracks and more importantly the heavier breakdown-laden tracks help make the lone album from this short-lived band be so influential to other bands and listeners (including myself), past and present. Absolutely groundbreaking!

5/5

Recommended tracks: "A Farewell to a Perfect Score", "The Commentator's Despair", "Away with Words", "Silent Deaths, Crowded Lives", "Jhazmyne's Lullaby"

For fans of: From Autumn to Ashes, Misery Signals, early Hopesfall

I have given this one a couple of spins over the past few weeks and whilst I could not say that it is as a direct result of this release, I did notice how much more accommodating I have become of these metalcore releases nowadays.  I think there is something about intelligence in most of the music I enjoy nowadays and this possesses intelligence no small quantity, and given that hardcore punk is often thought of as being such a simple style of music this perhaps seems like an OTT statement to some degree.  7 Angels 7 Plagues go beyond any basic template though.  The death metal chug on ‘Someday’ being one such example of this more exploratory attribute that the band can muster without making it sound intrusive, or just a selection of ideas thrown together.  At the same time the melodic elements of the album seem to possess an almost Deftones, nu-metal quality to them which only manages to further my enjoyment of the album.

I am on the fence about the vocals if I am honest.  They grate, yet at the same time I have to agree that they sort of fit perfectly.  As a contrast to some of the post-metal moments or just as a more stark opposing force to the great use of melody in general, it is hard to argue that they are not performed in an interesting way.  I am not offended by the inclusion of the interludes, but I could quite easily get through the album without them; they most certainly are the weaker tracks overall from the listing.  For a band that seemed to be capable of filling the space around them well enough with sound that was intriguing and thoughtful it does strike me as odd that they have included these “palate-cleansers” at all.  When you can write the droning chaos present on tracks like ‘Away with Words’ and accompany them to a backdrop of near cinematic percussion, you don’t need to provide fiddling acoustic numbers to prove anything really.

The mood for this current listen through this album tonight is perfect.  After a long day with lots of elements jostling for possession of my time, it is cathartic to listen to an album of a similar pulsing multitude of parts and hear them all so well balanced and clearly given space around each other.  Perhaps other than the vocals, there is little in the way of any one element dominating proceedings.  Overall it feels more of busy as opposed to a heavy record, and I say that without aiming it as a criticism.  It does settle into some weighty rhythms I concede but this is not my overarching takeaway from the listening experience.  I have a sense that as I listen to more early metalcore, I may get to understand better the importance of this record in terms of it genre developing credentials but at this early stage of my understanding of these things, I can only rate this record on individual merit.

4/5