Track Of The Day - The Revolution Edition
The second Lorna Shore EP Bone Kingdom severed the band's ties with metalcore for just pure technical deathcore in killer tracks like this one:
Maleficium is one of the most brutal releases by Lorna Shore, hinting at the sound they would be known for, with this perfect relentless opener:
My metalcore band discovery journey continues with these two melodic bands:
As with that other Jeris Johnson song I've shared in this thread, expect an epic blend of power metal, melodic metalcore, and... Greensleeves:
Nu metal-infused metalcore/hardcore from Philadelphia:
The awesome new Make Them Suffer album ends with the best the band has to offer, from both the vocalists and the impressive instrumentalists that help run the machine:
The opening track of this symphonic deathcore offering blends the genre with a more epic brutal take on the Finnish melodeath of Insomnium and Omnium Gatherum:
An epic extreme highlight in which technical deathcore practically combines with symphonic power metal guitarwork. If the clean vocals were higher and more operatic, this band would've beaten Dragoncorpse in that game.
An amazing highlight to please metalcore fans who have been following Imminence in the 10 years since this album's release:
The epitome of epic ambient metalcore:
The perfect summary of all the band had to offer in their 4th album:
An epic piece of majestic symphonic metalcore:
Lots of speed and destruction from the music and vocals, with a fun anthemic chorus:
Metalcore/post-hardcore band from Ohio:
The 10th anniversary re-recording of Imminence's debut shows a massive improvement in production quality compared to the original, in highlights like this one:
The hardcore heaviness shines the best in this short burst of violent joy:
Drum blasts, symphonic keys, and a guest vocal appearance by Shadow of Intent's Ben Duerr make this song guaranteed to be a classic in epic deathcore:
A couple bands that can really push the limits of mathcore:
Pre-Popular Monster Falling in Reverse isn't really metal nor something I really like, but this kick-A first track of their debut is as metalcore as they could get back then, mixing it with their usual pop punk similarly to early A Day to Remember:
A djenty metalcore track featuring Monuments' last vocalist Andy Cizek:
The title track of Shokran's debut hypnotizes me with the riffs and growls sounding like Whitechapel while mixed with stunning melodies:
The crushing closing track of the new Shokran album takes the ultra-heavy throne:
The epic emotional closing track of All That Remains' brand-new masterpiece album is probably the best song they've done in a long time:
The "Death Version" of this track is closer to metalcore than melodeath, which I can greatly accept and love more than the cleaner version: