February 2026 - Feature Release - The Fallen Edition

First Post February 01, 2026 11:46 AM

February's feature release for The Fallen is chosen by me this month and it takes us back a decade to the single album release by now defunct US doomsters, Wretch.  Karl Simon of The Gates of Slumber fame teamed up with former GoS drummer Chris Gordon and bassist Bryce Clarke for this critically acclaimed release.  Named after the (then) final Gates of Slumber album before that bands initial split, Wretch called it quits after their Bastards Born EP in 2017.

Full of Saint Vitus and The Obsessed influences, there was a lot of promise in Wretch's sound, and it was sad to hear of their demise.  We did of course get a new The Gates of Slumber album in 2024 though to make up for it somewhat.  Please feel free to leave a review against the release and in the comments below.

Wretch - s/t (2016)



February 02, 2026 05:57 AM

I enjoyed this much more when it came out than the similarly titled previous album from Gates of Slumber ("The Wretch"). It is long overdue a revist, though, so I am glad to see it pop up as a feature release. Hopefully I will even get round to a review at some point.

February 03, 2026 12:35 PM

Here is my review:

Wretch were formed by former Gates of Slumber main man, guitarist and vocalist Karl Simon, after the demise of GoS in 2013 and this self-titled album was their only full-length release during their eight-year existence. The album also features former GoS drummer Chris Gordon, so it would be reasonable to expect the two bands to sound very similar. Well, kinda, but on "Wretch" Simon forewent all the classic metal sword and sorcery imagery so often indulged by his former incarnation and focussed more on personal and emotional issues, largely in rection to the death from a heroin overdose of his best friend and former Gates of Slumber bassist Jason McCash in 2014, as encapsulated in lines from opener "Running Out of Days": "Final day, Sad song, Sung again, The needle stole away my friend".

The album is really quite short, its seven tracks only spanning 32 minutes with two of those being instrumentals and another is a Judas Priest cover of a track from their Rocka Rolla album ("Winter"). Musically "Wretch" is authentic, Sabbath-inspired trad doom as plied by the likes of Saint Vitus or The Obsessed. In fact, in truth, Simon sounds incredibly similar to Scott Weinrich, both in his vocals and guitar playing, with the same kind of "tight but loose", bluesy guitar style and "cigs and whiskey" vocals favoured by Wino himself. Despite its brevity this is not an inconsequential album and has a deep and resonant feeling, both in guitar tone and with the grizzled vocals. A big feature are the blues-infused guitar solos that Simon unleashes at every available opportunity, which have a stoned-out, jamming quality (check out the instrumental "Blood Finger") but which retain coherence thanks to the excellent foundational work of drummer Gordon and bassist Bryce Clarke who hold things together whilst Simon heads off on his six-stringed flights of fancy.

The production is very good indeed with a crispness to the riffing and sound overall that doesn't negate the "smoky cellar" vibe that all the very best trad doom metal tries to reproduce, yet which allows every note to be heard perfectly, with a distinct lack of muddiness that can often bedevil many doom releases. Inevitably, I guess, my favourites are the slower, more down-and-doomy tracks such as the lengthy "Icebound" and "Drown", but there are very few missteps here with even the clean-sounding short instrumental "Grey Cast Mourning" acting as a nice contrast, sandwiched as it is between the album's two doomiest tracks.

Wretch split in 2021 with their only further release being a 3-track EP (two of which were GoS covers) and since then Simon has reformed Gates of Slumber who put out a new album in 2024 (which I have to shamefacedly admit I haven't heard yet). I would have liked to have heard a bit more from Wretch as this, despite its brevity, shows much potential for a top-knotch contemporary traditional doom metal outfit to show some of the less impressive contenders exactly how to do it.

4/5