December 2023 Feature Release - The Fallen Edition

Another month flies by, which means it's time to select a new feature release for The Fallen. As it's my turn to choose, I've gone with Isole's Bliss of Solitude. I generally try to come up with a Fallen release that Sonny hasn't already rated (increasingly difficult). In this instance I know he's already a fan of this underappreciated Swedish band, but if I can introduce them to at least one other Metal Academy attendee, then I'll feel I've done something good in the world this month. Anyone that enjoys more conventional doom metal, particularly Solitude Aeturnus, should feel right at home here.

It would be great to read what you all think of it either below or in review format.

https://metal.academy/releases/8809

Nice choice Ben. My go-to album for Isole is their next one, Silent Ruins, but Bliss of Solitude runs it a close second. I haven't listened to it for a while, so I'll try and muster up some listening time and hopefully a review.

Here's my review:

I’d not heard an Isole record before diving head-first into this month’s “The Fallen” clan feature release but had always heard & read good things about them so I was hopeful of a positive outcome. Ben’s tick of approval provided additional cause for enthusiasm & the fruits of my labour have ended up well & truly justifying the effort too, despite easily being able to see why members like Ben & Sonny might get a touch more out of a release like “Bliss of Solitude” than I do.

Let’s start by saying that the production job on this record is nothing short of exceptional & that element is a very big part of its appeal. This album sounds as heavy as an overweight black hole with every component achieving complete clarity. The bass guitar tone is particularly powerful & makes me wish that more bands were lucky enough to benefit from such a weighty bottom-end. The vocals are quite tame & melodic in comparison & I’d suggest that the depth in the instrumentation allows Isole to get away with it more easily than they may otherwise have. In truth, it took me a couple of listens to come around to the vocals but there are definitely some impressive hooks there once you give them the time to dig themselves into your ears.

It's interesting that Isole seems to be unanimously claimed as an epic doom metal band as I don’t think it’s as cut & dry as that. In fact, I found more of “Bliss of Solitude” to sit in conventional doom metal space with only the two most significant tracks (i.e. the title track & closer “Shadowstone”) possessing enough epicness to warrant the tag. Perhaps this is just an example of why I don’t see the justification for adding the epic doom metal subgenre to the Metal Academy database just yet as I don’t think a record like this one is screaming out to be differentiated from the more pure variety of doom, despite being fairly easily compared to bands like Candlemass, Solitude Aeturnus & early Ereb Altor. There’s a definite case for comparisons with My Dying Bride here at times too though, particularly through the start of the record with the guitar tone being fairly similar while the more epic moments inevitably see Isole borrowing from Viking-era Bathory as their source for sheer epicness, particularly in the strong use of reverb on the lumbering drumbeats.

“Bliss of Solitude” is a very consistent & professionally executed release from a band that’s already refined their sound & knows exactly what they’re trying to achieve. It doesn’t tick all of my boxes from a stylistic point of view but has still managed to draw me in through its relentless pursuit of quality doom riffage presented in the purest packaging available. I’ll definitely be returning to this album at some point & will be placing the rest of the Isole discography in my “To Be Investigated” list for the future too.

4/5

It is quite timely for an Isole feature, as they have had a new album out this year, with Anesidora hitting the shelves back in March. For me, Isole have been on a bit of a downward trajectory since their late-2000s high water mark and listening to Bliss of Solitude and Anesidora back-to-back gives an illustation of why. The latter release feels stripped of any real emotional weight, with the band seemingly seeking a sound more palatable to the mainstream, stoner doom crowd.

So, enough of what went wrong and let us focus on what the band were doing well fifteen years ago, with Bliss of Solitude and it's follow-up Silent Ruins. After forming in 2004 the Swedes released a couple of solid doom metal albums in 2005's Forevermore and '06's Throne of Void, but it was with 2008's Bliss of Solitude that they found themselves nearing the summit of the doom metal mountain. Obviously they were influenced by Candlemass' bombastic style of epic doom metal, but that was certainly not the full extent of what Isole were about, that bombast being tempered by a sorrowful, emotionally resonant side like that being displayed by the likes of Patrick Walker's Warning. The result of this for a release like Bliss of Solitude is that it sounds at once romantically triumphant, but also heart-rending and mournful, like the emotions of the victors of a savage battle won at great cost.

The production is spot on and producer, drummer Jonas Lindström (also of Ereb Altor), have fashioned a perfect guitar sound, being at once huge and weighty whilst still possessing a sorrowful emotion that also keeps it quite personal-sounding. Additional weight is provided by the thundering basswork and Lindström's well-pitched drumming, which act as a perfect foundation for the emotionally-charged dirges of the riffs. The band employs dual guitarists / vocalists in Daniel Bryntse and Crister Olsson, their style of esoteric, layered clean vocals being another source of the album's essential melancholy, particularly on a slower, more inward-looking track like "Imprisoned in Sorrow" or "Dying".

There is a classiness to Isole's best work, of which this is definitely an example, to which not all doom bands are able to aspire. This isn't just about playing super-slow riffs, dragged-out to inordinate lengths, but it is about portraying sadness and sorrow in a relatable and humanly resonant way, being able to express negative emotion in a manner that hints at both redemption and hope without sounding trite or insincere. Bliss of Solitude is a classic slab of emotionally-charged doom metal that deserves a larger share of the praise that is heaped on lesser releases and as such is a perfect choice for a feature release. Nice work Ben.

4.5/5