The Chillout Thread

Fishmans - "Uchu Nippon Setagaya" (1997)

The seventh full-length from this Tokyo outfit & a bloody good listen it is too. It's often referred to as dream pop, ambient pop & neo-psychedelia but the reality is that the downtempo tag is all that's required here with the relaxed, soothing atmospheres presented having a noticeably calming effect on even the most battle-hardened extreme metalhead. Perhaps I'm a little more open to this sort of stuff than most but the lushness of some of these soundscapes can't be achieved without a deep understanding of the craft. "Uchu Nippon Setagaya" is classy release that's deserving of the hype around it.

For fans of Slowdive, Spiritualized & Stereolab.

4/5

Massive Attack - "Blue Lines" (1991)

Here we have the debut album from one of my all-time favourite artists, an act that very much changed the course of my life for the next decade during the late 1990's. And while it may not be the Bristol trip hop legends' finest hour, there can be denying the impact that "Blue Lines" had on the global music scene with the chillout movement pretty much exploding off the back of it. It's an absolute stormer of a record too, it's tracklisting being littered with seriously mature & impeccably produced classics that were just as heavily influenced by dub, EDM & hip hop. The three-track run that contains "Five Man Army", Unfinished Sympathy" & "Daydreaming" is utterly earth-shattering & would challenge any trio of songs from the subgenre overall. I'll always prefer later releases like "Mezzanine" & the incredibly underrated "100th Window" but "Blue Lines" is an undeniable classic in its own right too.

For fans of Portishead, Tricky & Air.

4.5/5

POiSON GiRL FRiEND - "Melting Moment" E.P. (1992)

This debut E.P. seems to have built up quite the following over the last decade or so but I have to admit that I find that hard to understand personally. Sure, it's one of the earlier trip hop releases but that doesn't give it the right to be mentioned in the same breath as records like Massive Attack's "Blue Lines" which clearly sits in another stratosphere altogether. The female vocals of nOrikO are intended to sound sweet & they do achieve that intent during the best parts but there are just as many moments where she sounds pitchy & amateurish in my opinion. Plus, the instrumentation is very heavy on the cheap bedroom synths that were around at the time which gives "Melting Moment" a disposable feel. I do quite enjoy the first couple of songs as well as the closing title track but the other material is a long way from the mark (particularly "The Future Is Now" which is fucking awful) & taints the overall experience for me. 

For fans of Color Filter, Sugar Plant & Lily Chou-Chou.

3/5