February 2024 - Feature Release - The Sphere Edition

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month’s feature release for The Sphere has been nominated by myself. It's the 1994 debut album from Phoenix-based industrial thrash outfit Nailbomb which was a side project for Sepultura/Cavalera Conspiracy/Soulfly/Killer Be Killed frontman Max Cavalera & Fudge Tunnel mastermind Alex Newport. I picked this album up on CD at the time of release given my passion for both Sepultura & Fudge Tunnel & quite enjoyed it. It's been decades since I've heard it now though but my interest has been revived after reading one of Andi's recent reviews. Let's see how it's aged, shall we?

https://metal.academy/releases/1726

Good to hear that my review revived your interest, Daniel. Here's its summary:

Industrial metal is not a genre that you would expect all metalheads to enjoy. Many of them often get turned away by the excessive amount of keyboards, riff repetition, and drum machinery that all leave no space for any guitar solos. I only just started loving industrial metal a couple years ago, and being the open-minded person I am, I've taken a dive into this brief side-project by Max Cavalera of Sepultura and Alex Newport of Fudge Tunnel. 6 months after Chaos AD came the sole Nailbomb album Point Blank. The sound is an underrated blend of industrial groove with F***ING HARD THRASH!!! The aggressive riffing will definitely remind some of Sepultura's pre-Chaos AD albums! Cavalera continues to display his political side, and I know some people aren't into politics. I'm not either, but I am familiar with it through the more hardcore bands I've listened to out there, and it fits well for the thrash madness. Although this industrial sound stands nicely between Skrew and Ministry at that time, the riffing is more varied than those two bands. All in the name of deathly thrash that appears in several of the tracks. I also love the album's industrial side, especially when the two genres combine. Though a couple of the electro interludes are pretty worthless. With all this extreme aggression, you can't deny how much this Nailbomb album can kick a**....

4/5

It's been decades since I've heard "Point Blank" but I've got to admit that it's delivered exactly what I remembered it being capable of in that it's a decent listen but isn't one that commands much in the way of return listens, despite presenting some clear potential. The tracklisting kicks off in very strong fashion with the opening two songs being amongst the highlights of the album but the remainder of the run time is a little hit & miss to be honest, even though there's only the one track in the proper tracklisting that I consider to be a genuine failure in the flat industrial piece "Shit Pinata". There's a fair bit of variation on offer, despite Nailbomb being predominantly an industrial metal band. The thrash metal component isn't really enough for a primary tag & I'd suggest that there's much more crossover thrash than there is your more conventional thrash metal anyway. You'll also pick up some clear groove metal & sludge metal influences along with some smatterings of martial industrial & conventional industrial music along the way for a result that sounds very much like a combination of Sepultura's "Chaos AD" & Ministry's "Psalm 69" with smatterings of Fudge Tunnel's "Hate Songs in E Minor" tossed in for good measure. It's just that "Point Blank" never quite reaches the heights of those records which is the real shame. Don't get me wrong. It's by no means a bad record but it does struggle to command the attention it once seemed to receive with very little effort these days.

3.5/5