June 2023 Feature Release - The Sphere Edition

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month's feature release for The Sphere, nominated by me (Shadowdoom9 (Andi)), is the 1995 debut album by Canadian extreme industrial metal band Strapping Young Lad, Heavy as a Really Heavy Thing. It's the beginning of the versatile career of Devin Townsend (unless you count his contribution to Steve Vai's "Sex & Religion" from two years prior). So for Devin Townsend fans who want to find out where everything began for this Canadian metal genius, and for heavier industrial metal fans in general, this is an album worth discussing here in this site.

https://metal.academy/releases/868

I've done my review, here's its summary:

I understand that this album isn't for the pure old-school thrash fans. Heavy as a Really Heavy Thing is basically heavy thrashy industrial metal with lots of noise and rage. Despite a few disorganized songs, the album comes out as a great beginning for Devy's massive career. I'm not kidding about the raging intensity, many of the songs have savage riffing hellfire, blazing drum blasts, and screaming vocal anger, though there are some clean moments and Devy's signature humor. It's all here in the beginning of this Canadian metal man's adventurous journey. After two albums for one-time projects (Punky Brüster and Ocean Machine), Devin Townsend would bring the sound of SYL to perfection in the band's next album City....

4/5

Recommended tracks: "S.Y.L.", "In the Rainy Season", "Cod Metal King", "The Filler - Sweet City Jesus", "Drizzlehell"

For fans of: Devin Townsend's heavier albums, Space Avenue-era Waltari, Fear Factory

For some reason Devin Townsend has always rubbed me up the wrong way. He is obviously an immensely talented individual and I have no real basis for saying this, but he seems to revel in his own cleverness and his sometimes goofy humour just gets my back up. I was once lent a couple of SYL albums by a workmate (I think one was Alien), but I couldn't get into them at all. Not exactly a very promising preamble to this review then, but I did go into this with an open mind and now, after half-a-dozen full listen-throughs, I think I have probably got everything out of this that I am going to.

Industrial metal, to me, should be innately super-heavy as it is intended to replicate the sound of heavy machinery in operation and to this end SYL have been, in the main, successful in this endeavour here. The combination of the riffs and the full-blooded rhythm section, which includes both real and programmed drums, produce an impressively heavy sound that, at times, rivals even the mighty Fear Factory at their best. There are also some killer hooks in a couple of the tracks, particularly early on in the album (that again sound a fair bit like hooks FF would produce).

From what I can glean from the internet this is basically a Devin Townsend solo album with a few guest musicians as well as being songs collected from a number of demos - and it shows. Despite the nursery rhyme nonsense that bookends the album it doesn't feel at all consistent, but rather than a coherent album it feels more like a compilation of disparate tracks. This is not at all aided by Townsend's vocal performance being markedly different on nearly every track, on Goat, for example, it seems like he is just taking the piss and sounds like it is based on Bill Hicks' least funny sketch, Goatboy. That "goofy" humour, as exemplified by the awful closing track and the Black Adder-plagiarising album title, combined with Devin screaming "I fuckin' hate you" over and over on the opener like a spoilt teenage brat and ruining what is otherwise a pretty good track, turns me away from any of the good things he was doing elsewhere on the album.

Look, unlike Devin's screaming inner teen, I don't fuckin' hate this, but it is too inconsistent and exhibits an immaturity I struggled with, to be honest. There are a couple of tracks that I would be OK with on a Spotify playlist, In the Rainy Season and the groove of Critic, but other than that I am unlikely to return here.

3/5