March 2023 Feature Release - The Revolution Edition

So just like that we find that a new month is upon us which of course means that we’ll be nominating a brand new monthly feature release for each clan. This essentially means that we’re asking you to rate, review & discuss our chosen features for no other reason than because we enjoy the process & banter. We’re really looking forward to hearing your thoughts on our chosen releases so don’t be shy.

This month's feature release for The Revolution, nominated by me (Shadowdoom9 (Andi)), is the 2008 6th album by Florida-based then-Christian metalcore/post-hardcore band Underoath, Lost in the Sound of Separation. This is another one of my favorite metalcore albums, and one of its highlights restored my music video memories of this band and got me to start listening to them full-time a few years ago. Heavy and atmospheric metalcore/post-hardcore that should really be heard by fans of those genres and can really use some attention in the Academy.

https://metal.academy/releases/5405

Here's my review summary:

If you can look back at Underoath's past in the couple years before this album in a more outer perspective, you can find the era of Define the Great Line to be the highlight of this band's career, with that album reaching a golden spot on the Billboard. However, I only think most of the second half of that album is good, so they could've just made an EP or something, and that album's future wasn't bright for the band either. They dropped out of the Warped Tour due to Spencer Chamberlain's drug abuse and almost split up. Luckily they stood strong and fought those hard times to unleash one of two more albums, Lost in the Sound of Separation! This is the second album in a row co-produced by Adam Dutkiewicz and Matt Goldman, but now, helping with the mixing was David Bendeth who had also just mixed Paramore album #2 Riot! (coincidentally, Aaron Gillespie would tour with Paramore during Underoath's two-year split). The 11 songs in this album are probably the most massive I've heard from this band, with wide vibes moving you in different directions. Chamberlain's massive growls shake the speakers alongside Gillespie's improved singing and bombastic drumming. One moment there are soothing calm melodies, and the next has the huge guitar riffing from Timothy McTague and James Smith. Grant Brandell’s booming bass and Christopher Dudley's atmospheric keyboards let the instrumentation really pummel away the so-so-ness of Define the Great Line. And one highlight is a very notable one, for me anyway; "Anyone Can Dig A Hole But It Takes A Real Man To Call It Home" may waste a bit of review space with its long title, but the song itself never wastes any time. I sh*t you not, this was used briefly in a TheOdd1sOut video, and that restored my music video memories of this band and got me to start listening to them full-time. Lyrics like "We always assume the worst!" and "How can I still be alive?!" show the theme of anxiety on a frantic search for hope. As for the rest of the album, all the previous Chamberlain-era albums' clichés have been wiped out for ear-piercing fury and unpredictable melody. Underoath have once fallen into their own dark ages but manage to climb out and make this album with the moral that you are never alone. Lost in the Sound of Separation has stabbed the bleak darkness of their times and quality with a ray of optimistic light!

5/5

Recommended tracks: "Breathing in a New Mentality", "Anyone Can Dig A Hole But It Takes A Real Man To Call It Home", "Emergency Broadcast :: The End Is Near", "The Only Survivor Was Miraculously Unharmed", "Too Bright To See, Too Loud To Hear", "Desolate Earth :: The End Is Here"

For fans of: The Chariot, Norma Jean, Every Time I Die