September 2022 Feature Release - The North Edition

Another month flies by, which means it's time to select a new feature release for The North. As it's my turn to choose, I've selected Scarcity's Aveilut, a somewhat challenging album that I personally find extremely rewarding. If nothing else, composer Brendon Randall-Myers experimental techniques make it an album unlike any other.

It would be great to read what you all think of it either below or in review format.

https://metal.academy/releases/38447

I reviewed Aveilut only two or three days ago and in all honesty I really struggled with it for reasons I explain in the review. I acknowledge this issue is a personal one but it makes it very difficult to be objective about the album. Anyway, for what it's worth, I'll repost my review here:

After requesting recommendations from what so far feels like an underachieving year in black metal, Ben kindly offered up his top ten list, #1 on which was this debut from Brooklyn avant-garde black metallers Scarcity. So, I must admit upfront that this was a massive struggle for me, especially during the first five minutes or so when I almost had to turn it off. But first I'd better explain some background. I am one of those people who is occasionally subject to sensory overload when subjected to overly busy sounds or visuals. When this happens it manifests as an almost physical discomfort and I tend to have to get away or block out the offending sensory input. This is why I struggle so badly with especially dissonant or avant-garde music and probably explains my love of more atmospheric and monolithic metal like funeral doom, drone or atmo-black. Anyway the opening minutes of Aveilut really triggered those feelings and I truly struggled to get through them. But persist I did and although there was a few passages that I did enjoy, on the whole I didn't really get a lot out of this I'm afraid. The whole thing is just too dissonant and unconventional sounding for me and whilst I understand that there are loads of people to whom this more challenging music provides huge satisfaction, I am sorry, but I just can't relate. This is a release I can't see myself returning to and yes, I realise that the fault is mine, but sometimes we just have to admit that something is not for us and move on. Sorry, it's not much of a review, but it is what it is.

Fucking hell! This album absolutely slays! The dual tagging of Atmospheric Black Metal & Avant-Garde Metal isn't particularly accurate as I don't think "Aveilut" feels all that avant-garde & it doesn't have much to do with the classic atmospheric black metal sound either. To my ears it's an experimental take on your more conventional black metal sound which incorporates strong post-metal & drone metal influences at times. The way this duo have used the tools of black metal in a very different way but still maintained all of the menace & blasphemy is phenomenal. There is a little bit of dissonance on offer but I wouldn't suggest that it's anything out of the ordinary for modern black metal. The unusual part is the way they've layered the different tremolo-picked guitar lines & tied the psychedelic synths & effects into the wall of sound so tightly. I can't say I've ever heard anything like it but it reminds me a lot of the approach that some post-rock artists take. Those vocals are as grim & frostbitten as you'll find too. They're right up my alley. Interestingly, my two highlight tracks are also the furthest from black metal with "I" being a post-metal affair & "IV" being a wonderful builder of a drone metal piece. Ben, you've really outdone yourself this month as this is easily the best record I've heard from 2022 so far.

For fans of Krallice, Blut aus Nord & Bríi.

4.5/5

Not a fan of this at all.

The taster-track I heard on The North playlist this past month turned out to be more of curved ball when I sat and listened to the whole record. My levels of intrigue soon dropped after the frankly boring opening track. I don't mind drone metal in all honesty if it sets up something interesting, however here it just seems to set up the scene for a Jute Gyte record. In all seriousness, the Jute Gyte reference is probably the most relevant one I can apply here. The problem with Scarcity is that they flirt with extremity as opposed to settling upon pursuing it. Yes, there is a wall of noise and scathing vocals that essentially sticks in the head for all the wrong reasons but the more droning passages are actually much better structured than the "kitchen sink" style musings of II (for example).

I cannot knock them for the effort behind the album as its introduction of psychedelic elements is novel if not all that intriguing for me. The softer use of tremolos feels a gimmick as well though, like we are teeing up a post-metal record that never comes and so we just drop into form references to black metal for the sake of it. I would actually admire the album more if it further distanced itself from black metal as it would feel like it was a more honest representation of what it was trying to do.

Aveilut is not challenging to my ears, it is just boring and bloated and constantly suffers from a lack of identity. Push away at the boundaries of extreme metal all you like but sometimes a bit of reflection wouldn't go amiss to ensure you at least maintain some sense of direction.

1.5/5

I guess I figured that not everyone would like this release as much as I do, but I didn't see two 1.5 star reviews coming. This is obviously a love it or hate it kind of album, and Daniel and I clearly both fall into the former rather than the latter. Anyway, here's my short review that goes some way to explaining what I dig about it.

I must admit that I generally fear seeing avant-garde metal connected to albums I plan to dive into. Just last week I was struggling to come to grips with Imperial Triumphant's highly praised latest release, recognising its qualities while having to admit that a fair portion of it just isn't enjoyable to me. This week it's Scarcity, who dared to provide me with an avant-garde black metal release just when I was feeling vulnerable. I needn't have worried! Composer Brendan Randall-Myers and vocalist Doug Moore have crafted a genuinely unique and jaw-dropping album, that rarely departs my precious black metal genre while still managing to sound both refreshing and important. This is an album to get lost in! An album filled with hypnotic tremolo riffs and drone-drenched soundscapes, with Moore's fantastic vocals piercing the atmosphere in just the right ways. Aveilut is a technical masterpiece that still manages to be an enthralling metal album, and I wouldn't be surprised if I push this up to 5 stars some time in the future. Everyone in the North should go listen to this. I have it as the best black metal release of the year to date. If you want to dip your toe in before committing, the 13 minute closing track V is a definite highlight.

4.5 stars

The avant-garde tag on music can be a bit misleading. There are some instances where this tag is used to describe music that goes far and beyond what could be described as "accessible" (i.e. Imperial Triumphant, Deathspell Omega, etc.) by throwing the kitchen sink at the listener with relentless time changes and technical breakdowns. On the other hand, avant-garde can be used to describe bands like Schammasch and Scarcity; the forms are not that unusual, but the usage of unconventional composition techniques makes it quite uncomfortable.

In Scarcity's case on the bands debut album Aveilut, the usage of microtonality gives the droning guitar leads some weight as they float in and out of tune with one another. It can be easy to find yourself floating on a cloud while listening to these five tracks suck you in with their atmosphere. But unlike post-metal, Scarcity does not seem interested in doing anything with these ideas. Aveilut is by design a drone metal album that does not resort to spacey synthesizers with no percussion or distinguished bass for its entire 45 minute duration. I can respect the bands experimentation even if I don't really care for drone metal. The blending of the stagnant drone metal with the loud and vibrant black metal is unique, and it does sometimes bring in the best moments of each.

What it does not bring is black metal's production. Everything is so compressed and restrained that nothing is allowed to evolve dynamically. The closing track "V" is the only one that sounds like a fully developed idea, but the guitar lead is not allowed to go anywhere because it's already peaking when the song begins. The lack of bass on "I" left me worried right out the gate for much the same reason. And while "IV" has a decent mix, it is the bands subtle reminder that this is not meant to be consumed as a black metal record. And I think that is fine; experimentation in drone metal is by nature, extremely lacking. But maybe combining these two genres together was never going to work in the first place.

5/10