Review by Saxy S for Hiraes - Dormant (2024) Review by Saxy S for Hiraes - Dormant (2024)

Saxy S Saxy S / June 23, 2025 / 0

Take the heavy guitar leads from modern Arch Enemy, combine it with some Arch Enemy style vocals, a percussion work that feels eerily similar to Arch Enemy and....wait.

It's hard to dunk on a band who are just trying to get their feet wet, but when that band in question has nothing unique to add to the table, it makes me lose focus in record time. Hiraes are a German melodic death metal band with Dormant as their second full length studio album. And as I alluded to from the start, Dormant doesn't really do anything to separate itself from its clear primary influence. What does one do to stand out in a landscape of second wave melodic death metal? You could go the Aephanemer approach and bring the symphonic embellishment to the forefront. Or you could try the progressive/folk approach like Eluveitie or Aeternam. Hiraes do have some symphonic development here, but it is all very conservative in its usage; no song on this record is either benefited or detracted by having a orchestra. It simply adds to the density of the recording, but without providing something of its own value.

Dormant is one of those albums that promises to be a heavier Arch Enemy...which it is. The guitars alternates back and forth between very standard melo-death leads, chugging riffs and the occasional tremolo picking sections. The percussion is a lot more engaged on Dormant than it has been on recent Arch Enemy projects like Deceivers and Blood Dynasty. But the whole project is brought down by the generic vocals. Britta Görtz has a strong presence behind the microphone and performs with great diction. But the delivery itself is monotonous. Britta's vocal range feels very limited on Dormant and the ramped up intensity that was promised at the start feels underutilized, since the rest of the music doesn't play into her strengths. Ironically, some of this albums better songs are the ones that stay at one intensity for their entire duration. Songs like "We Owe No One" and "Nightflight" benefit the underwhelming vocals, while the more "progressive" leaning tracks like "Red Soil" do absolutely nothing for me.

When I listen to Dormant by Hiraes, I hear a band that just wanted to make music together, but without any sense of direction as to what to do with it. This band is listed as having in formed in 2020 when the world was engulfed in an economic lockdown so finding something to do with friends was undoubtedly important so as to not go stir crazy. They are clearly in love with Arch Enemy, which is not a bad place to start if you are creating melodic death metal. But now, after the bands second studio album, they need to walk their own path and not lay Dormant to the changing tide of modern melodic death metal.

Best Songs: Chance to Fail, Nightflight

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