Review by Rexorcist for Judas Priest - Sin After Sin (1977)

I'm going through all the most classic Priest albums I can right now to really educate myself in them.  I might be a Guardian but I've covered why I'm not a big Priest fan before.  But the 70's era does intrigue me as the 70's are my favorite decade in music.  Since I'm a guardian here and I've heard over 2500 metal albums, it's time I stopped putting them off.  Sin After Sin is next, followed by Stained Class.

Now this is considered early metal, but maybe not proto-metal.  Stylistically and chronologically, it exists right between the fantasy worlds of Sad Wings of Tragedy and the heavy metal energy of Stained Class, the latter of which I've only heard part of and decided to head to this first.  I found that there's a really good balance of melodies between each song.  The Judas Priest attitude is cemented on this album, so they're able to sing about fantasy topics again but with a whole new personality which would soon evolve into the biker-band we all know.  Songs like Starbreaker are all about that balance between hard rock and heavy metal.  This might even be a favorite Priest song of mine.  I find this balance tested pretty often, being neutral to Sinner and having rejected the tag for Diamonds and Rust.  Because these guys are still early at the time of this album, they're still prone to the softer and even folksier side of 70's rock, which is perfectly fine and even very cool for me.  Did you know my favorite Scorpions song is We'll Burn the Sky?  it's not even a song I grew up with considering the radio never played it and it wasn't on my "best of" copy.  Of course, this rock ballad obviously gets in the way of whether or not I'd call this a metal album, but it's really entertaining and even relaxing me despite the fact that I'm in a metal mood.  And as I hoped and even predicted, the album kicks right back into metal with an artistic 180, and goes into some progressive territory.  And all the while it remains cool, well-written and consistent with both its diversity and persona.

Sin After Sin is that glorious type of album that proudly circles all over the hard rock spectrum of the period.  The various moods of hard rock, heavy metal, blues rock, prog and a little room for ballads shows the band at some of their most diverse and surprising.  I have to really appreciate that the album showcases the band's growing understanding of structures, moods and melodies.  They pull of a lot of great things here whether they're being soft or hard.  There's a little more metal here than on most hard rock albums of the period, but the album clearly has a hard rock focus overtaking the metal vibes.  So the metal tag I'm offering should be more controversial than the internet forgives.  This is the first time that Judas met all of my standards for a five-star rating, even though the songs themselves aren't QUITE as amazing as Painkiller.  But still, there's no way I can't give this a 100.  This is currently my second favorite Judas album, and I'm going to put this in my current top 100.