Review by Daniel for Altar of Plagues - Teethed Glory and Injury (2013)
Irish post-black metal trio Altar of Plagues have been a really big band in my life ever since I returned to the metal scene after a decade of electronic music indulgence back in 2009. The timing of their debut album “White Tomb” could not have been better & it received quite a few listens from me that year which would subsequently see me venturing back to a couple of the bands early E.P.’s (with admittedly mixed results) shortly afterwards. But it was Altar of Plagues’ 2011 sophomore album “Mammal” that saw the young band truly reaching the top echelon of the black metal spectrum & I still regard it as the finest example of the post-black metal sound I’ve encountered to this day. When the follow-up finally saw the light of day a couple of years later I found it hard to contain my excitement & boy did it deliver!
“Teethed Glory & Injury” is a complex & expansive record that only shows the listener its full array of qualities upon several repeat listens. It sees Altar of Plagues no longer being confined to the shackles of the black metal scene & transcending labels with an outing of pure creativity. In fact, many of the more extreme riffs have very little to do with black metal & one feels that if not for the wonderfully grim vocals of Dave Condon & blast beats of Johnny King that there may not have been much of a link to the most evil & blasphemous of scenes. Some of the more atmospheric & experimental sections draw influence from the post-sludge metal scene, harnessing the splendid production job to great effect.
The album kicks off in stellar fashion with three absolute beauties in the post-rock-inspired opener “Mills” & two spectacular post-black metal monsters in “God Alone” & “A Body Shrouded” before the tracklisting settles a bit over the next couple of songs. Another wonderful highlight appears in the incomparable “Twelve Was Ruin” & at that point I found myself wondering whether I might have a five-star record on my hands. Unfortunately things dip a touch over the remaining three songs but there’s nothing short of four-stars here & the overall result is equally imposing & impressive. “Teethed Glory & Injury” may not quite top its illustrious predecessor but there’s little doubt that it’s the glorious farewell that Altar of Plagues wanted & deserved. The band had never received the credit that was due to them & it was about time the metal world stood up & paid attention. If you’re a fan of bands like Downfall of Gaia, Entropia & Hope Drone then this should be essential listening.