Review by Rexorcist for Esoteric - The Maniacal Vale (2008)

Esoteric emerged in the early 90's, quickly invented a new version of the music of Saint Vitus and Candlemass, and since then they've been inducted in the pantheon of doom metal.  Their funeral sound has lots of replicators but no equals... or at least that's the story.  Truth is, I've only heard a handful of funeral doom albums.  But that doesn't mean I don't like the genre at all, since there are plenty of slow-moving metal artists I like, notably The Ocean, Neurosis, My Dying Bride and Solstafir.  So it should be no surprise that I enjoy slow doom like Esoteric, and their most famous for its surreal sound is The Maniacal Vale.

Some people read the lyrics as they go along an album with indeterminable vocals.  Me, I say, "if it's indeterminable, then it's optional."  I decided to look at this album from the perspective of the aura itself and just let it all take me away.  "Circle," the opener, made the easy.  The 20-minute epic sacrifices melody and rhythm to draw you away into a dimension of deathly energy, lost in uncharted space.  You've essentially hit the astral Bermuda Triangle.  This is post-metal at some of its most atmospheric.  And honestly, I hate it when post-metal songs just play the same note constantly for their riffs.  "Circle" does that occasionally, but its atmosphere is so effortlessly thick and dense that you feel smothered.  This is what doom itself is supposed to sound like.

And it got to the point where every track on the album was essentially putting slight twists and turns on that same trick, meaning despite the shifting in tones, the album is essentially a very clever one-trick pony.  Now this isn't a bad thing if the trick is still very good each time it's played, but I can't help but compare longer albums to other longer albums, especially when a focus on heavy atmosphere is involved.  As a result, I instantly compare this to other dark, deathly and atmospheric bands: Swans, Neurosis, My Dying Bride and Sleep.  With several of their albums, there's more creativity boasted, even in a longer runtime like the two-and-a-half hour Soundtracks for the Blind.  So I wouldn't put this album in the same league as that album or The Seer.

But for 100 minutes of doom metal, each of these minutes is beautifully produced and written, so the album still greatly succeeds at giving a doom metal fan what he wants to hear, especially if he's looking for the funeral sound.  It's unlikely that I would recommend this to the average metalhead to start them off in funeral doom.  But once they get into funeral doom, they should check this out.  They may end up loving it.