Review by Shadowdoom9 (Andi) for Machine Head - Bloodstone & Diamonds (2014) Review by Shadowdoom9 (Andi) for Machine Head - Bloodstone & Diamonds (2014)

Shadowdoom9 (Andi) Shadowdoom9 (Andi) / July 27, 2020 / 0

I just realized that the theme of my Ultimate Metal Family Tree extra-credit assignment is...last albums from a few bands before each one's change in style that is less tolerated than before; for myself, Coroner and Sentenced, and for other metalheads, Asking Alexandria and Machine Head. That's right, I'm reviewing Bloodstone & Diamonds, Machine Head's last groove/thrash metal album before their return to nu/alt-metal in Catharsis!

I probably would've reviewed the album before this, Unto the Locust, because of how epic people think it is, but I chose this album based on how much the band has lived up to since The Blackening ever since climbing the ladder higher album after album, ending their streak here. This would be their last album where the new stuff is tolerable...

First is the monstrously epic "Now We Die". This song has a stable structure never shaken by any repetition. Instrumental variety include the addition of violin harmonies used perfectly as vocalist/guitarist Robb Flynn continues his searing roars. Huge choruses soon lead to an unbelievable breakdown and soloing. All this great metal action and it's only their first song! Then there's the next track "Killers & Kings", which is harder, better, faster, shorter! Drummer Dave McClain blasts through the fast technicality with subtle cymbals to go with the bass. You might think a breakdown would hurt the song's flow, but that's not the case here. A thunderous breakdown is unleashed as a compliment instead of an insult. The music in "Ghosts Will Haunt My Bones" is pretty good where the bass playing of Jared MacEachern shines excellently and is never drowned out. He may be new to the band, but he plays as professionally as their alumni. "Night of Long Knives" greatly grinds through with fast riffs and solos, plus strong lyrical aggression to fuel the fire with the anger needed for their signature attitude.

"Sail Into the Black" is, at 8 and a half minutes, the album's longest song, but it's not as impressive as the first two tracks. The first half is just mesmerizing softness with subtle piano and acoustic guitar for dreamy atmosphere. Then the second half is the usual true Machine Head aggression. Then a couple more problems arrive starting with the repetitive "Eyes of the Dead". The other slightly problematic song "Beneath the Silt" is kinda interesting but could've been slightly shorter and more straight to the point. The war-like feel created "In Comes the Flood" mixed with political lyrics of rebel soldiers raiding the White House nicely help create the war theater in this album.

"Damage Inside" is a darker slower song showing Robb Flynn's soft sad cleans to fit with this short ballad. Then "Game Over" flips off the softness back to the band's true aggression. Samples from the Spontaneous Evolution audiobook can be heard in the otherwise instrumental "Imaginal Cells" brings interesting facts and mysteries to light. The great ending "Take Me Through the Fire" is heavily memorable with brilliant choruses and riffs to close the album in a groove/thrash metal bang.

All in all, this album is unbelievably great, and even though it's different from their prior two albums, it's definitely better in my opinion, and Machine Head did a splendid job there. A nicely recommended diamond in the rough bloodstone!

Favorites: "Now We Die", "Killers & Kings", "Night of Long Knives", "In Comes the Flood", "Game Over", "Take Me Through the Fire"

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