Reviews list for Entombed - Stranger Aeons (1992)

There’s absolutely no doubt that my relationship with Swedish death metal gods Entombed was at its peak during the 1991-92 period which was mainly off the back of their 1991 sophomore album “Clandestine” which I regard as being their only genuinely classic release. I first became aware of Entombed through their legendary 1990 debut album “Left Hand Path” & would go on to investigate their earlier demo work shortly afterwards (under both the Nihilist & Entombed monikers) but none of that material had as lasting an impact on me as their more sophisticated & professional second full-length which saw me standing up & paying attention in no uncertain terms. Shortly after the release of “Clandestine” though, we’d receive a couple of short EP’s in quick succession. One was the “Crawl” EP which featured Nirvana 2002 vocalist Orvar Safstrom behind the mike. It was a decent enough record but wasn’t quite as strong as I’d hoped. 1992’s “Stranger Aeons” EP was a more lucrative undertaking for me though as it sounded very much like “Clandestine”. I picked it up as a part of the Earache Records “Gods of Grind” compilation which also included EP’s from Cathedral, Carcass & Confessor.

The ”Stranger Aeons” EP is a short three-song affair that includes one track taken from the “Clandestine” album (i.e. the title track) as well as two new songs that were recorded in a separate single-night session at Sunlight Studios by just vocalist/drummer Nicke Anderson & guitarist/bassist Ulf Cederlund. I wouldn’t say that “Stranger Aeons” is one of the true classics from “Clandestine” but it’s certainly a very solid death metal tune in its own right & doesn’t disappoint here either. The other two songs sound very similar in style & benefit from maintaining a similar vocal delivery too given that Anderson continues to deliver his barking style of death growl here. Nicke’s vocal performance on “Clandestine” has always been highly divisive but I sit firmly on the side that favours him over the much loved L-G Petrov who would return the fold shortly afterwards.

The production job on all three tracks is excellent & the two sessions don’t sound noticeably different which allows “Dusk” & “Shreds of Flesh” (a re-recording of a track from Entombed’s 1989 “But Life Goes On” demo tape) a level of continuity with the title track. I simply love Nicke’s drum sound & performance here & he’s always been the true focal point of Entombed for mine. The crunchy guitar tone is quite possibly the perfect example of the Swedish BOSS HM-2 Heavy Metal pedal sound too. There’s absolutely no drop-off in quality from the title track to “Dusk” & I feel it would have fit into “Clandestine” just fine while “Shreds of Flesh” is clearly the weaker of the three songs but is given some additional appeal by the fresh coat of paint.

“Stranger Aeons” may feel like a pretty insignificant release given the limited scope & duration but it’s interesting that I find it to offer me more enjoyment than I receive from any other Entombed release outside of “Clandestine”. It’s simply more consistent in ticking my musical boxes & it frustrates me a bit that the band elected to move away from this sound when they’d only just reached their creative peak. I think any diehard fan of Swedish death metal bands like Dismember, Grave or Carnage owes it to themselves to explore it.