Gorguts - Obscura (1998) Reviews
Enter the avant-garde, bass twanging, bone-jarring branch of Gorguts that seems to cause equal amounts of praise and revulsion across the death metal fan base. I sit firmly in the praise camp. Not that I don't get the challenges that people have with this directional shift from the bands previous releases (all respectable enough DM records), but for me what impresses me the most about Obscura is the sheer range and scope of the album. It isn't perfect by any means but, as per my love of Colored Sands this record likewise retains death metal as its core source, despite the multi-layered influences on display here Obscura does still come across as a raging death metal record full of energy and rampant angst.
Lemay's trademark demented shriek accompanies the instrumentation perfectly. I find the music twists and contorts perfectly throughout, taking the listener on a real journey. The only real downside to that journey perhaps is the length of it. Clocking in at an hour in duration, the record does meander a bit unfortunately. Although it is stylistically refreshing it is not controlled enough in its delivery to be able to sustain a presence for such a long period of time. To compare it with the aforementioned Colored Sands is a fair contrast really as the latter album absolutely nails the delivery of the avant-garde/experimental aspect by integrating it into the overall sound better, even though the run time is more or less the same the 2013 album feels more palatable.
From reading the criticism of Obscura there's definitely a feeling of the album being something that is done to the fans as opposed to being something they feel is introduced to them. As full on as it is, the record is still fun and an entertaining enough curved ball.
This album is a core influence upon much of what I can’t stand in modern trends of extreme Metal, so it’s no surprise I don’t like it very much. While a few Tech Death bands were already verging into what I call “Too-Progressive Metal” for the sake of pushing the skill envelope and showing off musical prowess, Gorguts took it a step further and created Dissonant Death Metal, which sacrificed all form of songwriting, riffing and memorable performance for the sole sake of creating something weird enough to continue pushing Extreme Metal in a… well, more extreme direction.
Much like how most Grindcore is simply taking things too far a lot of the time to prove they are the most fastest and most heaviest, so too does Dissodeath (at least in this Avant-Garde instance). Gorguts were more concerned with what they could do rather than what they should do. There is very little that is aurally pleasant on this album. The first song opens up with one of the most obnoxious guitar… leads, I guess, that I’ve ever heard. Atonal skronking, for what purpose? I guess cause it was new and unique. Then the guitar starts making some weird beeping noises, which is less offensive somehow. Atonal chords follow… Yeah, aside from the ever-impressive drumming and respectable talent, it’s just not my cup of tea. The songs jump around in sections so quickly there is no time to sit with anything they are trying to do. This leaves every song entirely unmemorable, save for the weird stuff they do that stands out (oh yeah, this is the track where the guitars sound like a choo choo train). Even the vocals started to wear me down, being a bit of a higher pitched bellow.
The worst part, for me, is that this totally worked for most people. Not only is the album hailed as a masterpiece, but so many bands took after them, deciding this insane new direction was the future. And yeah, it’s still going. A very unfortunate trend I see on many music discussion sites is that modern Metal isn’t worth your time unless it’s Avant-Garde Extreme Post Atmospheric Technical Progressive Metal. And that unfortunate obsession, all started right here…