Nightwish - Once (2004)^{Release ID: 5290}

Back in the day I used to think quite highly of this album compared to it's predecessors and successors. I can't see why now. Gone is the power part of the equation that was so great about Oceanborn, yet it doesn't quite embrace the more fully symphonic sound that the Olzon-era would become. Instead, it's just sort of awkwardly sitting in '00s chug.
I daresay that if it was someone else who made this album, it would be a lot more controversial at best, outright hated at worst. (In the metal world, anyway) I Wish I Had an Angel, in particular, you could just slap into any dance club mix and it would fit perfectly; Right down to the sexy lyrics which are far more dark than they are on the surface. I can't rightly put my finger on why I like it compared to something like Evanesence.
Which isn't to say I dislike the album. I think the first four songs (including I Wish I Had an Angel, that's just an observation) are possibly the best Nightwish have ever done. Dark Chest of Wonders is a good opener, oddly structured. The chorus is incidental to sweeping instrumental sections, only appearing twice. The use of a choir singing sharp, short notes is odd, but I don't listen to enough opera to know if that's truly as odd as it appears to me. It really strikes a good balance between symphonic and metal, reminding me why Nightwish still kind of is the top of the roost when it comes to the sub-genre.
But then we get Creek Mary's Blood, which starts off Nightwish's trend of long, overwrought and pretentious self-indulgence. Stopping everything for an important message, though the Trail of Tears is less pretentious than 15 minutes of "it sucks being Toumas Holopainen". Nightwish's grand symphonic sound clashes with the depressing nature the lyrics invoke of people being torn from their ancestral land. It's not that it's a bad subject for a song, Satan and Running Wild did the same broad subject, I just don't think Nightwish can do effectively a funeral dirge about it.
I wouldn't say songs after this get bad or anything, but they definitely suffer coming after this song. Doubly so on extended versions of the album. By the time Ghost Love Score is over, I'm about done with the album, yet on the version I listened to, there were still five more songs. Even with just two more songs on the normal version of the album, that's a lot to go through.
Lyrically, it's a lot of cheesy, sentimental self-loathing from a Finnish man with a questionable grasp of English, and I love it. There is a subtleness, that perhaps I'm imagining, to the package, that you can't get solely by hearing the album or reading the lyrics. This comes out most strongly in Planet Hell, in which one line is supposed to be "you wanderer", but Tarja clearly sings "you murderer". Considering the content of the lyrics otherwise, I'd be surprised if that was accidental.
In the end, I still stand by my original thought that this sits awkwardly between better albums, even if it has really strong elements to it. I can see why someone else would think of this as their favorite.

When I was first getting back into metal, around the turn of the millenium, I had a very good friend who wasn't much of a metal fan, but was heavily into the female-fronted symphonic metal scene and through them I became interested in the Finns with the striking, classically-trained lead singer who, along with Italy's Lacuna Coil, seemed like the only ones in this style who seemed worth the attention. My first exposure to them was through their debut "Angels Fall First" album which had a number of tracks that impressed, particularly "Elvenpath" and "Astral Romance". Subsequent albums "Oceanborn" and especially "Wishmaster" always had a track or two that I enjoyed, "The Pharaoh Sails to Orion" on the former and the title track and "The Kinslayer" on the latter. By the early 2000s I was bathing in the dubious glories of more extreme metal genres like black and doom metal, yet I was still interested enough in new Nightwish material to take note, but unfortunately I thought 2002's Century Child was a dip in quality, so by the time of the release of 2004's "Once" I was not really that interested. However, videos for "Nemo" and "Wish I Had an Angel" saw me being dragged back in by Tarja's charismatic presence, to the degree that I actually bought the album on CD while I was in town one weekend.

Now, I would be lying if I said that this was high on my list of all-time great metal releases, but I would be lying just as much if I claimed to dislike it completely. I have a natural aversion to overblown metal genres in general and symphonic metal in particular, but no one has ever rivalled Tarja-fronted Nightwish in the genre and every other band in this field so obviously wants to be them that they must have been doing something right. The operatic orchestration and synths may well be what draws people to this style of metal, but for me, it is the surprisingly heavy, yet melodic riffs, Tarja's vocals and their ability to write memorable tunes that are the beating heart of Nightwish and which none of their rivals can remotely match. There is a nice variation in pacing and atmosphere on "Once", from heavy and bombastic to reflective and wistful which manages to keep me engaged for the total runtime. The band are obviously well-versed in their instruments and the clarity of the production allows them all their space to impress and in Tarja Turunen they have probably the singularly most accomplished and physically striking frontwoman in the history of metal.

It may do my metal street-cred no good whatsoever (as if I could give a shit), but I happily chuck "Once" into the CD player now and then when I just want to hear some entertaining metal solely for enjoyment and to feel uplifted and not to think about too deeply.

Nightwish is one of the most popular symphonic/power metal bands today, and was an essential band for me long ago. Now it's hard to accurately categorize their evolving style when they add elements of gothic, progressive, thrash, doom, etc. The operatic singing of then-vocalist Tarja Turunen was a true standout in the band's first era.

Once I had a dream of what metal would sound like with lots of TSFH-like orchestration, and this was it when I discovered this nearly a decade ago. Today I feel like I had been too optimistic. As varied as this album is, I'm starting to think the orchestra overpowers the metal. But what else is there from a full orchestra? Despite the orchestral overdose, many songs stay heavy, and founding keyboardist Tuomas Holopainen is able to display his own synth work. But let's get over the whole "selling out" nonsense...

Kickstarting the album is the anthemic "Dark Chest of Wonders", having lots of power and atmosphere, with a solid chorus. There's a bit of progressiveness without going too overboard. Then we have the gothic dance-rock/metal single "Wish I Had an Angel". It is followed by "Nemo", a heavy yet beautiful mid-paced highlight. The name is Latin for "Nobody", and the song has nothing to do with Disney/Pixar's Finding Nemo, which is a shame because that's the first ever movie I've ever remembered watching. The more symphonic yet heavy "Planet Hell" was one of the first songs I discovered from this band, when it was associated with RuneScape and the infamous Falador Massacre.

It seems abrupt switching out of a highly upbeat energetic track into the ballad that is "Creek Mary's Blood". Their attempt to turn an acoustic Native American ballad into an long epic ends up failing and sounding too draggy. The heaviness begins to build up in the Eastern-sounding "The Siren" with mysterious violin and solid Maiden-like riffing. "Dead Gardens" is heavier with a melodic chorus, but it ends too abruptly. "Romanticide" has more focus on metal than orchestra with more riff groove and interesting choir.

"Ghost Love Score" is the album's true epic, and very much everything the album has already offered is blended together greatly. First we have a couple verses with more of the Eastern sitar, then it slows down to a ballad-like section, and after that, we have a lovely orchestral break that is well-executed. Immediately when the metal comes back on, you're hit by one of the most epic moments in symphonic metal, right before Tarja continues singing. And the rest is memorable too. Next up, "Kuolema Tekee Taiteilijan" (Death Makes an Artist) is a nice orchestral ballad sung in Finnish. "Higher Than Hope" is one more power ballad closer to the band's earlier material. An excellent finale!

All in all, I would consider this album the weakest in my revisit trip, but I would never consider Once or Nightwish super-bad. However, there are some things I might object to. The production and style is a bit over-the-top, but still mostly enjoyable. I would recommend this album for any fan of gothic-infused symphonic power metal. It is different from their earlier material, yet worth trying this bombastic rollercoaster. Though this is Tarja's last ride....

Favorites: "Dark Chest of Wonders", "Nemo", "Planet Hell", "The Siren", "Ghost Love Score", "Higher Than Hope"