World Below - Repulsion (2006)Release ID: 26677
World Below are a relatively unknown name outside of diehard swedish doom metal fandom. Formed in 1999, they involve veterans of a plethora of swedish metal bands such as Scar Symmetry, Grave and Carnal Forge, among many others, and have released three full-lengths to date, of which Repulsion is the third. They are still mooted as a going concern, but have been silent, at least as far as recorded material goes, for almost two decades now.
Repulsion is made up of five lengthy tracks with a 50+ minute runtime. Musically it has it's feet firmly planted in the eighties and early nineties and the old-school traditional doom metal of Pentagram, The Obsessed and lesser-known lights like Revelation with plenty of Sabbath-y moments, particularly during opening track, "Monsters in the Closet", with it's Ozzy-like vocals and "Children of the Grave" aping riff. Whilst the first half of the album sit firmly within the traditional doom metal sphere, the second also contains a significant stoner rock component and the album as a whole makes a nod or two in a progressive direction, particularly the epic twenty-minute, closer, "Monument", giving the second half more than a passing resemblance to the work of prog-stoner bands like Merlin.
The songwriting is very good, with the tracks all developing nicely, feeling like they are actually going somewhere and the technical aspects are very accomplished. The riffs are suitably heavy and mournful, the rhythm section of drummer Ronnie Bergerstål and bassist / vocalist Mikael Danielsson are unfussy and direct, providing solid footing for guitarist Jonas Kjellgren to launch some very satisfying solos, his Tony-Iommi influenced guitar work being the focal point for almost all the album's best moments.
It may well be that Repulsion is not going to satisfy the doom fan looking for bleak as hell, crushingly heavy, ultra-slow riffs and mournful, heart-achingly bereft vocals and the inclusion of some old-fashioned, rock-based riffs may further tip the scales against it, but if you are willing to forgive it it's perceived transgressions then it contains some fantastic lead work and memorable stoner doom riffs coupled with epic and skillful songwriting that may just persuade you of it's undoubted merits.
