Madder Mortem - Mercury (1999)^{Release ID: 12702}

Hearing a single from the upcoming Madder Mortem album made me excited for that album and up for more of this band. The frontwoman Agnete M. Kirkevaag has a lot of talent within her vocals, and you can almost consider this band a metal resurrection of Siouxsie and the Banshees. Honestly, I would go mad if I don't have this band's music in my life! And their doomy debut brings me to a fantastic beginning of their discography...

The only thing I hate about this album is the fact that I overlooked this overlooked masterpiece. There are some people who aren't fans of female-led metal bands, thinking they're incapable of "real metal" and more focused on commercial success than actual talent. Now that kind of opinion is unfair, not to mention sexist. I don't listen to a lot of the more popular female-led metal bands like Nightwish and Epica as much as I used to, but the fact that those bands' lead vocalists are female is not even close to the reason. For Madder Mortem, their debut Mercury is pure creative heaviness, and Agnete M. Kirkevaag profusely enhances it with her vocal talent and lyrical originality.

From the start, "Undertow" opens the progressive doom gates. The more melodic "Under Another Moon" adds some subtle autumnal folk elements. Same with "He Who Longed for the Stars", as the doom has slower emotion.

Another album highlight is "These Mortal Sins" with its Trail of Tears-like faster gothic metal sound. "The Grinding Silence" sounds more obscure, yet it gives the distant sound a more mysterious atmosphere. It's a great balance between the soft acoustic piano and the heavy electric guitar. Another killer favorite here is "Loss", having catchy heavy rhythm to headbang to.

More of the heavy riffing appears in "Remnants", right in the face, after the rest of the instrumentation lurks around subtly yet sinisterly. "Misty Sleep" has more effective vocals from under the deepest depths, rising in forlorn grace. Agnete's brother guitarist BP provides occasional background vocals that sound deep in contrast to Agnete's vocal harmonies. Ending things eerily is "Convertion". The closing epic perfectly summarizes the desolate Autumn atmosphere of the album and artwork. The distorted guitars, technical doomy drums, soft acoustic guitars, dreamy keyboards, and calm yet powerful vocals are all there. Truly hypnotic!

Before their heavier progressive metal sound, Madder Mortem took on melodic progressive doom. With gentle vocals and ethereal riffing, Mercury would have no trouble being part of the rare progressive doom club that included Atrox, The Foreshadowing, and The 3rd and the Mortal's Tears Laid in Earth. I wouldn't say this album is gothic as some people would consider it, though it has the bombastic drama of the genre at some points. The album is from a time when gothic/doom's pinnacle decade of the 90s was reaching its end, as Paradise Lost and The 3rd and the Mortal already discarded their heavier roots, and Theatre of Tragedy and Type O Negative each made their last doomy album before a more mainstream sound. Madder Mortem ended that era with a bang. With Mercury's influential melancholy, this bleak sound shall never die!

Favorites: "Undertow", "These Mortal Sins", "Loss", "Misty Sleep", "Convertion"