Track Of The Day - The Sphere Edition

A powerful anthem and one of the best in this new and improved Neurotech:

Pretty much everything Neurotech fans love is in in this 8-minute progressive cyber metal monumental epic:

An annihilating highlight of extreme symphonic industrial/cyber metal:

A highlight from this EP, exemplifying the band's true sound:

This cyber metal highlight is obviously not a Wicked cover (thank goodness!), though it's quite diverse with all you can hear from the more progressive and melodic bands:

One of many highlights from The Interbeing's cyber metal/melodeath masterpiece debut:

Underrated otherworldly djenty cyber metal for those who want similar music to Mnemic and other modern bands:

A nice rough heavier remix than the original White Zombie track:

The perfect starting track to treat you with what to expect in this industrial metal album:

Sludgy industrial metal great for a motorcycle ride in the night:

This incredible highlight comes close to surpassing that 10-minute epic, and the female vocals here are mostly from "Treasur'" Necole Wright who previously guest appeared in Venator's "Totemic", plus some wild shredding soloing by Dean Paul Arnold:

Industrial/cyber metal with lots of groove and energy:

A darker and heavier standout featuring Anna Hel:

One of the band's most industrial highlights yet, including a dark heavy bridge featuring Troy Sanders of Mastodon:

An awesome start to this industrial melodeath album in what can be the band's own theme song:

Another unique blend of extreme and melodic in both the music and vocals:

Guitar/keyboard melodies reach an intense height in this epic standout:

Did I mention how much I enjoy covers in which the band metalizes the original song with their own sound? This is one of only a couple tracks I like from that poor Stahlhammer album:

An odd yet cool track that's one of my favorites in Kong's debut:

Highlights like this one don't need to have a lot to sound awesome:

This highlight sounds nicely like a sequel to the title track of Mechina's "The Assembly of Tyrants", also having a Xerath-esque blend of symphonics and groove elements:

Fantastic opening track with the band's typical riff-wrath in a slower industrial march:

My favorite track of Neurotech's best album in 10 years is one of the most beautiful album endings I've heard, practically "Ultra Us 2.0":

Although Fear of Domination has gone past their early industrial phase at this point, this ultimate ending highlight still fits well in The Sphere as one of the most experimental tracks by the band: