The North

My review that I have up for A Blaze In the Northern Sky is pretty shallow compared to what I normally write, but I think it still summarizes my feelings pretty closely. I first listened to this album when I started the 1st Decade Black Metal challenge, and the album stood out an incredible amount compared to its peers at that time. There were few other bands that really captured that evil and cold feeling better than Darkthrone with this album, and I feel like it is one of the massive stepping stones between Bathory's 1987 album Under the Sign of the Black Mark and Mayhem's 1994 album De mysteriis dom Sathanas. The extended song structure and overall chaos of it is more akin to what I'm used to in modern Black Metal and while it is definitely rough around the edges in terms of guitar clarity and such, it still has clarity to it, which was rare for a lot of Black Metal bands in the late 80's and early 90's. A Blaze In the Northern Sky just gives me exactly what I want from a genre that is supposed to sound cold and evil, simple as that. 

4.5/5

This was one of those albums that I wish I liked more, but there's just something about it that didn't click in the end. It's been a while since I've listened to some good, old-fashioned, Pagan Black Metal inspired Folk Metal, so An deiz ruz was definitely refreshing. It has a ton of things I like, from the acoustic but still heavy riffing to the flute and folk elements playing perfectly with the Black Metal harsh vocals, but I wasn't thrilled at the end of it. Maybe an hour of this is a bit too much, or maybe the constant flute on top of the riffing began to feel uninspired during the second half of the album, but this one is going to have to be one that I revisit. I love what's going on, but I think they decided to write too many similar songs for the entire album to be as exciting as the first half. While the flute can sound fantastic, it feels like more of a nuisance when it copies exactly what the lead guitar is doing, like in "Epona, Part 2". Some of the Celtic elements feel a bit overblown too, like they don't exactly fit, especially when the vocalist gets involved in the folky-tunes on tracks like "Son ar Everezh". 

3.5/5, but it has potential for me. 

Inspired by the new DIS vs DAT thing on Metal Academy, in turn inspired by that weekly feature on Utopia Records' Facebook page, I decided to turn this conversation-starting activity into a full thread instead of separate threads. Got a couple albums with the same genre and release year that you can't decide which has the greater edge? Share them here!

Hammerheart has had a slow burn for me over the last year and a half or so. When I initially checked out Bathory's discography I was looking forward to Hammerheart the most, since I knew it was the true start of the Viking Metal genre, but at the time Blood Fire Death captivated me so much more with its balanced split of slower, more extended tracks and classic early Black Metal thrash. As I come back to it more and more, though, Hammerheart is really starting to win me over. Each riff is absolutely stellar, having an unmistakable raw heft that only early Bathory production can provide. Since Hammerheart is slower and more restrained in terms of songwriting it really plays to the strengths of its pushed back and crunchy production style. Although Quorthon is known for his signature and furious Black Metal barking, he somehow manages to find a strained but clear clean voice that is still filled with emotion and fits the style of the album superbly. I think it still takes some getting used to if you're not familiar with Bathory, but I'm just always surprised that it sounds so natural and good although it sounds like his throat is about to give out during certain parts of "One Rode To Asa Bay". The choirs that are so heavily used really give a nice contrast to Quorthon's ragged voice as well, giving Hammerheart its epic sound and quality. 

I think I've finally reached the point of truly appreciating this release, since I was still skeptical of all the hype even after many listens. Something didn't click, and this time around the wheels have really begun to turn. I still think "Home Of Once Brave" holds the album back a little, but with "Baptised In Fire And Ice", "Father To Son," and "One Rode To Asa Bay" I'll forgive it. 

Heol Telwen - "An deiz ruz" (2005)

So in the interests of ensuring the continued expansion of my knowledge of all things metal, I decided to give a release labelled as Celtic metal a go so that I could find out what it's all about. From my understanding (& feel free to correct me if I'm wrong), the subgenre is essentially just folk metal that utilizes traditional Celtic instruments like bagpipes, whistle, fiddle, flute, bodhrán & hurdy gurdy. The record I selected was the only album from French outfit Heol Telwen entitled "An Deiz Ruz" & I have to say that it was a real struggle for me to get through. The band are certainly decent musicians & composers & I think they'd make for a very reasonable black metal band given that the basis for this music is built on black metal. But the continued use of folky flute melodies & the gang vocal "Hey!" parts make it almost impossible for me to take it all seriously. I'm not a fan of most folk metal but I think Celtic metal might be even further away from my personal tastes.

2/5

Any of our members love this stuff? I'd love to hear your thoughts on this album & the subgenre in general. Please feel free to use this thread for continued discussion on the subgenre moving forwards.

Finally got around to my review of this.  The proof of what a great record it is comes from me being able to review whilst playing it in my head, like it is transcribed in my memory.  Need to hunt down a decent physical copy.

Thanks for clearing that up Daniel. I had a feeling that it would be considered ok for the Academy (as I believe it should be). Just checking because, as you rightly say, some websites make completely arbitrary decisions on what constitutes being "metal enough" - a position particularly odd in the case of metal-archives as they claim to be an encyclopaedia of metal music yet dismiss many valid artists out of hand because of personal bias.

Yet another example of why Metal Academy is a superior site for the Metal connoisseur!

Bathory - "Hammerheart" (1990)

Quorthon finishes his transition away from Bathory's classic black metal sound into previously uncharted territory... well at least for extreme metal anyway as the Manowar plagiarism is very clear. "Hammerheart" not only single-handedly created a new subgenre of metal but it also presented itself in the most defined, impressive & iconic package we've heard from Viking metal still to this day. Amazing stuff that completed a trio of classic of Bathory albums in my opinion.

4.5/5

A lot of Black Metal this year. An overflowing amount. Here's what I ended up with for a Top 10:

1. Funereal Presence – Achatius 

2. Serpent Column – Mirror In Darkness 

3. Saor – Forgotten Paths 

4. Obsequiae – The Palms of Sorrowed Kings 

5. Deathspell Omega – The Furnaces of Palingenesia 

6. Stormlord – Far 

7. Grima – Will of the Primordial 

8. Mgla – Age of Excuse 

9. Fen – The Dead Light 

10. The Great Old Ones – Cosmicism 

I really thought that I'd enjoy this more than Hammerheart, but by listening to them both back to back they evened out for me. Cleaning up the production for the guitar tone and drums makes Twilight of the Gods sound infinitely better than Hammerheart, but it also makes it lose that dirty edge that Bathory's old production had which helped to sell the Viking theme. Twilight of the Gods sounds like it's telling the tales of Gods rather than the mere mortals present on Hammerheart. The dirty old production is replaced with full and clean sounding guitar tones and bass rhythms, distant but bombastic sounding drums, and folky but powerful acoustics, creating a more familiar atmosphere for me in terms of viking and folk metal. 

While I don't think it should be overlooked and it has its place in the classic Bathory discography, I think that it's definitely missing something compared to Hammerheart or Blood Fire Death. With the entire album being rather low tempo and plodding, it loses a bit of its luster after the first three or four songs. It's very well written and certainly epic, but Hammerheart and Bathory's other albums had more spice to them. 

I'll have you know that kvlt evil metallers get cold feet too Ben. Do you think they really go to bed in leather & spikes? I'm pretty sure that Satan himself wears ugg boots whilst enjoying a nice cup of tea & a biscuit after a hard day of cursing people for eternity.

More from Necrobutcher on this topic:

“When I did that interview I was thinking, ‘What kind of moron fucking question is this?’ They didn’t have one fucking question about the new album, which we are out here to do, so I was like … what’s this line of questioning? Aren’t you over that now?

But yeah, OK, I’ll tell you straight up, I wanted to kill that fucker in the end. He … Imagine that somebody you think is your friend coming home and finding your other friend killed themselves and took pictures of their dead body. Who the fuck in their right mind would do anything like that? Everybody should have the little bit of intelligence to know that, that’s gotta be somebody completely stripped from empathy and normal emotions. And really a bad fucking person. But now he’s a fucking hero! And it’s like, OK, I’ve always talked good about him, never wanted to talk bad about the dead, but this has gone too far now. I mean, if the guy wasn’t killed, he would’ve gone to jail for many years for lighting up a church in Oslo. He’d be gone. He’d have been sued just like Varg Vikernes for 50 million NOK, so when he would be released from jail, he would never have a job, never own a car, own a flat, own a TV. He would be fucked with a capital F. He’s the big hero? No, he’s the big fucking asshole, that’s who he is. The betrayal — he betrayed his friends and the bad karma in the end came and took him. I never cried a tear for that guy. I was mad as fuck when he died, and what I told that journalist is when I read it in the morning paper, I headed straight home and cleaned my house for all the illegals. I was sure the cops were going to come home to my place next and that I was going to be a suspect. I didn’t know that they already knew who did it. 

“And I’ll tell you since we’re into this. Norway is a very small country. Varg Vikernes lit up a church, went to jail, they couldn’t get evidence, so they had to let him out. Big disappointment for the cops, a loss of prestige. So, they bugged his phone, bugged his apartment, everything. And he was plotting to kill Euronymous on the phone and everything, making an alibi on the phone. But of course, they knew everything! So, I was a little pissed at the cops later on because I’m thinking … they knew what was going on and they didn’t even stop it. This is very fucking bad, you know what I mean? The government was in on killing him. So, I never talked about it before, but now I’m thinking, since the government isn’t linked up to my ass now, it’s starting to get down to earth again. And that’s not the smart thing for me to do, to make enemies again now that I’ve cooled again, but it’s in me. I can’t help it. Anything that wronged me has to be right.”

It sounds like someone is looking to make a name for themselves in the naughty circle:

According to the New Zealand Herald, Jacob Lowenstein, the 28-year-old drummer for the New Zealand black metal band IGNI, has been charged with setting two Mormon churches ablaze. 

Lowenstein appeared from custody via audio visual link at Christchurch District Court today on two charges of arson and one of unlawfully taking a vehicle. 

The arson charges are in relation to fires at Mormon church buildings in Christchurch and Greymouth, which occurred two days apart in March.  

On March 11, a fire broke out in a building in Christchurch which was used by The Church of Jesus Christ of Latter Day Saints as a learning institution for tertiary students. 

 According to Stuff, the second fire at the church's Greymouth building on March 13 destroyed the chapel and caused enough damage for the building to need demolition.  

At the time, Fire and Emergency New Zealand fire investigator Sam Bugler said the fire destroyed about half of the church. 

Lowenstein and Declan MacInnes formed IGNI in 2016 at Jazz School in Christchurch. The band has released two full-length albums: "The Pale" (2017) and "This Must Be Hell" (2018). Both LPs were recorded at the school.

So he's in no way saying that he didn't do it. Only that he had a "good reason" for doing it, which the court didn't acknowledge. Yeah, that doesn't exactly evoke my sympathy.