 Review by Vinny for Kaeck - Gruwelijk onthaal (2025)
                        Review by Vinny for Kaeck - Gruwelijk onthaal (2025)
                    
                Dutch black metal quartet, Kaeck kick off their suitably named third album, (translated as) Horrible Welcome, with a horrible sounding track. ‘Door gespleten tongen bezworen’ (‘Conjured by Forked Tongues’) is a real dank sounding piece of black metal, punctuated by stabs of synths that could accompany crawling shadows in any Nosferatu flick in days gone by. These keys are a key component of the albums sound. Creating atmosphere against the barking guitar that growls like a pack of hellhounds, this adds authenticity to the sound most certainly. In using them, the album avoids embarking on a truly symphonic experience and can focus on generating a real sense of horror instead.
The downside is that it soon gets old. Now, I know that nobody listens to conventional black metal for masses of variation, but Kaeck are on their third album here and as much as I admire them for sticking with a tested format, the issue here is that the tracks soon all start to morph into one. Whilst I accept that the pace and tempo do alter throughout the record, the keys end up just droning on in the background. Sometimes, they aren’t deployed fully even and whilst this I could argue gives a bit of respite, it does unfortunately come across as if the keyboard player is just falling asleep and coming back in between power naps.
What starts out as a promising album therefore soon fades into obscurity, and I can’t help but feel a bit robbed. Even though I acknowledge that Kaeck can create a ghastly black metal sound, they just don’t do enough with it to hold my interest. After four tracks, I could guess the structure of the remaining three, very easily. If you like your bm to be based on pure repetition alone, then this one is most definitely for you. Ultimately though this gives very little reward otherwise. Fair play for trying to recreate those early 90’s eerie vibes but the authenticity of that over three decades after the event is questionable.

