Review by Saxy S for Born of Osiris - Through Shadows (2025)

I've mentioned on a handful of occasions that I struggled with Sumerian Records back in the day. Djentcore was in its early stages of development and this record label was destined to pump out as many metalcore and djent bands as they possibly could through the early 2010s. Born of Osiris were just another one of the fairly unoriginal bands of the time, but as the years pass they modulate closer to the Veil of Maya sound. I've personally never cared for them, but as an inoffensive modern metalcore/deathcore/djent band, I cannot admit to ever switching the channel when they come on. A large reason for that was the songwriting, which was short and direct to the listener.

Short projects like The New Reign and The Simulation play into the groups strengths as being fat-free, straight-to-the-point metalcore/deathcore. Albums like Angel or Alien and more recently, Through Shadows on the other hand, are too long and drawn out for the band. Promotional singles like "Elevate" and "In Desolation" have decent ideas, but both feel cut short; "Elevate" and the opener "Seppuku" in particular feel like their final chorus is missing.

If this was a normal, formative Born of Osiris album, I probably would not mind as much. But in 2025, Through Shadows is a hair under fifty minutes in length. Combining that with shorter than average songs makes for a major issue in the structure of this release. When the band experiments with longer song structures like "A Mind Short Circuiting" and "Transcendence" it feels like two separate song ideas stitched together. The record is just not that well meshed and a large portion of that might come from the bands continued pivot towards electronica.

At the least the sound is nice. Since Born of Osiris are from that formative djent era, Through Shadows is super groovy. The percussion is precise and compliments the vocals very well as well as the occasional guitar lead. I did not find the guitar/bass work to be very impressive; this definitely still has that Sumerian blockiness to it. And vocals are mostly okay; Ronnie continues to move away from harsh screaming as frequently and they can be hit-or-miss, but I do appreciate how not every track on this record has a sung chorus.

Overall I found Through Shadows to be a fairly inoffensive album, just like the rest of Born of Osiris' discography. They are certainly talented when it comes to writing killer grooves and the occasional catchy hook, but given the albums length and continued push towards the progressive leaves this band in an odd predicament. Singles bands can be fine in small doses, but as far as I can tell, Born of Osiris are still chasing the shadows of Veil of Maya.

Best Songs: Inverno, Activated, Blackwater