Review by Sonny for Structure - Heritage (2025)

I had a quick look to see if I had encountered Structure's main man, Bram Bijlhout, before and the only time our paths have crossed was Officium Triste's 2013 album, Mors Viri, which I honestly can't remember listening to and which I rated a measly two-and-a-half stars, so not an auspicious start then. However, whether my long forgotten score is an accurate reflection of Mors Viri's quality or not, one of us has changed because I honestly cannot express how utterly affecting and emotional I found Heritage to be. This may sound a bit odd considering Pim Blankenstein uses the guttural growls of extreme metal and the ponderous riffs are huge, crushing affairs, but there is also a melancholy yearning oozing out from under that crushing weight which is often accentuated by lighter instrumental moments.

Heritage actually straddles the line between death doom and funeral doom, allowing for well-executed tempo variations that ensures the generally medium-length tracks don't succumb to saminess. The riffs are melodic and memorable in the main, and really do strike an impressive balance between musical and emotional weight, providing the discerning metalhead with more than enough heaviness to satisfy their craving whilst simultaneously tugging at their heartstrings. The lead work often soars above the miasma created by the riffs, rhythm section and guttural growling like a released spirit taking its leave of the soul-crushing grind of earthbound existence, shrieving itself of its earthly cares and reaching towards its personal nirvana.

I haven't sat down with a lyric sheet, so I don't know what the philosophy behind Heritage is, but for some reason I can't help but feel uplifted and hopeful both whilst and after listening to it, as if it is saying, no matter how hard and heavy things may be, ultimately everything will be OK. This may be fanciful on my part, and yes, it is steeped in melancholy and a gruelling weight, but there is a ray of something more at the heart of the album that genuinely makes me feel good and that is something that I have found in very short supply in recent times. I am exceedingly impressed and it will take a fucking great record to beat this to my AOTY for 2025.