Review by Rexorcist for Blood Incantation - Hidden History of the Human Race (2019) Review by Rexorcist for Blood Incantation - Hidden History of the Human Race (2019)

Rexorcist Rexorcist / May 09, 2025 / 0

Although I've heard largely raw praise for this sophomore album by Blood Incantation, there's an ongoing debate as to whether or not this is an improvement over Starspawn.  My immediate thought was that it was due to a change in pace.  Normally, I like changes in pace, but only if the artist keeps the established identity as well.  I had no way of knowing which would reign supreme on this album.

Its opener, Slave Species of the Gods, is absolutely brutal and a little sludgy.  This was obviously going to be a deeper album that before, and I appreciated the stronger focus on heaviness and progression, especially since this means they're attempting a new direction.  However, despite all the skill they put into it, this is a more generic song on the whole.  On Starspawn, the band took all familiar traits of death and maximized the full potential.  There seems to be less trickery on this opener, so hopefully that would be remedied on later tracks.  I had an 18-minute closer to look forward to, after all.  The Giza Power Plant was seven minutes, which would normally leave a lot of room for some new tricks.  But the most it did was switch from a brutal song to a slower and more ambient one for four minutes before ending on the brutal note.  Now this had incredible moments about it, but it was largely boasting things that were done with more creativity on Starspawn.  Track 3, Inner Paths (To Outer Space), goes into a very deep and sombre opening before slowly emerging as a prog metal track in a similar vein to the folk track on Star Spawn, Meticulous Soul Devourment.  Taking MSD's place as the "vibe" track, this one also includes drowned dialogues like in the cut ambient track from Live Vetrification before fully crossing the bridge into prog death metal, and then finally into brutal death, never once losing sight of the balance, pacing or atmosphere, feeling right at home with Giza Power Plant and artistically contradicting Slave Species of the Gods.  Obviously, the intro song is totally outshined, and would've been more properly placed as the second track.

Now it was time for the majesty.  I had full faith that Blood Incantation would amaze me with another nearly 20-minute epic of raw art, but kept the idea of monotony in mind due to the poorly placed intro song's generic behavior.  It was obvious from the start that the heaviness had been improved on.  This is probably their heaviest and most thunderous track, or at least it starts that way.  And let me tell you, it's very good.  They put together something that remains brutal and challenging throughout.  A few surprises wait throughout the eighteen minutes, but that's only a few.  Otherwise, this is simply a great effort technically and production-wise, but I was hoping for something mindblowing.

This sophomore, in my opinion, is a little more generic.  It carries some of the Starspawn weirdness and a few little traces of what's to come on their legendary third album, but otherwise, I'll say it's simply a great way to introduce death metal to someone.  Another great effort on their part, but not five-stars.  Honestly, I wonder if they were simply trying to sell or to get noticed?  They didn't betray their talents, but much of the identity was gone.

93, just like Live Vitrification.

Comments (0)