Review by Shadowdoom9 (Andi) for Illidiance - The Iconoclast (2019) Review by Shadowdoom9 (Andi) for Illidiance - The Iconoclast (2019)

Shadowdoom9 (Andi) Shadowdoom9 (Andi) / March 10, 2025 / 0

Illidiance started off with a symphonic black metal sound bled from their previous incarnation S.C.A.R.D., with the debut Insane Mytheries to Demise. Their next album Nexaeon started a different cyber/industrial metal route while their blackened roots were still around. Damage Theory and the Deformity EP are the releases where Illidiance have just become purely cyber metal. Nothing extreme, just dance-y cyber greatness. Most of the singles released in the years since then hinted at a new album to come...

2019's The Iconoclast continues this electro-industrial/cyber metal sound as tales of a bleak future are narrated in song. Not even the Terminator would stand a chance. Electronic keyboards, heavy riffing, and melodic/harsh vocals help guide you through these lyrics in a mainstream-ish sound that surprisingly isn't commercially popular.

6 of the songs are in Russian, but for this review, we'll just go for the English counterparts, starting with "Defying Gravity". Obviously it's not a Wicked cover (thank goodness!), though it's quite diverse with everything from progressive/djenty bands like Mnemic, Periphery, and Chaos Divine, to modern/melodic bands like Mnemic and Of Mice & Men. Now that's wicked! "Modern Iconoclast" is the first single from the album, coming out as early as late 2016. It's a solid track, but it falls into the same trap Deformity faced by relying too much on the grooves in their cyber metal sound. "When There is a Thunder" I like slightly more, thundering through while toning down for the softer verses. "Heaven Denies" has an intriguing combo of the heavier metalcore-ish sound of Invent Animate and Neaera, and the melody of D'espairsRay and Black Veil Brides.

"Last Dawn" isn't too mind-blowing, but it shines well, sounding like it would have no trouble fitting in Damage Theory. "Fuel for My Hate" is another pre-release single to really fuel things up. "Horizons of Days" has some of the progressiveness of The Faceless and The Human Abstract while maintaining the simplistic structure.

"Out of Coverage" continues to impress me with this cyber sound. "My Divergence" is quite diverse, though it's mostly the djentcore instrumentation of Born of Osiris that reigns amongst it all. "The Afterglow" gives this album a final glow with metalcore-ish bits from Crossfaith (including the electronic elements), In Hearts Wake, and the highly influenced Soilwork. A strong ending!

Since this album, the band released a live album and an acoustic album Oceanborn. A couple more singles would also pop up. Will they make another album? No idea, but I hope it will return to the brilliance of Nexaeon and Damage Theory. But for now, enjoy this Modern Iconoclast of cyber metal....

Favorites: "Defying Gravity", "Heaven Denies", "Fuel for My Hate", "Out of Coverage", "The Afterglow"

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