Review by Saxy S for Future Palace - Distortion (2024)

From Germany, I was surprised when I was going through my year end lists for 2024 and noticed that I had not reviewed the Future Palace album, Distortion. I found this very surprising because one of this albums promotion singles, "Malphas" did cross my desk last year and I figured that would be enough to at least have this record come to light. Better late than never I suppose.

However, I'm not sure that is a net positive for Future Palace since I've now spent half of the year with Reliqa and it leaves Distortion feeling hollow. If it isn't the production sounding super thin and tinny in the guitars, or the predictable song structures, it's the album structure slowing the album to a crawl by its conclusion. They are able to save it with "Amethyst," if only barely. I don't like how this album thinks it's more epic than it actually is. The inclusion of synth strings on a number of tracks (i.e. "The Echoes of Disparity" and "They Take What They Want") feel forced and unnecessary for an album whose main guitar contributions are wall of sound trance grooves. I do like the vocals from Maria Lessing and the variety that is on display here, as she alternates from warmer singing style to harsh metalcore belting. The rap vocals aren't bad per se, but compared to Monique Pym of Reliqa they act like they've been given forced intensity and it loses some grandeur. And I can admit that Future Palace do know how to write a good chorus once in a while. But once in a while doesn't cut it when the rest of the album is cookie cutter octanecore. Beyond a couple of early album singles, Future Palace turned out to be much more forgettable than I would have hoped.

Best Songs: Malphas, Dreamstate, Amethyst