Review by Daniel for Misery (AUS) - A Necessary Evil (1993)

In the early days of my death metal band Neuropath, the five of us thought we were kinda out on our own a lot of the time because the Australian extreme metal scene didn't really have anything like us at the time. Although there were other death metal bands scattered around the country, there didn't seem to be any that were dedicated to focusing on the more pure & overtly brutal end of the death metal spectrum in quite the same way that we were. My discovery of Brisbane five-piece Misery definitely threw a cat amongst the pigeons though as it showed us that it was possible for a local act to produce a full-length album that could compete with the Americans in terms of quality. They may not have fallen into that "brutal death metal" camp that we seemed to be so eagerly embraced by but their sound certainly sat right in the middle of the death metal pool in an unapologetic fashion that I found enormous appeal in. I hadn't heard of Misery prior to picking up their 1993 debut album "A Necessary Evil" on CD from my local record store shortly after release but they very quickly became a regular contributor to Neuropath gatherings. I can still vividly recall my first time seeing Misery play live at a tiny inner city venue actually, the five of us all stumbling out of the back of a bong smoke-filled van with Deicide music blaring. Misery were bloody good that night too & that experience would only work to drive our hunger to create a similar storyline with our own recording career. Since that time, I've always held "A Necessary Evil" in very high regard & have followed Misery across the course of their career, having headed back to their early 90's demo days & explored all of their subsequent albums & singles. I also think it would be fair to say that I experienced a sensation not unlike fanboyism when I discovered that Neuropath would be sharing the pages of the latest edition of "Devoured Death" 'zine with the band too & the pleasure I drew from that unexpected experience has led me to pull out Misery's debut for a long-overdue revisit.

The first thing worth mentioning in any discussion around "A Necessary Evil" is the excellent cover art which was likely the reason I first picked up the CD in the first place. The image & logo are extremely death metal & give the listener a pretty reasonable idea of what they can expect to hear inside. The ten tracks included were a collection of material that had been pulled together over the two-year period since the band's inception in 1991, six of which had appeared on Misery's early demo tapes "Sorting of the Insects" & "Astern Diabolus". In fact, the versions of "Septic Octopus" & "I Endure" (my personal favourite) that appear here were taken directly from the "Astern Diabolis" demo. The production job is thick & chunky & played a major role in highlighting all of the things that were great about Misery at the time. It also allowed them to be compared with the thriving international market because, unlike many Australian releases of the time, "A Necessary Evil" didn't sound inferior or demo-quality in any way. Front man Darren Goulding's vocal delivery was truly monstrous but didn't really sound like anyone else in particular either so, when combined with the weight of Misery's swampy down-tuned death metal riffage & eerie lead guitar melodics, Misery presented the listener sound that already owned its own unique identity.

One of the other strengths of "A Necessary Evil" was its consistency. There's not a dud to be found in this lot with the vast majority of the record sitting very much in the realm of the healthy second tier US death metal pool so it's a little disappointing that Misery never managed to break out of their home country a little more than they did. "Body Farm" (which was a re-recording of an early song from the "Sorting of the Insects" demo) sees things descending just a touch from the rest of the material but it's still an enjoyable inclusion nonetheless. The lack of any genuine death metal classics is probably the biggest reason that I never considered one of my more elite scores for "A Necessary Evil", despite the impact it may have had on me personally. Perhaps a touch more brutality might have seen that turning around as Misery generally steered clear of blast beats, focusing more on creating a graveyard atmosphere at mid-tempo which was a feat that they were no doubt very accomplished at.

I've really enjoyed my step back in time with this album this week. It's brought back some wonderful memories of an incredible time in my life which was full of musical discovery. Is "A Necessary Evil" worthy of its glorified position as an Aussie metal classic? Well, yeah... I think it is. I don't think it ever really reaches similar creative peaks to the Death's or Morbid Angel's of the world but the kudos it's earnt for opening up the local scene to the idea that an Aussie act can compete on an international level can't be denied. This record comes highly recommended from this ol' death metal tragic.

For fans of Innsmouth, Abramelin & Psychrist.