Review by Shadowdoom9 (Andi) for Corrections House - Know How to Carry a Whip (2015) Review by Shadowdoom9 (Andi) for Corrections House - Know How to Carry a Whip (2015)

Shadowdoom9 (Andi) Shadowdoom9 (Andi) / July 08, 2024 / 0

Two years after the release of Corrections House's debut Last City Zero, the group consisting of Scott Kelly (ex-Neurosis), Bruce Lamont (Yakuza), Sanford Parker (ex-Minsk) and Mike IX Williams (Eyehategod) continue pushing their dystopian industrial noise-metal to different levels. With Parker's beats, Kelly's riffing, Lamont's sax, and Williams' sick vocals, Know How to Carry a Whip maintains the greatness of the band's debut with more cohesive structures. This allows the dark despair to strike a bit more deeply...

An industrial backbone is constructed for the metal body. The mechanical music fits well for the moody concepts. The torch is often carried from one hand to another like a relay race, and when it glows, it's a darkened flame.

"Crossing My One Good Finger" has a tribal-ish beat to go with the mechanism, kicking off the dystopian industrial metal. We also have the slow crawling "Superglued Tooth" with the post-sludge riffing of Neurosis. Some background effects are added to the ritual, leading up to a closing dark dance-ish vibe. Those effects bleed into "White Man's Gonna Lose" with some perfect apocalyptic twists from the distorted sax. A true electro-industrial metal standout!

"Hopeless Moronic" is more bizarre with electronic sweeps while having some heavy groove. The lyrics seem pessimistic there. We escape into the acoustic darkness of "Visions Divide" in which even something soft can sound intense. "The Hall of Cost" is also dark but with a more chaotic attack, heading into misanthropic depths.

Switching around the structure is "When Push Comes to Shank" with moments of synth dissonance. The sax even has some emotion! Though the different twists cause the structure to be a bit unstable. "I Was Never Good at Meth" has greater structural sense when making these switches, albeit a lot more ambient. The closing track "Burn the Witness" has more of the tribal effect. The guitars are more solid and audible than most other songs here. The band have really outdone themselves by the end of it all.

If the band's debut Last City Zero was the album that showed the band what they are, Know How to Carry a Whip follows it up with another confirmation. As a result, their bleak devouring sound has made another round. Likely the final one sadly, considering the situation involving Scott Kelly....

Favorites: "Superglued Tooth", "White Man's Gonna Lose", "The Hall of Cost", "I Was Never Good at Meth", "Burn the Witness"

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