Review by Saxy S for Cavalera Conspiracy - Schizophrenia (2024)
It will probably not come as a surprise, but Sepultura were never among the "elite" thrash bands when I was making my way through the classic discography of the genre. I never thought that they were a bad group, but the heavier, almost death metal take on thrash metal was still a very niche point in my young years. But when the band moved away from the more traditional thrash sound to something more groovy on Chaos A.D. I could not help but be intrigued and I have found a new found appreciation for this band and their early output in recent years.
A lot of that has to do with Cavalera. The re-recordings of Sepultura's first two releases, Bestial Devastation and Morbid Visions, was such a good idea since it took the two most underutilized Sepultura albums, gave them a modern facelift, while some crazy people even replaced their Sepultura recordings with the Cavelera ones! And so, I was perplexed as to why Schizophrenia was getting the modern touch up, since Schizophrenia is generally considered as the first great record that carried on through Chaos A.D. But whatever, here it is: Schizophrenia is a solid piece of nostalgia farming. It's hard to critique the music itself since all of these songs are over thirty years old at this point.
So what's new here? Well the production first and foremost. It has some real grit and feels intense, coalesced by the percussion of Igor Cavalera. They can be overwhelming at times, most notably in the flat footedness of the bass drum, but their intensity is impeccable and carries over to the crunchy guitars, which are open and have much more room than their original recording counterparts. I would have liked to hear a little bit more emphasis on the bass, but for this type of double guitar thrash, I can't say that I'm surprised. I still don't like it since the instrumentals feel one note in their execution.
That just leaves the vocals and for what they are worth, they give a sense of "modern nostalgia." Early reviews like to criticize Schizophrenia for its liberal use of reverb, but I don't think it's as bad as those reviewers make it out to be. Early thrash metal vocals are notorious for having excessive reverb (Slayer's Show No Mercy, Metallica's Ride The Lightning, Testament's The Legacy), and in the modern day where death metal is so prim and proper with pin point execution of cut offs and unison technical proficiency, the laid back nature of the vocals is refreshing.
It leaves this review feeling a little light on content, but that is what happens when a band re-records their old material. Nothing here is new beyond bringing a classic album into the modern age of thrash metal. I still like it, but as mentioned earlier, I don't think that this album needed a modern facelift. To be honest, I'm a little bit worried if Cavalera continue in this vein in the future with albums like Beneath the Remains and Chaos A.D. coming into view. I can't see fans, or myself, taking those seriously.
Best Songs: From the Past Comes the Storms, Escape to the Void, Septic Schizo, R.I.P (Rest in Pain)