Review by Saxy S for Civerous - Maze Envy (2024)

Death Doom Metal and me get along quite well. Traditional Doom Metal and me also like each others company. Myself and death metal is...complicated.

Unlike most of the regulars here at Metal Academy, my metal roots (barring the Gateway clan) come from the Guardians. This is quite the change of pace from the most extreme and dank sides of the Horde, North and Pit. I always enjoy a good melodic lead to keep songs alive and memorable beyond simple textures. Death Doom Metal has become my safe place when it comes to finding music that is death metal adjacent that also has its fair share of melodically driven tracks. That said, I've also grown impatient with Death Doom Metal. I thought the whole purpose of having "Death" in the subgenre was to imply the cacophonous nature of Death Metal, but it seems to just refer to a type of Doom that has harsh vocals.

Let's just say that I was hesitant with Maze Envy, the newest album from Civerous. And it was published through 20 Buck Spin. Their is no way that this album could possibly live up to my lofty expectations right?

Well for starters, this album takes the phrase "Death Doom Metal" very seriously. This record takes influence from Dead Congregation with albums like Promulgation of the Fall where it has influences in both genres. There are portions of this record where blast beats prevail, guitar chugging is filthy and Lord Foul's vocals are pummeling. On the other hand, slower, doom-y riffs that can sometimes feel like they have metalcore influence, with wailing guitar leads serve a well needed compliment to the restlessness. But most importantly, both of these ideas fit well together. Melodic connectivity is extremely well done and greatly improves both of this albums nine (9) plus minute tracks at its end.

Which leads nicely into this albums pacing. The album feels a lot heavier during its opening moments with "Shrouded In Crystals" (which itself is eight-and-a-half minutes), "Labyrinth Charm" and "Levitation Tomb" and they leave me wanting more. Civerous follow that up with those final two tracks; the title track "Maze Envy" and "Geryon (The Plummet)." The more doom focus here makes for a more enjoyable, melodic experience as themes ebb and flow in-and-out together leaving both of them feeling complete. This band is not playing heavy for the sake of heaviness and it shows in the runtime; this album could have easily exceeded fifty (50) minutes, but opening the record with shorter, heavier songs helps the longer closing tracks become more rewarding.

The mixing of Maze Envy is pretty good actually. It actually sounds heavy with booming guitars that, as mentioned previously, do have some metalcore spice added in during some of the albums doom-y passages. The vocals form Lord Foul are genuinely impressive; they do not reinvent the wheel in any meaningful way, but their presentation is splendid and help to accentuate the dark themes presented. However, like with a lot of power metal albums, the synths here are just bad. They could have replaced many of their synth leads with the strings or even an extra guitar lead to help make this album sound even bigger, but instead these moments take a pretty decent mix and turn it flaccid in an instant.

I really liked Maze Envy, despite my initial concerns. It's an album that knows the difference between sounding heavy and actually doing it. It's also not an album that is afraid of melodies and leads, which lends into its memorability. And the structure of the album is set in a way where the album becomes more atmospheric and surreal during its runtime. If it wasn't for the flaws in the production, Maze Envy might have been a classic. Either way, it is a wonderful little album that should satisfy all walks of metal life.

Best Songs: Shrouded In Crystals, Levitation Tomb, Maze Envy