Review by Shadowdoom9 (Andi) for Rainbow - Long Live Rock 'n' Roll (1978) Review by Shadowdoom9 (Andi) for Rainbow - Long Live Rock 'n' Roll (1978)

Shadowdoom9 (Andi) Shadowdoom9 (Andi) / October 11, 2023 / 0

Rainbow's Dio trilogy were the albums that show the band's metallic side at its best alongside their usual hard rock. In fact, Rising was pretty much the first ever European-style power metal with 3 songs from that exemplifying what that genre is known for. Sadly, the band would never reach those amazing heights again after Dio left. So long live these albums from the colorful metallic kings while they last...

It was after their strong classic Rising and their live album On Stage. The band planned to make one more album that would have the special delivery of Ritchie Blackmore's guitar and Ronnie James Dio's vocals and maintain the magic of Rising. And did they do it? Yes they did! Long Live Rock ‘n’ Roll is another amazing addition to the band's discography and Dio's career. They expand their heavy focus in their songs, while at the same time, continuing the versatile experimentation. And most of the songs have come out as f***ing fantastic, further solidifying the band's status as 70s hard rock/metal heroes.

The title opener has way more energy than just rock 'n' roll. The energy of hard rock/heavy metal! The mid-paced riffing allows the riffing and drumming to bounce through. Dio takes the spotlight once again and has lots of g****mn singing passion. Amazing guitar soloing that isn't so bluesy, but instead full-on metal power! And the final chorus keeps going on, which is quite catchy, but before you can get tired of it, it fades out. "Live! Live!! LIVE!!! LIVE!!!!" The mediocre but OK "Lady of the Lake" has rock riffs rather than metal. It still has potential in live shows though. "L.A. Connection" also has a bit of awkwardness despite having more of Dio's vocal spirit. Let the lyrical metaphors relate to sex and drugs, the slow repetitive riff is what my mind is fixated when I don't want it to be. However, it's still fine, never being totally embarrassing.

"Gates of Babylon" is an epic closer to the first half of the album that makes sure this offering remains another 4.5-star classic. It takes you on a journey through the Middle-East, both musically and lyrically, from the keyboard intro, to the mystical riffing, and the vocal power in the chorus. Although keyboardist Tony Carey was still around for a few other tracks in this album, David Stone stepped in with his own keyboard contributions in this track and a few others, here to provide an exotic atmosphere and get you hooked alongside Blackmore's riffs. I just really love that track! "Kill the King" doesn't explore as globally as that track but, having been heard as early as the band's tour, it's one of Rainbow's most well-loved tracks! It would plant the seed for speedy melodic bands like Heathen and Gamma Ray. Searing soloing, intense vocals, devastating drums, and booming bass make the song another one of the best here, and the only true power metal song here, since the power metal aspects from Rising were greatly reduced.

"The Shed (Subtle)" is also f***ing incredible, opening with beautiful guitar leads before the hellbent verses come in as a headbanging riff stomps through. The drumming by the late Cozy Powell drive through in power, while Bob Daisley's deep bass rumbles through as well. Quite unlike the previous two tracks, but another underrated favorite of mine! Throwing back to the band's debut is "Sensitive to Light", which I like for its melodic bridge. That melody makes sure this song isn't entirely boogie rock. Then it all ends with the unique closing track that is "Rainbow Eyes". It's actually a long quiet medieval folk-inspired tune that would foreshadow Blackmore's later project Blackmore's Night. Lots of emotion in the soft guitars and vocals, Renaissance-esque flute. It's quiet as f*** with barely any climax. Enjoyable, but not the best way to conclude a classic album.

Long Live Rock 'n' Roll is the final part of Rainbow's amazing trilogy, and is the second-best of the trilogy, with the band's debut in 3rd place and Rising winning the gold medal. Sadly, Blackmore planned to move to a more commercial sound after their 3rd album, and Dio, disapproving of that idea, left the band and joined Black Sabbath. And thus ended Rainbow's era of promising glory. It was an amazing travel through bluesy hard rock, heavy metal, and even the earliest power metal ever, all summarized in this 3rd and last chapter. And all hopes for Dio to reunite with Rainbow are no longer possible. RIP... Long live their music!

Favorites: "Long Live Rock 'n' Roll", "Gates of Babylon", "Kill the King", "The Shed (Subtle)"

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